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보문 : 둥근형 얼굴에 어울리는 메이크업과 헤어스타일에 관한 연구
최은미 ( En Mi Choi ),양정순 ( Jeong Sun Yang ),김유미 ( Yu Mi Kim ),이윤진 ( Yun Jin Lee ),김기영 ( Ki Young Kim ) 대한미용과학회(구 한국두피모발미용학회) 2010 대한미용학회지 Vol.6 No.1
The most common face shape of Korean women is round, but it is not enough information and data of suitable makeup and hairstyle for the round face. In this study, patterns and recognition of suitable makeup and hairstyle were investigated. A twenty years old woman was selected for round face model and received agreement for experiment. 24 position on face were observed for the proof of round shape face by direct and indirect measurement such as somatoscopy and somatometry. And 4 season makeup and 3 different hairstyls wig were tried on the model, and make photos for questionaire about image recognition of suitable and unsuitable makeup and hairstyle in common group and makeup specialist group. In the result, the ratio of physioganomic face height (18.6 cm) and bizygion breadth (13.9cm) is 1:1.34 and it is lower than Korean standard ratio 1:1.37. Common group people recognized mild image in no makeup state and natural image in usual makeup and hairstyle. Spring makeup is suitable as natural image, but winter makeup is unnatural image for unsuitable. Suitable hairstyle is long hair as stylish and unsuitable is short hair as loutish. Specialist group people were feel as innocent in no makeup and cute in usual makeup. Spring makeup is suitable as innocent image and unsuitable fall makeup as dark. Suitable hairstyle is short hair as sporty and unsuitable is middle hair as loutish. The significantly recognition of suitable makeup and hairstyle was observed between common group and specialist group. Improvement effect of image was shown after try of 4 season makeup and 3 hair style in common and specialist group. In conclusion, spring makeup may be suitable but may be recommend no long hairstyle for round face women.
보문 : 우연성, 유희성, 퇴폐성이 표현된 해체주의적 메이크업의 특성
이윤진 ( Yun Jin Lee ),최은미 ( En Mi Choi ),김숭현 ( Soong Hyun Kim ) 대한미용학회(구 대한미용과학회) 2010 대한미용학회지 Vol.6 No.3
New trend of makeup can be often appeared in popular fashion collections such as Milano, Paris, London and New York. The purpose of this study is to analyze the relationship in fashion collection between make-up expression technique and Derrida`s deconstruction theory. This study combines the 4 characteristics of Derrida`s deconstruction; difference, intertextuality, intermeaning of meanings, breakaway from phenomenon, with characteristics of make-up image. The expression technique of make-up with deconstruction is artistic and creative in all its aspects such as Grotesque, Collage, Dripping, Decalcomanie, Graphic, Decadence and Notester. Side shown not only in a face but also a neck, arms and even palms is expressed as wide enough to be emerged from existing constitution of make-up. Deconstruction make-up is more creative and unconventional compared to other common make-up styles and expresses more freely. It also does not keep one kind of characteristic. One can interpret it in various ways since it can be varied in techniques and images and has positive links in the aspects of deconstruction. Therefore, various experiments in make-up need to be attempted and new products need to be developed. Designers also need to work on creating a new idea of make-up.
중국 청나라 여성 전통 복식의 나비 초문(蝶草紋) 문양을 활용한 네일아트 디자인 개발
장미오 ( Zhang Miao ),최은미 ( En-mi Choi ) 한국미용학회 2020 한국미용학회지 Vol.26 No.1
After 5000 years, characteristics of traditional patterns in the Qing Dynasty costume is becoming more changeable and mature. It is an important entry point to study the combination of Chinese traditional dress patterns and modern design concepts. The clothing pattern of Qing Dynasty was also applied to different design fields. This study attempted to produce and propose nail art design with academic systematization and Chinese Women Traditional clothing In Qing dynasty butterfly and grass patterns as motifs through theoretical reviews (e.g., literature, research data, etc.). nail art design was created using diverse expression techniques (e.g., 2D, 3D art, hand painting, stone art, water decals, gradation, etc.) after applying noemun, manjamun and hoemun via gel nail art techniques. The usability of these patterns in beauty design has been confirmed. It appears that such patterns are useful in art makeup and nail art as formative arts in beauty design. The traditional butterfly grass pattern will be used in nail design ,Which will achieve the dual purpose of inheriting traditional culture and achieving design innovation.