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계몽에서 야만으로의 추락 -괴테의 『이피게니에』에서 호프만스탈의 『엘렉트라』로
남정애 ( Jwong Ae Nam ) 한국독어독문학회 2011 獨逸文學 Vol.119 No.-
Indem Goethes Iphigenie Konflikte durch Wahrheit und Menschlichkeit lost, verkorpert sie ein ideales Menschenbild, das als eine unentbehrliche Grundlage fur die humanitare Welt gilt. In Hofmannsthals Tragodie Elektra entfaltet sich aber eine finstere Welt, in der die Menschen ihr bestialisches Wesen hemmungslos externalisieren. Hier hat es den Anschein, als ob im Zeitraum zwischen Goethe und Hofmannsthal ein Ruckzug der Menschen auf die Barbarei erfolgt ware. In dieser Arbeit wird versucht, diesen auf die Transformation des Mythos projizierten Ruckzug in Betracht zu ziehen, und zwar in Hinsicht auf die Beziehung zwischen Gott und Mensch. Diese Betrachtungen gliedern sich in drei Teile. Zuerst wird beleuchtet, wie Goethes Iphigenie gegen die Willkur der Gotter die Autonomie des Menschen im Geist der Aufklarung verkorpert. Im Anschluss daran wird auf die in die Barbarei gesturzte Welt in Hofmannsthals Elektra eingegangen. Dabei ist auszufuhren, dass die Gottesferne die Bestialitat der Menschen erweckt hat, weil Gott in Hofmannsthals Tragodie als die Gerechtigkeits- und Ordnungsinstanz fur das Zusammenleben der Menschen zu verstehen ist. Zum Schluss wird noch die Interpretation der Figuren in beiden Dramen im Zusammenhang mit Dialektik der Aufklarung versucht, was die Kritik an der Aufklarung in der literarischen Form veranschaulicht.
2014년 발행 고등학교 『한국사』 교과서의 삼국시대 정치사 서술 검토
남정호 ( Nam Jung-ho ) 역사교육학회 2016 역사교육논집 Vol.60 No.-
This study reviews the teaching and learning materials and the descriptions about political history of the Three Kingdoms Period in the high school textbooks, Korean History, published in 2014 based on the 2009 Revised National Curriculum. The examination reveals a considerable number of problems, including factual errors, controversial descriptions, and teaching and learning materials of insufficient quality. Some of the factual errors and descriptions causing theoretical disputes are particularly in describing King Taejo of Goguryeo, King Goi and Geunchogo of Baekje, and the political situation in East Asia in the 7th century. In addition, there are many problems in the maps demonstrating the growth of 4th century``s Baekje, the expansion of 5th century``s Goguryeo, the growth of Shila in the 6th century, and the political situations in East Asia between the late 6th century and the 7th century. It appears that these problems originated either from changes in the consensus among historians or inadequate examination of new theories. In other words, the outdated descriptions and data included in the prior textbooks were reused without proper scrutiny. Therefore, this study confirms the necessity for careful and thorough examination of the textbook content in developing and writing new textbooks. Due to too frequent curriculum revisions and releases of new textbooks, it is very difficult for textbook writers to fully review and include new research findings and theories in their new textbooks, especially when we have new history textbooks released almost every three years. This circumstance, therefore, requires great effort of the academic circles of historians in reviewing new textbooks and correcting errors in them.
『뜨거운 양철지붕 위의 고양이』: 빅 대디와 성의 정치학
남정애 ( Nam Jungae ) 대한영어영문학회 2014 영어영문학연구 Vol.40 No.4
Tennessee Williams’ Cat on a Hot Tin Roof shows a family living on a big plantation in a 1950’s capitalistic America, focusing on the family's material greed, self-consciousness on heterosexuality and homosexuality, and the social cognition about sexual identity. This paper is based on the premise that Big Daddy tried to redefine heterosexuality and homosexuality, and influenced Brick to confront his own sexual identity problems. It seems that Williams let his characters discuss sexual politics on stage as part of an effort to avoid political pressure about homosexuality. In order to defend homosexuality from social condemnation, Williams used correlations between Big Daddy and Brick, Brick and Maggie, and the Goopers. Conflicts between homosexuality and heterosexuality are organically exposed through psychological or active mechanisms, such as a characters’ intimation, concealment, and violence. Examining the process of self-consciousness and common social ideals concerning sexual identity, we can verify sexual discourses and resistance under a politically exclusive 1950's American society. (Daegu Catholic University)