중국 ‘의경(意境)’ 미학 기반 공간디자인 사고 방식 연구

학춘우,이선정 한국공간디자인학회 2023 한국공간디자인학회논문집 Vol.18 No.8

(Background and Purpose) The concept of Yijing (意境) belongs to classical Chinese aesthetics, possessing historical and aesthetic value and representing the ultimate goal in traditional Chinese art. However, in modern spatial design, it is challenging to find methods that incorporate traditional Chinese aesthetics, and research on methodologies is scarce. This study aimed to derive three types of spatial design thinking and methods based on Yijing, the traditional aesthetic. It is hoped that spatial designers will use this unique East Asian thought process to create artistically designed spaces. (Method) The paper first discusses the overall theoretical discourse on architectural space Yijing aesthetics, starting with the concept of Yisang and extending to the Yijing aesthetic. It outlines how architectural space Yijing aesthetics have become established in the field of architectural art. Secondly, it selects Yijing theories from different periods to concretely analyze and compare the design thinking and processes of Yi (意), Xiang (象), and Xing (形) and uncover their intrinsic relationships. Thirdly, the study formed a trinitarian design thought process based on Professor Hou Yubin's architectural space Yijing aesthetics, considering the Yi (Heaven), Xiang (Human), and Xing (Earth) aspects with reference to the innate properties of architectural space. This formed the basis for deriving an East Asian spatial design thought process centered on Yi, Xiang, and Xing. (Results) East Asians use image emotional expression as a cognitive space and predominantly utilize the Xingxiang thinking method (image, visual thinking). From the creation perspective, three types of creative thinking based on architectural space Yijing aesthetics were derived: (1) two types based on Xing-centered spatial design thinking, that is, one where the form → image → meaning approach represents perceptual thinking and has intuitive characteristics, and the other where it is subconscious and intuitive, with abstract features; (2) two types based on Xiang-centered spatial design thinking, that is, one where the image→ form → meaning method is subconscious and intuitive and the other where it has symbolic features; and (3) two types based on Yi-centered spatial design thinking, that is, one where the meaning → form → image approach is subconscious and intuitive, with abstract characteristics, and the other where it is logical and precise. (Conclusions) Applying architectural space Yijing to architectural design can integrate architecture, environment, and people. In spatial design thinking based on architectural space Yijing aesthetics, Xing and Yi are inseparably unified, connected by Xiang perceptual thinking. The intermediary communicative state of Xiang leads to the interconnectedness of Yi, Xiang, and Xing, culminating in an East Asian Xingxiang thinking method in spatial design. (연구 배경 및 목적) ‘의경(意境)’ 이론은 중국 고전 미학의 범주에 속하며 역사적 가치와 미학적 가치를 지니고 있고 중국 전통 예술에서 최고로 추구하는 목표다. 하지만, 현대 공간디자인 프로세스에서는 전통적인 중국 미학을 활용한 공간디자인 방식을 찾기 힘들고 방법론에 관한 연구도 드문 실정이다. 본 연구자는 전통 미학을 바탕으로 한 동양적인 공간디자인 방식에 대한 가치가 높다고 생각된다. 위 배경을 바탕으로 이에 본 연구는 전통 미학인‘의경’을 기반으로 한 ‘건축 공간 의경’으로 적용하여 세 가지 종류의 공간디자인 사고방식과 방법을 도출하는 것을 목적으로 한다. 공간 디자이너가 창작과정에서 특유의 동양적인 사고방식을 활용해 공간의 예술적 디자인을 할 수 있기를 바란다. (연구 방법) 본 연구에서는 우선 ‘건축 공간 의경’ 미학 사상에 대한 전반적인 논설이론을 다루고, ‘의상’ 개념에서부터 ‘의경’ 미학으로 이어지며, ‘건축 공간 의경’ 미학 사상이 건축 예술 분야에서 확립되는 과정을 정리한다. 둘째, 시기별 의경 이론을 선택하여 ‘의(意)’,‘상(象)’,‘형(形)’, 설계 사고방식과 과정을 구체적으로 분석하고, 비교를 통해 ‘의’·‘상’·‘형’ 사고방식의 내재적 관계를 찾아내 도출한다. 셋째, 허우유빈 교수의 ‘건축 공간 의경’의 미학과 건축 공간의 자체 속성에 따라 ‘의(천天)’·‘상(인人)’·‘형(지地)’세 가지 측면을 삼위일체로 한 디자인 사고방식을 형성한다. 이를 배경으로 '의', '상', '형'을 중심으로 하는 ‘건축 공간 의경’의 동양적 공간디자인 사고방식을 도출한다. (결과) 동양인은 이미지의 감정 표현을 인식의 공간으로 사용하고 지각과 잠재의식을 위주로 하는 ‘형상 사고방식(形象思维)’(이미지, 시각적 사고 방식)을 가지고 있다. 창작의 각도에서 ‘건축 공간 의경’ 미학 기반한 세 가지 종류의 창작 사고방식을 도출한다 : 1.‘형’을 기반한 공간디자인 사고방식은 두 가지가 있다. 2.‘상’을 기반한 공간디자인 사고방식은 두 가지가 있다. 3.‘의’을 기반한 공간디자인 사고방식은 두 가지가 있다. (결론) 건축 디자인 분야에서‘건축 공간 의경’'의 활용은 건축, 환경과 사람을 일체화 시킬 수 있다. ‘건축 공간 의경’ 미학 기반 공간디자인 사고에서 ‘형'과 ‘의'는 통일되어 불가분의 관계에 있으며,‘형'과 ‘의'를 연결하는 단계는 바로 지각적 사고의‘상'이다. ‘상'의 중간 단계의 의사소통 상태로 인해 ‘의’·‘상’·‘형’이 상호 연관되어 공간디자인 창작의 삼위일체를 이루는 동양적 ‘형상 사고방식’의 공간디자인 사고방식이 되는 것이다.

중국 ‘의경(意境)’ 미학 기반 공간디자인 사고 방식 연구

학춘우 ( Hao Chun-yu ),이선정 ( Lee Sun-jung ) 한국공간디자인학회 2023 한국공간디자인학회논문집 Vol.18 No.8

(연구 배경 및 목적) ‘의경(意境)’ 이론은 중국 고전 미학의 범주에 속하며 역사적 가치와 미학적 가치를 지니고 있고 중국 전통 예술에서 최고로 추구하는 목표다. 하지만, 현대 공간디자인 프로세스에서는 전통적인 중국 미학을 활용한 공간디자인 방식을 찾기 힘들고 방법론에 관한 연구도 드문 실정이다. 본 연구자는 전통 미학을 바탕으로 한 동양적인 공간디자인 방식에 대한 가치가 높다고 생각된다. 위 배경을 바탕으로 이에 본 연구는 전통 미학인‘의경’을 기반으로 한 ‘건축 공간 의경’으로 적용하여 세 가지 종류의 공간디자인 사고방식과 방법을 도출하는 것을 목적으로 한다. 공간 디자이너가 창작과정에서 특유의 동양적인 사고방식을 활용해 공간의 예술적 디자인을 할 수 있기를 바란다. (연구 방법) 본 연구에서는 우선 ‘건축 공간 의경’ 미학 사상에 대한 전반적인 논설이론을 다루고, ‘의상’ 개념에서부터 ‘의경’ 미학으로 이어지며, ‘건축 공간 의경’ 미학 사상이 건축 예술 분야에서 확립되는 과정을 정리한다. 둘째, 시기별 의경 이론을 선택하여 ‘의(意)’,‘상(象)’,‘형(形)’, 설계 사고방식과 과정을 구체적으로 분석하고, 비교를 통해 ‘의’·‘상’·‘형’ 사고방식의 내재적 관계를 찾아내 도출한다. 셋째, 허우유빈 교수의 ‘건축 공간 의경’의 미학과 건축 공간의 자체 속성에 따라 ‘의(천天)’·‘상(인人)’·‘형(지地)’세 가지 측면을 삼위일체로 한 디자인 사고방식을 형성한다. 이를 배경으로 '의', '상', '형'을 중심으로 하는 ‘건축 공간 의경’의 동양적 공간디자인 사고방식을 도출한다. (결과) 동양인은 이미지의 감정 표현을 인식의 공간으로 사용하고 지각과 잠재의식을 위주로 하는 ‘형상 사고방식(形象思维)’(이미지, 시각적 사고 방식)을 가지고 있다. 창작의 각도에서 ‘건축 공간의경’ 미학 기반한 세 가지 종류의 창작 사고방식을 도출한다 : 1.‘형’을 기반한 공간디자인 사고방식은 두 가지가 있다. 2.‘상’을 기반한 공간디자인 사고방식은 두 가지가 있다. 3.‘의’을 기반한 공간디자인 사고방식은 두 가지가 있다. (결론) 건축 디자인 분야에서‘건축 공간 의경’'의 활용은 건축, 환경과 사람을 일체화 시킬 수 있다. ‘건축 공간 의경’ 미학 기반 공간디자인 사고에서 ‘형'과 ‘의'는 통일되어 불가분의 관계에 있으며,‘형'과 ‘의'를 연결하는 단계는 바로 지각적 사고의‘상'이다. ‘상'의 중간 단계의 의사소통 상태로 인해 ‘의’·‘상’·‘형’이 상호 연관되어 공간디자인 창작의 삼위일체를 이루는 동양적 ‘형상 사고방식’의 공간디자인 사고방식이 되는 것이다. (Background and Purpose) The concept of Yijing (意境) belongs to classical Chinese aesthetics, possessing historical and aesthetic value and representing the ultimate goal in traditional Chinese art. However, in modern spatial design, it is challenging to find methods that incorporate traditional Chinese aesthetics, and research on methodologies is scarce. This study aimed to derive three types of spatial design thinking and methods based on Yijing, the traditional aesthetic. It is hoped that spatial designers will use this unique East Asian thought process to create artistically designed spaces. (Method) The paper first discusses the overall theoretical discourse on architectural space Yijing aesthetics, starting with the concept of Yisang and extending to the Yijing aesthetic. It outlines how architectural space Yijing aesthetics have become established in the field of architectural art. Secondly, it selects Yijing theories from different periods to concretely analyze and compare the design thinking and processes of Yi (意), Xiang (象), and Xing (形) and uncover their intrinsic relationships. Thirdly, the study formed a trinitarian design thought process based on Professor Hou Yubin's architectural space Yijing aesthetics, considering the Yi (Heaven), Xiang (Human), and Xing (Earth) aspects with reference to the innate properties of architectural space. This formed the basis for deriving an East Asian spatial design thought process centered on Yi, Xiang, and Xing. (Results) East Asians use image emotional expression as a cognitive space and predominantly utilize the Xingxiang thinking method (image, visual thinking). From the creation perspective, three types of creative thinking based on architectural space Yijing aesthetics were derived: (1) two types based on Xing-centered spatial design thinking, that is, one where the form → image → meaning approach represents perceptual thinking and has intuitive characteristics, and the other where it is subconscious and intuitive, with abstract features; (2) two types based on Xiang-centered spatial design thinking, that is, one where the image→ form → meaning method is subconscious and intuitive and the other where it has symbolic features; and (3) two types based on Yi-centered spatial design thinking, that is, one where the meaning → form → image approach is subconscious and intuitive, with abstract characteristics, and the other where it is logical and precise. (Conclusions) Applying architectural space Yijing to architectural design can integrate architecture, environment, and people. In spatial design thinking based on architectural space Yijing aesthetics, Xing and Yi are inseparably unified, connected by Xiang perceptual thinking. The intermediary communicative state of Xiang leads to the interconnectedness of Yi, Xiang, and Xing, culminating in an East Asian Xingxiang thinking method in spatial design.

건축설계 실무과정에서 디자인 프로세스의 적용에 관한 연구

강미현,김소라,신병욱 한국농촌건축학회 2022 농촌건축 : 한국농촌건축학회논문집 Vol.24 No.3

This study aims to find out how architectural designers applied the design process and what content is applied in the practical process of architectural design in Korea, and to improve it if there is a problem. So the study is carried out by investigating 13 architects(Including one person who wants to keep his work private) with extensive experience in architectural design. The architects were questioned on how and what content the design process was used for their representative works that had been designed. And interviews and field surveys were conducted on other matters to be improved. The survey was conducted from November 2021 to July 2022. According to the conclusion of this study, First, Most architects were applying the design process in the architectural design practice. These are caused by an impact on education, but there was also an aspect of preparation in terms of guidelines such as the Architects Association and storage rights. Second, Although the design process differed in each name and phase, it was generally carried out in the order of the start phase, the planning work phase, the basic design phase, the intermediate design phase, the implementation quarterly, and construction. Third, The step-by-step work of the design process differed slightly depending on the architect, but counseling and contract work were mainly performed at the start-up phase, and field surveys, legal investigations, and case studys were conducted at the planning phase. In the basic design phase, some contents related to architectural programming, basic drawings, images, and models were used as main work contents. In the intermediate design phase, secondary contents such as licensed books and facility facilities were the main tasks. In the implementation design phase, detailed maps and various frost facilities were finally inspected. Since then, construction and supervision have been carried out in the order of progress. Forth, As for the contents to be improved in the future, the architect's ability, the designer's knowledge of the overall architecture, the design supervision system, and the expansion of time for the initial design process were answered.

건축장 개념을 적용한 설계개념모형 고찰

이승용(Lee, Seung-Yong) 대한건축학회 2013 대한건축학회논문집 Vol.29 No.4

The purpose of this study is to propose the architectural field concept as an architectural design method for contemporary architectural design. That is, the concept of the architectural field is the method of understanding on the traditional architecture in korea, and also is suggested as a tool for designing the contemporary architecture. The field theory showed a new viewpoint to understand the status of world, and the architectural field is a new viewpoint of understanding the architecture and to design of it is seems to be an action to show an essence of the architecture. And so called the architecture by this viewpoint is a field of the interactive network. And as a result of this field the form is made. To design of the architectural field is to design the characteristics of the architectural field by the architectural design process. First, the area is designed of the net system which is defined by relations among the environments, around architectures and so on. Second, the relation net is designed of the interaction between building and space, building and building, space and space, according to the correspondence each other. Third, for a building and a space are no longer divided but one, this characteristics is designed of the form and volume by connecting system. And this process is repeated by feedback, if necessary. As a result, this study suggest the model for design the architectural field and to apply this model for the design. And more researches are expected to suggest of the design samples applied by this design conceptual model.

건축장 개념을 적용한 설계과정 연구

이승용(Lee, Seung-Yong) 한국산학기술학회 2012 한국산학기술학회논문지 Vol.13 No.8

건축설계과정은 프로그래밍 단계와 디자인 단계로 구분된다. 현대물리학 개념에 기초한 현대건축이론은 자료 를 통합하는 디자인 단계에 적용되어 설계된다. 건축장 또한 디자인 단계에서 진행된다. 건축장은 건축장 특성으로 일체성, 상호성, 영역성을 구현하여 설계가 된다. 그리고 이 특성은 설계 시 고려하는 사항 및 접근하는 관점과 사고 의 범위에 따라 영역성, 상호성, 일체성의 설계과정으로 진행이 된다. 영역성 설계는 주변 환경 및 구조물 등과 대지 의 관계조직체계를 계획한다. 상호성 설계는 건축물이나 공간 등 상호 영향을 주고받는 상호간의 관계망을 계획한다. 일체성 설계는 공간과 건축물이 만나는 방식을 설계하는 것이다. 영역성과 상호성에서 설정된 설계 방향을 구현하고 자 어떠한 방식이나 형상을 계획할 것인지에 관하여 구체적인 내용을 계획하게 된다. 결론적으로 건축장 특성을 정의 하는 일련의 설계과정에 의하여 건축장이 만들어 진다. The architectural design process is consisted of the phase of programming and the phase of the design. The contemporary architectural scheme, as a datascape, a rhizome structure and a diagram, is based on the concept of modern physics. And it is applied on the phase of design by synthesizing data. Like this, the design of the architectural field is accomplished in the phase of design. For design of the architectural field, the characteristics of the architectural field is considered as the viewpoint of design in the procedure. First, according to the area which is defined by relations of environments, around architectures and so on, the net system of relations is designed as area. Second, design the linkage between building and space, building and building, space and space, according to the correspondence each other. Third, design the method or form of connecting building and space to one as a building and a space are no longer divided but are understood by one. As a result, for the design of architectural field, it is necessary to define the criteria by the characteristics of architectural field and the architectural field is designed by process.

Analysis of Form and Space Changes in Design Process of Free-form Architecture of Culture-Related Facilities in South Korea

Ha, Jihee,Jung, Sungwon,Baek, Hyemi,Lee, Hyunjee,Nguyen, Khoa Tan Architectural Institute of Korea 2014 Architectural research Vol.16 No.4

This research investigates the design process of free-form architecture to understand the design strategy and changing factors during the development phase and the cause for them. It is aimed to foresee the changing factors from the design process and to reduce design changes. It analyzes the design changes of free-form architecture based on projects with finalized documentation or under construction in South Korea. Many free-form shapes of the free-form architectures have to be adjusted to rigid-form in order to satisfy function and be economical to build. The research finds three patterns in design changes. First, from the factors for design changes: function, constructability, design, program add/subtract, efficiency, circulation; Function and Constructability are the higher factors compared with the rest. The two are the design changes suitable for actual usage and cost savings. Second, each project has different predominant factors for design changes as the degree of free-form is different. Contrary to initial expectation, the greater the degrees of free-form of the competition scheme, the higher the rate of Function among the factors for design changes. Constructability is higher when the degree of the free-form is less than others. It means that the lower the degree of the free-form, the more properly planned the space of the building is. Last, Constructability of free-form architecture is considered during the earlier design phase than definite-form, one by which the design changes by comparing 'Before fixed Space Program' (BSP) and 'After fixed Space Program' (ASP) design changes. The research would be helpful as a reference for setting up competition guidelines to reduce trial and error during the design process.

Developing an Automatic Floor Plan Generation and Evaluation Technology Using Deep Learning in the Architectural Design Process

이윤길 사단법인 한국융합기술연구학회 2022 아시아태평양융합연구교류논문지 Vol.8 No.5

Nowadays, research related to the use of deep learning in the construction industry is on the rise. Unfortunately, it is not easy to find tools that directly support architectural design. The ultimate goal of this study was to develop architectural design technology based on deep learning. The developed expert system can learn architectural design using deep learning technology and repeatedly learn the process of evaluating the generated planes by applying the set criteria. As fundamental technology research for deep learning-based expert tool for architectural design process, this study focused on developing the technology to calculate and examine various alternatives of architectural plans. Specifically, a prototype system that automatically generates and examines the architectural plan was developed, and its feasibility was reviewed by an architectural expert. The developed prototype system utilized a physics engine to reproduce the natural planar arrangement process. In addition, for the evaluation of the plane, a technology was developed to set the relationship of each room and to calculate it numerically. To examine the possibility of house design using deep learning, the system was tested based on the floor plan of a typical four-person dwelling, and an in-depth interview was conducted with architects to evaluate the system. With the prototype system developed in this study, it was possible to confirm the possibility of introducing deep learning for the creative architectural design process. The results of this study are intended to provide basis for using deep learning in architectural design.

Analysis of Form and Space Changes in Design Process of Freeform Architecture of Culture-Related Facilities in South Korea

Jihee Ha,Sungwon Jung,Hyemi Baek,Hyunjee Lee,Khoa Tan Nguyen 대한건축학회 2014 Architectural research Vol.16 No.4

This research investigates the design process of free-form architecture to understand the design strategy and changing factors during the development phase and the cause for them. It is aimed to foresee the changing factors from the design process and to reduce design changes. It analyzes the design changes of free-form architecture based on projects with finalized documentation or under construction in South Korea. Many free-form shapes of the free-form architectures have to be adjusted to rigid-form in order to satisfy function and be economical to build. The research finds three patterns in design changes. First, from the factors for design changes: function, constructability, design, program add/subtract, efficiency, circulation; Function and Constructability are the higher factors compared with the rest. The two are the design changes suitable for actual usage and cost savings. Second, each project has different predominant factors for design changes as the degree of free-form is different. Contrary to initial expectation, the greater the degrees of free-form of the competition scheme, the higher the rate of Function among the factors for design changes. Constructability is higher when the degree of the free-form is less than others. It means that the lower the degree of the free-form, the more properly planned the space of the building is. Last, Constructability of free-form architecture is considered during the earlier design phase than definite-form, one by which the design changes by comparing ‘Before fixed Space Program’ (BSP) and ‘After fixed Space Program’ (ASP) design changes. The research would be helpful as a reference for setting up competition guidelines to reduce trial and error during the design process.

비정형 건축 구현을 위한 디지털 디자인 프로세스에 관한 연구

이재국,이강복 한국디지털건축·인테리어학회 2011 한국디지털건축인테리어학회 논문집 Vol.11 No.2

Starting in modern times by Le Corbusier, architectures made by concretes are still developing in these times. For several decades, the shape of box architecture has been the most familiar type of buildings. Of course “The concrete is the type of box building” isn’t always right, but what we have most seen was the buildings which has been stylized and made by concretes. Through modern times to these days based on international style and functionalism, the type of box building was the most effective and good profit type of architecture which has not disregarded the capitalism. Free-form building are becoming a common place, and many of these are designed and constructed using sophisticated techniques. The main technique being used is Generative Technology of Form for free-form construction. People’s interest is growing in this, and it is becoming widely used both abroad and domestically. The purpose of this paper is to investigate the use of Generative Technology of Form which is a digitally adapted design methodology in architecture. The digital design process used for contemporary buildings share many typical features that exist within a standard digital template, but also an increasing amount of mass customization that has to be produced at an additional cost. This paper will summarize these features in terms of free-form architecture, and in terms of the digital design process. In fact, 3D models have to be conceded as main design products considering features of Free Form Design Architecture. However it is practical to design twice over, because all forms of architectural drawings are 2D. From now on, design of Free Form Design Building is not to separate between design process and practical process, but to compound them as unified design system applied the process to communicate information interactively. For this, it should be required to impose unified digital design process and perform researches about effective way to apply in the field of Free-form Design Architecture.

비정형 건축 외장의 재현과 구축을 위한 통합적 디지털 디자인 프로세스 적용 연구

조민정(Cho Minjung) 한국디지털디자인학회 2011 디지털디자인학연구 Vol.11 No.2

본 연구는 현대 건축의 유기적 디자인 사조와 디지털 디자인 패러다임을 반영하는 비정형 건축을 대상으로 통합적 디지털 디자인 프로세스의 실무 적용 방식을 논하는 것을 연구의 목적으로 한다. 먼저 문헌고찰을 통해 현대 비정형 건축의 유기적 형태 구조와 디지털 건축패러다임의 철학적 수학적 사유체계 배경을 조명한다. 또한 비정형 건축의 디지털 디자인 프로세스를 형태 생성 재현 구축 과정으로 세분화하여 각 단계별 적용되는 디지털 기술을 파악한다. 특히 디지털 건축 정보의 연속적 흐름에 의해 형태 생성 재현 구축 단계가 상호연계되는 통합적 디지털 디자인 프로세스에 주목하여 이를 지원하는 디지털 모델링과 제작 기술을 살펴본다. 사례분석에서는 최근 십년간 시공된 국내외 비정형 건축 외장 디자인 사례들을 선별하여 통합적 디지털 디자인 프로세스가 적용되는 방식과 디지털 모델링 및 제작기술이 연계되는 방식을 분석한다. 설계자의 의도와 프로젝트의 특성에 따라 기술의 선택과 활용 범위에 차이가 있을 수 있으나 조사 결과 다음과 같은 적용 방식을 도출할 수 있다. 형태 생성과 재현 과정이 연계된 경우 운동 기반 모델링 넙스 모델링 패라메트릭 모델링이 통합적으로 사용되고 있다. 형태 재현과 구축 과정이 연계된 경우 패라메트릭 모델링과 전통적인 CAD/CAM 소프트웨어가 통합되고 있다. 특히 패라메트릭 기반의 소프트웨어가 설계 초기 단계부터 적용된 경우 형태 생성 재현 구축의 전 과정에서 디지털 건축 정보가 연속적으로 상호 피드백 되며 디자인과 엔지니어링 분야 간의 통합적 협업이 지원되고 있다. 따라서 통합적 디지털디자인 프로세스에서는 연속된 디지털 건축 정보의 공유를 통해 유기적으로 프로젝트를 제어할 수 있고 전통적인 협업 방식의 변화를 수반하고 있어 미래 건축 실무 환경에 시사하는 바가 크다. This research deals with an integrated digital design process and related technologies for free-form architecture one of the main design streams in contemporary architecture. In theoretical backgrounds organic design streams and digital design paradigm are reviewed. The integrated digital design process is investigated in terms of form formulation representation and construction. However the intent of this research is not merely to introduce digital representation and an automated process of form generation and fabrication. But a goal is to understand the implication of the integrated digital design process as a seamless project delivery method. As such recent free-form architecture projects are analyzed to understand the implementation of the integrated digital design process and related digital technologies in practice. In the case that the formulation and representation process are focused kinetic & dynamic NURBS and parametric modeling are integrated. Whereas the representation and construction process are focused parametric modeling and traditional CAD/CAM technology are integrated. Especially when parametric softwares are applied throughout the entire process integrated collaboration among participants take place by exchanging and feed-backing digital design information. Hence the integrated digital design process supports not only a seemless translation of digital information but also a new relationship among participants which will ultimately influence work environments in architectural practice.