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Phytohemagglutinin피내반응검사와 나병병형과의 관계에 관한 연구
김명렬 충남대학교 의과대학 지역사회의학연구소 1982 충남의대잡지 Vol.9 No.1
This study was undertaken to evaluate the histopathological findings of phytohemagglutinin(PHA) skin reaction after intradermal injection of 2㎍ of PHA in the patients with leprosy. The histopathologic findings of PHA skin reaction revealed that perivascular and periappendegeal mononuclear cell infiltration in mild inflammatory cases. In severe inflammatory cases, there were marked vasodilatation, edema and extravasation of erythrocytes in dermis and mononuclear cell infiltration admixed with many eosinophils and neutrophils around the dermal vessels, epidermal appendages and between the dermal collagen bundles. There was no difference in histopathologic findings of PHA skin reaction according to the clinical and histopathological types of leprosy.
김명렬 충남대학교 의과대학 지역사회의학연구소 1983 충남의대잡지 Vol.10 No.2
This study was undertaken to evalutate the clinical status of the patients with atopic dermatitis in childhood who visited to Chungnam National University Hospital during January-October 1983. The results were summerized as follows. 1. In this group of 56 patients 26(46.4%) were male and 30(53.6%) were female. The peak age of incidence was between 2-4 years and 75% of patients were under 5 years of age. 2. The most prevalent age of onset was 0-3 months of age, 75% of patients had their skin lesions by the age of 3 years. 3. The most common involved sites were trunk, face and scalp, upper and lower extremities.
A Portrait of the Artist as a Young Man의 물 이미지
김명렬 서울大學校 人文學硏究所 1985 人文論叢 Vol.14 No.-
The first section of A Portrait is a mosaic of various symbols, images, and motifs which are to play important roles in the subsequent development of the major themes of the novel. Significantly, the water image appears in the section and indeed, it recurs throughout the novel whenever Stephen undergoes a critical experience in his growth. Water signifies life in its totality, that is, life with its multitudinousness and squalor, its passion and agony, and its strangeness and mystery. But of course, Stephen does not comprehend such complicated implication of water at the beginning. Water seems to him at first merely as something squalid and unpleasant, then as something related to sensuality, and then as something vast, irresistably powerful, and inexhaustibly rich in potentiality. This progressive apprehension of diverse aspects of water reveals, in fact, his progressive comprehension of the meaning of life. A similar process is also discernible in his changing attitudes to water. He is at first repulsed by it, then idealizes it, and finally accepts it as it is, with its antithetical qualities. This dialectical process also reflects his spiritual development.