지역, 공동체, 세계《제4회 광주비엔날레 초청 국제 워크숍–공동체와 미술》을 통해 바라본 예술가의 인식

김장언 한국미술이론학회 2017 미술이론과 현장 Vol.0 No.24

이 논문은 2002년 개최된 《제4회 광주비엔날레 초청 국제 워크숍–공동체와 미술》에 참여 한 한국 작가들의 경험을 분석함으로써 90년대 말 이후 한국에서 대안적 미술 실천을 진행했던 작가들의 인식의 변화를 추적한다. 이 워크숍은 전지구화된 세계 속에서 미술과 사회의 관계, 미 술제도에 대한 비판적 접근을 시도하는 대안적 주체들의 상호 교류의 장으로 기획되었으며, 한 국 작가들은 워크숍의 과정을 통해서 자신들의 위치를 재맥락화하는 경험을 갖게 되었다. 그들 이 경험한 지역은 신자유주의와 국민국가의 개념 속에 복속된 지역이 아니라 혼종성과 이질성 속에서 새롭게 만들어지는 지역이며, 이를 통해 공동체의 의미를 재발명하고, 세계와 연대할 수 있는 기반을 마련할 수 있었으며, 비판적 예술실천의 가능성을 재발명하고자 했다. This paper discusses the experiences of Korean artists who participated in the 4th Gwangju Biennale Invited Groups' International Workshop – Community and Art, which was held in 2002. This workshop offered the participants, most of whom had been developing alternative art practices since the late 1990s, with an opportunity to ponder the issues of local relevance, community engagement, and globalism. Some crucial insights forged through the workshop have since helped the participating artists to recontextualize themselves in the face of growing challenges of globalism. A key realization was that the needs for local relevance in art should not be subjugated to neo-liberalistic globalism. Art of local relevance, combined with hybridity and heterogeneity, would represent a new direction in the era of globalism. This proposition can serve as the new conceptual foundation for Korean contemporary artists who wish to build up community arts and seek solidarity with like-minded artists across the world.

지역, 세계, 공동체 - 워크숍, <공동체와 미술>을 통해 바라본 예술가의 인식

김장언 한국미술이론학회 2017 한국미술이론학회 학술대회 Vol.2017 No.05

비엔날레 10년, 그 이후

김장언 한국예술종합학교 미술원 조형연구소 2007 Visual Vol.4 No.-

「컨템포러리 아트의 융합 과/또는 상호학제성 비판」에 대한 질의

김장언 한국미술사교육학회 2015 美術史學 Vol.- No.30

내시경적 지혈술로 치료한 십이지장게실 대량출혈 1예

김장언,최진호,권규흠,오지민,홍석호,이상혁,이재명,김봉룡 대한노인병학회 2008 Annals of geriatric medicine and research Vol.12 No.3

Duodenal diverticulum is commonly found at 2nd portion of duodenum undergoing duodenal procedure. It is generally asymptomatic and not harmful. But occasionally it causes massive upper gastrointestinal bleeding. Bleeding from duodenal diverticulum is very difficult to diagnose and manage since vision of the lesion by conventional direct endoscope is limited. Recently, emphasis has been placed on aggressive and careful endoscopic diagnosis and hemostasis with hemoclip or local injection. We report a case of massive duodenal diverticular bleeding on a senile patient which was treated successfully by endoscopic hemoclip therapy.

예술가의 위치: 공동체와 작가

김장언 ( Jang Un Kim ) 전남대학교 사회과학연구소 2013 현대사회과학연구 Vol.17 No.-

본 논문은 2013년 현재 한국 사회에서 예술가들은 사회 속에서 자신의 위치를 어떻게 발견하고, 작가로서의 자신의 삶을 구성하기 위해서 어떤 노력을 기울이고 있는가에 대해서 탐구한다.2천 년대 이후 정부 주도로 시행된 공공미술 프로젝트는 작가들로 하여금 사회와 공동체에 대해서 관심 갖게 했다.이러한 경험은 한편으로 작가의 자발적인 기획에서 이루어지기도 했지만, 한편으로 정부의 문화예술정책의 변화 속에서 야기된 현상이다.한국 현대 미술계에서 공공미술이 야기한 사회적 전환 이후 작가들은 어떻게 자신의 현재를 발명하고 있는지에 대해서 살펴보는 것을 통해서 미술과 사회 그리고 예술가의 관계를 고찰한다.이를 위해서 본 논문은 3 팀의 작가 집단, 믹스라이스(mixrice), 디자인 얼룩(design Allook), 리슨 투더시티(listen to the city)를 심층 면접하고, 그들이 인식하는 사회와 예술가의 의미, 그리고 자신들이 발견한 공동체와 지역에 대해서 논의한다. This paper will investigate how the artists in Korean society rediscover their positions in the contemporary living conditions and in what way they have made an effort in order to shape their own lives as an artist.A various number of public art projects led by the government since the 2000s turned the artists on to different dimensions about Korean society and the notion of community.This kind of phenomenon was made by the artist`s own project proposal yet at the same time it was driven by the government`s changing arts and cultural policy.This paper will critically address the relationship between art, society and the artist by examining how these artists have been inventing and engaging with their own "present" after the social turn caused by the public art which has been getting a wave of attention from the public in Korean contemporary art field.Based on interviews with three working artist collectives in Korea - mixrice, design Allook, listen to the city - this paper will discuss the different meaning of society and the role of the artist as well as the notion of local community.

80세 이상 초고령환자에서 내시경 역행성 담췌관 조영술의 안전성 및 효과

김장언 ( Jang Eon Kim ),차병효 ( Byung Hyo Cha ),이상협 ( Sang Hyub Lee ),박영수 ( Young Soo Park ),김진욱 ( Jin Wook Kim ),정숙향 ( Sook Hyang Jeong ),김나영 ( Na Young Kim ),이동호 ( Dong Ho Lee ),황진혁 ( Jin Hyeok Hwang ) 대한소화기학회 2011 대한소화기학회지 Vol.57 No.4

Background/Aims: Endoscopic retrograde cholangiopancreatograpy (ERCP) is often used for the diagnosis and treatment of pancreaticobiliary diseases in the elderly patients. However, few studies have assessed its efficacy and safety in the very elderly. The purpose of this study was to evaluate the clinical outcomes of ERCP in the very elderly patients. Methods: Eight hundreds two patients who underwent ERCP at Seoul National University Bundang hospital were enrolled retrospectively. They were divided into three groups according to their ages (non-elderly group, elderly group and very-elderly group; <65, 65-79 and ≥80, respectively). The indications and clinical outcomes including the complications of ERCP were compared among groups. Results: The most common indication of ERCP was acute cholangitis in all the three groups. Periampullary diverticulum was more frequently observed in elderly and very-elderly patients than in younger patients. Mean duration of hospitalization was not different among three groups. ERCP success rate in all enrolled patients was approximately 90%, and there was no difference in terms of technical success rate between groups (p=0.1). However, the number of ERCP sessions was significantly higher in the very-elderly patients compared to in the non-elderly and elderly (1.38 vs. 1.13 and 1.18 respectively; p<0.001). There was no difference in mortality and complication rate between groups. Conclusions: ERCP can be performed safely in very-elderly patients. Therefore, only age should not be regarded as one of the major determining factors whether to perform ERCP. (Korean J Gastroenterol 2011;57:237-242)

상징과 소통

김장언(JANG UN KIM) 한국예술종합학교 미술원 조형연구소 2010 Visual Vol.7 No.-

This paper is intended to criticize the history and context of the public art projects at South Korea since 1945 in order to analyze the birth and the changes of Korean public art on the assumption that the most of the public art projects organized and hosted by the national and local governments after 2000 are the one of the cultural events structured as the cultural strategies and policies in the Neoliberal era. Public art is always aroused controversy beyond time and space; likewise, public art in the Korean context has been provoking argument and discussion socially and culturally. But the most of the arguments and issues only deal with the aesthetic and artistic achievements of the individual projects, and therefore could not explain the socio-political context related with the public art projects. So, this paper is intended to analyze how the meaning of the public art has been invented and articulated under the socioeconomic and political changes of South Korea. In the process of the research, this paper concentrates attention on two points in time of the Korean contemporary history; one is the year 1987 and the other is the year 1997. The 1987 Democratization Movement brought about the changes of the political system and the 1997 financial crisis imposed Neo-liberalism on Korean society. These symbolic events changed and transformed its characters. So this paper critically analyzes how public art is invited by the government, articulated by the Korean contemporary art scene and activated in the communities under tree historical moments; Nation-state building, the spread of democracy and the imposition of neo-liberalism And this paper will argue that public art has teen effectively abused as one of the cultural strategies of government in the Neo-1ilJeral Era and activated to control our everyday-lives under the concept of ‘symbols’ and ‘communication’ by the government.

프랙탈 영상 부호화를 위한 고속 탐색 ( Fast Search Method for Fractal Image Coding )

김상현,김장언,김남철,강두종,고종석 대한전자공학회 1997 대한전자공학회 학술대회 Vol.1997 No.1

정보검색을 통한 경매정보 알기

강계일,김귀순,김장언,김진해,박재선,안영철,이명원,장규철,정경주,정운용 명지대학교 증권보험대학원 1999 졸업논문집 Vol.- No.8