Based on the observation that most fictional characters bear names that reflect their natures given in the context of the work or meanings intended by the authors, this study focuses on the English translation of proper names in modern Korean short st...
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한국 현대 단편소설 작중인물 이름의 영어번역 연구 = A study on proper names in Korean short stories translated into English
한글로보기https://www.riss.kr/link?id=T13854481
- 저자
-
발행사항
서울 : 동국대학교, 2015
- 학위논문사항
-
발행연도
2015
-
작성언어
한국어
-
KDC
701.7 판사항(6)
-
DDC
418.02 판사항(23)
-
발행국(도시)
서울
-
형태사항
iv, 187 p. : 도표 ; 26 cm
-
일반주기명
권말부록: 분석대상 텍스트 ; 『해리포터를 영어로 읽어주는 책』 발췌
지도교수: 박윤희
참고문헌: p. 161-173 - DOI식별코드
-
소장기관
- 국립중앙도서관
- 동국대학교 중앙도서관
- 국립중앙도서관
-
0
상세조회 -
0
다운로드
인용문이 복사되었습니다.
부가정보
다국어 초록 (Multilingual Abstract)
Based on the observation that most fictional characters bear names that reflect their natures given in the context of the work or meanings intended by the authors, this study focuses on the English translation of proper names in modern Korean short stories. The translation of proper names of literary works are particularly important because they are culture-specific, created on the basis of the specific setting in a given culture at a given time.
According to Hermans (1988), such fictional names implying something intended by the author are classified as ‘loaded names.’ Loaded names sometimes present readers with pleasure which readers can expect a particular characteristic or encounter irony arising from the discrepancy between the characters and their names.
The meaning contained in a loaded name can be easily traced by the source text readers because they have not only the same mother tongue as the language written in the stories, but also the shared culture and background knowledge as well. However, what if the loaded name is translated into the other language? It is expected that the other readers (that is, the translated text readers) may not grasp the meaning of the name as the original text readers do.
Given the translation practices of Korean literature into English so far, the transliteration strategy has been taken for granted as far as proper names are concerned. In terms of Sino-Korean proper names which facilitate meaningful implication in Korean literature, their intended meanings are considered to be necessarily explained in any way as translated into English.
In this regard, this study firstly examines whether most characters’ names and other proper names of Korean literature are transferred into English version without any loss of meaning through the comparative analysis of modern Korean short story text and their translated English counterpart in accordance with the ten (10) kinds of appellation. And then, through the analysis, any problems of translation are pointed out from the perspectives of translation strategy and translation (or translators’) ethics. Finally, a useful alternative that delivers the intended meanings to the target text readers is suggested by using the concept ‘paratext’ through this research.
With these three main objectives, this study selects more than 100 translated texts into English mainly from Korean modern short stories to classify proper names according to the 10 ways of nomenclature. The list of the nomenclature theory applied to this study is as follows: allegorical appellation, onomatopoeic appellation, allusive appellation, socially conventional appellation, appellation using alphabetical initials, appellation using nicknames, appellation using similar sounds, appellation using a form of address, non-appellation, and appellation using word play.
The translation strategies applied to the study in order to analyze the translation of proper names are reconstructed based on the theories of translation strategies as follows: from the translation strategies of foreignization and domestication suggested by Schleimacher and Venuti to culture-specific strategies of Newmark, Hermans, and Franco Aixela.
As a result of looking into the translation of proper names, it is found that the strategies of transliteration and literal translation are used most. This result also shows that such strategies do not perform properly to deliver the intended meaning of proper names to the target text readers. Only by transferring the name to sound the same with or recognizable for what it indicates, the intended meaning of the name is missing. Such a problem is discussed in terms of translation strategies and translation [or translators’] ethics.
In order to solve the problem that arises from the loss of meaning through the translation process, this study suggests an alternative that the paratext as a space of the translator should be fully used. In fact, there is little space for the translator effectively to narrow the gap between the source text author and the target text readers, even though the translator is thought to be a mediator between cultures in the academic world and the field. It is true that a single word such as a proper name which can possibly contain the irony of the entire story, or a form of address which can possibly show the relations between the characters, or a word-playable name which can possibly reveal the bearer’s characteristics cannot be mediated by the translator within the translated text.
Therefore, the paratext of the target text created by the translator can function to transfer the intended meaning of proper names to target readers, and consequently the translator can conform to the translators’ ethics while the target text readers can enjoy the equivalent pleasure through reading literature to that the source text readers feel.
Although the analyzed texts, the theories applied to, and the scope discussed and suggested in this study may be limited, this study is differentiated from the existing research with regard to attempting to suggest an alternative for preventing meaning loss of proper names through the translator’s aggressive intervention by creating the translator’s space, ‘paratext,’ to interpret the intended meaning of the name to the target text readers.
According to Hermans (1988), such fictional names implying something intended by the author are classified as ‘loaded names.’ Loaded names sometimes present readers with pleasure which readers can expect a particular characteristic or encounter irony arising from the discrepancy between the characters and their names.
The meaning contained in a loaded name can be easily traced by the source text readers because they have not only the same mother tongue as the language written in the stories, but also the shared culture and background knowledge as well. However, what if the loaded name is translated into the other language? It is expected that the other readers (that is, the translated text readers) may not grasp the meaning of the name as the original text readers do.
Given the translation practices of Korean literature into English so far, the transliteration strategy has been taken for granted as far as proper names are concerned. In terms of Sino-Korean proper names which facilitate meaningful implication in Korean literature, their intended meanings are considered to be necessarily explained in any way as translated into English.
In this regard, this study firstly examines whether most characters’ names and other proper names of Korean literature are transferred into English version without any loss of meaning through the comparative analysis of modern Korean short story text and their translated English counterpart in accordance with the ten (10) kinds of appellation. And then, through the analysis, any problems of translation are pointed out from the perspectives of translation strategy and translation (or translators’) ethics. Finally, a useful alternative that delivers the intended meanings to the target text readers is suggested by using the concept ‘paratext’ through this research.
With these three main objectives, this study selects more than 100 translated texts into English mainly from Korean modern short stories to classify proper names according to the 10 ways of nomenclature. The list of the nomenclature theory applied to this study is as follows: allegorical appellation, onomatopoeic appellation, allusive appellation, socially conventional appellation, appellation using alphabetical initials, appellation using nicknames, appellation using similar sounds, appellation using a form of address, non-appellation, and appellation using word play.
The translation strategies applied to the study in order to analyze the translation of proper names are reconstructed based on the theories of translation strategies as follows: from the translation strategies of foreignization and domestication suggested by Schleimacher and Venuti to culture-specific strategies of Newmark, Hermans, and Franco Aixela.
As a result of looking into the translation of proper names, it is found that the strategies of transliteration and literal translation are used most. This result also shows that such strategies do not perform properly to deliver the intended meaning of proper names to the target text readers. Only by transferring the name to sound the same with or recognizable for what it indicates, the intended meaning of the name is missing. Such a problem is discussed in terms of translation strategies and translation [or translators’] ethics.
In order to solve the problem that arises from the loss of meaning through the translation process, this study suggests an alternative that the paratext as a space of the translator should be fully used. In fact, there is little space for the translator effectively to narrow the gap between the source text author and the target text readers, even though the translator is thought to be a mediator between cultures in the academic world and the field. It is true that a single word such as a proper name which can possibly contain the irony of the entire story, or a form of address which can possibly show the relations between the characters, or a word-playable name which can possibly reveal the bearer’s characteristics cannot be mediated by the translator within the translated text.
Therefore, the paratext of the target text created by the translator can function to transfer the intended meaning of proper names to target readers, and consequently the translator can conform to the translators’ ethics while the target text readers can enjoy the equivalent pleasure through reading literature to that the source text readers feel.
Although the analyzed texts, the theories applied to, and the scope discussed and suggested in this study may be limited, this study is differentiated from the existing research with regard to attempting to suggest an alternative for preventing meaning loss of proper names through the translator’s aggressive intervention by creating the translator’s space, ‘paratext,’ to interpret the intended meaning of the name to the target text readers.
Based on the observation that most fictional characters bear names that reflect their natures given in the context of the work or meanings intended by the authors, this study focuses on the English translation of proper names in modern Korean short stories. The translation of proper names of literary works are particularly important because they are culture-specific, created on the basis of the specific setting in a given culture at a given time.
According to Hermans (1988), such fictional names implying something intended by the author are classified as ‘loaded names.’ Loaded names sometimes present readers with pleasure which readers can expect a particular characteristic or encounter irony arising from the discrepancy between the characters and their names.
The meaning contained in a loaded name can be easily traced by the source text readers because they have not only the same mother tongue as the language written in the stories, but also the shared culture and background knowledge as well. However, what if the loaded name is translated into the other language? It is expected that the other readers (that is, the translated text readers) may not grasp the meaning of the name as the original text readers do.
Given the translation practices of Korean literature into English so far, the transliteration strategy has been taken for granted as far as proper names are concerned. In terms of Sino-Korean proper names which facilitate meaningful implication in Korean literature, their intended meanings are considered to be necessarily explained in any way as translated into English.
In this regard, this study firstly examines whether most characters’ names and other proper names of Korean literature are transferred into English version without any loss of meaning through the comparative analysis of modern Korean short story text and their translated English counterpart in accordance with the ten (10) kinds of appellation. And then, through the analysis, any problems of translation are pointed out from the perspectives of translation strategy and translation (or translators’) ethics. Finally, a useful alternative that delivers the intended meanings to the target text readers is suggested by using the concept ‘paratext’ through this research.
With these three main objectives, this study selects more than 100 translated texts into English mainly from Korean modern short stories to classify proper names according to the 10 ways of nomenclature. The list of the nomenclature theory applied to this study is as follows: allegorical appellation, onomatopoeic appellation, allusive appellation, socially conventional appellation, appellation using alphabetical initials, appellation using nicknames, appellation using similar sounds, appellation using a form of address, non-appellation, and appellation using word play.
The translation strategies applied to the study in order to analyze the translation of proper names are reconstructed based on the theories of translation strategies as follows: from the translation strategies of foreignization and domestication suggested by Schleimacher and Venuti to culture-specific strategies of Newmark, Hermans, and Franco Aixela.
As a result of looking into the translation of proper names, it is found that the strategies of transliteration and literal translation are used most. This result also shows that such strategies do not perform properly to deliver the intended meaning of proper names to the target text readers. Only by transferring the name to sound the same with or recognizable for what it indicates, the intended meaning of the name is missing. Such a problem is discussed in terms of translation strategies and translation [or translators’] ethics.
In order to solve the problem that arises from the loss of meaning through the translation process, this study suggests an alternative that the paratext as a space of the translator should be fully used. In fact, there is little space for the translator effectively to narrow the gap between the source text author and the target text readers, even though the translator is thought to be a mediator between cultures in the academic world and the field. It is true that a single word such as a proper name which can possibly contain the irony of the entire story, or a form of address which can possibly show the relations between the characters, or a word-playable name which can possibly reveal the bearer’s characteristics cannot be mediated by the translator within the translated text.
Therefore, the paratext of the target text created by the translator can function to transfer the intended meaning of proper names to target readers, and consequently the translator can conform to the translators’ ethics while the target text readers can enjoy the equivalent pleasure through reading literature to that the source text readers feel.
Although the analyzed texts, the theories applied to, and the scope discussed and suggested in this study may be limited, this study is differentiated from the existing research with regard to attempting to suggest an alternative for preventing meaning loss of proper names through the translator’s aggressive intervention by creating the translator’s space, ‘paratext,’ to interpret the intended meaning of the name to the target text readers.
목차 (Table of Contents)
- 제목목차 ⅰ
- 표 목 차 ⅲ
- 그림목차 ⅳ
- 1. 서론 1
- 1.1 연구동기 및 목적 1
- 제목목차 ⅰ
- 표 목 차 ⅲ
- 그림목차 ⅳ
- 1. 서론 1
- 1.1 연구동기 및 목적 1
- 1.2 연구방법 및 논문의 구성 7
- 2. 이론 배경 및 선행연구 10
- 2.1 소설의 작중인물 명명법 10
- 2.2 ‘문화특정 항목(culture-specific item)’으로서의 이름 18
- 2.3 소설 작중인물 이름 번역이론 23
- 2.3.1 슐라이어마허와 베누티 24
- 2.3.2 뉴마크 26
- 2.3.3 허만스 30
- 2.3.4 페르난데스 33
- 2.3.5 프랑코 아이헬라 36
- 2.3.6 페르메스 외 38
- 2.3.7 코일리에 외 40
- 2.3.8 작중인물 이름번역 틀 45
- 2.4 선행연구 49
- 2.4.1 작중인물 이름에 관한 선행연구 49
- 2.4.2 작중인물 이름 번역 선행연구 51
- 2.4.3 호칭어 번역 선행연구 59
- 3. 분석 연구 62
- 3.1 분석 텍스트 선정 62
- 3.2 작중인물 이름번역 양상 64
- 3.2.1 우의적 명명법 66
- 3.2.2 음성상징 명명법 70
- 3.2.3 인유적 명명법 73
- 3.2.4 호칭어를 이용한 명명법 76
- 3.2.5 철자 병렬에 의한 명명법 92
- 3.2.6 별명을 이용한 명명법 93
- 3.2.7 유사음을 이용한 명명법 100
- 3.2.8 영형 명명법 102
- 3.2.9 언어 유희적 명명법 104
- 3.2.10 소결: 명명법에 따른 번역 전략에 대한 논의 112
- 3.3 번역 양상을 통한 문제점 고찰 116
- 3.3.1 실제 번역 전략 차원에서의 문제점 고찰 126
- 3.3.2 번역자의 개입: 번역자의 윤리 차원에서의 문제점 고찰 133
- 3.4 문제점 해결을 위한 논의: 곁텍스트의 활용 139
- 3.4.1 곁텍스트 140
- 3.4.2 번역자의 적극적 중재 공간으로서의 곁텍스트 146
- 3.5 소결 155
- 4. 결론 158
- 참고문헌 161
- 부록 174
- 영문초록(Abstract) 184
참고문헌 (Reference)
1. 번역의 이해, 이은숙, 서울: 도서출판 동인, , 2009
2. 엄마를 부탁해, 신경숙, 서울: 창비, , 2008
3. 「마음의 감옥」, 김원일, 김원일 외, 『1990 이상문학상 수상작품집(21-80쪽)』, 서울: 문학사상사, , 1990
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1. 번역의 이해, 이은숙, 서울: 도서출판 동인, , 2009
2. 엄마를 부탁해, 신경숙, 서울: 창비, , 2008
3. 「마음의 감옥」, 김원일, 김원일 외, 『1990 이상문학상 수상작품집(21-80쪽)』, 서울: 문학사상사, , 1990
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