동래한량춤 연구

윤여숙 한국무용예술학회 2005 무용예술학연구 Vol.15 No.-

The purpose of this study is systemical arrangement and record of Dongrae Hanryang dance which is performed by Dongrae prodigal in scientific dimension. Dongrae Hanryang dance is a branch of Dongrae Dut-bagi dance developed with each different quality namely big gentle and dynamic motion, powerful step etc. Dongrae Hanryang dance is previous play of Yangban dance, Huhtoon dance, Yip dance of Dongrae-yaryu. It becomes the basis of male dance offhandedly performed by Hanryang in partyroom. Hanryang dance perfored by Yangban has harmony in inner resources, temperance and naive emotion. Dongrae Hanryang dance that it researches the principle of male dance as good data it has the value, became feed because is a dance which keeps the element where become the soil of male dance. The feature of Dongrae Hanryang dance is 1. It has brief emotion of Kyungsang do, also keeps inner resources and dignity. 2. It has big gentle and powerful motion with well-balanced nature. 3. Ctirls sit in company with Hanryang elevates the mood with performs dance. 4. It has offhandedly nature with each different quality. 5. Baegim-sawi and Ssangbaegim-sawi is ellent thing on basis of Dut-bagi dance. Traditions is namely marked idiosyncrasy of national culture must be preserved in long historical space time with our racial enternal value. And the research of traditional folk dance accomplished by dance theologist is deeply varified, the function of emotion purification, harmony and balacing effect, artistic expression of national emotion and also psychological treatment, well-being effect of dance are hopefully used and amticipoted.

서울市 人口增加에 따르는 住宅問題와 그 解決策

尹汝淑,李仁順 이화여자대학교 사범대학 사회생활과 1968 綠友會報 Vol.- No.10

노인 정신건강을 위한 DMT프로그램 개발 연구

윤여숙 한국무용연구학회 1997 한국무용연구 Vol.15 No.-

서울市 人口增加에 따르는 住宅問題와 그 解決策

尹汝淑,李仁順 梨花女子大學校 師範大學 社會生活科 1968 綠友硏究論集 Vol.- No.10

무용동작요법(DMT)의 실제

윤여숙 한국무용연구학회 1995 한국무용연구 Vol.13 No.-

동래교방의 춤,동래고무의 전승과 전망

윤여숙 영남춤학회 2018 영남춤학회誌 Vol.6 No.1

Dance of the Dongnae Gyobang, transmission and prospects of the Dongnae-Gomu Yun, Yeo-Suk (Dongnae-Gomu Preservation Society) The purpose of this study is to investigate the identity of Gomu, and to explore the value and prospects of Dongnae-Gomu for healthy tradition. During the Joseon Dynasty, the royal court house and the local government offices were exchanged with each other. At that time, there was an opportunity to communicate the scents with the competition (Seoul and Royal Palace here). Therefore, the metropolitan government was placed in an important position of the dancing culture that plays a role as a bridge between Chung Jae moo and tradition dance. The origin of the Dongnae-Gomu is dancing with historical value of about 700 years through the records of the drumming of the drum dance by the lee-hon ($ i昆: 1252 - 1312) during the reign of King Chulryong in Korea. Dongnae Gyobang is a dignified dancing performed by a professional gynecologist in Dongnae Gyobang with the recreation culture rich in energetic regions and natural hot springs in Gyeongsangnam-do. Dongrae Gyobang is composed of a court dance and traditional folk dance It served as an intermediate bridge. We need to redefine the concept of tradition and norms so that we can adapt to the changes of the cultural history faithfully to the original source for the right tradition of Dongnae-Gomu. It should be done. 본 연구는 교방무의 문헌적 고찰을 통해 동래교방에서 권번으로 이어진 동래교방무로써,고무의 정체성을 탐구하고 건전한 전승을 위해 동래고무의 전승가치와 전망을 모색하고자 하였다. 조선시대에는 궁중의 장악원과 지방관아의 교방이 서로 교류하였으며, 당시선상기 제도에 의해 향기들과 경기(서울 및 궁중 여기)들의 상호소통 할 수있는 기회가 이루어졌다. 이에 교방무는 정재무와 민속춤을 잇는 중간 가교로서의 역할을 수행하는 교방춤 문화의 중요한 위치에 놓이게 되었다. 동래고무의 시원은 고려 충렬왕 때 시종 이혼(李混 =1252-1312)에 의한 북춤 즉 고무(鼓舞)가 추어졌다는 기록을 통하여 약 700여년의 역사적 가치가있는 춤이다. 경상도의 활달한 지역성과 천연온천으로 풍성한 놀이문화가 있는 동래교방의 감상용 춤으로,전문성 있는 기녀에 의해 추어진 품격 있는 춤으로,동래고무는 교방무 계열의 법춤이라는 정체성과 함께 궁중정재와 전통민속춤의 중간 가교역할을 담당하였다. 동래교방에서 연행되었던 다양한 가무악들이 거의 소멸된 상태에서 현존하는 동래교방의 유일한 춤으로 동래고무가 그 전승의 맥을 이어가고 있다. 따라서 동래지역의 교방무를 연구하는 소중한 자료로써 중요한 전승가치를 지니고 있다. 동래고무의 올바른 전승을 위해 당시 원전에 충실하면서 문화사적인 변화에 잘 적응할 수 있도록 전승개념과 규범을 재정립해야 하며 춤의 올바른 전수를 위해 제도적 장치와 함께 기초학습과정을 강화하여 심도 있는 전수교육이 이뤄져야 할 것이다. 또한 춤 문화유산은 한국을 대표하는 고유한 우리의 문화예술자원이며, 이러한 맥락에서 볼 때,동래고무를 잘 보전하고 이것을 바탕으로,사라져가는동래교방의 춤을 발굴해내고 재연하여 더욱 다양하고 풍성한 동래지역의 춤을완성해가야 할 것이다.

명인, 강태홍의 춤 연구

윤여숙 한국무용예술학회 2007 무용예술학연구 Vol.22 No.-

스포츠 자기 효능감(Self-Efficacy)에 관한 연구

윤여숙,표내숙 釜山大學校 師範大學 1995 교사교육연구 Vol.30 No.-

This study reviewed some of the more current work in attribution and self-efficacy theories with respect to sports and physical activity and attempted to draw together the two approaches from a social-cognitive perspective. Reviews of self-efficacy and attribution theory currently exist in the literature, and the reader is directed to these works for a more detailed review of each area. The section on attribution theory focused on four broad categories of interest: methodology, causes of personal outcomes, objective versus subjective outcomes, and attribution-emotion relationship. In this study the basic tenets of Bandura's self-efficacy theory were outlined, and the general conclusion suggested that performance-based treatment modalities are the most powerful sorce of efficacy cognitions. Self-efficacy and causal attributions should be studies as interdependent rather than separate entitles. Self-efficacy beliefs are widely held to exert an important influence on human behavior across myriad domain. However, at the most fundamental level, casual attributions are intimately involved in cognitive processing of information and thereby cognitive theories of motivated behavior. Detailed examination of casual attributions and self-efficacy perceptions as bidirectional influences is likely to enhance and deepen our understanding of sport and exercise behavior.

Dance Therapy에 관한 이론적 고찰 : 정신질환자를 중심으로 Focus on Psychiatric Patients

윤여숙,표내숙 釜山大學校 附設 體育科學硏究所 1994 體育科學硏究所 論文集 Vol.10 No.-

Dance Therapy has its roots in the shamanistic tradition in which the roles of priest, medicine man, and emotional healer were all executed by one person. The capacity of rhythmic body action to provide a bridge between the conscious and unconscious world makes it a powerful tool with all populations. Those who need a way back into consciousness and those who need to explore a way into the world of symbolic expression can all benefit. Dance therapy is easily adaptable to almost any approach utilized in psychotherapy whether it can be an intensive care psychoanalytic sanatorium, outpatient community mental health center, special education facility, holistic health clinic, or private practice. Although the foundations are in neurophysiology and psychotherapy, the theory stresses the practical organizing of abilities which are needed in everyday life. The purpose of this study was to show a theoretical dance therapy. Especially, focus of this study was centered on therapeutic possibility of dance therapy based from body image of psychotic disease patients. From a theoretical study on dance therapy, the results of this research were as follows: 1. Dance therapy plays an important role in recognizing each part of body and inner-outer relationship of body. 2. Dance therapy helps the patients to express his own affect appropriately. 3. Dance therapy comes back the patients into society through nonlinguistic body movements.

한국 어린이의 분류개념의 발달 : Piaget의 이론을 중심으로

김종선,손미령,신성애,유애열,윤여숙,홍경진 연세대학교 생활과학대학 1977 婦學 Vol.9-10 No.-