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      • KCI등재후보

        김소월 시의 심층 심리와 미적 원리

        김점용 국어국문학회 2003 국어국문학 Vol.- No.135

        The purpose of this paper is to show depth psychology and aesthetic feature in So-Wol's poetry. At the bottom of his works, there is a principle of the change and creation that is based on the transformation myth. The principle of the change and creation is the essential to understand life and death, it is embodied as a image of the death and rebirth in his works. However, the image of the death and rebirth in his works has a special feature. So to speak, it reached the holy and sacred space, the same as many other ceremonies do. The poetic space which is spiritualized help the reader to broaden his aesthetic experience and pull up to a kind of religious experience. And also this special feature means that “the death and rebirth” is related to “Nim”(Thee), the core of his works. Till now, most debaters have concentrated on separation from Nim and have read consciousness of deprival, feeling of separation, sense of futility and hopelessness, but in the other side we could know that it premise strong belief in resurrection of Nim. The belief and expectation of rebirth makes another axis and dual structure of confrontation and unification, and at last give a tension and vitality to his works. But the belief in rebirth of Nim is possible just mythologically not really. It is embodied as the consciousness of irrevocability(non-resurrection) in his works. The idea, as we couldn't go back to our dead Nim. Nim also couldn't come back to us, is the basic sense of the consciousness of irrevocability. In the end the core of the mentality in his works is the process that the death of “Nim” bring about rebirth, the rebirth lead to the consciousness of irrevocability. It is a trace of his poetic consciousness.

      • Development of Species Identification Method of Trapped and Damaged Sample using Direct PCR

        Kim Ju Il,Kwon Min,Kim Jeom Soon,Lee Yong Gyu,Shim Jae Dong,Kim Seong Hee 한국응용곤충학회 2012 한국응용곤충학회 학술대회논문집 Vol.2012 No.10

        Lepidopteran pests monitoring in adult stage was generally performed using delta or corn typed trap including rubber septa impregnated sex pheromone (lure). Sometimes, unfortunately trapped samples were severly damaged because of biotic and/or abiotic environments such as micro-organism, predator and rain, sticky material, respectively. In our case, we monitored potato tuber moth, PTM, Phthorimaea operculella distribution during 2009~2012 in Korea. However, we encountered unexpected problem, another species can be trapped in species specific sex pheromone trap. Therefore, species confirmation was needed in trapped samples. Here we developed confirmation method by direct PCR (without DNA extraction) or sequencing methods which trapped samples that cannot identified by morphologically. We designed multi-plex PCR universal primers and species specific primers in rRNA region because to check the success of PCR and species identification. This direct PCR method can be applied in other species confirmation which monitored using pheromone trap.

      • Development of Insecticide Resistant Markers in Field Populations of Myzus persicae

        Kim Ju Il,Kwon Min,Shim Jae Dong,Kim Jeom Soon,Lee Yong Gyu,Lee Si Hyeock 한국응용곤충학회 2012 한국응용곤충학회 학술대회논문집 Vol.2012 No.10

        The green peach aphid, Myzus persicae (Sulzer), is one of the most serious pests in cabbage cultivation. Field survey was carried out to know the insecticide resistance levels and to develop the applicable insecticide resistant markers in five main cabbage cultivation regions (Pyeong-chang, Hong-cheon, Bong-wha, Mu-ju and Je-ju) during 2009 to 2011. M. persicae can resist a wide range of insecticides in five surveyed local populations. Therefore multi resistant (MR) strain was selected from these five local populations and esterase over-expression, modified AChE (MACE) and mutation(s) in para-type sodium channel were analyzed using native IEF and quantitative sequencing with five local populations. Esterase over-expression and MACE (StoF mutation) were observed in all populations including MR strain. LtoF mutation is well known as a kdr mutation in para-type sodium channel. However, even though LC50 values of MR strain noted over 2,000 times higher than that of susceptible strain against bifenthrin, LtoF mutation was not detected in para type sodium channel and also local populations. We found another mutation (MtoL) in para and that mutation highly correlated between mutation ratio and bioassay data. For preliminary resistance monitoring, we developed quantitative sequencing (QS) to detect the frequencies of point mutation as a population genotyping. These methods can apply to manage M. persicae resistant populations in field.

      • 22.9㎾ 배전선로 가공지선 설치 구조에 따른 유도뢰 차폐효과 분석

        김점식(Kim Jeom-Sik),박용범(Park Yong-Bum),권세원(Kwon Se-Won),권신원(Kwon Sin-Won),김도영(Kim Do-Young),임성정(Rim Seong-Jeong) 대한전기학회 2009 대한전기학회 학술대회 논문집 Vol.2009 No.10

        본 논문은 가공지선의 유도뢰 차폐효과에 대한 실증적 데이터가 없는 상황에서 22.9㎾ 배전선로의 구조에 따른 유도뢰 차폐효과를 알아보고자 한다. 이를 위해 현행 22.9㎾ 중성점 다중 접지방식의 배전선로 구조에서 수치해석을 통해 유도뢰전압올 계산하고 이를 기반으로 유도뢰 차폐효과를 계산하였다. 또한 현행 배전선로 구조를 대체하는 가공지선과 중성선을 겸용하는 선로를 제안하여 동일한 해석을 수행하였으며 제안한 구조의 타당성을 입증하기 위해 유도뢰 차폐효과를 비교하였다.

      • KCI등재

        김소월 시 「왕십리」의 의미 구조

        김점용(Kim Jeom-Yong) 한국시학회 2004 한국시학연구 Vol.- No.11

        This paper aims at revealing the meaning of ‘Wangshimni,’ one of Kim Sowol’s famous poems. Explication of this poem, ‘Wangshimni’ has been a controversial issue because of its ambiguity and unintelligibility. The most unintelligible part of the poem is line one through three of the second stanza. Only when this indirect narrative part is explicated correctly, we can make our way through the ambiguity and unintelligibility of the poem. Among the existing points of view are a position which describes those lines as a short period of time seeing a sweetheart(‘Nim’), a position as a rainy season, a view as the wax and wane of the moon, and a view as a relation between the ebb and flow of the tide. The present writer thinks the last opinion is most adequate. By the way to my judgement, the subject going and coming means not only “the rain” but also “a person”. Only if then explained, this poem can be understood properly. If so, the subject of “going and going” also covers both ‘na(I)’ and ‘nim(the sweetheart)’. ‘Cheonan Samgori(three forked road)’ which appears abruptly at the third stanza should be reinterpreted. It is understood as extended space of Wangshimni or as the realm of the fatherland in colonial situation. But it should be pointed out that Wangshimni at that time also as well as Cheonan Samgori was a place of great importance for traffic, leading to three southern provinces. Thus spatial meaning of Wangshimni in this work refers to a mental space where separation from the sweetheart are grieved at. In conclusion, Wangshimni is understood as lamenting the separation from the sweetheart on the one hand and at the same time as entreating falling rain earnestly to prevent the sweetheart from leaving on the other.

      • KCI등재

        22.9㎸ 배전선로 중성선 설치 구조에 따른 유도뢰 차폐효과 분석

        김점식(Jeom-Sik Kim),김도영(Do-Young Kim),박용범(Yong-Beom Park) 대한전기학회 2010 전기학회논문지 P Vol.59 No.2

        The electricity distribution system in Korea is adopting a multi-grounding system. Protection of this distribution system against lightning is performed by installing overhead ground wires over the high voltage wires, and connecting the overhead ground wires to the ground every 200 m. The ground resistance in this system is limited not to exceed 50Ω and overhead ground wire and neutral wire are multiple parallel lines. Although overhead ground wire and neutral wire are installed in different locations on the same pole, this circuit configuration has duplicated functions of providing a return path for unbalanced currents and protecting the distribution system against induced lightning. Therefore, the purpose of this study is to analyze the induced lightning shielding effect according to the neutral wire installation structure of a 22.9㎸ distribution line in order to present a new 22.9㎸ distribution line structure model and characteristics. This study calculated induced lightning voltage by performing numerical analysis when an overhead ground wire is present in the multi-grounding type 22.9㎸ distribution line structure, and calculated the induced lightning shielding effect based on this calculated induced lightning voltage. In addition, this study proposed and analyzed an improved distribution line model allowing the use of both overhead wire and neutral wire to be installed in the current distribution lines. The result of MATLAB simulation using the conditions applied by Yokoyama showed almost no difference between the induced lightning voltage developed in the current line and that developed in the proposed line. This signifies that shielding the induced lightning voltage through overhead wire makes no difference between current and proposed distribution line structures. That is, this study found that the ground resistance of the overhead wire had an effect on the induced lightning voltage, and that the induced lightning shielding effect of overhead wire is small.

      • KCI등재

        이육사 시의 숭고미

        김점용(Kim Jeom-yong) 한국시학회 2006 한국시학연구 Vol.- No.17

        This study investigates the sublime beauty of the poems written by Yi, Yuk-sa. His poems are not only resistant but also masculine, which most Korean poems lack. This characteristic is linked to sublime experience. The sublimity is a kind of aesthetic attitude which lifts up the internal resistance against the external power. This is dramatically expressed in "The Climax", Yuk-sa's representative poem. In this work, the speaker shows us how strong and big his spirit is by holding out against the cruel reality which he faces through the sublimity. This is crucial in understanding where the characteristics of Yuk-sa's poems come from as resistant poetry and why the readers are still impressed by his poems without referring to the colonial reality in which he lived and his record as a resistant. This also explains us how such a big poetic world which includes an image of huge nature could be made. In addition, Yuk-sa's poems express the sublimity originated in his own belief and idea as well as that caused by confronting with external enemies. His "Wilderness" is under this case. This was the method he could use to cope with the coercion power by building another huge world when he couldn't make his idea come true in the reality, which gives us the possibility that we can interpret Yuk-sa's poems variously without considering the background situation in which they were written.

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