李箱의 「烏瞰圖」 해석의 재고

심상욱(Sim Sang-uk) 韓國批評文學會 2009 批評文學 Vol.- No.33

This paper is to reconsider the interpretation of Yi Sang’s “Ogamdo”(烏瞰圖) in 1934 as 烏 being a crow. I think O(烏) is a mythical bird, as the messenger bird, Samjogo’(三足烏) in the Korean myth about traveling from the sun to the earth. Although previous researchers have expressed 烏 in 「烏瞰圖」 as a crow, what Yi Sang described in “Ogamdo” relates to the map of painting for looking down on the earth from the sky. In the 1930s, Yi Sang probably lived in severe violence and under tight Japaness rule and policy. During this period, he potentially thought the Korean myth had disappeared from Korean history into a Japanese myth caused by Japan’s colonial policy. Yi Sang became the last member of Guinhoi(九人會) and acted in various roles late in life. Through Guinhoe, he came to know a large amount of Western literary thoughts from abroad and created a variety of works, especially “Ogamdo”according to Joyce’s mythical narrative. In interpreting Ogamdo, a lot of studies have produced two problems: First, researchers do not take into account the confusion of the interpretation of “Ogamdo,” thinking 烏 to be a crow. Second, each poem of Ogamdo was published separately from the first to the last poem(15th). Therefore, researchers have interpreted them separately, not as a complete poem. I believe this is the major problem, As Kim, Ki-rim called Yi Sang “Jupiter,” Kim, Yun-sik asked for researchers “Why did Kim, Ki-rim call him “Jupiter”? This question is very important to know since both Kim, Ki-rim and Yi sang were Korean modernists in the 1930s. As we think of Yi Sang, we must consider Kim, Ki-rim’s “The Weather Chart”(氣象圖) written in 1935. As researchers have observed, this work, as an abortive imitor of Eliot, is a consequent failure in its making. However, Kim, Ki-rim was a pioneer for importing Western modernism in Korean Literature. This addition to Korean Literature affected Yi Sang as described in the urban life of “Ogamdo.” Jo Yong-man, a member of Guinhoe with Yi Sang, called the 1930s “the Age of Yi Sang.” Accordingly, we can understand the meaning of O(烏) in “Ogamdo” as not being a crow, but simply a Korean myth, Samjogo. And it also is truly necessary to interpret Ogamdo as a complete literary work, not as 15 individual poems.

후두와 종양에서의 무언증 : 증례 보고 A Case Report

성연상,강재규,도종웅,김기욱,김상진 최신의학사 1991 最新醫學 Vol.34 No.1

거대 뇌동맥류의 수술적 치료 : 증례 보고 A Case Report

성연상,도종웅,강재규,김기욱,김상진 최신의학사 1990 最新醫學 Vol.33 No.12

GPS/INS를 활용한 항공 정사영상 제작에 관한 연구

박병욱,이창재,서상일 한경대학교 2008 論文集 Vol.40 No.-

In this study we took the aerial photos scaled 1:5,000 with aircraft equipped GPS/INS. DEM was generated by automatic image matching method using the exterior orientation parameters obtained by GPS/INS, and the ortho-images were produced by differential rectification based on that. As the result of measurement of RMSE based on digital map for ortho-images produced with GPS/INS data, the horizontal position error was 61cm that was good enough to satisfy the precision demand of 1:1,000 ortho-image map. There were no big differences in precision of ortho-images between GPS/INS and aerial triangulation process. It seems that the producing method of ortho-image using GPS/INS data can be speedier and more efficient method than traditional method using aerial triangulation

현대독일 드라마의 파노라마

이상욱 東亞大學校獨逸學硏究所 2006 獨逸學硏究 Vol.- No.22

Die vorliegende Arbeit behandelt einige gew?hlte Dramen in Deutschland, durch die die ?sthetik der deutschen Dramen zum Ausdruck gekommen ist. Zu diesem Zweck habe i9ch drei Dramatiker gew?hlt, d.h. B. Brecht, P. Handke und Botho Strauss. B. Brecht hat episches Theater zum Erfolg probiert. Episch nennt sich das Theater, weil das drama mit epischen Elementen durchsetzt ist. Episches Theater zielt darauf ab, das Bewu?tsein des Zuschauers zu ver?ndern, damit die Zuschauer mit neuem fremden Blick die B?hne durchschauen und objektive weiterdenkende Erkenntnis gewinnen k?nnen. Im epischen Theater hat er Zuschauern eine neue produktive Denkweise zu haben erm?glicht. Brecht hat mit dieser Denkweise auf P. Handke einen gro?en Einflu? ge?bt. Handke m?chte im Theater die Welt der Sprache beschreiben. Er nimmt sich nicht reale gesellschaftliche Zust?nde vor, sondern zur Sprache geronnene und als Sprache und durch die Sprache verinnerlichte Strukturen. Bei der Auseinandersetzung mit den modernen Theatertheoritikern treffen wir auch einen radikalen Dramtiker: Botho Strauss. Seit Anfang der siebziger Jahre haben Strauss Theaterst?cke, d.h. Bewu?tseinstheater f?r die Spielpl?ne der Theater immer mehr an Deutung gewinnen. Seine St?cke stellen nicht die Welt der Realit?t, sondern die des Bewu?seins dar. Die ganze Szenerie bei Botho Strauss ist weit entfernt, ?reallitisch zu sein?. Die Handlung des Theaters wird ganz kompliziert abstrahiert. Deswegen wird man an das Verfahren des surrealistischen Theaters erinnert, dem das Theater des Absurden einen Teil seiner Wirkung verdankt.

법랑아세포종의 임상병리학적 연구

성일용,류성호,신상훈,김욱규,김종렬,정인교,변기정 大韓顎顔面成形再建外科學會 2003 Maxillofacial Plastic Reconstructive Surgery Vol.25 No.1

The authors analyzed retrospectively the 60 patients with ameloblastoma who were treated at Department of Oral and Maxillofacial Surgery, Pusan National University Hospital from MArch, 1990 to December, 1995. The results obtained were as follows: There were 26 males (43.3%) and 34 females (56.7%). The peak age of patients was the third decade (41.7%). The majority of cases occurred in the mandible 93.3%, especially in the angle region (91.1%). Eighteen of 60 patients (30.0%) were associated with an impacted tooth, by impacted 3rd molar teeth (16.6%), molar (10.0%), and premolar and canine (3.4%) in order., Fifteen of 60 patients (25%) were associated with an odontogenic cyst, by dentigenous cyst(13.3%), odontogenic keratocyst(8.4%), and radicular cyst(3.3%) in order. Radiographically, there were 32 unilocular types(54.2%) with average age of 24.9±10.8 years, 14 multilocular types(23.7%) with average age of 35.7±17.7 and 13 mixed types(22.0%) with average age of 41.4±15.8. Histopathologically, there were 42 follicular types(70.0%) with average age of 33.7±15.1 years and 18 plexiform types(30.0%) with average age of 26±14.6. Conservertive treatment was performed in the 33 patients(55.0%) and their average age was 25.2±13.9 years and radical treatment in the 27 patients(45.0%) and their average age was 39.3±41.8. Overall recurrence rate was 10%. A consistent correlation between the age of the patient and the radiographic or histologic type of mandibular ameloblastoma was observed. There was a tendency for ameloblastomas of the follicular type to show a multilocular or mixed appearance and for those of the plexiform type to show a unilocular appearance.

작은 피복두께를 갖는 GFRP 보강근의 부착특성

하상수;최동욱 한경대학교 2007 論文集 Vol.39 No.-

본 연구는 작은 피복 두께를 갖고 따라서 콘크리트 쪼갬 파괴가 발생하는 GFRP 보강근의 부착 특성을 파악하여, 추후 GFRP 보강근의 정착 길이 설계식을 제안하기 위한 기초 자료로서 제공하는 것이 목적이었다. 묻힘 길이, 피복 두께, 보강근 직경, 보강근 종류를 변수로 하여 총 38개의 실험을 수행하였다. 묻힘 길이는 15, 30, 45로 하고, 순 피복 두께는 0.5, 1.0, 1.5, 2.0로 계획하였다. 그리고 보강근 직경 2종류(D10, D13), 보강근 3종류(국내 2종, 국외 1종)를 사용하였다. 인발 실험을 통하여 변수에 따른 파괴 양상, 하중-변위 곡선, 평균 부착 강도 등의 부착 거동을 실험적으로 파악하였다. 실험 결과, 파괴 양상은 보강근 인장 파괴 또는 보강근 주위의 콘크리트 쪼갬 파괴에 의해 최종 파괴되었으며, 뽑힘 파괴는 발생하지 않았다. 평균 부착 응력은 동일 조건에서 피복 두께가 0.5, 1.0, 1.5, 2.0 순으로 커질수록 높게 나타났으며, 또한 묻힘 길이가 45, 30, 15 순으로 작을수록 높게 나타났다. 그러나 보강근 크기 및 보강근 종류를 변수로 한 실험 결과는 큰 차이가 없었다. 피복 두께가 0.5, 1.0인 실험체는 묻힘 길이에 관계없이 모두 쪼갬 파괴가 발생하였으며 평균 부착 응력은 각각 3.90MPa, 4.90MPa로 나타났다. 또한, 피복 두께가 1.5, 2.0인 경우에는 보강근 인장 파괴와 쪼갬 파괴가 같이 공존하고, 이 가운데 쪼갬 파괴된 실험체의 평균 부착 강도는 각각 5.95MPa와 8.31MPa로 나타나 피복 두께가 0.5, 1.0인 실험체에 비해 평균 부착 강도가 높았으나, 편차가 심한 경향을 보여주었다.

신축이음장치에서 앵커의 인발 성능 및 나사 풀림 방지를 위한 앵커 시스템 개발

하상수;최동욱 한경대학교 2008 論文集 Vol.40 No.-

The failure of expansion joint for bridge generally occurrs in the non-shrinking mortar while other problem is the release of anchors in expansion joint due to the impact and vibration by traffic on the bridge. In this study, to overcome the failure of expansion joint by the failure of mortar, the elastic mortar is developed. The pull-out capacity of developed elastic mortar was compared with that of non-shrinking mortar. Moreover the anchor system which can be changed easily and prevent a fracture of expansion joint is developed 교량 신축이음장치의 파손 유형은 주로 후타재(무수축 모르타르)와 관련된 부분에서 많이 발생된다. 또 다른 문제는 중차량 통과에 따른 충격과 진동하중으로 인해서 신축이음장치를 후타재에 고정하기 위해서 사용하는 앵커 풀림 현상이다. 본 연구에서는 무수축 모르타르의 파괴에 따른 신축이음장치의 파손을 방지하기 위해 탄성콘크리트를 개발하였다. 개발된 탄성콘크리트와 현재 주로 사용하고 있는 무수축 모르타르의 인발성능을 비교하였다. 또한, 후타재와 신축이음장치를 일체화하여 후타재의 파손을 방지하고 신축이음장치를 쉽게 교체할 수 있는 앵커 시스템을 개발하였다

韓國人價値觀硏究에 있어서 價値觀分類의 適用에 關한 考察

韓相旭 順天大學校 1984 論文集 人文社會科學篇 Vol.3 No.-

We can classify values into two categories;moral values and amoral values. It is essential to apply this classification of values to the study of values because moral values are guite different in many aspects from amoral values. Moral values are different from amoral values in character and in critical condition of internalization, thereore, the teaching method and the scale of moral values should be different form those of amoral values. Lack of this classification of values in the study of values leads ot such serious problems as we have discussed in this paper. In spite of that, the studies of Korean values up to now lack this classification of values. The aim of the study of korean velues is to understand korean volues and to make korean internalize the disrable values for modernization and demorcratization of Korean sosiety. To atlain the aim, we have to develop valid scale of values, explore desirable values and develop effective method of values education based upon this classification of values. In conclusion, the application of the classification of values to the study of korean values is the clue to the attainment of the aim.

B.Brecht 문학에 있어서 다의미성(Vieldeutigkeit)연구

이상욱 東亞大學校 獨逸學硏究所 1995 獨逸學硏究 Vol.- No.11

Die vorliegende Arbeit beschaftigt sich mit dem literarischen Stoff von B. Brecht und der Vieldeutigkeit der Verfremdungssprachen in seiner Utopie zielenden Literatur. Das Sprachmaterial von B. Brecht besteht aus der Bibel und verbreiteten Ausdrucken bzw. Sprichwortern vieler Autoren. Brecht hat die Bibel seit seiner Jugendzeit intensiv und aufmerksam studiert. Daher kommt seine merkwurdige geradezu alttestamentarische Sprachgewalt, obgleich ihn seine Vertrautheit mit der Bibel in einem ablehnenden Verstandnis der Bibel fuhrt, soweit es sich um ihre alltagliche Anwendung im Leben handelt. Auβer dieser sprachlichen Wirkung gilt auch die Vieldeutgkeit der von ihm angewandten Sprache der Herstellung der Utopie in seiner Literatur. Sie relativiert und parodiert den Status Quo und die etablierte Ordnung und laβt dahinter die Welt einer herrschaftsfreien Gesellschaft durchscheinen.