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      • KCI등재

        확장된 기술수용모델(ETAM)을 활용한 골프용품 기업의 O2O기반 서비스 앱과 재이용 연구

        김정락,조태수 한국사회체육학회 2018 한국사회체육학회지 Vol.0 No.71

        This study is intending to analyze the 020 (Online to Offline)-based service App acceptance process and confirm its structural relations through the extended technology acceptance model, in which the factors of a golf supplies company’s 020-based service App and its reutiliztaion were put. To this end, the study used a questionnaire as a measuring tool and utilized a total of 281 ocpies of questionnaires for analysis. Then, the study conducted the analysis process using IBM 20.0 and AMOS 2.0 programs. The conclusion through deducted results are as follows: First, the immediate connectivity of a golf supplies company’s 020-based service App establishes positive relations of influence on easiness. Sceond, the economic feasibility of a golf supplie s company’s 020-based service App establishes positive relations of influence on easiness and usefulness. Third the perceived easiness of a golf supplies company’s 020-based esrvice establishes positive relations of influence on usefulness and reutilization. Fourth, the perceived usefulness of a golf supplies company’s 020-based service establishes relations of influence on usefulness and reutilization. Accordingly, it is about time that a golf supplies company should seek for diverse plans which could raeis 020-based service App utilization in orde r for a golf supplies company to achieve successful management.

      • 日帝侵略과 韓國의 主權喪失에 關한 考察

        金町洛 대구보건대학 1988 대구보건대학 論文集 Vol.11 No.-

        In the latter part of the 19th centry the most significant and historical challenge that our country was facing had the following two sides. One was the challenge from the foreign powers of industrially advanced capitalist countries, and the other was the strong need of the domectic social reform. Japan was the exemplary case of the former. The Un-yang Trouble was caused by Japan in 1875 and she forced Korea to enter into the so-called Byong-ja Treaty of Amity. Consequently, Korea not only opened the harbors but also gave a footing to the Japenese invasion of Korea. The latter was represented by the Dong-hak Revolution and it led to the Chino-Japanese War and the Kabo Political Reform in 1894. These two events not only brought about the foundation of the Japanese invasion of Korea but also yielded the fact that Korea became the powers' struggle for concessions. Through the Chino-Japanese war, Japan succeeded in securing an advanced base of colonization of Korea by the Eul-sa Treaty of Protection and deprived Korea of her administration power by means of disorganizing them military forces and the so-called "a deputy secretary administration system" based on the Jyong-mi Seven Artcles Treaty in 1907. The judicial power and the prison affairs were lost by the Ki-yoo Memorandum in 1909. Thus, Japan conlcluded the annexation of Korea on the 22nd of August, 1910, due to which Korea lost her sovereignty for 36 years. To put it shortly, Korea lost her sovereignty through the confrontation and confusion with the troubles internal and external. Consequently we are still suffering from the pains of the divided nation. This lesson should be kept in mind and our all-out efforts should be concentrated to make our country unified, stable, and advanced.

      • 배양 근 세포에서의 Ca²□-ATPase의 합성

        김정락 인제대학교 1985 仁濟論叢 Vol.1 No.2

        The effects of butyric acid(3 mM) and DMSO(4%) as fusion inhibitors or MCM(muscle-conditioned medium) as a fusion promoter on the Ca2+-ATPase synthesis of myoblast were examined in culture. 1.Under appropriate condition, the Ca2+-ATPase synthesis occured significantly before the fusion, reduced during the fusion and increased again after the fusion. 2.Butyric acid and DMSO inhibited the Ca2+-ATPase synthesis respectively. 3.MCM moved up the synthesis pattern of Ca2+-ATPase In the course of culture.

      • 음향 Intensity방법을 이용한 음원 재구성에 관한 연구

        金禮顯,張浩京,李俊河,金廷洛 嶺南大學校 基礎科學硏究所 1990 基礎科學硏究 Vol.10 No.-

        The amplitude and the location of sound sources are obtained by measuring the acoustic intensity using two closely spaced microphones. In this study, in order to identify the noise radiation characteristics, noise radiational pattern on the right hand side, the left hand side and the front part of the vaccum cleaner are investigated at 315Hz, 630Hz, 1600Hz, and 8000Hz resectively. As the results of experiment, the air induction pipe is verified the important noise radiation at 315Hz and 630Hz, and the air exhaust pipe at 1600Hz. Above all, the moter and the fan influenced at the high frequency of 8000Hz.

      • 배양 근 세포의 분화 Tunicamycin과 o-Phenanthroline의 효과

        김정락 인제대학교 1987 仁濟論叢 Vol.3 No.2

        The effect of tunicamycin(50ng/ml) and o-phenanthrolin(5㎍/ml) as fusion inhibitor on the myoblast in culture was investigated. Confluent myoblast exposed to tunicamycin, an inhibitor of dolichol-phosphate-mediated glycosylation of proteins at asparagine-linked site, or to o-phenanthrolin, a chelator of divalent metal cations, did not fuse or express creatine phosphokinase, acetylcholin receptor, myosin heavy chain, or α -actin. o-Phenanthrolin did not perturb myoblast adhesion but rather blocked the fusion of aggregated cells. By contrast, tunicamycin blocked elongation step.

      • KCI등재

        라오콘 논쟁과 에티엔 모리스 팔코네의 <크로토나의 밀로>

        김정락,Kim, Jung-Rak 한국미술이론학회 2003 미술이론과 현장 Vol.1 No.-

        Im 18. Jahrhundert stritt man urn allgemeing$\"{u}$ltige Kriterien f$\"{u}$r die Kunstkritik, welche ebenda aufzubl$\"{u}$hen begann. Im Zentrum dieser Auseinandersetzung, die uns als "Laokoon-streit" bekannt ist, befanden sich Johann Joachim Winckelmann einerseits und ein franz$\"{o}$sischer Bildhauer Etienne-Maurice Falconet(1716-1791) andererseits. Die beiden waren von ganz unterschiedlichen Kunstideen $\"{u}$berzeugt. Obwohl sie niemals zusammentraf, fielen sie in eine heftige schriftliche Diskussion. Wie bekannt, vertrat Winckelmann den aufkommenden Klassizismus. Er setzte die griechische Kunst auf die h$\"{o}$chste Rangstufe auf und bezeichnet sie als Tr$\"{a}$ger der sogenannten "edlen Einfalt und stillen Gr$\"{o}{\beta}$e, die sonst in der Natur verborgen bleibe. Nach Winckelmann sollte der K$\"{u}$nstler die griechischen Vorbilder wie Apollo von Belvedere und Laokoon nachahmen, um das wesentlich Sch$\"{o}$ne zu erlernen. Falconet $\"{u}$bte eine scharfe Kritik gegen die Meinung Winckelmanns und die Diletantismus in der Kunstkritik aus. Selbst als Theoretiker warf er vor, dass die Klassizisten um ihr dogmatisch struktuiertes Lehrgeb$\"{a}$ude willen alle andere Eigenschaften der Kunst sowie Kunstwerke $\"{u}$bersahen und ihre Apotheose der klassischen Kunst auf die Entwicklung der Kunst eher als Hindernis wirkte. Im besonderen Hinblick auf den Ausdruck der menschlichen Leidenschaft distanzierte Falconet sich von der Lehrmeinung des Klassizismus, n$\"{a}$mlich Zur$\"{u}$ckhaltung derselben Leidenschaft wegen der idealen Sch$\"{o}$nheit. Vor dem Laokoon teilten Falconet und die Klassizisten ihre Meinung un$\"{u}$berbr$\"{u}$ckbar voneinander. F$\"{u}$r diese war der Laokoon die Repr$\"{a}$sentation des erhabenen Menschen, der leidet, ohne seinen Affekt zu enth$\"{u}$llen. Im Gegensatz sah Falconet in demselben Werk einen erlungenen Ausdruck des menschlichen Gef$\"{u}$hls. Sein Deb$\"{u}$twerk <Milon von Croton> ist also die Visualisierung seiner Kunstauffassung. Unter Einfluss Pierre Pugets sowie seines Lehrers Jean-Baptiste Lemoyne bem$\"{u}$ht er sich darum, den Ausdruck der menschlichen Leidenschaft durch kunsttechnische Leistung und wissenschaftliche Forschung zu erstarken. Daraus ergab sich die expressive Ausdrucksform des Affekts. In diesem Fall verband sich Falconet mit der Tradition des barocken Kunstwollens, aber er ging einen Schritt weiter, indem er die Ausdrucksweise noch realistischer und lebendiger zu machen vermag. Faconet war vielleicht der einzige K$\"{u}$nstler, der Vorteile det barocken Kunst ausnut zen konnte, ohne dabei die klassische und realistische Formensprache zu verlieren. Dutch sein Werk und seine theoretischen Schriften er$\"{o}$ffnete er neue Prinzipien sowohl f$\"{u}$r die Kunstpraxis als auch f$\"{u}$r die Kunstkritik, deren wesentliche Sinn jedoch erst in der Romantik anerkannt wurde.

      • KCI등재후보
      • KCI등재

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