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조형기호의 의미 생성구조 -그레마스의 서술 기호학을 적용한 본인 작품 중심으로-
홍인경 ( In Kyoung Hong ),이진희 ( Jin Hee Lee ) 한국화예디자인학회 2012 한국화예디자인학 연구 Vol.27 No.-
A.J.Greimas`s ``narrative semiotics`` elaborated a logical model of the conditions of the process where meaning is manifested through the difference of the ``relations`` among and ``operations`` of the elements of meaning. In order to visualize this initial point of meaning generation, that is, ``deep level``, Greimas devised the ``square semiotic model``. Among many semes of the modeling, what produce the greatest semantic difference are ``shape`` and ``color``. In brief, Modeling created a basic structure of signification and a value system through the relations of these semis in a deep level. The signification in a surface level designates the process where form and color are converted, by these mucleus and contextual semes, to sememes of the modeling, that is, meanings that can manifest themselves to actuality is a signification in a surface level. The syntactic action begins when semens of the modeling are revealed by an agent`s personalities and involves an ability to handle the desired object and object`s ``receptiveness`` to fully accept the agent`s competence. The syntactic action of discoursive structures, the last phase of generative trajectory of signification, isolates a realized work of the modeling fro the artist and makes it concrete in ``activity``, ``space``, and ``time``. By organizing the narrative content, now the work, or its realized structure comes to exist completely in reality, and thereby, be established as a text in history. In this regard, it can be concluded that Greimas`s generative trajectory of signification is sufficiently valid as an appropriate method to analyze various works of contemporary art including the modeling.