박물관에서 분리된 세균에 대한 은행잎 추출물의 항균활성

권영숙 ( Young Suk Kwon ),조현혹 ( Hyun Hok Cho ),정성윤 ( Seong Yun Jeong ),이상엽 ( Sang Youb Lee ),김민주 ( Min Ju Kim ),조순자 ( Sun Ja Cho ),이상준 ( Sang Joon Lee ) 한국환경과학회 2006 한국환경과학회지 Vol.15 No.10

문수사 복장직물에 관한 소고

권영숙(Young Suk Kwon),장현주(Hyun Joo Jang) 한국복식학회 2001 服飾 Vol.51 No.6

This study is to examine the characteristics of fabrics in Koryo dynasty by reviewing the fabrics for enshrining oblations inside a buddhist statue in MoonSoo temple, which are currently possessed in SooDuk temple. The research results follows : The fabrics are 33 pieces in total : 28 pieces of normal fabrics, 5 pieces of fabrics that is used for covering the five grains, and others like variegated silk threads. Out of 33 pieces of fabrics are there 31 pieces of silk and 2 pieces of ramie. The tabby fabrics, which have the most pieces among the fabrics, are 11 pieces in total. There are 1 piece of designed tabby fabric(紋紬), whose patterns are expressed by dyeing, as well as non-designed tabby fabric(紬). The twill fabrics are 8 pieces in total. Its patterns are mainly the type that small patterns are consecutively reiterated. And they have various patterns including plant patterns, such as lotus pattern, flower pattern, etc., animal patterns such as dragon pattern, etc., geometric patterns, such as turtoise-shell pattern, swastika, etc. The leno and gauze fabrics are 1 piece of 4-end complex designed-gauze and 1 piece of gilt gauze (金箔紋羅). The compound woven fabrics are 2 pieces of brocaded gauze(織錦羅) and 3 pieces of brocaded twill(織錦). Brocaded gauze(織錦羅) is a kind of brocaded fabrics and is made by adding a gold thread between wefts of already weaved gauze. The figured fabrics are 1 piece of tabby fabric, 6 pieces of twill fabrics, 4 pieces of leno and gauze fabrics, and 5 pieces of compound woven fabrics. All of them are 16 pieces out of all 33 pieces and amount to almost 50%. Single-patterned fabrics, that is one pattern is expressed individually, are much more than any others. Plant patterns are the ones that are used the most.

일반논문 : 지역사회 자원봉사활동 특성 유형과 사회적 자본 형성의 관계 분석

권영숙 ( Young Suk Kwon ),이영민 ( Young Min Lee ) 한국지방행정연구원 2011 地方行政硏究 Vol.25 No.1

본 연구에서는 서울시 A 자원봉사센터에 등록된 자원봉사자 207명을 대상으로 지역사회에서 자원봉사활동과 개인 참여자의 사회적 자본형성의 관계를 실증적으로 분석하였다. 연구방법은 응답자의 일반적인 특성, 자원봉사활동 특성, 사회적 자본측정 등 3부분으로 구성된, 자기보고 형식의 설문지로 조사를 실시하였다. 먼저 자원봉사자의 일반적인 특성에 따른 자원봉사활동 참여정도와 활동 특성의 차이를 분석한 결과, 여성이 남성보다, 연령이 높을수록, 미혼보다는 기혼이, 대졸과 대학원 이상의 학력보다 고졸학력의 봉사자가 자원봉사활동에 참여하는 정도와 인식수준이 높은 것으로 나타났다. 자원봉사자의 개인적 특성 및 자원봉사활동의 특성과 자원봉사자의 사회적 자본 형성의 관련성을 분석한 결과, 하위 종속변인인 신뢰는 응답자 자신의 계층에 관한 수준인식, 자원봉사에 대한 관심, 태도와 유의미한 관련성이 있는 것으로 나타났다. 다음으로, 네트워크 변인은 직업유무와 태도와 유의미한 관련성이 있는 것으로 나타났으며, 사회적 규범형성의 경우, 자원봉사에 대 한 관심과 태도와 유의미한 관련성이 있는 것으로 나타났다. The purpose of the study was aimed at analyzing the effects of volunteers` community service activities on their formation and accumulation of social capital, focusing on 207 volunteers in A community service center in Seoul metropolitan area. Main research method was self-reporting survey, consisting of the respondents` demographic information, their volunteer activities, and social capital measurement. Main findings of the study were as follow: First, volunteers who were women, old ageing, married, and having high school degree earners participated more actively in the frequencies and types of volunteer activities than others. Also, they were engaged in volunteering with self-motivation and service-centered mind. In term of the formation of social capital, the interests and positive attitude toward the volunteering activities have highly impacted the volunteers` trust, networking, and social norms. It was expected that the active engagement in volunteering activities had affected the formation and accumulation of social capital in community-based society.

티베트 승려가 착용하는 의례용 관모의 종류와 특성

권영숙(Young Suk Kwon),이경희(Kyung Hee Lee) 한국복식학회 2012 服飾 Vol.62 No.5

This study examines the types and features of formal ritual hats for Tibetan Buddhist priests. Findings of the study are as follows. The types of formal hats that Tibetan Buddhist priests wear during religious rites or rituals include: u rgyan pad zhwa, pan .zhwa, tshogs zhwa, rigs inga, zhwa nag, zhwa dmar and dwags zhwa. The reason why such formal ritual hats as listed above were developed is because the region had an alpine climate, and also because they were the symbolism of Buddhism, the most reverent priest, and reincarnated Buddha thoughts. They were an essential part of the culture of dressing Buddhist statues and offering utensils, Formal ritual hats` shapes originate from lotus, They are colored in red, yellow, indigo, green, white or black, that reflect the nationality and aesthetics of Tibetans, They are mainly made of woolen or silk fabrics, They are usually decorated with gold, git bronze or jewels and the patterns of the sun and the moon, vajra or clouds.

발유형별 여자 버선 원형의 보정에 관한 연구

권영숙(Young Suk Kwon),문명옥(Myeng Ok Moon) 한국복식학회 1997 服飾 Vol.34 No.-

Dept. of Clothing and Textiles, Pusan National University *Dept. of Clothing and Textiles, Dong Eui University We executed the wearing test in order to revise the basic Beosun pattern for five kinds of foot type. And we took sensory test to evaluate that revisions. The result were as follows: 1. The characteristics of slender foot is that the foot circumference Ⅲ is short as compared with foot length. So Kou of basic Beosun is sharp-pointed, Hoimok and Beosunmok are broad. For slender foot, we took down Kou of Beosun and use foot circumference Ⅲ/2 - 1.5cm as Hoimok like the part shown in dotted line of Fig. 6. 2. The characteristics of broad foot is that the foot circumference Ⅲ is long as comparison with foot length. So Kou of basic Beosun is stubby, Hoimok and Beosunmok are narrow. For broad foot, we took up Kou of Beosun, put foot circumference Ⅰ/2 - 1.5cm for the width of Apbol, and circumference Ⅲ/2 -1.5cm for Hoimok like the part shown in dotted line of Fig. 8. 3. Because the arch of flat foot is flat, the sole of basic Beosun is not suitable to the flat foot. It developes on wrinkles of Duichuk and sole. For flat foot, we took down Horn of the basic Beosun like the part shown in dotted line of Fig. 10. 4. We evaluated the revisions of basic Beosun for foot types were useful in sensory test.

외라노도지역의 의생활

권영숙(Young Suk Kwon),이주영(Joo Young Lee) 한국복식학회 2002 服飾 Vol.52 No.6

The purpose of this study is to look into dressing practices at the Woinarodo region in terms of ordinary and ritual clothes. Men wore Baji(trousers) and Jeokori(jackets) as their plain clothes and sometimes Jangsam and Durumaki(topcoat). During the period of Japanese colony, men wore Western-style clothes. For women, it was basic to wear Chima(skirts) and Jeokori. And they preferred Momppe rather when in Japanese rule. In arrangements for their head, men put on gat, and had their hair cut during Japanese rule. Women laid a bundle of their braided hairs on the head or braided their hair, while married women did their hair up in a chignon during the ruling period People of the region put on straw and leather shoes, and then rubber ones since the late 1930s. Hand weaving was a major means of living for women at the region. Ramie, hemp and cotton were mainly weaved by hand. Starching was applied mainly to ramie and cotton. Glues for starching were made of raw rices, cooked rices, wheat flour or gloiopeltis tenax. For ritual clothes, especially in wedding, bridegrooms arranged themselves with Samokwandae and then put on Baji, Jeokori, Durumaki and Dunryung. But they put on Western-style dresses as the liners of Danryung, and wear Nambawi rather than the Samo after Korean independence from Japanese rule. Bridges wore Chima, Jeokori and Wonsam, and Chokdoori and covered their face with Hansam. Wonsam did not be worn any longer after Korean independence from the rule. Shrouds for funeral ceremony were manufactured with silks, cotton and hemp, when the chief mourner wore hempen hoods and funeral robes, while women, Chima, made of hemp, and any type of Jeokori.

한국 고대 나직물의 유형과 특성 Ⅱ

권영숙(Young Suk Kwon),장현주(Hyun Joo Jang),이용희(Yong Hee Yi) 한국복식학회 2003 服飾 Vol.53 No.3

1. This study is to verify the characteristics of gauze fabrics focused on the them found at Sukga Pagoda. The remains researched are those of the Unified Shilla Dynasty around 8~10 century. The found textile remains seem to be used as rugs or to be used for filling in spaces, wrapping silver reliquaries, equipments preserving relics of the Buddha, a gold-plated outermost reliquary, and so on. Since other remains found inside the Sukga Pagada are national treasures, the textile remains can be considered as the fabrics of the highest quality. 2. Seven gauze fabrics, four non-designed gauzes and three designed gauzes, are found. They are all four-end complex gauze, weaved with the complex gauze technique. Two designed gauzes out of three designed gauzes are weaved in pattern by the clamp-resist dyeing technique and one is weaved in pattern by giving some changes in weaving. 3. In addition to the characteristics peculiar to gauze fabrics, such as thinness, fineness, and sparseness, another characteristic is found. That is, the difference in thickness between wefts and warps is over two times on the average in all of the seven gauze fabrics. Some of the gauze fabrics look like laces because of the huge difference in their thickness. 4. This research verified that with their transparency, are such materials that their beauty can easily be realized without adding various colors or patterns on the fabric by painting, embroidery, stitching old foil, or compound weaving technique.

한국 고대 나직물의 유형과 특성

권영숙(Young Suk Kwon),신경철(Kyung Cheol Shin),장현주(Hyun Joo Jang) 한국복식학회 2001 服飾 Vol.51 No.1

Gauze is very light and thin. Their warps are entangled and their structure is loose. It is natural that they are easier to decay than other silk fabrics through physiochemical processes over a long period of time. Nonetheless quite many remains of Gauze fabrics can be found in China or Japan as well as in Korea. Various Gauze was used in costumes since the era of the Three Kingdoms and their weaving techniques, such as using gold threads with silk-fabrics, was developed in Koryo dynasty era, which made it possible to create more magnificent gauze fabrics in Korea. Relatively a lot of Gauze fabrics are remained in Korea. Based on these corroborative relics, this thesis analyzes the characteristics of gauze fabrics possesed in Korea and categorizes the gauze fabrics described in the Decrees on Costume Restraint of the King Hungduk. This also compares them with the present gauze in other countries. The types of gauze fabrics are generally divided into desined gauze, and non-designed gauze, the one without pattern. There are a lot of desined gauze, such as dyeing gauze, brocade gauze, embroidery with gauze ground, patterned gauze with gauze ground etc. which were found in Korea and also in China and Japan. Non-designed gauze is divided into 2-end complex gauze, 3-end complex gauze, 4-end complex gauze, etc depending on the number of crossing warps. All of the non-designed gauze of Koryo dynasty found in Korea was 4-end complex gauze fabrics. These non-designed gauze fabrics were also found in Japan and China.

아로마 테라피를 적용한 두피마사지가 여대생의 스트레스 완화에 미치는 효과

권영숙 ( Young Suk Kwon ),이주영 ( Ju Young Lee ) 한국미용학회 2009 한국미용학회지 Vol.15 No.4

This study was conducted to investigate the effect of scalp massage applying aromatherapy in stress alleviation in female college students, using HRV (Heart Rate Variability), VAS (Visual Analogue Stress). Its subjects were the female college students in Seoul and Kyunggi province area who have more than five core points of VAS. The subjects were 60 people, who were classified into experimental group of 20 people, control 1 group of 20 people and control 2 group of 20 people. The result of study is summarized as follows. Also, in the case of result on VAS, it reported that there was meaningful difference (p<.05) considering the big decrease by 4.39 from 5.89 to 1.50. What is more, there was a big decrease effect(p<.05) of 38.4 from 88.65 to 50.25 in the result of general stress figure using stress scale. Consequently it identified the scalp massage applying aroma therapy is effective in stress alleviation and that is more effective in stress decrease than control 1 group which performed just scalp massage and control 2 group which took just rest. Such above results confirmed that scalp massage using aromatherapy is a significant mechanism which influence stress decrease. In particular, considering that the synergy effect was high when applying aroma therapy comparing with scalp massage only, it also proved that it is necessary to use aromatherapy to decrease stress.

상원사목조문수동자좌상 복장 명주홑저고리의 보존처리

권영숙 ( Young Suk Kwon ),백영미 ( Young Mee Baek ) 한국의류산업학회 2006 한국의류산업학회지 Vol.8 No.6