현대 독일문학의 경향과 특징

이주동,장순란 서강대학교 인문과학연구소 2007 서강인문논총 Vol.22 No.-

In dem hier vorliegenden Aufsatz versuchen wir, von zwei verschiednen Tendenzen in der deutschen Gegenwartsliteratur zu handeln. Die eine beschäftigt sich mit der Studie über die kulturwissenschaftliche Tendenz in der gegenwärtigen deutschen Literaturwissenschaft, die andere mit der Forschung zur apokalyptischen Tendenz in der deutschen Gegenwartslteratur. Im ersten Teil geht es um die deutschen Kulturwissenschaften, die durch den Einfluß der amerikanischen Cultural Studies entstanden sind. Die Kulturwissenschaften liegen eigentlich in der Modernisierung der tradierten Geisteswissenschaften. Die Überführung der Geisteswissenschaften in die Kulturwissenschaften wurde in Deutschland erst seit 90er Jahre von einigen Literaturwissenschaftlern betrieben. Sie haben auf den Einfluß der amerikanischen Cultural Studies mit eigenen Konzepten reagiert. Diese Studie wird zeigen, wie sich die in den USA entwickelten Cultural Studies von den deutschen Kulturwissenschaften unterscheiden. Es geht den deutschen Kulturwissenschaften um Prozeß der Umstrukturierung und Reformierung des Wissens und des Wissenswerten. Im ersten Kapitel wird versucht, den Begriff von ‘Kultur’ in Cultural Studies im Vergleich zum teadierten normativen Begriff der Kultur neu zu definieren. Im zweiten Kapitel wird die theoretische Basis der Cultural Studies dargestellt, wobei der französische Poststrukturalismus als die Motivation der Cultural Studies erörtert wird. Im dritten Kapitel wird untersucht, in welchen Punkten sich die deutsche Literaturwissenschaft von den Cultual Studies unterscheidet. Daraus wird gefolgert, dass die Cultural Studies von generellen methodischen Interesse sind. Im zweiten Teil laßen sich sowohl die Definition und der Entstehungsprozeß des apokalyptischen Begriffs behandeln, als auch unter deren Aspekt drei moderne literarische Werke analysieren. Die apokalyptische Literataur war von der Antike ab ein beliebtes Genre, das uns sowohl den Untergang der bösen Welt als auch den Auftritt der neuen Erlösungwelt als Hoffnung verleiht. Im Verlauf der Zeiten geht aber das ethische Regulativ einer neuen Schöpfung, das dem schon immer zentralen Weltuntergang den Status einer Durchgangs verlieh, verloren. Statt einer ‘Theologie der Hoffnung’ herrscht jetzt die säkularisierte Metaphysik der Katasrophe. Indem sich die negative Apokalypse auf die Vision des Untergangs beschränkt und die Gegenwart als Zeit der folgenlosen Endkatastrophe erscheinen läßt, beringt sie eine für das Denken der Menschen einschneidende Foge mit sich: den Verlust der Ewigkeit, das Abschneiden und Ausbrenen einer fundamentalen Zeiterfahrung der Menschheit. Mit dieser Änderung ist gleichzeitig ein Funktionswandel verbunden: Die Apokalyptise wandelt sich vom Therapeutikum zum reinen Diagnostikum, das auf desolate gesellschaftliche Situationen aufmerksam macht, ohne Alternativen dazu zu entwerfen. Unter dem Aspekt dieser modernen ‘negativen’ oder ‘kupieten Apokalypse’ verstehen und interpretieren wir folgende drei moderne literarische Werke: H. M. Enzensbergers ‘Der Untergang der Titanic’, G. Grasś ‘Die Rättin’ und Chr. Ransmayrs ‘Die letzte Welt’.

플라즈마 용사에 의해 형성된 ZrO2-8wt% Y2O3 코팅층의 잔류응력해석

이주동,허성강,나형용,홍경태 대한금속재료학회(대한금속학회) 1992 대한금속·재료학회지 Vol.30 No.6

As the residual stress in the ZrO₂ coating affects adhesion strength, toughness and strength of the plasma spray coated layer, it is important to predict the variation in residual stress distribution. The residual stresses and distortions are important parameters to determine optimum spraying condition. A stress model is proposed to predict the trend for residual stress developed in the plasma spray coating. Residual stresses based on this model are computed by finite element method. Results of the analysis of the plasma sprayed ZrO₂ coating by finite element analysis were compared with XRD experimental observations in PSZ coated layer. Residual stresses (radial, circumferential and axial stresses) which remains compressive mainly decrease with coating depth and turns into tensile state near the substrate/coating interface. In the direction of axes, relatively large shear stress develops in the ZrO₂ coating.

플라즈마 용사에 의한 코팅(coating)층의 적층모델링

이주동,허성강,나형용,홍경태 대한금속재료학회(대한금속학회) 1992 대한금속·재료학회지 Vol.30 No.3

An analytical model is developed to describe the plasma deposition process in which average solidified thickness and coating and substrate temperatures are obtained. During deposition process solidification rate is periodically varied due to the impingement of liquid splats and the amount of liquid in the coating layer increases. Periodical variation of the solidification rate causes temperature fluctuation in coating and substrate. The nature of interfacial structure of plasma-sprayed NiCrBSi MA powder is compared with the result predicted using our model, which indicates that the liquid, which residue at the coating surface during deposition, causes discontinuous boundaries within the coating. And spraying rate and solidification rate are reverse periodically with spraying process.

고효율 NGH 제조 및 이용기술개발

이주동,서유택,정광은,서용원 한국공업화학회 2008 한국공업화학회 연구논문 초록집 Vol.2008 No.1

실연주기에서 Strand 변형 측정 및 동적크리프를 고려한 벌징변형 해석

이주동,임창희 대한금속재료학회(대한금속학회) 1998 대한금속·재료학회지 Vol.36 No.3

Strand bulging is presumed to play a major role in the formation of internal cracks and centerline segregation in continuous casting. During the solidification process, the shell is subjected to cyclic mechanical and thermal loads which can cause various defects when the strains exceed critical value. In the present study, multi roll pitch and dynamic creep model has been developed for bulging analysis. Bulging strain was reasonably predicted to increase by repetitative bulging when considering creep damage accumulation by the model. Also cumulative creep bulging strain could be calculated by the regressive equation which has been derived based on the present model. Bulging increase was measured during strand stoppage and compared with the calculated results. Finally we considered the effect of roll misalignment on bulging strain. The model can be used for the caster design and optimum operation for soft reduction, high speed casting, etc.

역대정부의 언론정책

朱東晃(주동황) 관훈클럽 2003 관훈저널 Vol.- No.86

신문시장 정상화 위한 신문고시

朱東晃(주동황) 관훈클럽 2001 관훈저널 Vol.- No.79

와이어코일 삽입법을 이용한 열전달 촉진기술 성능평가

이주동,박종호,이상천 대한설비공학회 2000 설비공학 논문집 Vol.12 No.5

An experiment was carried out to evaluate the thermal performance of the wire-coil inserts method. Tested were the smooth tubes with the wire-nil inserts of various pitch and helix angle combinations. Test fluids were the 50%-solution of the ethylene glycol and the Hue water. Heat transfer coefficient and friction factors were deduced from the measured values of temperatures, flowrates and pressure drops. A unified dimensionless correlation for the heat transfer coefficients was developed as a function of the pitch to diameter ratio, the Reynolds number and the Prandtl number. An exergy analysis was performed to evaluate an optimal operating condition with the wire-coil inserts.

한옥 안마당의 계절별 건구온도 분포 및 상관도에 관한 연구

이주동,박현장,공성훈,이중우 대한설비공학회 2003 설비공학 논문집 Vol.15 No.6

"Anmadang" of traditional Korean house is an empty space, surrounded by buildings shaped like the letter, ‘ㅁ’.‘ㅁ’shaped traditional Korean house provides much more comfortable outdoor space for various activities than ‘ㅡ’shaped traditional Korean house. In this paper it has been tried to analyse the dry bulb temperature condition of indoor and outdoor space through measurement of dry bulb temperature in Anmadang, Maru and outdoor space. This paper also analyses the correlation of dry bulb temperature between Anmadang and outdoor space with seasonal variations in traditional Korean houses.

반동화연구 : 그림형제-뷔히너-카프카

이주동 西江大學校 人文科學硏究所 1992 서강인문논총 Vol.1 No.-

독일의 그림형제가 모은 동화집인 <어린이와 가정을 위한 동화 Kinderund Hausmarchen 1812/15>가 발간된 이래 동화란 개념은 오늘날과 같은 의미로 이해되기 시작하였으며 시간이 흐르면서 하나의 독립된 짧은 문학형식 및 서술장르로서 자리를 굳혀왔다. 이 문학형식은 다시금 문학사가 및 문학이론가들에 의해 점차 두 가지 세분화된 개념의 문학형식으로 구분되어 다루어져 왔다. 하나는 우리가 통례상 "본래적인 의미로서 동화라고 부를 수 있고, 칭하여 왔던 것으로 주문 Zauber, 기적, 초자연적인 것" 등의 요소들을 자신의 본질적인 특성으로 지니고 있으면서, "원래는 결코 문학적이지 않고 민중적이며, 주로 구두로 전해내려온 장르로 작가의 이름이 미상이며, 텍스트가 여러개일수 있는" 전래동화 Volksmarchen를 말하는 것이다. 다른 하나는 이미 여러 시대를 거쳐 구두로 전해 내려온 전래동화가 "특정한 어느 작가에 의하여 역사적 문학적으로 재 창조된 문학형태로서 거의 대부분이 문자로 쓰여져 보급된 창작동화 Kunstmarchen"를 뜻한다.