헝가리 후기 르네상스

한경민 한국외국어대학교 외국학종합연구센터 동유럽·발칸연구소 1997 동유럽발칸연구 Vol.6 No.-

From Dread to Mockery: The Scenes of Death in The Spanish Tragedy and The Revenger’s Tragedy

한경민 한국중세근세영문학회 2010 중세르네상스 영문학 Vol.18 No.1

This essay aims to reach a more comprehensive understanding of Elizabethan and Jacobean England’s attitudes toward death through a close investigation of the scenes of death in The Spanish Tragedy and The Revenger’s Tragedy. Whereas The Spanish Tragedy directly speaks directly to the anxieties about death as permanent annihilation, which were caused by the Protestant abolition of purgatory, The Revenger’s Tragedy communicates a different kind of sentiment about death that cannot be completely explained through the notion of fear of eternal damnation. I contend that the representations of death in The Revenger’s Tragedy are much more theatrical and artificial than those in The Spanish Tragedy and that the emphasis on the theatricality and artificiality of the scenes of death in The Revenger’s Tragedy considerably weakens the emotional and psychological significance of the representations of death. Only the entertainment value of death is emphasized in The Revenger’s Tragedy, making its view of death much more secular than the understanding of death presented in The Spanish Tragedy. In understanding death mainly in corporeal and material terms, The Revenger’s Tragedy somehow “overcame” the Elizabethan anxieties about death as eternal damnation, and in this sense, despite its lack of psychological depth, The Revenger’s Tragedy is more proto-modern than The Spanish Tragedy.

커토너 요젭의 반크 반 연구- 등장인물 사이의 갈등을 중심으로 -

한경민 한국외국어대학교(글로벌캠퍼스) 동유럽발칸연구소 2007 동유럽발칸연구 Vol.19 No.1

반크 장군 모티브의 수용

한경민 한국외국어대학교(글로벌캠퍼스) 동유럽발칸연구소 2010 동유럽발칸연구 Vol.25 No.1

Bank ban that is known as the hungarian national drama, focuses on the historical accident in 1213. From then, the motive that Bank, the viceroy of Hungary killed Gertrude, Queen of Hungary, was spread out in Europe. From the time of accident until the second part of 19 century, this motive had have a long life. In middle ages, this motive remained in chronicles or yearbooks. With the changes of the time, this motive had appeared at that time's the most effective literary forms. As times past, the basic motive got mixed other motives. Because the literature includes the time's sense of values, the literary work reflects individual age's value and national ideas. The motive's central point is changed in line with regions. In this article, I try to check time and region have an effect to the reception of Bank's motive. What kind of literary work had used the Bank's motive? And what kind of literary form represented in motive receptions. From 13 century until 19 century, many tales, ballades, short stories, dramas, and opera appeared in all of Europe. As a result, we can find that the one motive can change according to age's value, a place's differences and writer's ideal etc. The Bank motive also had changed in substance and form in different time and place. 헝가리의 민족극으로 알려진 커토너 요제프(Katona József)의 『반크 장군(Bánk Bán)』은 13세기 헝가리에서 실제 일어났던 사건을 중심으로 한다. 헝가리의 대장군 반크 장군이 외국에서 헝가리로 온 왕비를 시해한 내용을 담은 반크 모티브는 이후 헝가리와 유럽 여러 곳으로 알려지고 기록된다. 사건이 발생한 직후부터 19세기 후반까지 다양한 문학적 형식으로 작품화된 모티브는 오랜 생명력을 유지하였다. 중세에는 역사서, 연감에 기록되었고, 점차 그 시대에 가장 영향력 있는 문학 형식으로 -이야기, 역사시, 희곡, 오페라- 선을 보였다. 또 왕비시해라는 기본 모티브에 작품이 태어난 시대의 모티브가 결합되어 독특한 내용을 표현하고 있다. 문학작품은 자신이 탄생한 시대의 가치관을 담고 있기 때문에 반크 모티브를 수용한 많은 작품들은 각각의 시대적 가치, 민족적 이념을 직접 혹은 간접적으로 반영하고 있다. 또한 지역적 차이에 따라 부각되는 중심점도 변화한다. 이 논문에서는 동일한 반크 모티브가 시간의 흐름과 작가, 문학작품으로 선보인 지역에 따라 어떻게 수용되었는지를 확인해보고자 했다. 또한 시대마다 다른 문학형식으로 이어져 내려오다가, 마침내 희곡과 오페라로 완성되어 오늘에 이르기까지 얼마나 다양한 작품으로 탄생하였는지를 살펴보고자 한다. 같은 모티브라도 작가와 시대정신에 따라 형식적으로도, 내용적으로도 변화가 되고 있음을 확인할 수 있을 것이다.

공동주택의 복합바닥판 구조에 따른 구조음장 특성 해석기법에 관한 연구

한경민,박성수 대한건축학회 2007 大韓建築學會論文集 : 構造系 Vol.23 No.4

The purpose of this study was to establish structural bone noise analysing method for apartments building floor with Structural-Acoustic coupling analysis. Nowadays, noise through floor is recognized as important problem with the consequence that noise isolation technique is studied in the various fields of industry. From among noise factors, resonance sound is main reason for floor's solid noise. therefore, In this study, evaluation method for composite material slab is established and that a case study is suggested with it.

미술치료 활동을 통한 유아 정서 및 사회성 발달 사례연구

한경민,고정리 한국유아교육학회 2021 정기학술대회 논문집 Vol.2021 No.0

Henry Fielding’s Moral Education of Readers in Joseph Andrews

한경민 영미문학연구회 2014 영미문학연구 Vol.27 No.-

This essay examines Henry Fielding’s attempt to educate his readers in the faculty of sympathy in Joseph Andrews by focusing on Parson Adams’s responses to the interpolated tales. Due to the insatiable curiosity he evinces about the inserted tales, Adams has received critical attention as an example of the reader whose reading habits can help illuminate the operating mechanisms of the novel. Although some scholars critically view the gap between Adams’s knowledge and his lived experience, Adams has been understood by most critics to be one of the most virtuous characters in the novel. Consequently, the seriousness of the limitations of Adams as a reader has failed to draw enough critical attention. Adams’s most serious problem as a reader is his inability to sympathize with the characters in the interpolated tales in a way that allows the text to actively challenge him. He is entirely unaware of the moral stakes involved in simply gratifying his curiosity about the plot without emotionally engaging with the characters. What is puzzling about the novel, however, is that despite its subtle yet rigorous critique of Adams’s failure to engage with a text on a moral or emotional level, the novel does not really provide occasions for sympathy. I contend that the narrator’s frequent calls for sympathy make the readers rethink their indifference or sense of superiority to the characters so that they can realize the moral stakes involved in sympathy. In particular, Adams’s reactions to morally problematic actions of the characters in the interpolated tales can be understood as a device to heighten the readers’ self-consciousness as readers and their moral obligations to a text and characters.

도시 내 공원만족도 영향요인 분석

한경민,백종인,반영운 한국환경정책학회 2015 한국환경정책학회 학술대회논문집 Vol.2015 No.02

Nolan’s The Prestige: From Deception to Dissimulation

한경민 문학과영상학회 2019 문학과영상 Vol.20 No.2

This essay examines the utility and validity of an illusion the Borden twins produce through their magic trick at the end of Christopher Nolan’s 2006 film, The Prestige. Arguing that the Borden twins’ final performance of magic for Jess is essentially different from other instances of performance of magic in the film done by the twins themselves and their rival, Robert Angier, this essay explores what redeems their last performance of teleportation magic from being mere deception or falsification of existence. This essay draws particularly on Friedrich Nietzsche’s concept of dissimulation in order to elucidate what useful function can be served by the Borden brothers’ final performance. Whereas other illusions in the movie are produced primarily to satisfy the performers’ desire to rise above the status of ordinary human beings, the illusion of ”Alfred Borden” at the end of the movie is created to meet a very human need to strive for survival. In addition, the Borden brothers’ final performance of teleportation illusion entails the permanent removal of one of the brothers, and therefore, the surviving brother really becomes Alfred Borden instead of merely playing Alfred Borden. In the end, the Borden brothers have learned to put their magical illusion to more meaningful and valuable use and thereby contribute to preserving life. Keywords: illusion,

“My Heart Aches,” Therefore I Am: “Ode to a Nightingale” as Keats’s Romantic Experimentation with Language

한경민 영미문학연구회 2017 영미문학연구 Vol.33 No.-

This essay examines John Keats’s interrogation of the possibilities as well as limitations of poetic language to liberate human consciousness from the confines of the ego and provide an enlarged understanding of the pain of human existence in “Ode to a Nightingale.” In exploring Keats’s experimental use of poetic language in the ode, the essay situates Keatsian language in the context of Romantic philosophy of language developed by contemporary German and British Romanticists. Greatly influenced by Kantian epistemology, Romantic philosophy of language recognizes the constitutive role of language in a language user’s cognition of the self as well as the self’s relation to the world. Drawing on Keats’s concept of negative capability, which emphasizes the importance of actively resisting our propensity for logical and systematized knowledge of the world built on a clear distinction between subject and object, this essay contends that Keats’s poetic experimentation in the ode complicates and challenges the Romantic theory of language. Specifically, by grounding his cogito in the reality of his heartache, which is of both endogenous and external origin, Keats undermines one of the main premises of the Romantic performative that understands the identity of the I fundamentally as a linguistic construct. In positing his heartache, which is neither provable nor disprovable by others, as the basis of the affirmation of his existence, Keats both acknowledges contemporary Romanticists’ insight into the performative role of language in the construction of subjectivity and rejects their belief in the impossibility of attaining knowledge of the I as substance. Though the speaker’s return to his self in the last stanza of the ode suggests that Keats’s battle with the autonomy of language to posit existence is far from won, the ode has successfully created the condition for exercising negative capability and obtaining a glimpse of “a fine isolated verisimilitude caught from the Penetralium of mystery.”