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박경리의 소설 『토지』에 나타난 섬진강과 송화강의 지역성 연구
조윤아(Cho, Yun-A) 부산대학교 한국민족문화연구소 2021 로컬리티 인문학 Vol.- No.26
본 연구는 실재하는 공간의 지명을 사용한 소설 『토지』에서 ‘강’이라는 공간, 특히 섬진강과 송화강의 지역성을 작품에서 파악해냄으로써 문학적 상상력에 의한 공간 형성의 의미와 가치를 알아보고자 한다. 특히 이 공간을 ‘지역성’으로 분석함으로써 소설의 공간 연구에 ‘지역성’ 연구 방법을 제시하고자 한다. 섬진강은 등장인물들의 죽음과 이별, 기다림의 장소로 의미 있는 공간이다. 그리고 서술자에 의해 역사 속에서 상당수의 사람들이 죽음을 맞은 장소로 부각된다. 등장인물들은 긴밀하게 소통하고 공감하며, 이 공간에서 일상을 살거나 중요한 소식을 나누며 연대한다. 이를 통해 서민성과 마을 공동체성을 지닌 섬진강의 지역성을 보여준다. 송화강의 경우 실존인물 독립운동가가 등장하고, 서술자가 역사적인 사실을 진술하면서 민족적인 의미를 강하게 부여 받는다. 그 외 조선의 독립을 갈망하는 등장인물들에 의해서도 민족적인 의미가 반복적으로 언급된다. 송화강의 지역성은 생활이 아니라 개념, 즉 민족의식에 한해서만 공동체성이 발견된다는 점에서 특이성을 지닌다. 본 연구는 『토지』에서 두 강의 대비되는 공간 특성을 분석하였으며, 장소성이나 민족의식 등을 포함하는 용어로서 ‘지역성’을 규정하고 적용함으로써 공간 연구의 새로운 시도를 하였다는 데에 가치가 있다. This study aims to find out the meaning and value of space formation based on literary imagination by understanding the spaces of ‘rivers’ in the novel Toji(Land), which used the names of spaces that actually exist, and in particular, by looking into the locality of the Seomjin River and Songhwa River. In particular, it analyzes such spaces by ‘locality’ to present ‘locality’ research methods to the spatial research of novels. The Seomjin River is a significant space as a location of death, parting, and waiting for the characters. Also, it is magnified by the narrator as a historical place where a considerable amount of people shed blood. The characters closely communicate and sympathize, living within the space or being in solidarity while sharing important news. This displays the locality of the Seomjin River, which has a sense of folkishness along with a sense of town community. In the case of the Songhwa River, an independence fighter who was a real person appears and it is granted strong national significance as the narrator states historical truths. In addition, national significance is repeatedly mentioned by characters longing for the independence of Joseon. The locality of the Songhwa River has specificity in that a sense of community is found, not in living but in concept, or in other words, only with regard to national consciousness. This study analyzed the contrasting spatial characteristics of the two rivers in Toji(Land) and it has value as it made new attempts in spatial research by defining and applying ‘locality’ as a term that includes placeness or national consciousness.
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가해자를 통해 드러나는 도덕의 딜레마 : 박경리의 장편소설 『창』을 중심으로
조윤아(Cho Yun-A) 중앙어문학회 2010 語文論集 Vol.44 No.-
Although most of Park Kyung-ni's novels dealing with the Korean War show a life of a war widow or victim, who is the female head of a family without the father or the husband, one of such novel “ Chang” is characteristic in that the father as the harmer who abandoned his family is the main character. This novel was serialized in 1970, a work that was written after some 20 years after she experienced the War and 15 years after her debut as a writer when she became out of the memory of the War to some degree. The main character Maeng Si-heon lives with consciousness of guilt because, when the Korean War broke out, he sought refuge alone leaving his wife and son behind, whom he never met again after the War. For some 20 years he could not know whether they were alive, and he completely isolated himself from a happy, humane life. Survivors of war who experienced what they would not without the war spend the rest of their days with consciousness of guilt from the fact they just survived, and so does Maeng. He aspires to live a human, warm life when he knows Seon-yeong, a daughter of a kitchenmaid. He attempts to effect a reconciliation with the war victims as the harmer through the relation with Seon-yeong, who lives a war victim's life after her husband abandoned her and her child was dead, but recognizes that the desire for a humane life cannot be allowed for him. Maeng committed suicide in order to liberate himself from the restraint of guilt. Park Kyung-ni induces the reader to think of moral by dealing with the pain of harmer, which she had not addressed in other works. Conscience is what should be kept, but on the other hand social gaze demanding keeping conscience serves as a harsh restraint to people. This is the moral dilemma.
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조윤아 ( Cho Yun-a ) 건국대학교 법학연구소 2016 一鑑法學 Vol.0 No.35
유치권의 고유한 특징 중 유치권 제도의 폐해와 관련된 주범은 민사집행법 상의 인수주의 규정으로 인해 유치권에 사실상의 최우선변제권이 인정되는 것이라 할 수 있다. 우리 대법원도 최근 이를 의식하여 현행법의 해석론을 통해 유치권의 인수를 제한하려는 움직임을 보여 왔고, 그 필요에 상응하여 개발된 판례 이론이 유치권의 대항력 법리이다. 하지만 본고에서 살펴볼 바와 같이 판례가 전개하는 대항력 법리는 해석론을 통한 문제의 해결에 한계가 있음을 보여주기에, 결국 유치권제도의 문제점은 입법을 통하여 해결되어야 할 것이다. 유치권제도의 원칙적 폐지 및 저당권제도로의 전환, 인수주의의 폐지를 골자로 하였던 유치권 관련 개정안은 19대 국회의원의 임기가 만료되면서 폐기되었으나 유치권제도에 있어 인수주의 폐지라는 근본적인 변혁을 시도하였다는 점에서 앞으로의 입법방향에 시사하는 바가 크다. 하지만 유치권을 폐지하고 이를 저당권으로 대체함으로써 유치권제도가 추구해온 공평의 원칙을 현저히 훼손하였기에 위 개정안은 현행 유치권 제도의 부작용을 막기 위한 최선책이었다고 볼 수 없다. 본고에서는 대법원 판례가 전개한 대항력 법리와 최근 폐기된 유치권 관련 개정안을 실마리로 향후 유치권제도가 어떠한 방향으로 개정되어야 하는지 고찰해보려고 한다. 본고에서 제안하는 입법방향은 유치권 제도를 폐지하는 것이 아니라 기존 유치권 제도를 보완하는 방식이다. 유치권제도가 추구하는 이념을 훼손하지 않으면서 문제점을 극복하기 위해서는, 첫째, 유치권에 우선변제권 부여하되 매각과정에서 모두 소멸하도록 하고, 둘째, 유치권 자체를 등기할 수 있도록 하며, 셋째, 미완성·미등기 부동산의 경우에도 유치권 등기 및 강제집행이 가능하도록 표시등기부제도를 도입하고, 넷째, 유치권의 공시에 단절이 생기지 않도록 점유 또한 유치권의 공시방법으로 인정하여야 한다. The problematic issue deriving from the current system of the Right of Retention has been the Principle of Take Over in the Civil Execution Act which actually had approved the most preferential repayment right to the Retention Right. Being aware of this issue, the Supreme Court has endeavored to restrict the Principle of Take Over by the active interpretations of the existing laws (e. g., the 320th article of the Civil Act and the 91th article of the Civil Execution Act). The legal principles restricting counterforce of the Right of Retention have been developed as a precedent theory necessitated by this problematic issue. This paper argues that the legal principles restricting counterforce of the Right of Retention cannot entirely settle the issue and that legislation is a more appropriate approach to the problematic issue of the current Right of Retention in force. The Bill of the Civil Act Amendment which abrogate the Right of Retention in principle and transforms it to the system of a hypothec, has discarded as the term of 19th National Assembly ended. However, this aborted Bill gives a significant suggestion to the direction of forthcoming legislation, on the way of attempting to abrogate the Principle of Take Over in the Right of Retention. Nontheless, this Amendment Bill was not the best possible legislation to settle the problematic issue inherent in the Right of Retention in force. By replacing the Right of Retention with a hypothec, it impairs the Principle of Fairness that the Right of Retention has pursued. This paper suggests a fresh direction for a new Amendment of the Right of Retention by evaluating the pros and cons of both the Principle of Opposing power developed by the Supreme Court precedents and the recently aborted Bill of the Civil Law Amendment. It argues for a legislation that does not abrogate but supplements the current Right of Retention. The specific supplementations are as follows: 1. Bestow the preferential repayment right to the lien but let it be extinguished by sale. 2. Allowing the lien to be registered on the register book. 3. Introducing the indication registration system so the lien can be registered on unregistered immovables and thereby make them subject to compulsory execution. 4. Acknowledging the possession of the immovables as a way of making public the Right of Retention so there may not be a discontinuation in the public notice of the lien.
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조윤아(Cho Yun-a) 한국비평문학회 2009 批評文學 Vol.- No.32
Tongyeong is Park Kyung-Ni’s hometown. It is a port city including lots of islands. Among Park’s works, works whose backgrounds are Tongyeaong or another small port city have something in common. Representative works featuring the spatial features of Tongyeong include 〈Sad Song〉, 〈The Daughters of Kim’s Pharmacy〉, 〈A Seasonal Fish Market〉 and 〈The Era of Fantasy〉. To begin with, that quiet and small city, whether it is located on the coast or not, features unrealistic, dreamlike sceneries. Due to such dreamlike characteristics, characters feel comfortable in that city. They, however, get confused as social taboos fail to work. Main characters suffer great pains caused by betrayal, marriage without love, being a virtual prisoner in one’s own home and suicide. The most noteworthy thing, however, is the relationships associated with incest. This is shown through a male character having affair with his sister in law, a female character who gets married to her father’s friend, and a female character who receives a confession from her boy friend father’s that he loves her. Main characters do not stop their love, though it is considered unethical. They unreasonably pursue their love to the end, making them or others miserable. The works whose background reminds readers Park’s hometown show the author’s desire to fill her deficiency in her unconsciousness. Tongyeong which features dreamlike aura produces predominantly unrealistic atmosphere. In addition, unreasonable and unethical incidents take place there. This is unconsciously expressed in Park’s works whose background is Tongyeong. In those works, the author tells of her sad experiences involving her father and shows her pain over her husband’s death during the war.
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