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      • 고전작품을 활용한 각색스토리텔링의 세 가지 방식

        서은아(Seo Eun a) 서울여자대학교 인문과학연구소 2012 인문논총 Vol.25 No.-

        In this paper, three ways of creating a cultural-content story based on classical literatures are discussed. The results are followed. The first of way of creating a new story is that the main storyline will be the same while adding new storylines. For instance, the writer looks for the part which is not understandable and adds new storylines. Second, the writer keeps the main storylines of classical literature and adds the story of what happens after the end of classical literature. For instance, the writer can borrow the main storylines of classical literature and creates a new story. Or the writer can add the story of what happens after ending of old-literature. The third way is a new twist of classical literature. For instance, a new story starts with the same storyline of classical literature at the beginning of it, and then, a new storyline is added. Or, a new story is created from the perspective of a person overlooked piece of work by twisting the story.

      • <나무꾼과 선녀>와 <견우직녀>의 이야기 결합방식과 문학치료에의 적용가능성 모색

        서은아 ( Seo Eun-a ) 한국문학치료학회 2006 문학치료연구 Vol.5 No.-

        In this paper, the author examines the relationship between "A story of the Altair and the Vega" and "The Woodcutter and the Heavenly Maiden" in the Chinese Tales collection and two My Recording tales. In the case of The Two Recordings, both "A story of the Altair and the Vega" and "The Woodcutter and the Heavenly Maiden" are used because of similarities between the two. However, in the case of the Chinese Tales, these two stories are used intentionally by the story teller. Next, the author investigates how this story relationship can be used as literary therapy. When the counselor selects the literature for the person who comes for a private talk, the counselor can choose the stories based on their similarities. Also, the counselor could intentionally create a story for a patient.

      • <장화홍련> 이야기의 문학치료적 효용

        서은아 ( Seo Eun-a ) 한국문학치료학회 2007 문학치료연구 Vol.7 No.-

        This study analyzed the content of narration in the six folk-tales of “JangHwa HongRyeon” and “The novel of JangHwaHongRyeon” and then examined about how this story could be used for the literature therapy. First of all, the stories of “JangHwaHongRyeon” and “The novel of JangHwaHongRyeon” made up of five different sequences such as 1) After his first wife died he married again and then, two daughters (JangHwa and HongRyeon) were left to the tender mercies of his stepmother; 2) the step-mother made a false accusation about her step-daughters; 3) the step-daughter were drowned to death; 4) the step-daughters who were drowned to death became a ghost and showed up in front of “Wonnim” and asked to revenge since they had a grudge against their step-mother; 5) the “Wonnim” revealed the crime of the step-mother and disentangled from a grudge over their step-mother. [“Wonnim” is a governmental officer who rules the district] Second, the author examined how the story of “JangHwaHongRyeon” and “The novel of JangHwaHongRyeon” could be used from the perspective of literature therapy. From the father`s point of view, the father who was in the realm of father and mother epic expected that his daughters should obey their parents unconditionally. However, he lost his mind when he found out that his daughters had an abortion and made them drown to death because he could not let his daughters to move from the realm of father and mother epic to the realms of man and woman epic. Like in the story of “JangHwaHongRyeon” and “The novel of JangHwaHongRyeon,” two daughters returned to life and rejoined with their father and their father realized that he made a mistake and let his daughters move to the realm of man and woman epic or the realm of husband and wife epic. From JangHwa and HongRyeon`s standpoint, two daughters, who obeyed their father unconditionally before, were negative and passive women. However, when two daughters were confronted by death, they became active women through self-awakening. The third, the author discussed how the story of “JangHwaHongRyeon” and “The novel of JangHwaHongRyeon” could be used in the literature therapy. This story could be beneficial for the father who is in the same situation. The problem in the story of “JangHwaHongRyeon” is that the father didn`t know the difficulty of their daughters when he got married since he showed apathy towards his family. In addition, he still missed his wife who passed away so he took his daughters side instead of his new wife and made them against each other. For the fathers who are in the same situation, they should realize that theirs children are in the realm of father and mother epic so they have to provide care for their children and also, their children could not stay in that realm. The children have to move to the realm of man and woman epic later on. In addition, in the realm of husband and wife epic, the husband should not compare his new wife over his wife who passed away and treat his wife as one human being and as a mother of his daughters even though she is not a biological mother.

      • KCI등재

        19,20세기 초 국어의 풀이씨 이름씨 씨끝 -ㅁ,-기 연구

        서은아 ( Eun A Seo ) 한말연구학회 2001 한말연구 Vol.- No.8

        This study deals with the direction of change of nominalizers `-m` and `-ki` with respect to the preservation, the expansion, and the reduction in the scope of their realizations. The contents discussed here can be summarized as the following. First, in the 19th-century Korean, the scope of nominalization had been expanded in the case that a `-m`-adjoined clause functioned as a subject in a clause and that a `-ki`-adjoined clause functioned as an object. In the 20th-century Korean, the scope of `-m` had been expanded when its realization functioned as an object, and the one of `-ki` was expanded when its realization functioned as a subject. Secondly, `-m` was more frequently used than `-ki` when `-m` and `-ki` each maintained its scope. Thirdly, the mixed uses of `-m` and `-ki` in the same sentence were identical in the two periods. Particularly, the historical evidences of these mixed uses provide the explanation about the direction of change in `-m` and `-ki`.

      • KCI등재후보

        『열하일기』 내 <장대기>, <강녀묘기>를 대상으로 살펴 본 독서행위와 문학치료의 관계

        서은아 ( Seo Eun-a ) 한국문학치료학회 2008 문학치료연구 Vol.8 No.-

        본고는 『열하일기(熱河日記)』 내 <장대기(將臺記)>와 <강녀묘기(姜女廟記)>를 대상으로 사물이 작가의 경험에 의해 작품화되고, 작품이 독자의 경험에 의해 다시 읽혀지는 과정을 살펴본 후, 독서행위에서 `사물` `작가` `독자`의 관계가 문학치료에서 `작품` `치료자` `내담자`의 관계로 환원 가능하다는 전제하에, 앞서 논의된 내용들이 문학치료에는 어떻게 활용될 수 있을지 논의해 보았다. 먼저 `장대` `강녀묘`라는 고정된 사물은 작가 연암의 인식에 의해 <장대기> <강녀묘기>라는 작품으로 완성된다. 그리고 전영숙과 김종군은 연암의 작품인 <장대기>와 <강녀묘기>를 각각 본인의 상황이나 인식에 맞춰 재해석하고 있다. 전영숙이 연암과 비슷한 경험을 기억에서 끄집어내고 연암의 생각에 동조하면서 <장대기> 다시읽기를 시도하고 있다면, 김종군은 강녀묘에 대한 연암의 부정적인 시각을 비판하고 연암이 강녀묘를 부정적으로 보게 된 연유를 추정하면서 <강녀묘기> 다시읽기를 시도하고 있다. 두 경우 모두 동조와 비판의 기준이 되는 것은 연암의 인식이다. 다음으로 작가의 경험에 의해 사물이 작품화되고 독자의 경험에 의해 작품이 재해석된다고 할 때, `사물` `작가` `독자`의 관계는 문학치료에서 `작품` `치료자` `내담자`의 관계로 환원해 볼 수 있다. 이러한 동질성을 전제로 앞서 논의된 내용을 문학치료에 활용해 본다면 첫째, 동일한 작품, 동일한 내담자를 대상으로 하더라도 치료자가 강조하는 부분에 따라 내담자의 작품을 읽는 방법은 달라진다. 그러므로 작품을 이해하고 분석하여 그 안에서 `작품서사`를 찾아내고, 내담자에게 제시해줄 수 있는 능력은 치료자에게 요구되는 필수조건이 된다. 둘째, 문학치료에서 작품을 내담자에게 치료의 자료로써 제시할 때 전제가 되는 것은 `작품서사`와 내담자의 `자기서사`와의 연관성으로, `작품서사`와 내담자의 `자기서사`의 동질성(同質性)에 의해 공감(共感)은 유발되며 `작품서사`와 내담자의 `자기서사`의 이질성(異質性)에 의해 통찰(洞察)은 일어난다. A study of using the literature of < Jangdaegi > and < Gangnyeomyogi > portion in 『Yeulhailgi』, the author observed how writers changed the meaning of things based on experience and the meaning of things in the literature can be transformed into another meaning according to the reader`s interpretation while reading the book. Under the assumption that the relationships among `thing` `writer` `reader` in the behavior of reading the book can be parallel into `literature` `therapist` `patient` in the condition of literary therapy, the author discussed the possibility of using the findings through the process of reading the book for the condition of literary therapy.

      • KCI등재
      • KCI등재

        적층 패턴에 따른 3D 프린팅 복합재료의 강도특성

        서은아 ( Eun-a Seo ),이호재 ( Ho-jae Lee ),양근혁 ( Keun-hyeok Yang ) 한국구조물진단유지관리공학회 2021 한국구조물진단유지관리공학회 논문집 Vol.25 No.6

        이 연구에서는 3D 프린팅 복합재료의 레올로지 특성과 출력 패턴에 따른 적층 시험체의 압축강도 특성을 평가하였다. 레올로지 측정결과, 압출 후 60분 후부터 급격한 재료 변화가 나타났으며, 배합직후 대비 1.4배 높은 항복응력과 14.94~25.62% 낮은 소성점도를 나타내었다. 실린더 몰드에 제작한 시험체와 적층 시험체의 압축강도를 비교하였으며, 적층 시험체의 출력패턴은 0°, 45°, 90°를 변수로 하였다. 재령 1~28일까지의 몰드 타설 시험체와 적층 시험체의 압축강도는 출력 패턴과 관계없이 유사한 성능을 나타내었다. 특히, 재령 28일에서는 모든 시험체의 초기 접선탄성계수와 최고 압축강도 및 최대 응력 시 변형률은 거의 동일하게 나타났다. X-ray CT분석을 통한 적층 시험체의 계면 분석결과, 압축강도 측정 후의 시험체의 적층 계면에서의 균열이 발생하지 않은 것을 확인하였으며, 이는 적층 시험체 내의 각각의 계면이 일체화 거동을 한 것으로 판단할 수 있다. In this study, the rheological characteristics and of 3D printing composite materials and the compressive strength characteristics according to the lamination patterns were evaluated. As a result of rheology test, rapid material change was observed after 60 minutes of extrusion, yielding stress 1.4 times higher than immediately after mixing, and plastic viscosity was 14.94-25.62% lower. The compressive strength of the specimens manufactured in the mold and the laminated specimens were compared, and the lamination pattern of the laminated specimens were 0°, 45°, and 90° as variables. The compressive strength of the mold casting specimen and the laminated specimen from 1 to 28 days of age showed similar performance regardless of the lamination pattern. In particular, at the age of 28 days, the modulus of elasticity, maximum compressive strength, and strain at maximum stress of all specimens were almost the same. In order to analyze the interface of the laminated specimens, X-ray CT analysis of the specimen whose compressive strength were measured was performed. Through CT analysis, it was confirmed that cracks did not occur at the lamination interface, which can be judged that the interface in the laminated specimen behaved in an integrated manner.

      • KCI등재

        풀이씨 이름법 씨끝 -ㅁ, -기의 변화 양상

        서은아 ( Eun A Seo ) 한말연구학회 2002 한말연구 Vol.- No.10

        This dissertation observed the nominalizer `-m, -ki` changes until the moderm language. The contents discussed here can be summarized as the following. In 2 chapter Examined distribution special quality of two postpositions. While `-m` took charge main function of the postposition in the nominalizer historically, Action that two postpositions expand area of each other since 16th century that `-k` appears began to appear. At the same time, Two postpositions expanded area of each other by intention to expand peculiar meaning area of each other. Change Direction of two postpositions that examine in 3 chapter showed by 3 cases as following. First, Case fixed as `-um`, After start in `-m`. Second, Started in `-m`, but after `-ki` and `-m` preserve relation of coexistence at middle time, Case fixed as `-um` again. Finally, Although is equal with second, Case fixed as `-ki`. Thus, Research about change process of two postpositions may become good clue that can forecast What postposition may be selected predominatingly between `-um` and `-ki` in a modern language.

      • KCI등재

        국어학 : 개화기 신문 광고에 사용된 어휘 연구

        서은아 ( Eun A Seo ) 겨레어문학회 2009 겨레어문학 Vol.42 No.-

        이 이 연구는 <독립신문>, <매일신문>, <제국신문>, <대한매일신보> 등의 개화기 신문에 사용된 광고 어휘의 사용 양상을 살펴보고 이를 통해 이 시기에 선호된 어휘의 유형과 특징을 밝혔다. 이 연구를 통해 밝혀진 결과는 다음과 같다. 첫째, 개화기에 발간된 신문 가운데 어떤 신문에 광고 어휘가 사용되었는지 살펴보았는데, `광고, 회사` 등은 4개의 신문 광고에 사용되었고, `신문, 값, 오다, 사다, 팔다, 싸다` 등은 3개의 신문 광고에 사용되었다. `상등, 물건, 좋다, 염가` 등은 2개의 신문에 사용되었다. 둘째, `신문, 값, 은행, 광고, 회사, 오다, 사다, 팔다` 등은 개화기 신문 광고에 주로 사용된 고빈도 어휘 목록이다. 셋째, 제품의 가격, 제품의 품질, 제품의 판매처, 제품의 소개 방법 등을 알릴 수 있는 어휘가 개화기 신문 광고에 주로 사용된 어휘 유형으로 나타났다. 넷째, 제품을 알리기 위해 `값, 품질, 판매처, 소개 방법` 등을 직접적이고 직설적으로 표현한 것이 특징이다. The purpose of this study is to research the used aspects of advertising vocabularies for newspaper which are called as The Toknip Shinmun, The Maeil Shinmun, The Jaekuk Shinmun, and The Daehan Maeil Shinbo during the time of flowering, clarifying the type of prefered vocabulary and feature through it. The result of this research is as following; Firstly, the field of study is what advertising vocabularies were used among certain newspapers. The words `advertisement` and `company` were used in four advertisement of newspaper, and the word `newspaper`, `price`, `come`, `buy`, `sell`, and `cheap` were used in three advertisement of newspaper. The words `the first class`, `item`, `be good`, and `cheap price` were used in two advertisement of newspaper. Secondly, the highly frequent list of vocabulary are `newspaper`, `price`, `bank`, `advertisement`, `company`, `come`, `buy`, and `sell` used in the advertisement of newspaper during the time of flowering. Especially, the words `advertisement` and `company` appeared as in the high rate of use. Thirdly, it is the types of vocabularies that can inform the price, quality, selling agent and the way of introduction in items, and these types of vocabularies were frequently used in the advertisement of newspaper during the time of flowering. Fourthly, to advertise the items, the prominent features are in immediate and indicative expression which are `price`, `quality`, `selling agent`, and `the way of introduction.`

      • KCI등재후보

        <운영전>의 인간관계 분석과 문학치료에의 적용

        서은아 ( Seo Eun-a ) 한국문학치료학회 2009 문학치료연구 Vol.11 No.-

        본고에서는 <운영전>의 세 중심인물 안평대군· 운영· 김진사 사이의 인간 관계를 분석하고, <운영전>이라는 작품이 문학치료에는 어떻게 사용될 수 있을지 고찰해 보았다. 먼저 <운영전>에서 운영이 안평대군을 바라보는 위치는 자녀서사영역에, 운영이 김진사를 바라보는 위치는 남녀서사영역에 위치한다는 것을 이야기 할 수 있었다. 이러한 관점에서 볼 때 <운영전>은 운영이 자녀서사영역에서 남녀서사영역으로의 이행을 꾀하다가 실패한 서사이며, <운영전>에서 드러나는 애정 삼각관계의 특징은 한쪽에는 아버지, 다른 한쪽에는 사랑하는 남성이 자리 잡고 있다. 다음으로 <운영전>이 문학치료적 효과를 줄 수 있는 대상은 첫째, 운영의 입장에서 김진사를 바라보고 있는, 즉 남녀서사영역에 위치하고 있는 사람들의 경우이다. 이런 사람들에게 <운영전>은 현재 애정관계를 점검해볼 수 있는 텍스트로 활용이 가능하다. 둘째, 운영처럼 자녀서사영역에서 남녀서사영역으로 이행을 꾀하고 있거나, 이행을 꾀하다 좌절한 사람들의 경우이다. 이런 사람들에게 <운영전>은 자신이 불안해하는 것의 실체가 무엇인지, 사랑의 방해요인으로 작용하는 금기가 자신이 극복할 수 있는 것인지를 객관적으로 판단하게 해준다. In this paper, the author analyzed the relationships of three main characters Anpyong daegun(안평대군), Woonyoung(운영), and Kim Jinsa(김진사) and examined the possibility of using the epic of “Woonyoungjeon(운영전)” as a tool of literature therapy. First of all, the author emphasized that from the point of Woonyoung, the way of looking at Anpyong daegun indicated the realm of son and daughter epic and the way of looking at Kim Jinsa indicated the realm of man and women epic. Based on this point of view, the author claimed that Woonyoungjeaon is the epic about Woongyoung who tried to move from the realm of son and daughter epic to the realms of man and woman, but she was not successful. In addition, Woongyoung is the center of love triangle because Woonyoung has her father for the one side and his boyfriend for the other side. Next, the author stated the possibility of using "Woongyoungjean" as a tool of literature therapy. First, when the author examined the way of looking at Kim Jinsa from the point of Woonyoung, the authors found out that this epic can be used for the people who are in the realm of man and woman epic. For example, the people who are in the relationship can check their relationship using this text. Second, people who tried to move from the realm of son and daughter epic to the realm of man and woman epic but the transfer was not successful can use this text to look at the cause of the failure. People can find out the source of their nervousness and whether they can overcome the taboo which prohibits their successful love using the epic of "Woongyoungjeon". In addition, people who already failed a love relationship can reexamine the source of failure and how to overcome the taboo and eventually will have a better relationship.

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