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고진아 한국중국언어문화연구회 2020 한중언어문화연구 Vol.- No.57
Yuewushi is expressed by utilizing the genre characteristics of the Tang Dynasty poets who experienced the special cultural the development of Music and dance. Originally, the Chinese classical poetry contains a stronger ability to narrate the facts of the poet himself. Especially Yuewushi is a record of cultural reflection and self - reflection of contemporary poets who lived in the age of culture mixed culture. One of the cultural aspects that reveals the mixed culture of the Tang Dynasty most clearly is the development of music and dance brought forward from the West. From the royal court to the house of the Noblemen, the big and small music and dance were performed when the banquet was held. Tang poets have formed a unique artistic system of Yuewushi, with their own eyes to understand their world. While enjoying the performances of music and dance, the poet did not simply describe the superficial beauty of music and dance. First, he gained insight into the socio-cultural background of the formation of this fashion. Secondly, he had to experience music and dance to a significant level He showed sympathy to the pain of the artist. The poet 's eyes become a camera lens, which illuminates the suffering of an artist hidden behind a brilliant performance. This shows that the poet has been worried about the nature of man through the Yuewushi. The Tang Dynasty Yuewushi is characterized by a new perspective, a more humanistic point of view, than the previous one. The basic gaze of the poets of Tang dynasty was centered on human beings and tended to be interested in human inner problems. The poet was able to express a warm humanistic view of the life of the artist and to express the result of speculation and reflection from the humanistic perspective. The most important thing in a humanistic approach will always be human life. Therefore, it seems to be enough to use it as a humanistic text. If we consider human life as the center of thought and to be interested in the problems of human life is the basis of humanistic reflection, Tang Dynasty Yuewushi has many humanistic characteristics unlike previous times.
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고진아 한국중국언어문화연구회 2017 한중언어문화연구 Vol.- No.45
Ancient Chinese people like to learn to walk around, so farewell was common. So the start of parting poem is very fast and can be found in the ‘ShiJing’. In the Tang Dynasty, parting poem has been specially developed. There are three reasons, first. in the Tang Dynasty, especially there was a lot of traveling. From the emperor to the commoner, they emphasized consciousness of farewell. When they parted, must share poetry. Second, a new function has occurred in parting poem. Beyond the function to convey emotion and meaning, it was noted as a means of social intercourse. So the Tang Dynasty had a large number of parting poem, it's got a new feature. The parting poem like a recommendation letter or introduction. Third, The combination of music and poetry was rife. Many famous poems were made into songs. Like this the prevalence of parting is not accidental, it is closely related to the age conditions. Tang parting poems not write about the pain of parting, write about scenery around, a big farewell party, their deep friendship. So Parting poem in Tang dynasty is different from previous one. Before the Tang dynasty, the main idea of the parting poem is the sorrow of parting. but After the Tang dynasty, Poets form a complex structure. It made of parting time, parting place, heartbreak. They enjoyed using typical expressions in parting poem. Because it is easy to feel same emotion. So South port·Willow·sunset·alcohol·Moon are constant use. They allowed poets and readers to sympathize. Parting poem in Tang dynasty achieved universailty of parting sorrow and artistic value.
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고진아 중국학연구회 2000 중국학연구 Vol.18 No.-
社詩學硏究에 있어 가장 중요한 시기가 바로 宋代이다. 杜甫는 여러 문헌에서 알 수 있듯이 生前에는 인정을 받진 못하였다. 그러나 死後에 원진 白居易등의 注目으로 새롭게 인식되기 시작했다. 그러나 본격적으로 중국문학의 宗主의 지위에 올라 모든 文人들의 不休의 典範이 된 것은 바고 宋代였다. 이는 宋代 社會에서 주도적인 역할을 했던 士大夫階層의 儒家的인 文統 설립의자와 宋朝의 科擧政策을 기반으로 한 文治主義 政策에 힘입은 것이었다 또한 宋朝에 극성한 印刷術의 발달도 社集에 대한 광범위한 유통을 가능하게 하여 社甫에 관한 연구를 좀더 과학적으로 실행할 수 있도록 日助하였다. 典範이란 사회적을 공통적을 추구하는 하나의 모델로 그와 동일하게 되고자하는 바램과 열망이 응결된 형상이라고 할수 있다. 때문에 宋代의 社詩硏究 盛況의 淵源을 살펴보는 것은 바로 고대 중국인ㅌ의 지향하는 인간상과 사회상을 파악하기 위한 것이라고 말할 수 있다.
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고진아 중국학연구회 2006 중국학연구 Vol.- No.38
Types and Features of Selfportrait in Dufu's Poem
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고진아,Go, Jin-A 한국건강관리협회 2008 건강소식 Vol.32 No.4
환절기만 되면 발작적 호흡곤란 때문에 고생을 하는 사람이 있다. 이들은 곤히 잠든 새벽녘에 천식발작을 일으켜 숨이 차서 밤을 꼬박 새우기도 한다. 천식은 기관지가 정상인보다 민감해서 작은 자극에도 쉽게 반응을 하기 때문에 생기는 병이다. 숨을 쉴 때 휘파람을 불 듯‘휘휘’소리가 나는 천명, 호흡곤란, 기침이 천식의 3대 증상이다. 발작이 일어나면 숨을 제대로 못 쉬기 때문에 안색이 창백해지고 입술이 파랗게 되는 등 고통이 심하지만 발작이 끝나면 거짓말처럼 깨끗이 낫는 게 특징이다.
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Probing molecular interaction mechanism of M13 bacteriophage
고진아,임찬웅,전다솜,송유정,박진우,류정기,이동욱 한국공업화학회 2019 한국공업화학회 연구논문 초록집 Vol.2019 No.0
M13 bacteriophages can provide a fascinating and versatile platform for nanobiotechnology due to their unique biological and physicochemical properties. We measured the molecular interaction energies between the genetically engineered m13 bacteriophage and five different functional terminated alkanethiol self-assembled monolayers by using a surface forces apparatus (SFA) which has been used to measure the interaction force between materials directly by contacting the macroscopic surfaces without damaging the surfaces. Effects of pH environments and contact times were also investigated. We verified that the phage tends to strong adhesion energy in acidic condition mainly due to π-π stacking and hydrophobic interaction. However, the interaction energies formed by hydrogen bonding was relatively weak. Therefore, by providing fundamental database of the interaction energies using SFA, it will be used to enhance the performance of phage-based system and adduce future phage applications.
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고진아 한국외국어대학교 중국연구소 2015 中國硏究 Vol.64 No.-
The paper studied the relationship between the emptiness and substance through classical chinese literacy criticism and classical chinese poems. Each concept of emptiness and substance was not isolated from each other by interpreting each of them as being relative one or thorough classification, but the philosophical meaning of each concept was examined and the formative structure was analyzed and studied. The philosophy of Lao-tzu and Chuang-tzu represent Taoist in the ancient Chinese philosophy, however, we can also find trace of that their philosophies are influenced by classical chinese poems. Now this study would be focused on the Xu-Jing(虛情), which is under the influence of classical chinese poems, and mean while it exhibits the specific characters of Xu-Shi(虛實)esthetics. This study would dispute on Xu-Shi(虛實)esthetics on classical chinese poems. Xu-Shi(虛實)esthetics on classical chinese poems involved with metaphor and understatement.
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