박완서 소설의 멜로드라마적 상상력에 나타난 정치성 고찰 -『살아 있는 날의 시작』론

신샛별 명지대학교(서울캠퍼스) 인문과학연구소 2015 인문과학연구논총 Vol.36 No.3

The purpose of this study was to explore Wan-seo Park’s novels in the historico-philosophical context. This type of research has not been made enough yet. For example, The Beginning of the Living Days(1980) has been studied mainly within the genealogy of ‘feminine novels’ written later such as A Standing Woman(1985) and Are You Still Dreaming?(1989), and it was primarily desirable. Considering that the period when the novel was serialized(October 2, 1979 ~ May 30, 1980) overlapped with so called ‘The Spring of Seoul’ when Jeong-hee Park’s long dictatorial regime fell and the country was boiling with longing for democratization, it is rather strange not to analyze the structure and theme of the novel in connection the heat of resistance in those days. At the introductory part of the novel, heroine Cheong-hee visits the ‘April 19th National Cemetery’ and mourns for the victims, and this scene is a symbolic moment suggesting implicitly the hidden political unconsciousness of the novel. After the scene, the novel depicts the courageous awakening and abscondence of a woman who has been groaning under the patriarchal value system, and succeeds in meeting accurately contemporary people’s desire to farewell patriarchal dictatorship and to construct a new society. What is important, however, is that such a historico-philosophical character of the novel is not obtained ‘although the novel is melodramatic’ but rather ‘because it is melodramatic.’ According to studies on the history of melodramas by Peter Brooks, Ben Singer, etc., melodrama is essentially a genre embracing both moral anxiety and new expectation felt by people in the time and space of desacralization opened together with the collapse of ancien régime. Melodramas gain their unique popularity by presenting conflicts occurring in such a time and space in a world where good and evil are clearly distinguished and resolving the conflicts dramatically. Referring to these historical studies, we can understand the melodramatic element of The Beginning of the Living Days not only as a ground for the popularity of Wan-seo Park’s novels but also as a subject to be studied seriously in connection to the fact that the novel was written in the time and space opened together with the collapse of the ancien régime (‘Yusin Regime’). What is more, consideration should be given to how dramas of (im)moral passion developing in popular grammar are closely related to the (im)possibility of political situations. The active deviation attempted by heroine Cheong-hee can be called an act to approach the intensity of a true life even in collusion with evil in G. Bataille’s sense, namely, ‘transgression’, and this is related to the possibility opened by the political situation in those days. Nevertheless, Wan-seo Park does not go in the direction of praising the possibility romantically. Such a transgressive act may bring forth the fatal results of the loss of family and the effacement of existence and, moreover, it is a stern reality in those days that it was hardly possible to get a result other than that. When this fact is confronted squarely at the end of the novel, Wan-seo Park’s realistic face will be disclosed clearly.

조도계수와 유량의 불확실성을 고려한 청미천 유역의 홍수위 해석

신샛별,박지훈,송정헌,강문성,Shin, Sat-Byeol,Park, Jihoon,Song, Jung-Hun,Kang, Moon Seong 한국수자원학회 2017 한국수자원학회논문집 Vol.50 No.10

본 연구의 목적은 하천의 조도계수와 유량의 불확실성을 고려하여, 부정류 흐름에서 홍수위 해석에 미치는 영향을 정량적으로 분석하는 데 있다. 본 연구에서는 GLUE (Generalized Likelihood Uncertainty Estimation) 기법을 적용하여 조도계수와 유량의 불확실성이 홍수위 해석에 미치는 영향을 분석하고, 강우사상의 크기와 불확실성과의 관계를 분석하였다. 조도계수의 불확실성은 하천기본계획을 참고하여 0.025~0.040의 범위에서 분석하였다. 유량의 불확실성은 수위 h일 때의 유량을 Q라고 할 때, $Q=A(h-B)^C$로 표현되는 수위-유량관계식의 회귀계수 A, B, C를 통해 분석하였다. 수위-유량관계식의 회귀계수를 비선형 회귀분석을 통해 추정하였으며, 회귀계수는 t 분포를 가정하여 95% 신뢰도로 상한과 하한의 범위를 산정하였다. 산정된 회귀계수의 범위는 A는 5.138~18.442, B는 -0.524~0.104, C는 2.427~2.924로 산정되었다. 범위 내에서 10,000개의 매개변수 세트를 추출하여 HEC-RAS (Hydrologic Engineering Center's River Analysis System)에 적용하여 Monte Carlo 모의를 수행하였다. 강우사상 1~3에서 모의된 홍수위의 95% 신뢰구간의 평균적인 범위는 각각 0.39 m, 0.83 m, 0.96 m이며, 첨두 홍수위가 발생했을 때의 범위는 각각 0.52 m, 1.36 m, 1.75 m로 산정되었다. 또한 이천관측소의 1986~2015년의 일 강우에 대한 빈도해석을 수행하였으며, 수행 결과 GEV (Generalized Extreme Vlaue) 분포일 때 강우사상 1~3의 재현기간은 각각 1년, 10년, 25년 빈도에 해당되었다. 본 연구를 통해 강우사상의 크기와 불확실성의 관계를 분석하였으며, 향후 다양한 강우사상에 적용하여 검증한다면 홍수위의 불확실성을 예측하여, 하천관리 등을 위한 구조물의 계획 및 설계 시 의사 결정에 실질적인 도움이 될 수 있을 것으로 사료된다. The objective of this study was to analyze the flood stage considering the uncertainty caused by the river roughness coefficients and discharge. The methodology of this study involved the GLUE (Generalized Likelihood Uncertainty Estimation) to quantify the uncertainty bounds applying three different storm events. The uncertainty range of the roughness was 0.025~0.040. In case of discharge, the uncertainty stemmed from parameters in stage-discharge rating curve, if h represents stage for discharge Q, which can be written as $Q=A(h-B)^C$. Parameters in rating curve (A, B and C) were estimated by non-linear regression model and assumed by t distribution. The range of parameters in rating curve was 5.138~18.442 for A, -0.524~0.104 for B and 2.427~2.924 for C. By sampling 10,000 parameter sets, Monte Carlo simulations were performed. The simulated stage value was represented by 95% confidence interval. In storm event 1~3, the average bound was 0.39 m, 0.83 m and 0.96 m, respectively. The peak bound was 0.52 m, 1.36 m and 1.75 m, respectively. The recurrence year of each storm event applying the frequency analysis was 1-year, 10-year and 25-year, respectively.

Taxonomic review of the genus Zeiraphera Treitschke (Lepidoptera: Tortricidae) in Korea, with description of a new species

신샛별,변봉규 국립중앙과학관 2016 Journal of Asia-Pacific Biodiversity Vol.9 No.1

This study was carried out to review the genus Zeiraphera in Korea. In this study, a total of eight species of the genus Zeiraphera, belonging to the tribe Eucosmini, were recognized from Korea, with description of a new species, Zeiraphera subvirinea sp. nov. The wing patterns, and male and female genitalic structures for the known species of the genus are examined and redescribed. Key for the species is given. Known food plants and life histories, when available, were reviewed and listed.

홍수위 해석을 위한 미측정 하천 단면 추정

신샛별,강문성,전상민,송정헌,김계웅,류정훈,박지훈,이도길,이경도,Shin, Sat Byeol,Kang, Moon Seong,Jun, Sang Min,Song, Jung Hun,Kim, Kyeung,Ryu, Jeong Hoon,Park, Jihoon,Lee, Do Gil,Lee, Kyeong-Do 한국농공학회 2016 한국농공학회논문집 Vol.58 No.5

The objective of this study was to develop the simple method to estimate ungauged river section for flood stage analysis. Damage prediction should be prioritized using hydrological modeling to reduce flood risk. Mostly, the geographical data using hydrological modeling depends on national river cross-section survey. However because of the lack of measured data, it is difficult to apply to many local streams or small watersheds. For this reason, this study suggest the method to estimate unguaged river cross-section. Simple regression equations were derived and used to estimate river cross-section by analyzing the correlation between the river cross-sectional characteristics (width, height and area). The estimated cross-sections were used to simulate flood level by HEC-RAS (Hydrologic Engineering Center's River Analysis System). The applicability of this method was verified by comparing simulated flood level between measured and estimated cross-section. The water surface elevation of the flood stage analysis was 6.56-7.24 m, 5.33-5.95 m and 6.12-6.75 m for measured cross section, for estimated cross section and for estimated cross section based on DEM elevation, respectively. Further study should consider other factors for more accurate flood stage analysis. This study might be used one of the guidelines to estimate ungauged river section for flood stage analysis.

공화적 개인주의자를 위하여

신샛별 오늘의 문예비평 2017 오늘의 문예비평 Vol.- No.106

박완서 소설에 나타난 ‘먹는 인간’의 의미: 초기 장편소설을 중심으로

신샛별 상허학회 2015 상허학보 Vol.45 No.-

[한국문학] 아이 없는 세계에서 – 2014년 겨울의 한국소설

신샛별 심미안 2015 문학들 Vol.- No.39

숙의하는 소설들 - 최은미의 『아홉번째 파도』와 김혜진의 『딸에 대하여』에 주목하여

신샛별 심미안 2017 문학들 Vol.- No.50

SWAT-EFDC 연계 모델링을 통한 입장저수지의 유사 해석

신샛별,황순호,허용구,송정헌,김학관,강문성,Shin, Sat Byeol,Hwang, Soon-Ho,Her, Younggu,Song, Jung Hun,Kim, Hak Kwan,Kang, Moon Seong 한국농공학회 2018 한국농공학회논문집 Vol.60 No.3

Reservoir sedimentation is a major environmental issue, and various sediment load controls and plans have been proposed to secure clean and safe water resources. The objectives of this study were to estimate soil loss in the upper basins and predict sediment deposition in Ipjang reservoir using hydrologic and hydraulic model. To do so, SWAT (Soil and Water Assessment Tool) and EFDC (Environmental Fluid Dynamics Code) was used to estimate soil loss in two upper basins and to predict spatial distribution and amount of sediment deposition in the Ipjang reservoir, respectively. The hydrologic modeling results showed that annual average soil loss from the upper basins was 500 ton. The hydraulic modeling results demonstrated that sediment particles transported to the reservoir were mostly trapped in the vicinity of the reservoir inlet and then moved toward the bank over time. If long-term water quality monitoring and sediment survey are performed, this study can be used as a tool for predicting the dredging amount, dredging location and proper dredging cycle in the reservoir. The study findings are expected to be used as a basis to establish management solutions for sediment reduction.

박완서 장편소설 『서있는 여자』의 페미니즘 정치학적 의미 : 결혼이라는 ‘계약’을 통해 본 시민성의 젠더 구조

신샛별 한국여성문학학회 2018 여성문학연구 Vol.45 No.-

2016년 가을부터 시작된 촛불혁명의 연장선상에서 진행되고 있는 일련의 페미니즘 운동은 소위 ‘87년체제’ 이후의 한국사회를 재촉하고 있는 것으로 보인다. 그러나 페미니즘 운동이 ‘정체성 정치’의 일환으로 평가되면서(일면 폄하되면서) 그 함의가 다음 민주주의에 대한 진지한 발언과 요청으로 충분히 숙고되지는 않고 있는 것으로 보인다. 최근의 페미니즘 운동이 외치고 있는 것은 법과 제도, 문화를 막론하는 한국사회 전영역의 쇄신과 전환이다. 그리고 그것은 사법‧입법‧행정 전반에서 배제되거나 차별받아온 여성의 권리를 주장하는 목소리들이라는 점에서, 궁극적으로 87년체제가 조형하고 장려해온 권력구조에 대한 근본적 비판을 뜻하며, 그 질서의 기반인 남성 본위의 ‘시민사회’와 ‘시민’ 범주의 변경이 필요함을 역설한다. 결혼과 관련된 여성문제를 본격적으로 다룸으로써 1980년대 한국사회의 ‘성원’이자 ‘시민’으로서의 여성의 자립 가능성을 탐문하고 있는 박완서의 『서있는 여자』는 1985년 출간 이후 대중적 인기를 얻었는데, 그 배후에는 1980년대 광주민주화운동으로 촉발된 대규모 변혁운동의 하위 범주였던 여성운동의 활기가 있었다. 이 소설에는 87년체제 안으로 미처 수렴되지 못한 1980년대 여성의 삶의 진상과 그로부터 뻗어 나온 정치적 상상이 잠재돼 있으며, 이는 87년체제의 결함과 다음 민주주의의 전망을 모색하는 데 유용한 시의적 지침을 제공해 준다. 모녀의 서사로 이중화돼 있는 이 소설은 여성의 주체성에 대한 실험이 실패하는 두 가지 방식을 정밀하게 보여준다. 첫째, 교수 남편을 둔 중년 여성 ‘경숙’이 삶의 공허를 말하며 부부 사이의 사랑의 등가 교환을 주장하자 남편은 결혼의 파탄을 일방적으로 선언한다. 엄마이자 아내로서의 지위에 합당한 성적 분업에만 충실해온 경숙의 갑작스러운 사랑 요구가 결혼 계약의 연장을 중단시키는 사건이 되는 이와 같은 설정은 여성이 남성과 대등한 계약의 주체로 인정받을 수 없는 결혼 계약의 특수성을 암시한다. 통상의 계약과 달리 여성이 필수적으로 포함되는 결혼 계약에서 여성은 자유로운 계약의 조정 및 합의의 권리를 갖는 근대적 시민으로서의 지위를 인정받지 못한다. 이 소설에서 여성이 이혼을 운운하는 것은 그 자체로 월권적 행위가 되며, 그녀는 자신에게 강요되는 역할을 수행하는 동안에만 한정적으로 공동체의 성원으로서의 자격을 인정받을 수 있다. 둘째, 경숙의 딸인 ‘연지’는 그녀가 삶의 목표로 삼은 남녀평등을 결혼 계약에서 실현하고자 한다. 그래서 남편 ‘철민’이 가사노동을 담당하고 그녀는 기자로서 가계의 재정을 책임지기로 약속하고 그대로 이행한다. 그러나 사회적 시선과 압박 속에서 이와 같은 규범적 성역할의 전도는 계속적으로 부부 간의 갈등과 분쟁의 소지가 되고, 심지어 연지는 임신과 낙태를 경험하면서 남성적 역할 수행에 한계를 느낀다. 남성과 여성의 차이를 소거한 남녀평등의 추구는 결과적으로 이들 부부를 불행으로 몰아가고, 시민으로서의 주체성을 끝까지 포기하지 않은 연지는 가족과 사회와의 연결망이 끊어진 채 고립돼버린다. 이는 근대의 계약 주체인 ‘시민’이라는 추상 속에 ‘성차’라는 조건과 여성의 구체적 삶이 새겨져 있지 않다는 것을 입증한다. 이 소설에 따르면 여성은 연지처럼 시민의 권리를 지키기 위해 자신을 남성 ... A series of feminism movements on the continuation of the candlelight revolution that began in the fall of 2016 seems to be promoting Korean society followed by the so‐called '1987 regime'. However, as the feminism movement was assessed (assessed in dismay on one hand) as part of 'identity politics', it seems that the implications are not being pondered sufficiently by serious comments and requests for the next democracy. What the recent feminism movement is crying out is a full dimensional transformation of the entire Korean society, from law, institution, and culture, and in that it is the voices of female rights that have been excluded or discriminated in the judicial, legislative and administrative spheres, it ultimately is a fundamental critique of the power structure that the 1987 regime has shaped and encouraged. The movement states that it is necessary to change the 'citizen society' and 'citizen' category that are the basis of the order. Park Wan-seo's "A Standing Woman", which is searching for the possibility of self‐reliance of a female as a "citizen" and a "member" of Korean society in the 1980s by coping with the problem of female related to marriage, has gained popularity since its publication in 1985, and behind it was the vigor of female movement, a subcategory of a large‐scale transformation movement triggered by The Gwangju Democratic Uprising of the 1980s. The reality of the 1980s female life, which had not been converged into the 1987 regime, and the political imagination that extended from it, are latent in this novel, and this provides a guideline useful for looking at the flaws of the 1987 regime and the prospects of the next democracy. This novel, duplicated in the narrative of mother and daughter, shows precisely two ways in which the experiment of female subjectivity fails. First, when a middle‐aged female 'Gyeong-suk' with a professor husband calls the void of life and insists on an equal exchange of love between husband and wife, her husband unilaterally declares the breakdown of marriage. This setting, in which Gyeong-suk's sudden love request, who has been devoted to the sexual division of labor as a mother and wife, stops the extension of the marriage contract, implies the peculiarity of a marriage contract in which a female cannot be recognized as a subject of a contract equal to a male. Unlike normal contracts, in marriage contracts in which a female is essentially included, the female is not recognized as a modern citizen with the right of conciliation and settlement of free contracts. In this novel, it is in itself a monopoly act that a female tells her opinion about a divorce, and she can only qualify as a member of the community in limited roles while playing a role that is forced upon her. Second, 'Yeon-ji', the daughter of Gyeong-suk, wants to realize her 'gender equality' in a marriage contract that she has aimed for her life. So, while her husband, 'Cheol-min', is in charge of housework, she promises to be responsible for the finances of the family as a reporter, and performs as is. However, in the face of social gaze and pressure, the subversion of this normative gender role continues to lead to discords and conflicts between the couple, and even Yeon-ji experiences pregnancy and abortion and feels limits of the performance of masculine roles. The pursuit of gender equality, which erased the distinction between male and female, ultimately leads them to misfortune, and Yeon-ji, who has never given up his subjectivity as a citizen, has become isolated from the network of her family and society. This proves that there is no 'gender difference' in the abstraction of 'citizen', the contemporary subject of modern contract, and that the concrete life of 'female' is not engraved. According to this novel, the female, like Yeon-ji, tries to fit herself into the ‘male’ to keep the citizen's rights, or, as in Gyeong-suk, she cannot but be left as a member of the society as she ...