주디스 라이트의 시에 나타난 여성 이미지

정병화 ( Byeong Hwa Jeong ) 韓國世界文學比較學會 2009 世界文學比較硏究 Vol.28 No.-

Judith Wright is one of the few outstanding Australian poets. Her poetical words are so intense with metaphors and symbols that readers feel tension in searching for the exact meaning. She even said in one of her poems, "I`d give these heavy words away". It is the purpose of this study to examine the images of women in her poems firstly as a lover in her love poems and secondly as a married woman in other poems. In the love poems, the women speakers are passionate and at the same time intellectual, and they can quickly approach the essence of core matters. In the latter poems, the women are intelligent enough to care for their families as well as be involved in outside matters. They realize how destructive their own generation was and worry about worldly affairs unlike the traditional housewives. In one of her poems, we can meet a woman who sacrificed her artistic talents to be an ordinary housewife to meet societal conventions. Wright reveals the problems of prejudice and oppression on women through the women images and the voices they portray. In contemporary society, it is inevitable not to consider any women writers in the view of feminism. However, Wright hesitated to join the feminist movement even in the 1970s. She assumed a high value on the mother, and she is much more interested in defining the essential and universal principles of feminity than in defining the historical situation of a particular women. Wright occupied the important position as a predecessor in the establishment of the traditional woman literature.

주디스 라이트(Judith Wright)의 시: 자연과 여성

정병화 ( Byeong Hwa Jeong ) 韓國世界文學比較學會 2010 世界文學比較硏究 Vol.33 No.-

Judith Wright was much interested in the conservation of nature in Australia from as early as the 1950s. She regarded nature to be protected as it is. Ecofeminism developed in the 1970s with the conjunction of the second wave feminism and the rise of the modern environmental movement. Especially cultural ecofeminism emphasizes the identification between women and nature in terms of biology and women``s experience as carers and mothers. In this sense, ecofeminism can offer a good way to approach Judith Wright``s poems. In Judith Wright``s poems, nature is closely connected with the life of the human being as a resource of creation, care and recovery from sickness. Women take the role of creation and carer of children as mothers using "the world``s four elements: earth, water, air, and the fire of the sun" like "the tree holds four truths in one." In this sense, Wright tried to identify nature with women as a resource of life-force. For her, nature also showed a good example from which humankind should learn how to live and how to love. Wright tried to tell us the fact that when human beings can associate with nature, and live in nature, they can recover from unhealthy mental conditions like the old mad girl in her poem, "The Hawthorn Hedge". Also, nature helped an old man find freedom and identify himself with a natural piece, a stone, in her poem, "Two Old Men". When protection of nature and earth is one of the most important global issues, and the feminist movement develops womens`` rights continuously, reading Wright``s poems can offer the reasons why we should protect nature and women together through reevaluation of them as resources of creation of life. Judith Wright was one of the predecessors of conservation and feminism even though she declared that she had not been a feminist.

고객 맞춤형 쇼핑몰 솔루션의 설계 및 구현

정병화(Byeong-Hwa Jeong),박준남(Jun-Nam Park),박민호(Min-Ho Pack),김관우(Gwan-woo Kim),김현기(Hyen-Ki Kim) 한국멀티미디어학회 2009 한국멀티미디어학회 학술발표논문집 Vol.2009 No.2

많은 쇼핑몰 사이트들이 넘치는데 정말 사용자의 편의를 위한 사이트는 드물다. 현재의 쇼핑몰들은 쇼핑몰의 판매량이나 인기도에 따라 메인 화면이 구성된다. 본 논문에서는 고객을 위한 맞춤형 쇼핑몰 솔루션을 설계 및 구현하였다. 이 솔루션은 사용자가 그동안 구매한 제품에 따라 선호도와 구매금액을 측정 저장, 메인 페이지를 사용자가 선호하는 제품의 카테고리와 금액대로 구성하여 사용자가 쇼핑몰을 이용하는데 편리함을 제공한다. 따라서 사용자가 쓰기 편리하게 쇼핑몰 사이트의 사용성을 한층 더 증대 시킬 수 있을 것으로 기대된다.

주디스 라이트와 에밀리 디킨슨의 연애시

정병화 ( Byeong Hwa Jeong ) 韓國世界文學比較學會 2011 世界文學比較硏究 Vol.37 No.-

It is the purpose of this paper to examine the nature of love in the love poems of Judith Wright and Emily Dickinson. Even in psychology, love has not been defined clearly in intelligent terms, for people have thought that it is not to be pondered but simply to be experienced as a strong emotional attachment to another. In this paper, the ideas on love are examined in Heraclitus and Plato to understand how they considered love in ancient times. Among the recent studies of the psychology of love, Robert Sternberg`s triangular theory of love is remarkable and popular in the analysis and categorization of love. According to him, love consists of 3 factors, passion, intimacy and commitment, which are located at the vertexes of the triangle of love. He categorized love into 8 types depending on the combination of these 3 factors. When the triangular theory is applied to Wright`s love poems, the love in them seems to be a completed one in which the 3 factors harmonized well together. However, when Dickinson`s poems are analyzed with the theory, the love in her poems focuses on passion while the other 2 factors are lacking or absented. In Wright`s love poems, personae want to appreciate love as a resource of life-force and to be free from the fear of time and death through happy union, or for them love can be a means to lead a better life morally or emotionally. In Dickinson`s, personae are eager to share passionate love with lovers who are not always able to be around them. For them, love itself is a goal to acquire. The result can be reasoned that Wright was a married woman and she could appreciate harmonized love, while Dickinson was unmarried, and furthermore, reclusive in her later life, and she had no opportunity to realize what complete love is in Sternberg`s sense.

존 키이츠의 『엔디미언』의 주제와 여성

정병화 ( Jeong Byeong Hwa ) 대한영어영문학회 2001 영어영문학연구 Vol.27 No.2

Keats's Endymion is the longest narrative poem about a quest for romance composed of more than 4,000 lines. It is traditional to read the work as an allegory of the poet's desire for union with the spirit of ideal beauty. The critics who have stood for the allegorical view resolved the poem into stages of human development, beginning with the sensual love, leading to humane service and sympathy for fellow men, and ending with union with the ideal beauty which Cynthia symbolizes. Recently, however some critics attacked the allegorical interpretation of the poem because of the discursiveness and incoherence of the narratives. For them Endymion is an erotic love poem which reveals Keats's unconsciousness including his adolescent desires. But that Endymion is allegorical is apparent and the main problem is how to interpret the allegory. In any interpretation of the allegory, Cynthia plays the important role as a symbol of ideal beauty. She is described attractive as an erotic love-object, and Endymion's lengthy quest was for the erotic love with Cynthia. The women in Endymion are beautiful with easiness of temper, compassion, kindness and submissiveness which were thought as virtues of ideal woman in the Romantic period. The concept of an ideal woman then who engaged in such behaviour would today called female masochism. Without any historical survey of the concept of ideal woman in the age Keats lived, Endymion cannot function properly as an allegorical poem. < Chongbuk National University >

존 키이츠의 설화시에 나타난 여성

정병화 ( Jeong Byeong-hwa ) 대한영어영문학회 2003 영어영문학연구 Vol.29 No.1

The purpose of this study is to examine the women in Keats's narrative poems, The Eve of St. Agnes, Lamia and Isabella; or, The Pot of Basil. Madeline in St. Agnes is a beautiful woman who wanted to meet her unknown lover in her dream on St. Agnes Eve. After having lurked in the closet and observed her undressing, he approached to her with his stratagem of love when she fell asleep. Madeline was so ignorant that she could not but think that her wish came true and she accepted his erotic passion as true love. But she was merely an object of Porphyro's egoistic erotic love. After their sexual union they escaped into storm which symbolized their reality. In Lamia, Lamia was a brilliant colored snake transformed to a beautiful woman with help of Hermes whom she told where his beloved nymph was. When Lycius met Lamia he fell in love with her as she intended to make him do so. Apollonius, who was a very old intellectual philosopher, came to their wedding uninvited and recognized Lamia's secret. With a word, “Snake”, from his mouth, Lamia was dead and evaporated. Lycius died too, on that evening. The passionate union of Lamia and Lycius was destroyed before Apollonius who was representative of reason. Isabella in Isabella loved Lorenzo who was a servant for her wealthy brothers' trade. Her two brothers lured Lorenzo into the forest and had him killed and buried there. As his death he appeared Isabella's fantasy, she could recover his head and mouldered it in the pot and planted Basil in it. She always watered the pot with her tears. When her brothers took the pot away she wandered to look for it and died mourning the pot. Isabella's life was so entirely depended on the existence of Lorenzo that it was marginalized after his death. As Helene Cixous has defined femininity as lack, negativity, absence of meaning, irrationality, chaos, darkness--in short non-being, we can see the typical examples of women who belong to that category. These three women victimized for their love, and in Madeline's case, for the erotic love. In the 19th century, love was everything for women while it was separated from men's life as Byron demonstrated in Don Juan. < Chonbuk National University >

무전극 램프의 안정기 개발

정병화(Byeong Hwa Jeong) 산업기술교육훈련학회 2013 산업기술연구논문지 (JITR) Vol.18 No.2

This paper presents a dimming ballast for electrodeless fluorescent lamp. There are two dimming methods for electrodeless lamp, which are frequency change and DC link voltage control. Frequency change for lamp power control is inappropriate because the lamp coefficients are a function of lamp power which is related equivalent lamp impedance and coupling coefficient of the transformer and etc. In this paper, the dimming is achieved by controlling the DC_Link voltage in relation to the lamp power. The DC_Link voltage is controlled by a buck converter. Experimental results of the proposed design method are presented in order to validate the proposed method.

존 단의 시에 대한 여성주의적 접근

정병화 ( Jeong Byeong Hwa ) 대한영어영문학회 2000 영어영문학연구 Vol.26 No.2

The purpose of this paper is to examine John Donne's poems through feminism. A few suspicions might be raised when a feminst reading of Donne’s poems is suggested, since he has not known as a feminst poet at all. John Donne wrote his poems in the period when feminism had not been imagined by most people in the traditional patriarchal and phallocentric ideology. In this period, the physical beauty was the best virtue of a woman. But being different from the convention, the description of a woman’s physical beauty is hardly found in Donne's love poems. For him beauty of natural world is of little estimation as it is simply a thing that happened by chance. Rather the psychological emotion or inner experience were described exactly in the place of a woman’s body. Donne seems to recognize the fact that a woman is more than a sexual partner in the relation with a man. In some of his poems a woman’s influence upon a man is so great as if to infer that a man’s existence is dependent on his lover just as solar energy on the moon. As a matter of fact, Donne compared the sun to a woman, the moon to a man. But in other poems he revealed the patriarchal inclination toward the women who turned their back from the lovers. This kind of contradictory attitude towards a woman appears in Donne’s poems. A feminist reading of Donne can achieve two things at least. Firstly, we can trace the historical procedure in which women were oppressed by patriarchal ideology. Secondly, a feminist reading may provide and contribute toward an extension of interpreting the text from another perspective. <Chonbuk National University>

존 키이츠의 시적 상상력과 아름다움

정병화 ( Jeong Byeong Hwa ) 대한영어영문학회 1998 영어영문학연구 Vol.24 No.3

The purpose of this study is to explore the relationship of poetic imagination and beauty in Keats's poetry. As one of the romantic poets who turned his back to an often unsympathetic audience and sing to himself, it was natural for Keats to concentrate on the world of imagination as a means of introspection and of escape from the unhappy reality. The alienated poet, Keats seemed to be forced to justify and defend himself by speaking of sanctity of the poetic imagination, for himself as an artist and his audience. The concept of beauty caught by imagination, which Keats named "Essential Beauty", is characterized by being subjective but with universal validity. The power of imagination to Keats, seems to be intensely creative and dynamic. The imagination is not the mirror of empyrean realm but rather create beauty that is truth, "whether it existed before or not." As Adam's dream brought Eve, whom he found real on his awakening, the active imagination adumbrates that beauty will come true in reality. Keats's equation, "Beauty is truth, truth beauty, can be extablished through this dynamic activity of imagination. It can be reasonded that Keats had suffered enough to know how to feel idea through unified sensibility.

태권무와 대한태극권의 활용을 통한 “신태권무” 창작방안 연구

정병화 ( Byeong Hwa Jeong ),이영희 ( Young Hee Lee ) 한국동양예술학회 2015 동양예술 Vol.29 No.-

한류화태권무는 배타적 관념에서 탈피하여 상호협조적 무예예술작품의 특성을 살릴 필요가 있다. 명작예술 탄생을 예고하는 실험적 연출작업의 효시가 될 수 있다. 신태권무는 태권동작과 태극권의 기본동작을 접목하여 현대무예예술작품으로 외국에 소개한다면 새로운 무예작품의 한류화작품으로 큰 효과를 기대할 수 있을 것이다. 태권도의 기본동작 퍼포먼스를 하는 경우에 단순하게 기술적 동작만 하는 것이아니고 태권도의 내면에 내재되어 있는 무예성과 철학성까지도 표출할 수 있어야 한다. 태권무도 이러한 형태를 완전히 벗어날 수는 없다. 태권무는 태권도의 기본적인 동작과 기술적인 높은 테크닉을 가지고 퍼포먼스를 하면서 예술적인 미적가치을 실행할수 있다면 좀 더 효과적인 무예작품이 탄생할 수 있을 것이다. 대한태극권은 이미 우리들에게 친근한 운동으로 개선하고 연출하여 동호인들에게 큰 호응을 받고 있는 대한태극권의 본류와 미학적 유연성을 확인하고 실제로 활용하면서 국민들의 건강증진에 도움을 받을 수 있기를 바라는 마음이다. 이는 곧 신태권무형태의 예술작품이 될 수 있기 때문에 태극권의 동작중에서 신체활동면에서 편리하고 용이하며 효과적인 동작들을 선별하여 태권무와 접목할 필요가 있다. 대한태극권의 동작들은 매우 효과적으로 관객들에게 어필되고 있는 운동현장을 흔하게 확인할 수 있다. 태권무를 예술적인 무예작품으로 연출, 제작하여 일반인들이 실행하고 활용할 수 있도록 해야 하며 외국인들에게도 공개하고 전수하여 한류화 예술작품으로 길이 남을수 있도록 세계각국에 홍보하여야 한다. 민간단체의 일반적인 태권무에서 진일보하여 현대적감각과 무예성이 동시에 포함된 신태권무를 안무하고 연출, 제작하여 세계무대에 신상품으로 진출시켜야 한다. 재즈댄스나 밸리댄스, 그리고 B-보이 퍼포먼스를 활용하여 태권무를 시연할 수도 있을 것이다. 대한태극권의 유연한 동작과 태권동작, 재즈댄스를 동시에 접목한다면 년령층이 젊은 관객들을 확보하는데 효과적일 수 있다. 태권도의 강렬함과 무용예술의 미학성 및 예술성이 동시에 표출될 때 진가를 발휘할 수 있기 때문이다. 태권도의 강렬한 이미지에 대한태극권의 유연함과 강인한 이미지를 동시에 접목하여 현대적 감각의 재즈댄스동작을 활용한다면 예술적가치가 있는 작품효과를 배가시킬 수 있다. 대한태극권의 동작을 전면적으로 도입할 필요는 없다. 재즈댄스와 재즈음악의 형식을 활용하고 대한태극권의 기본정신을 살려서 강약약의 조화를 효과적으로 응용한다면 전국민과 전세계인이 사랑하고 애용할 수 있는 태권무가 창작될 수 있으며 외국인들에게도 환영받을 수 있는 ‘신태권무’가 탄생될 수 있을 것으로 기대된다. Korean Taekwondance need to taking mutual cooperative characteristic of stage work by breaking exclusive notion. It could be a precursor to experimental directing for foretelling birth to New Taekwondance If introduce new korean Taekwondance as modern martial art works to foreign shores by applying Taekwondo movements and the basis of Tai chi chuan movements, it is expect a significant effect as korea model of new martial arts. In the case of performance basic Taekwondo movements, not only simple technical movements, it must express thoughtful softness and aesthetic of martial art that included in Taekwondo. Taekwondance can not be completely free of this situation. By performing with basic Taekwondo movements technical skills, Taekwondance must be able to conduct artistic value, aesthetic movements. Hope Tai chi chuan to help national health promotion by verifying and utilizing aesthetic flexibility of korean Tai chi chuan which improved familiar practice to us. It could be a cornerstone of korean art works. It necessary to select and apply convenient and effective movements of "Dae Han ―Tai chi chuan". We can confirm scene of practice where Tai chi chuan movements effectively appeal to people. It have to make Taekwondance to be able to be conducted and utilized by people by producing aesthetic martial art work and promote to the world for get the history as korean art works by disseminate foreign.