三國時代 太鐶耳飾의 製作技法 硏究

권향아(Kwon, Hyang Ah) 한국조형디자인학회 2004 조형디자인연구 Vol.7 No.2

Among the burial accessories of the Three-Kingdom Periods, we have surveyed the developing patterns of thick hollow ring earrings. We could had difficulties in estimating the developing stages by analyzing the production techniques and the factors of the techniques because there are various ornamental techniques and production styles. We could surveyed the regional situations of the techniques in the Three Kingdom Periods by analyzing the volume characteristics and the production styles of thick hollow rings. And middle part ornaments was used as data to classify the developing stages of thick hollow ring earrings. Especially, the changes of the arrangement pattern and the style of middle ornaments reveal the characteristics of the fineness of the gold crafts and the developing process of thick hollow ring earrings. The subordinate part ornaments are developed variably on the numerical ratios. And by analyzing the technical components such as the number of small rings of middle part ornaments and the ratio shape, we could assume the thick hollow earrings excavated in the vicinities of Gyung ju, and could reveal native craftsmen were running regional craft studios.

삼국시대 이식(耳飾)의 누금기법(鏤金技法)에 관한 연구

권향아(Kwon, Hyang-Ah) 한국조형디자인학회 2002 조형디자인연구 Vol.5 No.1

Filigree techniques of earings in the Three-contri es peri ods which show va rious patterns will contribute to th e good opportunity of und erstandin g the ancient metal craft techniques and these will provide us with the data that can j udge not only the technical inte r-relations hips of the tempor al and the reg ional techniques but also the cultural levels. Firstly, we classified th e fi lig ree techn iqu es int o th e fi ne lin eal e la boratio ns( - fil ig ree technique in a narrow sense) and the granulation tec hniques with granules, and research their manufacturing techniques. The chise led-s trands techn iqu es which mad e by the pun ches of va rio us s ty le s how the appearance of the full-fl edged developement after the middle of the three country, especially in the latter period. From this, we can get the conclusion that these techniques are handed down the granulation techniqu es of the latter period . And we can conclude that granules are not only fused by the copper oxide as is generally known but welded using the solder. There are some di fferences between the parts and relics according to the fineness of the solder and solder ing techniques Coarse grains bounded pyrarnidically to a tip of earings have the surface textures that might be formed when they are melted, such textures appear when the alloy ratio is low, they reveal the characteristics of the hanging down type fine granulation of the Gaya region. Additionally these surface textures can be different iated by regions, they reveal the differences of the characteristics of the alloy propensity and melting techniqu es between the regional factories.

韓國 古代의 金屬材料

權香阿(Kwon, Hyang-Ah) 한국조형디자인학회 1999 조형디자인연구 Vol.2 No.1

In this paper, I propose two methods on studying the remains of metal objects. First, We in vestigate the process of metal pro ducting and the meth ods of mat eri al usage by re vi e win g severa l techni cal books a nd the hi st ori cal documents . Se cond, in vest ig at e th e cultural development process related to the technologies by ana lyz ing the material s. I . In the Bron ze objects, it is not iced th at various compos itio n rati os of Copp er and Tin arc ex is ted according to the kinds of objects . 2. The Iron objects, in the ea rly Iron Age , rev eal high stee lma king technologies of carbo npenetrat ion by re pea ted hitting and parching produ ct s. 3. Re finement techniqu es of Gold and Sil ver are premiti ve, but ama lgam gilding and silver refin in g tec hniq ues are hi ghl y developed. 4. Alloy technologies of Brass and White co ppe r use different material s and techniques when co mpared with cur re nt technologies. In thi s pap er, I want to mak e so me ba si c data fo r more sc ie nt ifical dev el opment by und erst anding the exce llent qualiti es of ancient metal materi als

삼국시대(三國時代) 금속유물(金屬遺物)의 선조기법(線彫技法) 양상(樣相) -축조기법(蹴彫技法)을 중심으로-

권향아 ( Hyang Ah Kwon ) 동아시아문물연구학술재단 2000 文物硏究 Vol.- No.4

내용기반 영상검색을 이용한 몽타주 영상 자동구성 방법

권향아 ( Hyang A Kwon ),배성준 ( Seong Joon Bae ),최지선 ( Ji Sun Choi ),김형기 ( Hyung Gi Kim ) 한국영상미디어협회 2008 예술과 미디어 Vol.7 No.1

본문에서는 몽타주 영상들을 구성하기 위해서 기장 많이 이용하는 영상합성 방법은 많은 시간과 노력을 필요로 경우가 대부분이다. 원하는 장면들을 구성하기 위해 필요한 영상을 찾고, 특정한 툴을 사용해 세밀하게 직접 작업을 해야 하는 경우가 대부분이라 많은 과정을 거쳐야하는 단점을 가지고 있다. 하지만 영사의 연결과 충돌을 통해 새로운 영상 효과를 얻을 수 있는 몽타주 기벌을 이용하면 직접 합성을 거치지 않고도 원하는 영상들을 만들어낼 수 있다. 또한 사용자의 움직임까지 실시간으로 삽입이 가능해 손쉽게 사용자의 의도에 맞춘 영상을 만들 수 있다. In this paper, we introduce a method for montage image auto-reconstruction using contents based image retrieval which makes easy for the user to image searching. For this, first of all, we describe the montage technique which is the possibility of producing the effect which is intended without using direct synthetic method of image. And we propose a method to make montage image easily. Using proposed method with only a first image selection of total image make it possible to producing intended image through a montage effect and even the addiction of DB also make it possible to producing and refabricate various image. It can also produce the-user-intended -image easily by inserting the user`s motion at real-time.

게슈탈트 시지각 이론을 기반으로 디지털 영상 제작 연구

박주리(Park Juri),권향아(Kwon Hyang-a),김형기(Kim Hyungy) 한국디지털디자인학회 2010 디지털디자인학연구 Vol.10 No.2

시각 예술에 있어 점과 선 그리고 면은 모든 요소의 기본이 되는 표현 수단이다. 이들은 서로 다른 성격과 특징으로 인해 어떻게 조합 하느냐에 따라 시각적 표현이 달라지며 시지각 조합에 따라 작품 분위기가 달라진다. 본 논문은 게슈탈트 시지각 법칙 중 집단성의 원리를 바탕으로 실험적 영상을 제작하여 각각의 요소들 (유사성 근접성 연속성 폐쇄성의 법칙)을 적용하여 작품으로 어떻게 적용 되었는지 연구하고자 한다. 게슈탈트 시지각 법칙의 원리가 적용된 작품의 표현 방법들을 이론적 고찰을 통해 탐구했으며 또한 사례작품을 통해 게슈탈트 원리 적용 방법을 분석하였다. 작품에서는 색의 삼원색(Red Yellow Blue)과 빛의 삼원색(Red Green Blue)을 도형으로 이용하여 표현했으며 도형의 색 모양 크기에 변화를 주어 움직임을 이용하여 게슈탈트의 집단성 원리를 기본 전제 원리로 삼고자 한다. 감상자가 프레임 상에 존재하는 도형의 변화를 자의적으로 해석하고 주관적으로 재해석을 통해 작품을 이해한다는 시지각 원리에 대한 논리적으로 규명한 게슈탈트의 지각원리에 속한다. 결론적으로 잡단성의 원리가 적용된 작품으로 표현할 수 있는 방법적 가능성을 엿볼 수 있다. In the visual arts point line and area are the most basic elements of expression means. They create various visual images by their different characters and affect atmosphere of work according to their combination. In this study the experimental videos based on the principle of collectivity that is one of the gestalt visual perception theory are analyzed how the principles such as the raws of similarity proximity continuity and closedness are applied to them. This study seeks the expression methods in the digital video applied the principle of the gestalt visual perception through the theoretically concepts and also analyzes how the principle is applied to the digital video. In the examples the three primary colors(Red Yellow Blue) and the three primary colors of light(Red Green Blue) are used as figures and the principle of gestalt collectivity is the basic premise principles through the movement of their colors shapes sizes. This principle is one of the gestalt perception principles logically explains that the change of shape in a frame can be subjectively reinterpreted through viewer's individual view and imagination. In conclusion the digital video applied the principle of collectivity are studied in order to find the methodological possibility of the expression methods.

디지털미디어 패러다임을 통한 인터랙티브 융합 공연에 관한 연구 : 마리오네트의 꿈(기계식물 쟈스민과의 교감)사례를 중심으로

김혜경(Kim Hyekyung),김동조(Kim Dongjo),권향아(Kwon hyanga),김형기(Kim Hyunggi) 한국디지털디자인학회 2010 디지털디자인학연구 Vol.10 No.1

In general a technology is designated as industrial applications of science and a relationship between media and technology may be an integral in these days. When the changes are being severed in these days the convergence of art and technology can be appeared strongly. Moreover this convergence phenomenon has expanded the area of expression in term of performance art. In this paper we mainly consider the expansion of area of expression in performance art through the performance art,'Marionette's Dream'. For the expansion of area of expression this paper considers how the sensibility mechanic robot,'Jasmine' which is utilized in this performance art is implemented with visual art (screen art). And this paper also considers how the interaction between the performance and the audiences can be maximized for further development of new media. Through the work which presented in this paper we were able to bring a new cutting-edge content of'Human and Robot' by presenting the convergence of the human and the robot in a communal stage. 테크놀로지는 과학의 산업적 응용을 지칭하는 용어로 미디어와 과학은 불가분의 관계이다. 오늘과 같이 변화가 심한 때에 예술과 테크놀로지의 융합 현상은 강하게 나타난다. 이러한 융합 현상은 공연 예술에서도 표현 영역의 확대를 가져 왔다. 본 논문의 작품'마리오네트의 꿈(기계식물 쟈스민과의 교감)' 공연을 통하여 공연 예술에서 표현 영역의 확대에 대해 고찰해 보았다. 이를 위해 <마리오네트의 꿈(기계식물 쟈스민과의 교감)>공연에서 활용된 뉴매틱 감성기계장치'쟈스민' 로봇이 영상 예술과 구현되는 것을 고찰해 보고 뉴미디어의 발전으로 공연과 관객사이의 상호작용성의 극대화를 분석하였다. 이러한 분석을 위하여 공연 예술의 개념의 변화에 대해 고찰하였으며 로봇이 공연 예술에 미치는 영향과 영상 디지털 디자인의 표현 영역의 확대에 대해 고찰 하였다. 본 연구자의 작품을 통하여 인간과 로봇이 하나의 공동체적 무대에서 융합 공연을 함으로서'인간과 로봇'이라는 새로운 첨단 콘텐츠를 가져왔다. 융합 공연이 앞으로 공연에서 뉴미디어 매체의 공연 예술 작품에 대한 적용과 첨단콘텐츠 활성화 및 공학적 기술과 인문 예술 등을 융합하여 기존 영역과는 차별될 수 있는 새로운 모듈을 연구하는데 융합 공연 콘텐츠의 해석에 새로운 비전을 제시 할 수 있을 것이다.

朝鮮時代 馬具裝飾에 사용된 入絲技法에 대한 硏究 : 동아대학교박물관 소장 銀入絲 馬具를 中心으로

權香阿 동아대학교 박물관 2000 考古歷史學志 Vol.16 No.-

현대공예의 장식적 요소에 관한 연구

권향아 경성대학교 1998 論文集 Vol.19 No.1

As Contemporary Crafts develops variously which is based on the plastic consciousness and the expressional modality, there increasing interests on the fundamental problems of Crafts. This is because we recognize and understand the problem of crafts that centers on Crafts characteristics as 'ornamental quality', which plays an important role in aesthetic representation of the traditional Crafts as well as contemporary Crafts. The ornamental quality can be achieved through the stylization of objects in formal realization steps of Crafts, so G.Semper emphasized the meaning of materials because the ornamental realizations are based on materials and techniques. The material quality, which has been appeared as the artistic expressional medium, is widely used as a method of representing creative intention, so this paper researches on the basis of the material quality which is used as the dynamic ornamental components, by studying the ornamental aesthetics, the material theory of Semper and the matiere which is used as expressional media.

電氣鍍金을 이용한 金屬工藝 技法의 硏究 : Electroforming Technique using Dendrite 樹枝狀結晶의 電氣鑄造 技法

權香阿 경성대학교 1985 부산수산대학 논문집 Vol.6 No.2

Various defects may appear on the surface of metal according to the slight changes of the electrolytic conditions in the electroplating process. Among them, dendrite which is produced when cathode is exposed to the excessive current density makes the surface of metal rough, and this roughness in contrast with the smoothness of metal shows special textures. Dendrite, when electroplated 3 or 4 hours in the electrolytic bath, is grown to metal lumps of the figure of granular dendrite, and is called 'eletroforming technique' in the metal craft. In this paper, we have researched and experimented on the conditions and features of electrolytic elements, especially, current density of cathode, temperature and density of solutions. And also we have shown the ranges of electrolytic elements which are suitable for obtaining dendrite throgh experiment.