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      • KCI등재

        김용준(金瑢俊, 1904-1967)의 월북 이후 활동과 회화 연구

        김미정(Kim Mijeong) 한국근현대미술사학회 2020 한국근현대미술사학 Vol.39 No.-

        1950년에 월북했던 김용준은 1950-60년대 북한미술계의 중심부에서 사회주의 사실주의 민족미술의 형식으로서 조선화를 내세우며, 조선화의 형식을 개변(改變)하고자 했다. 1950년대 중반 ‘조선화’라는 용어의 사용을 미술계에 제기했던 그는 과학원 소속의 연구자로서 고구려 고분벽화와 김홍도 등의 미술사 연구를 진행하며 그 성과를 집약해 연구서들을 출간했다. 월북 직후에는 북한 미술계의 동향에 따라 사회주의 사실주의 유화를 창작했지만, 1950년대 중반 조선화 화가로 다시 전향했다. 조선화 화가로서 각종 전람회에 출품했던 1950년대 중 · 후반 그의 작품들은 인물 · 풍경 · 화조 등 다양한 소재로 필획이 살아있는 수묵담채 화풍을 보여주었다. 그리고 1957년 조선화분과 위원장으로 선출된 후, 그는 〈춤〉으로 《세계청년학생축전》에서 1위를 수상함으로써 북한회화의 위상을 높였다. 김용준은 1960년 이후 채색화 담론의 장에서 조선화 화가들에게 다양한 채색을 구사해 조선화 분야에서 혁신을 일으키기를 독려했고, 이에 발맞춰 조선화에 적용시킬 창작기법과 채색기법을 이론으로 재정리했다. 아울러 조선화 화가들에게 요구되었던 천리마 시대에 걸맞은 ‘현실의 약동하는 기상’과 ‘혁명투사들의 투쟁 장면’을 주제로 채택해 채색화로 그려내면서 미술계의 변화에 부응했다. 그러나 조선화의 형식이 ‘몰골 진채’로 이양되어 가는 과정에서도 김용준은 화조화 분야에서 만큼은 전통 수묵화의 사의성을 화폭에 담아내고자 했다. 즉, 김용준은 당시 미술 형식의 변화에 부응하면서도 월북 이전부터 추구해왔던 필획과 먹색의 조화를 근간으로 하는 전통 문인화풍을 완전히 내려놓지 않았던 것이다. In this article, the author reviewed his writings and paintings by using North Korean literature to show concretely what he did after Kim Yong-jun moved to North Korea. He moved to North Korea in 1950 and tried to change the form of Joseonhwa(朝鮮畵) by emphasizing Joseonhwa through the form of socialistic realism and national art in the center of North Korean art circles in the 1950s and 60s. Shortly after moving to North Korea, he created oil paintings of socialistic realism according to the trend of the North Korean art circles, but from the mid-1950s, he turned back as a painter of Joseonhwa. As a Joseonhwa artist, he exhibited works at various exhibitions and showed the art style of a light-colored picture with indian ink using various materials such as portraits, landscapes, flowers and birds. He was elected chairman of the Joseonhwa Division in 1957, and raised the status of North Korean painting by winning the first place in the “World Festival of Youth and Students” with a work called ‘Dance’. As a researcher belonging to academy of science, who first introduced the term “Joseonhwa” to the art world, he studied art history, including Goguryeo tomb murals and works by Kim Hong-do, and published research papers by summarizing the results. After 1960, he encouraged Joseonhwa painters to make an innovation of Joseonhwa by using various colors in the field of coloring discourse, and also rearranged the creation technique and coloring technique to be applied to Joseonhwa. In addition, he responded to the changes in the art world by drawing colored paintings that matched the age of Chollima, with the theme of ‘the creative energy of reality’ and ‘the fighting scenes of champions of revolution’, which were required to Joseonhwa painters. In the 1960s, as Kim Il-sung’s Juche Ideology was established in North Korea, the form of Joseonhwa changed to ‘Molgol Jinchae’. Despite this situation, he tried to contain in his paintings the Sauisung(寫意性) of the traditional ink painting in the field of Flower Bird Paintings. In other words, he responded to changes in art form, but did not completely give up the style of traditional literary paintings based on the harmony of stroke and ink he had pursued before moving to North Korea.

      • Colorless polyimide/organoclay nanocomposite substrates for flexible organic light-emitting devices.

        Kim, Jin-Hoe,Choi, Myeon-Chon,Kim, Hwajeong,Kim, Youngkyoo,Chang, Jin-Hae,Han, Mijeong,Kim, Il,Ha, Chang-Sik American Scientific Publishers 2010 Journal of Nanoscience and Nanotechnology Vol.10 No.1

        <P>We report the preparation and application of indium tin oxide (ITO) coated fluorine-containing polyimide/organoclay nanocomposite substrate. Fluorine-containing polyimide/organoclay nanocomposite films were prepared through thermal imidization of poly(amic acid)/organoclay mixture films, whilst on which ITO thin films were coated on the films using a radio-frequency planar magnetron sputtering by varying the substrate temperature and the ITO thickness. Finally the ITO coated fluorine-containing polyimide/organoclay nanocomposite substrate was employed to make flexible organic light-emitting devices (OLED). Results showed that the lower sheet resistance was achieved when the substrate temperature was high and the ITO film was thick even though the optical transmittance was slightly lowered as the thickness increased. approximately 10 nm width ITO nanorods were found for all samples but the size of clusters with the nanorods was generally increased with the substrate temperature and the thickness. The flexible OLED made using the present substrate was quite stable even when the device was extremely bended.</P>

      • 전기자동차 구동 모터 냉각용 전동식 오일펌프의 IPMSM 출력 특성 개선

        김미정(Mijeong Kim),김기범(Kibeom Kim),박제헌(Jeheon Park),김경엽(Kyungyub Kim),박종원(Jongwon Park) 한국자동차공학회 2022 한국자동차공학회 학술대회 및 전시회 Vol.2022 No.11

        Since electric vehicles are driven by motors instead of engines, they produce less noise than internal combustion engine vehicles, so it is necessary to improve the noise and vibration of electric component motors. In this paper, we proceed with the optimal design to improve the vibration and noise characteristics of the motor for the electric oil pump, which is a thermal management part of the vehicle, and manufactured and verified it. The main causes of noise in motors are total harmonic distortion, cogging torque, and torque ripple due to changes in air gap self-resistance. Therefore, in this paper, we select total harmonic distortion, cogging torque, and torque ripple as objective functions, proceed with optimal design to reduce vibration and noise characteristics, and manufacture and verify this. Select the magnet size, position, and rotor arc that affect the objective function characteristics as design variables, and derive the optimal design combination through finite element analysis. In order to verify this, we will manufacture a basic motor and an improved motor, and proceed with no-load and load characteristic tests.

      • KCI등재

        Regioselective Addition Reactions of the Organoindium Reagents onto α, β-Unsaturated Ketones

        이필호,Hyun Kim,이구연,Dong Seomoon,Sundae Kim,Heechul Kim,Hyunseok Kim,Miae Lee,Eunkyong Shim,Seokju Lee,Misook Kim,Mijeong Han,Kwanghyun Noh,Madabhushi Sridhar 대한화학회 2004 Bulletin of the Korean Chemical Society Vol.25 No.11

        Regioselectivity on the reactions of α,β-enones with organoindium such as in situ generated allylindium and allenylindium was systematically studied in the presence of TMSCl as an additive. Treatment of 2-cyclohexen- 1-one, carvone, 2-cyclohepten-1-one, and chalcone with allylindium reagent produced 1,4-addition products in good yields, while 2-cyclopenten-1-one, 2-methyl-2-cyclopenten-1-one, 4,4-dimethylcyclohexen-1-one, 3- nonen-2-one, 4-hexen-3-one, and 4-phenyl-3-buten-2-one afforded 1,2-addition products. Indium reagent derived from indium and propargyl bromide in Grignard type gave addition products in good yields, under which the successive addition of α,β-enone and TMSCl were necessary. Although organoindium reagent derived from propargyl bromide produced propargylated compound in Grignard type except 2-cyclohepten-1- one, indium reagent obtained from 1-bromo-2-butyne having γ-methyl group gave allenylated product in Barbier type.

      • Ectopic Hard Tissue Formation by Odonto/Osteogenically In Vitro Differentiated Human Deciduous Teeth Pulp Stem Cells.

        Kim, Seunghye,Song, Je Seon,Jeon, Mijeong,Shin, Dong Min,Kim, Seong-Oh,Lee, Jae Ho Springer Verlag 2015 Calcified tissue international Vol.97 No.1

        <P>There have been many attempts to use the pulp tissue from human deciduous teeth for dentin or bone regeneration. The objective of this study was to determine the effects of odonto/osteogenic in vitro differentiation of deciduous teeth pulp stem cells (DTSCs) on their in vivo hard tissue-forming potential. DTSCs were isolated from extracted deciduous teeth using the outgrowth method. These cells were exposed to odonto/osteogenic stimuli for 4 and 8 days (Day 4 and Day 8 groups, respectively), while cells in the control group were cultured in normal medium. The in vitro differentiated DTSCs and the control DTSCs were transplanted subcutaneously into immunocompromised mice with macroporous biphasic calcium phosphate and sacrificed at 8 weeks post-implantation. The effect of odonto/osteogenic in vitro differentiation was evaluated using alkaline phosphatase (ALP) staining and quantitative reverse transcription polymerase chain reaction (RT-PCR). The in vivo effect was evaluated by qualitative RT-PCR, assessment of ALP activity, histologic analysis, and immunohistochemical staining. The amount of hard tissue was greater in Day 4 group than Day 8 group (p = 0.014). However, Day 8 group generated lamellar bone-like structure, which was immunonegative to anti-human dentin sialoprotein with significantly low expression level of DSPP compared with the control group (p = 0.008). This study demonstrates that odonto/osteogenic in vitro differentiation of DTSCs enhances the formation of bone-like tissue, instead of dentin-like tissue, when transplanted subcutaneously using MBCP as a carrier. The odonto/osteogenic in vitro differentiation of DTSCs may be an effective modification that enhances in vivo bone formation by DTSCs.</P>

      • Remnants, Shame, and Bearing Witness in Nora Okja Keller’s Comfort Woman

        Mijeong Kim 한국언어과학회 2020 한국언어과학회 학술대회 Vol.2020 No.10

        According to Giorgio Agamben, the subject of testimony is the one who bears witness to a desubjectification, and testimony is tied to shame. In fact, the survivors of catastrophic disasters often feel a heavy responsibility to remember and to testify about what really happened, usually out of guilt and shame for others who died (on behalf of themselves), and their faithfulness in carrying out this responsibility can determine or re-define the meaning of their survival. What Agamben notes in the testimonies of Auschwitz survivors like Primo Levy is the existence of the Muselmann, a zero-level humanity, a figure that other Holocaust survivors described as the “living dead” reduced to an apathetic vegetative existence. While existing ethics could not conceptualize of the Muselmann as human, Agamben established the foundation for a new ethics related to “bearing witness to the Muselmann.” To bear witness to the Muselmann is to be willing to fight to reveal the truth silenced due to Muselmann’s inability to speak, “to break with the violence of ethical silence,” and thus to establish the true meaning and power of testimony by making “the inhuman in the human be spoken.” This paper attempts to extend the meaning of the Muselmann not only to the absolute impossibility of bearing witness, but also to the “inhuman” condition in which survivors are forced to remain silent after a traumatic disaster. Survivors, who have lived like the Muselmann, can overcome such deadlocks and renew their lives by bearing witness to the dead/the drowned/the silenced in their stead, and thus prove that some degree of “humanity” remains within their grasp. If, metaphorically speaking, “bearing witness to the Muselmann” can be also a role of literature, it is in this context that this paper will examine the survivors’ shame and testimony in Nora Okja Keller’s Comfort Woman and explore the meaning of “literary testimony” as performed by the novel.

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