중앙승가대학의 歷史와 展望

수완 중앙승가대학교 1994 僧伽 Vol.11 No.-

계절의 향기

수완 문예운동사 2003 문예운동 Vol.- No.77

『대승기신론』에서 ‘以無念等故’의 의미

수완스님(조연숙) 한국선학회 2020 한국선학 Vol.0 No.56

『대승기신론』에는 ‘以無念等故’라는 句가 있다. 여기에서 ‘等’은 무슨 뜻으로 쓰였을까? ‘以無念等故’ 句 부분을, 新譯에서는 ‘無相, 無自性이기 때문에’라고 풀어서 번역하였다. 이 句를 행우서옥본에서는 “이러한 4相이 비록 無自性 等이나, 念을 여읜 本覺이 전체가 되기 때문이다”로 풀었고, 淨影寺 慧遠의 撰이라고 전해지는 『기신론의소』에서는 ‘무념이기 때문이다’로 풀었으며, 元曉는 『기신론소』에서 ‘무념을 얻으면 저 (붓다의 무념과) 평등하므로’로 풀었고, 法藏은 『기신론의기』에서 ‘4相이 念 중에 각각 곧 무념이기 때문에’로 풀었는데, 어느 해석이 가장 적합한지를 후대의 주석서와 『기신론』 전체의 문맥에서 살펴보았다. 논자는 ‘以無念等故’에서 ‘無念等’이 ‘무념 등(ādi)’으로, 무념에서 시작되는 의미, 또는 무념에 함축된 뜻을 통틀어 가리키는 것으로 보인다. The Dasheng qixin lun(Awakening of Faith) has the phrase “yi wunian deng gu”(以無念等故). This phrase is rendered in Śikṣānanda’s version as “being devoid of characteristics” and “being devoid of self-nature.” The Kyōu Shooku edition of the Qixin lun commentary annotates the phrase in question as “It is because although these four characteristics are devoid of self-nature, etc., yet the original enlightenment separated from thoughts is the universal essence.” Among the well-known Qixin lun commentators, Jingying Huiyan(?) interprets it as “It is because of its being devoid of thoughts,” whereas Wonhyo considers it to mean “It is identical with (the Buddha’s) thoughtlessness.” But Fazang takes it to meant “It is because each of the four characteristics is devoid of thoughts in any thought-moments.” Of these diverse interpretations, the author finds the most appropriate the identification of the word “deng” as “etc.” (ādi), which means “starting from” or “including,” on the basis of the later commentaries and the Qixin lun’s whole contexts.

Evaluation of Wind Load Factors for Seven Metropolitan Cities Based on Extreme Wind Analysis

함희정,이승수,판자부슈 수완나메티 한국풍공학회 2014 한국풍공학회지 Vol.18 No.3

In this study, wind load factors were evaluated by using the power of the ratio between the wind speedsfor strength design and allowable stress design. The wind speeds of seven metropolitan cities (ie., Seoul, Incheon,Daejeon, Daegu, Ulsan, Gwangju, and Busan) were selected for this evaluation. For the analysis, annual maximumwind speeds were obtained from the Korea Meteorology Administration (KMA), and all the wind speed data usedin this study were corrected for the condition of 10m in height above flat open terrain by using surface roughnessand topographical effect models. Also, the Gumbel probability distribution was used for the analysis of extreme windspeeds with various return periods. From this analysis, it can be found that the current wind load factor of 1.3specified in Korean building code (KBC) 2009 may not be appropriate for the seven metropolitan cities, and a windload factor of 1.2 may be proper to be used with a nominal return period of 700 years for the wind speed of strengthdesign. It is also proposed in this study that a basic wind speed with a return period ranging from 500 to 1,000years with a wind load factor of 1.0 could be used for strength design. It is necessary to analyze wind load factorsfor all regions of Korea to generalize the results of the current study.

슬라이딩 모드 제어와 외란관측기를 통한 나노 쿼드콥터의 강인한 자세제어기

이석태(Seok Tae Lee),린 르 탄(Lanh Le Thanh),박철우(Cheol Woo Park),이용석(Yong Seok Lee),응우엔 수완 뭉(Nguyen Xuan Mung),응우엔 응억 피(Nguyen Ngoc Phi),홍성경(Sung Kyung Hong) 한국항공우주학회 2022 한국항공우주학회 학술발표회 논문집 Vol.2022 No.4

‘읽기 교수·학습 방법 국내 연구 동향’에 대한 토론문

권수완 한국어교육학회 2022 한국어교육학회 학술발표논문집 Vol.2022 No.1

전전(戰前) 일본영화에 나타난 근대화와 국수주의 연구

정수완(Jung Soo Wan) 한국영화학회 1999 영화연구 Vol.- No.15

It is generally said that the process of Japanese modernization has showed uniqueness: the change from the aspiration toward Westernization to the resistance to Westernization to return to its tradition. However, it is based on the misconception to see the development of the history from the Western-centered point of view. It is to confine "the japanese popular culture", and "Japanese nationalism" which has its own historical context to the model of linear progress of Western history. In this context, this paper examined that the aspiration toward Westernization and the resistance to Westernization based on the nationalism in Japan co-existed from the beginning of the modernization through the analysis of three films; Dragnet Girl(1933) by Ozu Yasujiro, Male vs Female(1936) by Shimizu Yasujiro, and Momotaro, the Invincible Navy(1945) by Seo Mitsuyo. As it is revealed in Dragnet Girl by its attitude toward Moga and traditional woman, Japan was on the side of tradition even in the middle of the process of modernization. Although they are accustomed to the Western material life, they would not lose their traditional spirit. With the Manchurian colonization in 1930s, which was designed to do the mission to expand the Japanese empire at the same time to save Japanese agriculture, Japanese society began to recognize the importance of their own value more. Male vs Female represented the resist to Western by the success of the Takarazuka and the emigration to imperial land such as Hokkaido and Mongolia. In the middle of the War, just emphasizing their own tradition was not enough to resist to Western. In Momotaro, the Invincible Navy, Japan actively participated in spreading their own tradition through Asia in the name of the building "Greater East Asia Co-Prosperity Sphere". As implied in the title "Momotaro", the Japanese legendary hero, Japan was described in this film as the special nation to liberate South East Asia from the Western colonization. In this context, the process of modernization in Japan can be summarized as the process to realize their own tradition by contacting with the Western.

인지적 이미지, 자기해석 및 IP관여도에 관한 연구

박수완(Park Soo-Wan) 한국관광레저학회 2011 관광레저연구 Vol.23 No.3

재조합 Saccharomyces cerevisiae에서 Inulinase와 Invertase의 발현과 분비에 미치는 배양조건의 영향

남수완,신동하,김연희 동의대학교 기초과학연구소 1998 基礎科學硏究論文集 Vol.8 No.1

The effects of medium pH and culture temperature on the expression and secretion and secretion of inulinase and invertase were investigated with recombinant Saccharomyces cerevisiae cells. These cells were obtained by transformation of 2μ-based plasmids pYI10 and pYS10 which contain Kluyveromyces marxianus inulinase gene (INU1A) and S. cerevisiae invertase gene (SUC2), respectively, in the downstream of GAL1 promoter. The expression level and localization of inulinase and invertase were not affected significantly by the initial medium pH: secretion efficiencies of inulinase and invertase into the medium were about 90% and 60%, respectively, in the pH ranges of 4.0 to 6.5. However, the expression and secretion of both enzymes were strongly dependent on the culture temperature. The highest expression (7.7 units/mL) and secretion (6.7 units/mL) of inulinase were observed at 28℃ and 30℃. As a consequence of decreased localization of inulinase in the periplasmic space, the secretion efficiency increased from 68% at 20℃ to 95% at 35℃. The total expression level and secretion efficiency of invertase increased from 19 units/mL and 55% at 20℃ to 25 units/mL and 68% at 35℃, respectively. Irrespective of the culture temperature, the invertase activity in the cellular fraction (periplasmic space and cytoplasmic fractions) was kept constant at around 33∼45%.

고레에다 히로카즈(是枝裕和)영화에 나타난 가족의 의미 연구

정수완(Jung, Soo Wan) 동국대학교 영상미디어센터 2014 씨네포럼 Vol.0 No.19

고레에다 히로카즈는 영화를 통해 동시대의 일본사회에 대한 지속적인 관심을 보여 왔다. 그가 현실 사회에 대한 관심을 드러내는 다큐멘터리를 관심 장르로 선택하고 있다거나, 극영화의 경우에도 주로 실제 있었던 사건들을 토대로 영화를 만들어 왔다는 사실은 이와 같은 그의 일본사회에 대한 관심을 드러낸다. 본고는 그가 의도했던 의도하지 않았던 그의 현실에 대한 관심이 그의 가족영화들을 통해 1990년대 일본에서 새롭게 일고 있는 내셔널리즘을 어떻게 반영하고 있는지 살펴보고자 한다. 일본영화사에서 가족영화가 일본이 국가적인 위기에 처해 내셔널리즘적인 공동체의식이 필요할 때마다 등장했다. 1930년대 소시민영화는 일본이 관동대지진과 경제 대공항으로 혼란에 빠졌을 때 내셔널리즘을 강화하는 역할을 했으며, 1950년대 홈드라마는 패전 후 실의에 빠진 일본인들에게 국가적 자긍심이 필요한 시기에 유행했다. 1990년 이후 가시화된 냉전해체와 거품경제붕괴, 한신대지진과 옴진리교 사건, 그리고 2011년 3.11 재해를 겪으면서 역사공동체인 일본에 대한 귀속의식을 통한 새로운 내셔널리즘을 요구하고 있는 1990년대에 고레에다 히로카즈는 비혈연가족, 여성의 배제, 가부장제의 계승이라는 특징을 통해 일본 가족영화를 부활시키고 있다. Kore-eda is the director who has been showing his concern for contemporary Japanese society through his films. Not only his documentaries, but also his feature films dealing with family problems expose his concern for Japanese society. This paper studied how his concern for Japanese society resulted in reflecting the new nationalism of Japan in 1990"s through his family films. In Japan, family films were popular whenever the nation required nationalism facing crisis. Shosimineiga was popular in 1930"s when Japan was eager to strengthen nationalism after experiencing the Great Kanto earthquake and economic depression. Home drama was popular in 1950"s when Japan was in need for nationalism as a victim of atomic bomb in post war period. In 1990"s when Japanalso was on the rise of nationalism after the Great Hanshin earthquake and Om terror in 1995, and the Great East Japan earthquake in 2011, Kore-eda made the family films which inherited the tradition of Japanese family film by recognizing non-blood related family, elimination of woman andstrengthening of patriarchy. Kore-eda responds to the request of the age by making family films whenJapan is in need for the successor to Ozu Yasujiro for the story about father whether he is conscious of it or not.