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히라이 켄지(Hirai Kenji),코마츠 유키오(Komatsu Yukio) 대한건축학회 2007 대한건축학회 학술발표대회 논문집 - 계획계/구조계 Vol.27 No.1
According to Survey Results of the 2003 Housing and Land Survey, In Japan, there are about 47million dwelling houses and more than half of them are detached houses made of wood (about 25million). In Japan, most of the home buildings are made of wood and are by the conventional method of construction or the wood frame construction. It has been said that there are some differences between localities. Japanese life style has westernized and material distribution system has developed, we need to study about the differences again. In this study, with the cooperation of the Fixed Property Tax of the Local Tax of Bureau Division of the Ministry of Internal Affairs and Communications and 10cities(Sapporo, Aomori, Niigata, Mito, Gifu, Toyama, Kobe, Hiroshima, Takamatsu, Miyazaki), we study about some differences by comparing fixed cases in terms of building construction. These days in Japan, as a way of a supply of home buildings is more variable and Japanese life style is westernized, we can't find definite local characteristics of wooden home buildings easily like before. Especially it is not easy to find characteristics of inside buildings, interior walls, ceilings, floors and so on. But we can also find some obvious differences of floor space, roofs, exterior walls, and so on influenced by situations of building estates and climate. Through this study, we can say that the differences of wooden home buildings between localities are seen more obviously in terms of exteriors than interiors.
카지야 켄지 서양미술사학회 2016 서양미술사학회논문집 Vol.45 No.-
This article investigates Japanese art critic Nakahara Yūsuke’s writings about Korean contemporary art, especially Dansaekhwa. Nakahara developed an interest in contemporary Korean art in the early 70s and wrote many articles about the topic. He was also involved in organizing exhibitions on Dansaekhwa like “Five Korean Artists, Five Kinds of White,” held at Tokyo Gallery in 1975, and “Korea: A Facet of Contemporary Art,” held at Tokyo Central Museum of Art in 1977. These exhibitions were important not only for introducing Korean Dansaekhwa artists to Japanese, but also for characterizing them as a group of painters who worked with white. Through analysis of Nakahara’s catalogue essays, this article argues that Nakahara avoided the common association of Dansaekhwa with Korean tradition and ethnicity. Instead it explores readings paralleling Leo Steinberg’s idea of the flatbed picture plane and Jean-François Lyotard’s concept of the matrix. This article looks at how Nakahara found the possibility of a new variety of picture plane in Korean monochrome paintings, one that does not derive from a modernist, reductive idea of painting, but rather can be identified as a matrix in which forms and visions appear and disappear. Examples include Kwon Young-woo’s works on torn and scratched paper and Park Seo-bo’s paintings with all-over pencil lines on canvas. This article also shows that Nakahara’s encounter with Dansaekhwa played an important role in the critic’s shift in the mid-1970s from contemporary art reviews, which he had devoted himself to since his debut as an art critic in the mid-1950s, to more expansive contemplations on art, which he would continue throughout the rest of his life.
히라이 켄지(Hirai Kenji),코마츠 유키오(Komatsu Yukio),이상준(Yi Sang-Jun),쯔쯔미 히로키(Tsutsumi Hiroki) 대한건축학회 2009 대한건축학회 학술발표대회 논문집 - 계획계/구조계 Vol.29 No.1(구조계)
Japanese government and local government in Japan have a lot of buildings and facilities which account for a third of all buildings in Japan. And the public Facilities over 30 years old account for 23% of all public facilities and it may account for 55% 10 years later. Especially public school facilities, from latter half of 1940s, the population has been increasing and many residential sections have been developing. And this has been also causing foundation of many public school facilities and we have a lot of stocks of them. Now we have to consider many elements and examine how we should manage the facilities, keeping, reselling, or dismantling. In this study, we improve one school facility by External Insulation Finishing System that is one of the ways to repair and improve buildings, and figure out how much effective the system is in terms of thermal condition, repairing cost, and electricity charges. Through this research, we can say that the case External Insulation Finishing System is used is more expensive than that usual repairing way is used. But we can also say that External Insulation Finishing System keeps structures stable condition in terms of durability, and saves electricity charges in case air-conditioner is installed.
JLPT(日本語能力試験)とOPI(Oral Proficiency Interview) 相互のレベル関連の統計的考察 - 被験者発話の語彙レベル検証 -
코지마 켄지 한국일본어학회 2019 日本語學硏究 Vol.0 No.60
I have served OPI as a tester for the past 7 years and always had the following two questions every time when I conducted it: that is, (1) Is there a strong relationship between the level of the JLPT vocabulary used by examinees and the level of OPI?; and (2) Can the gap of examinees’ vocabulary levels be a main factor for the separation between Advanced Level and Intermediate Level in OPI? This paper observed utterances of 10 OPI examinees, and investigated the level of vocabulary in terms of JLPT (i.e. N1, N2/N3, N4, and N5 level) as well as frequencies of vocabulary for each level. As a result, (1) OPI Advanced learners appeared to use N1-level words more than 2% overall. Therefore their data had around 1700-1800 words overall. There was a gap between N2/N3-level vocabulary and N4-level vocabulary. Further, for both OPI Advanced and Intermediate levels, N5-level vocabulary occupied around 70% overall. Statistics analysis (Estimation of population variance) showed its general feature of occupancy in N5-level vocabulary. Lastly, the underlying principal was confirmed as such that OPI ratings relied on the appropriate usage of words, and not on the presence of words themselves. 필자는 인증 테스트로 OPI를 실시할 때마다 항상 2가지 의문점을 가졌다. 첫째는 수험자의 사용어휘 레벨이 OPI 레벨과 연관성이 높다고 생각하는 점이고, 두 번째는 사용어휘 사용어휘 레벨의 차이가 그중에 특히 OPI 상급레벨과 중급레벨을 나누는 요인이 아닐까 하는 점이다. 본 연구에서는 10명의 피험자(상급 3명, 중급 7명)의 OPI발화에 있어서 JLPT(일본어 능력시험)의 어휘레벨(N1, N2/N3, N4, N5)의 개수와비율을 조사하였다. 그 결과(모분산의 추정)에서도 보편적인 특징이 있다는 것을 확인하였다. 마지막으로 OPI판정은 어휘의 적절한 운용에 의한 것이며, 어려운 어휘를 사용한다는 것만으로 높은 레벨을 판정하는 것이 아님을 확인 할 수 있었다. 이번 조사의 결론으로서 OPI 상급과 중급이 나뉘는 요인은 “N1 어휘의 비율”, “총 어휘수”, 그리고 “어휘의 적절한 운용 유무”라는 이상의 3 가지 점이라는 것이 밝혀졌다.