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고진아 ( Jin A Go ) 한국외국어대학교 중국연구소 2014 中國硏究 Vol.61 No.-
Dam(淡) means tasteless and simpleness. It is very important of Chinese``s Aesthetics. Philosophies and literature. Dam(淡) was consist of Lao-zi(老子)``s Dao(道). It could be evaluated as highest level arctic condition which has continuously been thought in the realm of aesthetics. Dam(淡) which has been succeeded Zhuang-zi(莊子). We can also see it by Tao yan ming(陶淵明), Wang wei(王維), Mei yao chen(梅堯臣). Especially those who have established and expended in Dam(淡). And these poets also introduced Dam(淡) in the poem and literature, made affluent to other field of Chinese arts. Poets in Song dynasty pursuit Tao yan ming``s Dam(淡). It is his naturalism. Tao yan ming``s Dam(淡)based on amusements of inner mind or spirit.
어문학(語文學) : 당대(唐代) 천추절(千秋節)의 투계(鬪鷄)와 무마(舞馬)
고진아 ( Jin A Go ) 한국외국어대학교 중국연구소 2011 中國硏究 Vol.51 No.-
Cockfighting and dancing horse flourished in the Tang Dynasty. The King HyeonJong picked up the most excellent thousands of cocks and trained. So they enjoyed cockfighting. Especially for the King HyeonJong`s birthday, Qinqiujie, they made stage in front of Qinzhenglou, and held cockfighting performance for the nobles, chief of minorities and the people who came to celebrate the King HyeonJong`s birthday. After cockfighting performance was over, there was performance of dancing horse. On the show, especially trained a hundred horse danced to the rhythm of the music. And horses did acrobatic movement on the woodblock raised by strongman. However, the highlight of this dancing horse was scene to drink a toast to music which the King HyeonJong own composed. Cockfighting and dancing horse was event to make a display of the Tang Dynasty`s influence and performance to celebrate the King HyeonJong`s birthday at the same time.
고진아,Go, Jin-A 한국건강관리협회 2008 건강소식 Vol.32 No.4
환절기만 되면 발작적 호흡곤란 때문에 고생을 하는 사람이 있다. 이들은 곤히 잠든 새벽녘에 천식발작을 일으켜 숨이 차서 밤을 꼬박 새우기도 한다. 천식은 기관지가 정상인보다 민감해서 작은 자극에도 쉽게 반응을 하기 때문에 생기는 병이다. 숨을 쉴 때 휘파람을 불 듯‘휘휘’소리가 나는 천명, 호흡곤란, 기침이 천식의 3대 증상이다. 발작이 일어나면 숨을 제대로 못 쉬기 때문에 안색이 창백해지고 입술이 파랗게 되는 등 고통이 심하지만 발작이 끝나면 거짓말처럼 깨끗이 낫는 게 특징이다.
최진걸 ( Jin Geul Choi ),김오현 ( Oh Hyun Kim ),김현 ( Hyun Kim ),이동건 ( Dong Keon Lee ),고진 ( Jin Go ),김태훈 ( Tae Hoon Kim ),차경철 ( Kyoung Chul Cha ),이강현 ( Kang Hyun Lee ),황성오 ( Sung Oh Hwang ),차용성 ( Yong Sung C 대한임상독성학회 2014 대한임상독성학회지 Vol.12 No.2
Purpose: Endoscopy has been recommended as a primary procedure for determining the extent of damage and prognosis in patients with caustic ingestions. Endoscopy within the first 24 hours has been suggested, however, such immediate endoscopy is not always possible. Therefore, we wanted to determine complications and possible delayed sequelae after the endoscopy performed dependent on time, including less than 24 hours and more than 24 hours, after ingestion of relatively high toxic caustic agents. Methods: From January 2005 to May 2013, 105 consecutive patients were diagnosed with caustic poisoning in the emergency department of the Wonju Severance Christian Hospital. Out of 95 patients who underwent endoscopy, while excluding 49 patients who ingested sodium hypochlorite and 15 patients due to insufficient data, 41 patients were ultimately included. We compared general characteristics, complications related to endoscopy, late sequelae, total admission length, and mortality between two groups. Results: Twenty eight patients (68.3%) were diagnosed with acid ingestion. Median endoscopy time was 17.8 (IQR 9.7-36.9) hours and performed in 16 patients (39%) after 24 hours. There were no complications, such as perforation and bleeding in either endoscopy within 24 hours group or endoscopy after 24 hours group. In addition, no difference in ingested materials, endoscopy grade, or late sequelae was observed between endoscopy within 24 hours group and endoscopy after 24 hours group. Conclusion: No difference in complications and late sequelae was observed between endoscopy within 24 hours group and endoscopy after 24 hours group when endoscopy was performed based on a clinician’s assessment.
고진아 한국외국어대학교 외국문학연구소 2002 외국문학연구 Vol.- No.12
Sim-Duk-Zam (henceforth Sim) made the settlement of theories which are focused on the ethnic values among confucianal poetics. He also inherited the reactive tone of an argument from Chil-za-pa, a school which are made up of seven people, while he established a new style of poetics based on one's character by absorbing Wang Sa Jong's "Sin-Un-Sul", a kind of theory and Jeon-Gum-Ik and Sub-sub's study of poetics. This reactive tone of an argument has been inherited for several hundreds since the end of Song Dynasty. But his poetics has not been attended as much as its importance because his poetics was regarded as a model of feudal poetics. For with all, his "Go-Si-Won", and "O-Jo-Si-Bul-Jae-Jib" have been one of the most frequently referred books. And many theories and various poetics are founded on his poetics which were made at that time. In this study I would like to analyse his importance of Dufu's poetry and the criticism of Dufu's poetry among his study of poetics because the origin and spirit of his poetics are concentrated in the study of Dufu's poetry. Sim is considered the settler of the theory of "Geok-Jo-Sul" And Geok means the correspondence of poetry to the standard And Jo means the correspondence of both rhythm and tone in poetry. It seems that the reactive trend makes him follow the high and old tone and style in poetry. And poetry in the periods of Han, Wi and Tang dynasties are respected as orthodox by Sim. Dufu's poetry are harmonized with the view point of Sim's "Geok-Jo-Sul", because Dufu's poetry have changes as well as follow the tradition. I try to find the origion of Dufu's poetry through Sim's critics of Dufu's poetry whih are modest in satirising people, so to speak "On-Yu-Don-Hu". Sim argues that Dufu's poetry recapitulated the works of the former poets and their origin was in "Pung-Ah" tradition in "Si-Keong" and that the role of Dufu's poetry is realizing "On-Yu-Don-Hu", which means satirising people with modesty, and he also argues that the ground of the formal achievement of Dufu's poetry is in the freedom of style and tone in creating poetry. I select some of Sim's critics about Dufu's poetry to get an objective result because this is apt to be subjective and I also generalize Sim's achievement of his study of Dufu's poetry through three arguments mentioned the above.