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- 저자 : Weinberg, Z.G. (검색결과 69 건)
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Weinberg, Richard 사단법인 한국지역사회연구소 2000 地域社會 Vol.2000 No.3
1990년대를 거치면서 오락산업(entertainment)의 계획과 제작을 위한 도구들을 디지털 기술의 극적인 변화를 이끌어냈다. 오락물 기획의 개념에서 극장, 가정 또는 어느 특별한 장소로 그 결과물을 보급하는 것에 이르기까지 디지털 기술은 미리 오락산업의 주된 계획과 제작, 그리고 보급 수단으로 중심적인 역할을 하게 될 것이다. 최근에 생겨난 가지각색의 디지털 엔터테이먼트 기술은 오락산업과 연계되었을 때, 창조적인 이야기 전달(story telling)방법과 새로운 형태의 오락적 경험을 전 세계의 시청자들에게 제공하게 된다.
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Katinka Weinberger,R. Srinivasan 한국응용곤충학회 2009 Journal of Asia-Pacific Entomology Vol.12 No.4
Cabbage (Brassica olearaceae var. capitata) and cauliflower (Brassica oleracea var. botrytis) are two major vegetables produced and consumed in India. Over the years, they have been cultivated more intensively. This has resulted in higher rates of pest infestation, especially by the diamondback moth (Plutella xylostella) and higher pesticide use. This, in turn, has contributed to insecticide resistance, environmental degradation, and human health impacts, which have triggered a growing interest in alternative management techniques. There is a dearth of knowledge on current pest management practices in cabbage and crucifer. Knowledge about pest management practices is necessary to develop appropriate strategies such as Integrated Pest Management. The main purpose of this study was to obtain comprehensive information on pest management practices among farmers growing cabbage and cauliflower in India. A survey was conducted in the states of Gujarat, West Bengal, and Karnataka from October 2006 through January 2007. Three hundred farmers were interviewed to obtain information on pesticide use in cabbage and cauliflower production, the cost of pesticide use, and socioeconomic characters that influence cabbage and cauliflower production. Farmers relied on pesticides as the major and often exclusive crop protection strategy. Ten of the active ingredients (16.4% of all pesticides reported by all farmers in this survey) were listed as extremely or highly hazardous (classes Ia and Ib) by the World Health Organization. The results confirmed that pesticide use differs between states of India, but that location alone does not determine pesticide spraying pattern. A regression model was used to identify determinants of pesticide application frequency and pesticide cost per hectare. After controlling for location, individual level variables, such as age, education and experience, had significant effects on how often farmers sprayed. Farmers also spent more for pesticides, and sprayed more frequently on cauliflower than on cabbage and on open-pollinated varieties than on hybrid varieties. Our findings highlight the excessive use of pesticides in cabbage and cauliflower, and the reliance on pesticides as the only pest management strategy. The results confirm the need for alternative management strategies. Bt vegetables may be one of these alternative strategies. However, it is questionable whether cultivation of Bt vegetables will reduce the strong reliance on pesticides. Small-scale farmers will need training in the identification of pests, natural enemies, basic ecology, and integrated pest management strategies to ensure sustainable and safe vegetable production. Cabbage (Brassica olearaceae var. capitata) and cauliflower (Brassica oleracea var. botrytis) are two major vegetables produced and consumed in India. Over the years, they have been cultivated more intensively. This has resulted in higher rates of pest infestation, especially by the diamondback moth (Plutella xylostella) and higher pesticide use. This, in turn, has contributed to insecticide resistance, environmental degradation, and human health impacts, which have triggered a growing interest in alternative management techniques. There is a dearth of knowledge on current pest management practices in cabbage and crucifer. Knowledge about pest management practices is necessary to develop appropriate strategies such as Integrated Pest Management. The main purpose of this study was to obtain comprehensive information on pest management practices among farmers growing cabbage and cauliflower in India. A survey was conducted in the states of Gujarat, West Bengal, and Karnataka from October 2006 through January 2007. Three hundred farmers were interviewed to obtain information on pesticide use in cabbage and cauliflower production, the cost of pesticide use, and socioeconomic characters that influence cabbage and cauliflower production. Farmers relied on pesticides as the major and often exclusive crop protection strategy. Ten of the active ingredients (16.4% of all pesticides reported by all farmers in this survey) were listed as extremely or highly hazardous (classes Ia and Ib) by the World Health Organization. The results confirmed that pesticide use differs between states of India, but that location alone does not determine pesticide spraying pattern. A regression model was used to identify determinants of pesticide application frequency and pesticide cost per hectare. After controlling for location, individual level variables, such as age, education and experience, had significant effects on how often farmers sprayed. Farmers also spent more for pesticides, and sprayed more frequently on cauliflower than on cabbage and on open-pollinated varieties than on hybrid varieties. Our findings highlight the excessive use of pesticides in cabbage and cauliflower, and the reliance on pesticides as the only pest management strategy. The results confirm the need for alternative management strategies. Bt vegetables may be one of these alternative strategies. However, it is questionable whether cultivation of Bt vegetables will reduce the strong reliance on pesticides. Small-scale farmers will need training in the identification of pests, natural enemies, basic ecology, and integrated pest management strategies to ensure sustainable and safe vegetable production.
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Manfred Weinberg 서울대학교 독일어문화권연구소 2018 독일어문화권연구 Vol.27 No.-
Der Aufsatz fragt nach den Konzepten, mit denen interkulturelle Räume beschreibbar sind. Dazu wird meist das Konzept der Grenze genutzt, das aber mit sich bringt, dass diesseits und jenseits der Grenze zwei homogene Kulturen vorausgesetzt werden. Kulturen aber sind keine Container mit homogenem Inhalt; sie sind vielmehr immer gemischt - solche Mischung wird im Falle interkultureller Regionen nur in besonderer Weise sichtbar. Von daher plädiert der Aufsatz, deren Beschreibung nicht mit Grenzen (und damit Einheiten) zu beginnen, sondern mit dem Raummodell des Horizonts, das erst einmal keine Grenzen kennt. Im Horizont kann man instabile Einheiten denken und nur zeitweise gültige Grenzen; man kann Vermischungen denken und Inseln der nationalkulturellen Vereindeutigung in ihn eintragen. Man muss nur eben je von Neuem rechtfertigen, warum man es auf diese Weise einträgt und somit erklärt. Die Angemessenheit dieses Raumkonzepts wird dann am Beispiel Prags erläutert. Hinsichtlich der Literatur ging die bisherige germanistische, ganz auf das Phänomen der „Prager deutschen Literatur“ ausgerichtete Forschung von einer klaren Separierung der kulturellen Sphären ‚des‘ Deutschen und ‚des‘ Tschechischen aus. Entsprechende ‚starke‘ Grenzziehungen zeigt auch die bohemistische Forschung zur tschechischen Literatur der Zeit. Eine klare Abgrenzung der Sphären gegeneinander entspricht, wie neuere Forschungen zeigen, jedoch nicht den historischen Tatsachen. Das Raumkonzept des Horizonts hilft dabei, das spezifische ‚Ineinander‘ der Kulturen (und Literaturen) in Prag zu beschreiben. Am Ende des Aufsatzes werden Schlussfolgerungen aus dieser Neukonzeptualisierung für die Auseinandersetzung mit dem Werk Franz Kafkas gezogen.
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Franz Kafka im (Prager) interkulturellen Kontext
Manfred Weinberg(만프레트 바인베르크) 한국카프카학회 2019 카프카연구 Vol.0 No.41
프란츠 카프카의 생애와 저작 속에서 그의 출생지인 프라하의 상호문화성이 지닌 의미를 추적하는 작업은 저자에 대해 오늘날 지배적인 완전히 틀린 이미지를 수정할 가능성을 제공한다. 체코인, 독일인, 유대인들 간의 공생으로 드러나는 상호문화적인 도시 프라하에서 영유된 카프카의 삶에서 그의 유대주의는 확실히 특별한 의미를 지닌다. 그러나 물론 이러한 진단은 아직 핵심을 말하고 있지 않다. 유대인의 정체성 수립을 위한 선택지로 20세기 초반의 프라하에서도 또한 동화, 소위 동유럽 유대주의로의 지향, 그리고 시오니즘으로의 개종과 같은 것이 해당될 따름이었다. 프란츠 카프카는 이러한 선택지들 중에서 정체성을 결정하는 것을 단호히 거부하였다. 그렇기에 그의 정체성을 동유럽 유대인, 동화된 유대인, 시오니스트 등으로 세분화시켜 귀속시키는 것은 전혀 도움이 되지 않으며, 오히려 카프카의 실존 안에 프라하 유대주의가 지닌 제반 다양성이 반영되고 있다고 할 것이다. 그는 일찍이 독일어와 체코어를 모두 구사했으며, 또한 체코 문학과 문화에 대한 심층적인 지식을 소유하고 있었다. 본 논문의 후반부에서는 카프카의 텍스트가 지니고 있는 통상적인 알레고리적 해석을 포함하여 (이는 또한 다른 카프카 독해에도 유용할 것이다) 「자칼과 아랍인」에 대한 분석이 이루어진다. 이 텍스트에서는 프라하인들에게 – 그들이 독일인이건, 체코인이건, 유대인이건, 혹은 그 밖에 다른 이들이건 간에 – 명백히 중요한 문제들, 즉 문화적 정체성에 대한 물음, 개별자와 집단의 관계, 그리고 또한 다양한 집단들 간의 관계에 대한 대결과 같은 문제를 놓고 근본적이고 (카프카 텍스트에 통상적인) 심층적인 차원에까지 이르는 성찰이 이루어진다.
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( Manfred Weinberg ) 서울대학교 독일어문화권연구소 2018 독일어문화권연구 Vol.27 No.-
Der Aufsatz fragt nach den Konzepten, mit denen interkulturelle Räume beschreibbar sind. Dazu wird meist das Konzept der Grenze genutzt, das aber mit sich bringt, dass diesseits und jenseits der Grenze zwei homogene Kulturen vorausgesetzt werden. Kulturen aber sind keine Container mit homogenem Inhalt; sie sind vielmehr immer gemischt - solche Mischung wird im Falle interkultureller Regionen nur in besonderer Weise sichtbar. Von daher plädiert der Aufsatz, deren Beschreibung nicht mit Grenzen (und damit Einheiten) zu beginnen, sondern mit dem Raummodell des Horizonts, das erst einmal keine Grenzen kennt. Im Horizont kann man instabile Einheiten denken und nur zeitweise gultige Grenzen; man kann Vermischungen denken und Inseln der nationalkulturellen Vereindeutigung in ihn eintragen. Man muss nur eben je von Neuem rechtfertigen, warum man es auf diese Weise einträgt und somit erklärt. Die Angemessenheit dieses Raumkonzepts wird dann am Beispiel Prags erläutert. Hinsichtlich der Literatur ging die bisherige germanistische, ganz auf das Phänomen der „Prager deutschen Literatur“ ausgerichtete Forschung von einer klaren Separierung der kulturellen Sphären ‚des‘ Deutschen und ‚des‘ Tschechischen aus. Entsprechende ‚starke‘ Grenzziehungen zeigt auch die bohemistische Forschung zur tschechischen Literatur der Zeit. Eine klare Abgrenzung der Sphären gegeneinander entspricht, wie neuere Forschungen zeigen, jedoch nicht den historischen Tatsachen. Das Raumkonzept des Horizonts hilft dabei, das spezifische ‚Ineinander‘ der Kulturen (und Literaturen) in Prag zu beschreiben. Am Ende des Aufsatzes werden Schlussfolgerungen aus dieser Neukonzeptualisierung fur die Auseinandersetzung mit dem Werk Franz Kafkas gezogen.
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