조선불화 조선 명종대 지장십왕도의 성행과 가정 34 ( 1555 ) 년 지장십왕도의 연구

문명대(Myung Dae Moon) 한국불교미술사학회 1995 강좌미술사 Vol.7 No.-

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출생후 흰쥐 망막에서 recoverin면역반응 원뿔두극세포의 분화와 GABA성 무축삭세포와의 연접형성 시기

박대균,김인범,천명훈,정진웅 대한해부학회 1999 Anatomy & Cell Biology Vol.32 No.1

投砲丸에 있어서 身體分節의 運動量에 關한 硏究

崔大雨,白明基 忠南大學校體育科學硏究所 1983 體育科學硏究誌 Vol.1 No.1

The present study was performed to see the momentum of body segment in Shot-put throw. A female athlete of Chungnam National University who was a National junior athlete of Shot-put was served as subject. The analysis of the subject’s shot-put throwing motion is as follows: 1. The record which was gained by O’Brien Method is 13m20cm(Total momentum). That is, Throwing at the original place as Leg strength is the best record(43.03%), the Power of Arm stretching 22.88%, turning of shoulder 17.35%, Gliding 9.85%, Snapping 6.89%. 2. To gain the better record, Shot-putter should build up the Power of Gliding and Snapping through partial practice. 3. To improve Physical fitness, Shot-putter should build up the Power of Leg and Body Upper body through Weight training, Speed, and Jumping exercises.

Hamlet, Prince of Denmark에 나타난 Hamler 性格의 兩面性

金大明 慶一大學校 1987 論文集 Vol.3 No.1

Hamlet, Prince of Denmark(1603) is generally called 'Dramatic Sphinx' or 'Mona Lisa of Literature' and can be stated as 'the tragedy of tragedies'. It is not because too many people are doomed to die in this play but because too sophisticated characteristics of Hamlet's character are doomed to follow the destined tragic flaw. In a sense the main issue in this play might be found in the following context; "Why does Hamlet delay?", sometimes expressed in short "Hamlet's delay" or "endless procrastination." Here the tragic characteristics of Hamlet's character might be traced in relation to the destined tragic flaw, namely, hamartia. Now we come to many kinds of theories on the character of Hamlet, connected with hamartia, such as Johann Wolfgan Goethe's 'Sentimental View', Schlegel Coleridge's 'Reflection Theory or Intellectual View', Professor Dowden's 'Emotional View', L. L. Schucking·John Dover Wilson·A. C. Bradley's 'Melancholy Theory, and so on. Furthermore, there are some critics who intend to express the character of Hamlet in view of modernism, in other words, 'Oedipus Complex.' In these respects, it might be said that the tragic characteristics of Hamlet's character, hamartias, are the keypoints of the tragic flaw in Hamlet. The character of Hamlet, first of all, is shown by his own soliloquy. To give dramatic effectiveness to his characterization, Shakespeare dispenses throughout his play the four soliloquies of Hamlet, in which he represents out the sophisticated characteristics of Hamlet's character and thereby shows us what Hamlet is. Therefore, it can be said that the four soliloquies give us a secret mirror in which we look into Hamlet's reality, as is expressed by Mark Van Doren. The multiple viewpoints of spectators around Hamlet also play another important part in representing the complicated characteristics of Hamlet's character as well as his soliloquies. With the aim of doubling the dramatic effectiveness to his characterization, Shakespeare dispenses throughout his description several spectators' multiple viewpoints, in which he describes what Hamlet really is. In short, it might be said that the spectators' viewpoints represent their emotional sounding=board on Hamlet and thereby show us an open window through which we can look into Hamlet's reality, as is expressed by Thomas F. Van Laan. The characteristics of Hamlet's character are too sophisticated and original to be regarded merely as stereotyped version of virtue or vice in pure form. However, by means of analyzing Hamlet's own soliloquies and the multiple viewpoints of spectators, four kinds of categories might be presented as follows; First: a symbol of penetrating intellect Second: an emblem of inactive intellect Third: an incarnation of gentle humanity Fourth: a model of heartless inhumanity Here we can find the polarities of Hamlet's character: in other words, the polarity of penetrating intellect vs. inactive intellect, and that of gentle humanity vs. heartless inhumanity. Here we can state that Hamlet dramatizes the hamartias of Hamlet in the form of conflicts between the polarities of Hamlet's character. Furthermore, we also can state that the polarities of Hamlet's character are the consistent center of Shakespearean literary world in Hamlet. But no less important, the character of Hamlet, in contrast with that of Othello or Don Quixote, is too much sophisticated and complicated; and neither the hero nor this play can be taken apart. The joints are invisible. The character of Hamlet would appear to be no character at all because a name cannot be found for it, or-which is the same thing-because too namy can be found. Here I'd like to call Hamlet 'a man of thousand faces'. In all this Hamlet is a symbol of man, with his highest idealism and best art, in our era, yet trammelled still in concepts of the Law, Justice, and Death. In other words, Hamlet is a Renaissance Gentleman who burried his honor in the chaotic concept of religion and confusion of Elizabethan era, as expressed by G. Wilson Knight. Finally, I'd like to state that Hamlet is fighting, all through the play, against the stereotyped religion and confusion of Elizabethan era, just as we are fighting against ours in our own era. Shakespeare uses both Hamlet's soliloquy and spectator's multiple viewpoint devices in order to give the double effectiveness of dramatic characterization on the Renaissance gentleman in Elizabethan era. In brief Hamlet is like a sponge. Unless produced in a stylized or antiquarian fashion, it immediately absorbs all the problems of our time. Here are Shakespeare's greatness and modernity.

對馬島의 韓國佛像 考察

文明大 동국대학교 박물관 1985 佛敎美術 Vol.8 No.-

良志와 그의 作品論

文明大 동국대학교 박물관 1973 佛敎美術 Vol.1 No.-

구형 스크린을 이용한 준몰입형 VR 시스템 개발

서명원,박대유,조기용 성균관대학교 기계기술연구소 2001 성균관대학교 논문집 기계기술편 Vol.4 No.1

The virtual reality technology has been developed as the computer and computer graphic technology are progressed. However it has stall the limits of the use because of it costs a great for system construction. A virtual reality technology is the best application example to reduce time and coat of development in engineering. Actually, VR(Virtual reality) technology has given engineers the ability to design, test and evaluate engineering systems in a virtual environment. The objective of this paper is to construct the arm mounted display VR system by using 3 channel spherical screen and to show its capabilities of an engineering system development. This paper describes the development of arm mounted display VR system with 3 channel spherical screen system and the generation of 3 channel graphic modules. The arm mounted display VR system provides a highly economial efficiency because of it uses a popular computer system as a graphic server.

무염파(無染派) 목불상의 조성과 설악산 신흥사 목아미타 삼존불상의 연구

文明大 한국불교미술사학회 ( 구 한국미술사연구소 ) 2003 강좌미술사 Vol.20 No.-

This is a study of the wooden Amitabha Buddha Triad enshrined in the Geuk-nak-bo-jeon Pavilion of the Shin-heung-sa Temple in Mt. Seorak. Numerous reconstruction works were conducted in the Buddhist circle right after the Im-jim-we-ran war, and most of the Buddha statues to be enshrined in the temple pavilions were made in wood during that period. Thus, a LIST of wooden Buddha statues that formed the main stream of sculpture at that time was surveyed and expounded. The number of wooden sculpture surpasses that of any other period during the reign of Kings Injo through Sukjong(1623~1725), so this can be termed as the flourishing period of wooden Buddha statues. It can even be termed as the Cultural Renaissance at least in the Buddhist Arts of Buddhist Culture. That is because the production of Buddhist sculpture or Buddhist paintings outnumbered that of the following period; the period during the reigns of King Yeongjo and Jeongjo, which is normally cited as the Cultural Renaissance. It has been confirmed through the written prayers kept inside the wooden Buddha statue and the writing on the bottom side of the Buddha statue that the Wooden Buddha Triad of Shin-heung-sa Temple was produced by one of the famous sculptors by the name Mu-yeom in 1651, the 2nd year of King Hyojong's reign.

圓覺寺10層石塔 16佛會圖의 圖象特徵 : 漢城의 朝鮮初期 彫刻 The sculpture of Hanseong in the early Joseon period

文明大 한국불교미술사학회 ( 구 한국미술사연구소 ) 2002 강좌미술사 Vol.19 No.-

This thesis deals with the iconographic features, stylistic features and the significance of the Sixteen Buddha's Meetings sculptured on the surface of the Ten-storied Stone Pagoda of Wongaksa Temple site in Seoul. The first example of the Buddha's Meeting scenes, an illustration of Buddhist sutras, sculptured on the surface of a Buddhist pagoda can be found on the Hyun-hwa-sa Temple of Goryeo. The sculpture of the theme reached its zenith in the pagoda from the Gyeongcheonsa Temple site and that in the Wongaksa Temple site. The Buddha's Meetings sculptured on the surface of the Pagoda of Wongaksa Temple site has so far been known to represent Twelve or Thirteen Buddha's Meetings, but the scenes represented on all four sides on the fourth story should also be regarded as Buddha' Meetings, so it would be proper to consider that the pagoda represents the Sixteen Buddha's Meetings. In this these, a discussion was also made on the scene represented on the southern side on the first story as depicting not the Three Tathagatas' Meeting(三世佛會) but the Three Bodies and Three Tathagatas' Meeting(三身三世佛會). The scene on the southern side on the second story so far known as representing the Avatamsaka Meeting(華嚴會) should also be accepted as that of the Lotus Sutra(法華經見寶塔會) considering the two seated Buddhas. Any way, each of the Buddha's Meetings is a comprehensive integration of various Buddhist sutras, each of which is a concentration of Mahayana Buddhism. It is an important material in understanding the history of Buddhism during the reign of King Sejo who unified each of the Buddhist religious sects. It is also judged as carrying a significant meaning in that it's the completion of the iconography of the Mahayana Buddhism. Moreover, the sculpture is part of the stone pagoda which was constructed on the occasion of Buddha's birthday on April 8th, 1468 on the lunar calendar in the 13th year of King Sejo. Due to the clear date of its construction, its significance should be emphasized in in the study of Buddhist sculpture in the Joseon period. The iconographic and stylistic features of the sculpture on the surface of the Ten-storied Stone Pagoda in Wongaksa Temple site and its historical significance should be valued as a monumental achievement in the history of Buddhist arts during the Joseon period.

Rhodopseudomonas sphaeroides의 Uptake Hydrogenase에 관한 연구

최명재,강대길 서강정보대학 1990 論文集 Vol.9 No.-

We study the effect of uncouplers, which inhibite phosphorylation and inhibitors, which block electron transport in specific sites of electron transport chain, on hydrogenase activity from whole cell Rhodopseudomonas sphaeroides. In the presence of 10μM 2,4-DNP and CCCP as uncouplers, and 10μM rotenone which blocks between NADH₂ and ubiquinone, 5μM antimycin A which blocks between cytochrome b and c in the electron transport system, the uptake hydrogenase activities change into 95%, 102%, 96%, 37% of normal hydrogenase activity in resting cell. These result show that the hydrogenase coupling which ubiquinone in electron transport chain and ATP make an important role in hydrogenase synthesis.