李天輔의 文學論과 詩文學

박수천(Park, Soo-Cheon) 동남어문학회 2012 동남어문논집 Vol.1 No.33

The remarkable point of Yi Cheon-Bo(李天輔)’s literary understanding is regardind Rules of Creative works as important. His theory was based on Rules of Creative work, and he insisted that the writers must show their thought and energy freely. He argued the side of personality from nature, that meant actually the individuality of writers. He thought that the worthy works must keep Rules of Creative and show originality intactly. Yi Cheon-Bo(李天輔) estimated the natural Light and Plain(澹泊) of Works highly. The natural Light and Plain(澹泊) of Works is T’ang style(唐風) of Literariness, Yi Cheon-Bo(李天輔) wanted to follow that style as literary state all his life by himself. The poems of Yi Cheon-Bo(李天輔) was estimated as natural works that was made by new words. Yi Cheon-Bo(李天輔) kept following nature as his literary cognition, and he wanted to show natural on hie works. Such literariness is T’ang style(唐風), he was the famous poet as T’ang style(唐風) during his period. He wanted to follow the nature making composition. He wrote the theory of the rights and wrongs about the world clearly and frankly. He worried about his world, and he felt sad stuffy. So his works showed deep thought about his literature and world.

지봉(芝峯) 이수광(李?光) 한시문학(漢詩文學)의 사실(寫實)과 한아(閑雅) 풍격(風格)

박수천 ( Park,Soo-cheon ) 한국한시학회 2016 韓國漢詩硏究 Vol.24 No.-

芝峯 李?光은 조선 중기 穆陵盛世를 대표하는 문인들 중의 한 사람이다. 그는 이 시기에 盛唐의 풍격을 높이 거론하며 시풍의 전환에 큰 역할을 수행했고, 또한 자신의 시작품으로 당풍의 문학성을 구현해 내었다. 이수광이 지향한 證故實의 학문 태도는 그의 시작품 창작에도 크게 작용해 경물의 寫實지향으로 나타났다. 그는 눈앞에 펼쳐지는 경물을 있는 그대로 작품에 담아내고자 했고, 시작품의 회화성을 중시하면서 `詩中有畵`의 논의를 작품으로 실천해 보였다. 寫實지향의 시적 태도는 그가 만나는 情景을 가급적 구체적으로 그려 눈으로 보는 듯이 절실하게 느낄 수 있는 작품을 창작하게 하였다. 이수광의 『芝峯集』에는 관료 문인으로서 충군애민의 의식을 담아낸 시작품이 적지 않게 수록되어 있다. 그는 <宮詞>에서 군왕을 그리워하는 궁녀의 애달픈 한을 노래하기보다, 爲民의 善政에 고심하고 노력하는 훌륭한 군주의 면모를 표현해 내 충군과 애민의 의식을 작품화하기도 했다. 이수광의 寫實정신은 實景의 묘사와 함께 實政의 祈願으로 그의 시작품에 나타났던 것이다. 寫實과 애민을 지향한 이수광의 시의식은 그의 작품 세계를 구성하는 하나의 큰 축이라 하겠다. 이수광의 한시 작품이 나타낸 대표적인 풍격은 閑淡과 雅麗라 할 수 있다. 閑淡의 풍격은 비교적 일상의 삶이나 자연과 산수를 읊조릴 때, 雅麗의 풍격은 여성적 정서를 담은 艶體나 환상적인 遊仙의 시편 등에서 더 잘 나타나는 편이다. 이러한 이수광 시문학의 풍격은 그의 盛唐 추숭 문학론과도 관련이 깊다. 이수광은 그의 문학론으로 唐詩를 말하면서 자연스러움과 함축의 표현을 매우 강조하였다. 이수광은 『芝峯集』에 비교적 많은 수의 艶情詩를 남겨 놓았다. 艶情을 소재로 한 작품이다 보니 그 전체적 분위기가 우아하고 곱게 펼쳐진다. 그의 시작품에서 雅麗, 婉麗, 溫雅 등의 풍격을 지적한 평가는 주로 이러한 여성적 정감을 다룬 艶情의 시에 많이 나타난다. 閑淡과 雅麗를 표현해 낸 이수광 시문학의 전체적 풍격은 그것을 한데 아울러 閑雅라 규정을 해 볼 수 있을 것이다. Jibong(芝峯) Yi, Soo-gwang(李?光) was one of famous writers during middle period of Josun(朝鮮) dynasty. He argued the literary theory about the best T`ang (盛唐) style on the Chinese classic poems. Also he wrote several works the T`ang style(唐風) and made a role of transition as the T`ang style. He intended to the proof-investigation on his study. So he wrote his poems such as expressing reality. His works showed the real scenery as if someone had seen the landscape seriously. Jibongjib(『芝峯集』) which is a book of Yi, Soo-gwang(李?光)`s literary works records many poems including the thought of loyalty and love-people. His sprit of reality made his poems showing the righteous politics as well as describing real scenery. The representative style of Yi, Soo-gwang(李?光)`s poem is Clean-elegance (閑雅). The comfortable and clean style was expressed the poems of daily life and nature. The pretty and elegance style was expressed the poems of woman`s life and fantastic fairyland. Such literary style are related deeply with his literary theory insisting the best T`ang(盛唐) style. Yi, Soo-gwang(李?光) remained many poems about love in his collection of works Jibongjib(『芝峯集』). The poems about love show such mood as pretty and elegance generally. Yi, Soo-gwang(李?光) poem`s general style is comfortable- clean and pretty-elegance, so we can call it Clean-elegance(閑雅) style totally.

혼화재 종류별 온도 변화에 따른 시멘트 모르터의 응결 및 강도발현 특성

주은희,손명수,차천수,황인성,김성수,한천구 대한건축학회 2004 대한건축학회 학술발표대회 논문집 - 계획계/구조계 Vol.24 No.1(구조계)

In this paper, setting and strength development of cement mortar are discussed under various mineral admixture content and curing temperature. Setting time exhibited an increasing tendency with an increase in curing temperature. Under low curing temperature, use of CKD resulted in a reduction in setting retarding, whereas FA and BS retarded the setting time of cement mortar. For compressive strength, high curing temperature and age leaded to an increase in compressive strength of concrete. Under low curing temperature, the use of CKD resulted in an enhancement of compressive strength at early stage, and exhibited a similar level of compressive strength with plain concrete. For this reason, use of CKD in cold weather concreting has positive effect on strength development at low curing temperature under early age.

혼화재 종류별 온도 변화에 따른 콘크리트의 응결 및 강도발현 특성

주은희,손명수,차천수,한민철,김성수,한천구 대한건축학회 2004 대한건축학회 학술발표대회 논문집 - 계획계/구조계 Vol.24 No.1(구조계)

The objective the paper is to investigate the physical and mechanical properties of concrete incorporating mineral admixtures. For setting properties, at low curing temperature, setting time of concrete with mineral admixture is delayed compared with that of plain concrete. But, use of cement kiln dust(CKD) has a desirable effect on reducing setting retard under low curing temperature. For compressive strength, concrete with FA and BS have low strength at early stage compared with that of plain concrete under low curing temperature. However, the use of CKD resulted in an enhancement of compressive strength at early stage under low curing temperature, and exhibited a similar level of compressive strength with plain concrete. For this reason, use of CKD in cold weather concreting has positive effect on strength development at low curing temperature under early age.

Original Articles : Clinical significance of occult hepatitis B virus infection in chronic hepatitis C patients

( Jae Young Jang ),( Soung Won Jeong ),( Sung Ran Cheon1 ),( Sae Hwan Lee1 ),( Sang Gyune Kim ),( Young Koog Cheon ),( Young Seok Kim1 ),( Young Deok Cho1 ),( Hong Soo Kim ),( So Young Jin ),( Yun Soo 대한간학회 2011 Clinical and Molecular Hepatology(대한간학회지) Vol.17 No.3

Background/Aims: We investigated the frequency of occult hepatitis B virus (HBV) infection in anti-hepatitis C virus (HCV)-positive individuals and the effects of occult HBV infection on the severity of liver disease. Methods: Seventy-one hepatitis B virus surface-antigen (HBsAg)-negative patients were divided according to their HBV serological status into groups A (anti-HBc positive, anti-HBs negative; n=18), B (anti-HBc positive, anti-HBs positive; n=34), and C (anti-HBc negative, anti-HBs positive/negative; n=19), and by anti-HCV positivity (anti-HCV positive; n=32 vs. anti-HCV negative; n=39). Liver biopsy samples were taken, and HBV DNA was quantified by real-time PCR. Results: Intrahepatic HBV DNA was detected in 32.4% (23/71) of the entire cohort, and HBV DNA levels were invariably low in the different groups. Occult HBV infection was detected more frequently in the anti-HBc-positive patients. Intrahepatic HBV DNA was detected in 28.1% (9/32) of the anti-HCV-positive and 35.9% (14/39) of the anti-HCV-negative subjects. The HCV genotype did not affect the detection rate of intrahepatic HBV DNA. In anti-HCV-positive cases, occult HBV infection did not affect liver disease severity. Conclusions: Low levels of intrahepatic HBV DNA were detected frequently in both HBsAg-negative and anti-HCV-positive cases. However, the frequency of occult HBV infection was not affected by the presence of hepatitis C, and occult HBV infection did not have a significant effect on the disease severity of hepatitis C. (Korean J Hepatol 2011;17:206-212)

韓ㆍ日兩國語の言語發想における異質性(るその-) 慣用句

千守城 慶星大學校 1992 論文集 Vol.13 No.1

뇌졸중 환자의 경직 감소를 위한 경피적 전기 신경 자극술과 침술의 효과

백천호,소성욱,김희상,안경회,남상수,박선구 大韓再活醫學會 1997 Annals of Rehabilitation Medicine Vol.21 No.6

接尾辭「的」におけるイメ一ジ

千守城 대한일어일문학회 1999 일어일문학 Vol.11 No.-

Suffix-teki is not only abundant expressions but ambiguous concept. And there is a diffrent view from this category of base. Thus the preceding and present observations is a fellows ; 1. The productions of the chinese-character-suffix result in modernization and they contribute to product three-chinese-character-words. 2. suffix-teki has generally been used within 100years. 3. A coinage of suffix-deki shows a tendency to deminish, but has the power in case of three-chinese-words. 4. suffix-teki will derive some word from new base 5. The negative meanings of suffix-teki and the positive meanings of suffix-rashii are guite worthy to study. 6. The type, foreign word+teki+foreign word, is quite within the bounds of possibility.

크리스티앙 라크로와(Chiristian Lacroix)의 디자인 특성 고찰

천지영, 배수정 전남대학교 가정과학연구소 2001 生活科學硏究 Vol.11 No.-

I would like to investigate the way how Christian Lacroix(1951~) has kept his unique individuality and creativity intact, in the background of fashion world which is the versatility itself. The characteristics of his design and its changes were shown socially, especially with emphasis on the aspect of its chronological changes. His works might be categorized in three periodical blocks. His first period works(1987-1993) were tinted with folk costume like the one in southern France and Spain, in a traditional way. The colors, forms and patterns of his works are all powerful and were merged into a remarkably gorgeous one, added by trrimming technique like frills and ruffles formed in old costumes. In the second period works(1994-1997), the traditionality and ornamentality were predominant traits in view of X-shilhouette taken from the idea of baroque. rococo and bustle style, and surface decoration which is quite exquisite and in high quality made In hand, in the third period works(1998-2001), the natural tubular silhouette were employed, giving sense of snugness and free movement. The various material taken from natural and relatively coarse resources are mainly used. His uique creativity and individuality was maintained and improved, not being hrmed by modification of his design according to the fashion trend of its age, with steadfast adherence to the idea of the traditionality and ornamentality.

Ti:Sr0.6Ba0.4Nb2O6 결정의 성장과 광학 특성

이수천, 임기수, 이재봉 忠北大學校部設基礎科學硏究所 1999 自然科學硏究 Vol.13 No.-

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