우리나라의 다례와 다례에 관한 복식

서옥경(Ok Kyung Suh) 한국복식학회 2004 服飾 Vol.54 No.5

Tea has influenced the basis of Korean culture in history for a long time. The dissertation aims to establish the history of the costumes for the tea ceremony based upon historical data, During Thee Kingdom period, there was a ceremony called Tea Offering Ceremony : In Silla times, there were Tea Offering Ceremony and Royal Shrine Tea Ceremony : In Corea age, they served Tea Presenting Ceremony: In Chosun age, tea ceremony was a part of Tea Presenting and was held during official greeting feasts for foreign envoys and during feast ceremonies at the court, The costumes for the tea ceremony by period are as follows : In Corea times, king and all the government officials wore official court attire for Enthronement Ceremony (Ka-Rye). For Official Guest Reception Ceremony (Bin-Rye), king wore officialcostume, but in case the envoy was not carrying an Official King`s Letter, king wore Ordinary Costume. In Chosun times, both king and prince crown wore ordinary costumes of winged silk crowns and royal robes (with golden dragon patterned segment) for Envoy Reception Tea Ceremony. In time of royal feast ceremony, king and prince crown wore ordinary costumes of winged silk crowns and royal robes, while queen wore red purple silk robe (red purple embroidered segment), Chosun`s royal court occasionally held tea ceremonyat royal feast ceremonies during which king also wore ordinary costume of winged silk crown and royal robe as a costume to attract good fortunes. In case of ceremonies for bad occasions. a tea ceremony was included in Royal Inquisition procedures (joong-hyung-ju-dae-eui) during which king wore simple costume (Pyun-Bok).

색동 이미지를 응용한 넥타이 디자인 연구

서옥경 ( Suh Ok-kyung ) 커뮤니케이션디자인학회(구 시각디자인학회) 2017 커뮤니케이션 디자인학연구 Vol.60 No.-

색동은 한국의 이미지를 전달하는데 가장 많이 사용되어 온 소재 중 하나이며 미학적 특성상 화려하면서도 행복을 기원하는 주술적인 의미도 포함되어 있고 줄무늬 형태의 반복성을 나타내고 있다. 단순한 몇 가지의 배색으로 화려한 색채조화를 보여줄 뿐 아니라 오랜 기간 전통 이미지를 대변할 수 있는 대표적인 아이템으로 현대적 감각의 관점에서 색동을 디자인하는 작업도 의미 있는 일이라고 생각한다. 본 연구는 한국 전통 복식 요소 중 한국적 디자인의 방향을 모색하는 의미에서 색동을 선택하여 남성복 정장의 필수 요건인 넥타이 디자인에 응용하여 진행하였다. 연구방법은 문헌을 통한 이론적 고찰을 바탕으로 색동의 미의 특성을 분석하여 색동 이미지를 응용한 넥타이 디자인을 시뮬레이션 작업과 실제 넥타이 제작을 통하여 제안하였다. 연구내용으로는 우선 색동 이미지를 응용한 패턴을 정형화하고 넥타이 디자인에 적용하여 포토샵 시뮬레이션 작업을 하였고 시뮬레이션 작업한 디자인을 폴리에스테르 소재의 넥타이에 전사염 기법으로 7점을 제작하였다. 본 연구의 목적은 우리 전통문화의 정체성 유지와 색동의 현대적 표현방법을 연구하는 의미에서 색동의 이미지를 넥타이 디자인에 적용하여 한국적 이미지를 부각시킬 수 있는 차별화된 넥타이 디자인을 제안하기 위함이다. 연구결과 작품제작은 전통의 이미지를 나타내면서도 상품화의 가치를 추구하는 디자인을 제시하려고 노력하였다. 7점의 넥타이는 색동의 줄무늬의 형상을 디자인한 것, 색동의 색상을 면적으로 분할하여 문양화한 것과 색동의 이미지를 기하학적 문양 등으로 표현하였다. 색동은 한국적 이미지를 대변할 수 있는 대표적인 아이템 중의 하나로 본 연구를 통해 현대적 패션 아이템 디자인에 응용하여 전통문화 요소의 미적 가치를 재창출할 수 있는 계기가 되기를 바란다. Saekdong is one of the most typical decorative elements used to represent the traditional Korean cultural image. Its vibrant and colorful aesthetic is imbued with the talismanic meaning of praying for happiness. In the form of repeated stripes in a few simple color combinations, saekdong presents a harmonious amalgamation of splendid color matches. Since the saekdong color palette is a time-honored token of traditional Korean beauty and imagery, redesigning it with modern sensibilities will be of great significance. This study aims to apply the saekdong motif in designing neckties, the essential item used to complete formal male attire, as a way to incorporate elements of Korean traditional costumes into modern and unique Korean designs. The research method used was a thorough analysis of saekdong`s aesthetic qualities based on a theoretical investigation through literature reviews. The analysis was then followed by design simulations of neckties derived from the saekdong motif and the production of actual prototypes. In this study, we formalized our saekdong -inspired images and applied them in necktie designs. These designs were simulated using Adobe Photoshop before producing seven prototypes made from polyester using transfer dyeing techniques. As part of efforts to examine ways to maintain the identity of Korean traditional culture and to express it with modern sensibilities, this study aspires to suggest necktie designs that are distinct and that highlight Korean images by integrating the saekdong motif into these designs. In this study, we strived to suggest design alternatives that represent traditional imagery but still commercially viable. Saekdong stripes and images were applied in dividing the surface, and we tried to ensure the maximum expression of the traditional saekdong image. Saekdong is one of the core design elements evocative of Korean culture. It is our hope that this study inspires the design of other fashion items based on saekdong, thereby providing opportunities to recreate the aesthetic value of Korea`s traditional cultural elements.

한국적 이미지의 문화상품 개발에 관한 연구

서옥경(Ok Kyung Suh) 한국디자인문화학회 2008 한국디자인문화학회지 Vol.14 No.2

The cultural industry can substantially raise the nation`s image and competitive power through cultural products. The cultural industry has a big influence on social and cultural quality that many industries long for. In the original research we tried to prove that the traditional clothes were the symbolic image that represents us in our society and culture. The purpose of the research was to emphasize the Korean image through Korean traditional costumes and to develop cultural products and the commercialization of it. With the research the cultural element of the Korean traditional costume went through a design work and it was prepared and proposed. The process of the research which traditional culture products from Joseon period, 16c was selected. The longer Jokori and ceremonial skirts were designed and put on lamp completed and accessorized. Another project proposed was a miniature replica of the Jankoht from the 19c that was framed and produced. In conclusion, like in the paragraph above we proposed that the traditional clothes are connected to traditional cultural products. From now on the development of the traditional culture of goods should grow continuously.

색동을 응용한 문화상품 디자인 연구

서옥경(Ok Kyung Suh) 한국디자인문화학회 2009 한국디자인문화학회지 Vol.15 No.3

본 연구는 한국 전통 복식 요소 중, 한국적 이미지를 전달하는 아이템으로 색동을 선정하여 문화상품 디자인을 전개하여 제작해 보았다. 연구방법으로는 문헌을 통하여 색동의 역사적 고찰과 미학적 특성을 분석해 본 후, 색동을 응용한 문화상품 디자인으로 넥타이 2점, 앞치마 1점, 향낭 2점을 제작하였다. 이런 맥락에서 본 논문은 색동의 미적 특성과 미의식을 규명하여 이를 토대로 문화상품 디자인을 개발하는 것으로 연구의 범위를 정하였다. 또한 본 연구의 목적은 전통의 의미를 파악하고 한국적 디자인의 방향을 모색하는 의미에서 색동의 현대적 표현방법을 연구하여 문화상품 디자인 개발의 가능성을 제시하는데 있다. 연구내용으로는 역사적 고찰에서 색동은 우리나라 역사상 상고시대에서부터 나타나며 조선시대에는 특히 오방색으로 어린아이들의 복식에 애용되는 아이템으로 계승되어 왔다. 미학적 특성상 색동은 음양오행설의 색배열로 길상의 의미가 내포된 화려미, 조화미로 표현 되었다. 연구결과 작품제작은 전통의 이미지를 나타내면서 상품화의 가치를 추구하는 디자인을 제시하려고 노력하였다. 넥타이 디자인에서는 3mm 폭의 색동으로 선 처리와 잣 장식을 처리하여 제작하였다. 앞치마 제작에서는 중앙선에는 색동 선 처리, 주머니에서는 색동천과 색동 프릴 장식으로 포인트를 주었다. 향낭은 5mm의 색동 끈처리와 7mm의 색동 면적 대비로 작품을 완성시켜 보았다. 앞에서 보았듯이 색동은 한국적 이미지를 대변할 수 있는 우수한 아이템이라 생각되며 앞으로도 색동에 대한 지속적인 연구와 디자인 개발이 이루어지기를 바란다. This study is to design and produce culture goods by using cloth with Sackdong, defining it as a representative item to stand for Korean images among Korean traditional dress ornaments. After cloth with Sackdong and its aesthetic characteristics being studied and analyzed in the historical records, culture goods such as two neckties, an apron, and two incense pouches using that cloth were finally produced. In other words, this study is to develop the unique design of culture goods, demonstrating the aesthetic characteristics and sense apparent in cloth with Sackdong. To be sure, this study is first to review tradition as it was and search for the ways Korean design should follow, next to find the modern ways of utilizing cloth with Sackdong, and finally to present its promise of designing culture goods. According to historical references, cloth with Sackdong dates from the ancient times. Then it appeared to be used regularly in the children`s clothes especially in the Joseon Dynasty period. Moreover, that cloth aesthetically represents the cosmic dual forces and the Five Elements, and stands for gorgeousness and harmony with good omen. In making culture goods, much effort was highly geared to both present traditional images and upgrade value of commodities at the same time. For example, the necktie in lines and adornments was equipped with cloth with Sackdong of three mm (millimeters) in breadth. The apron was also lined by cloth with Sackdong in center, and its pocket was adorned with that kind of cloth and frills. The incense pouch strung up cloth with Sackdong of five mm (millimeters), and it was accomplished by balancing those strips of cloth of seven mm (millimeters). It follows that cloth with Sackdong is one of the representative items to stand for Korean images. Thus it is believed that further study on cloth with Sackdong and its design will be going on.

염색 기법을 응용한 넥타이 디자인 제안

서옥경(Suh Ok-Kyung) 한국디자인학회 2010 디자인학연구 Vol.23 No.5

우리나라 壽衣에 관한 硏究-現行 壽衣를 中心으로-

서옥경(Suh. Ok-Kyung) 한복문화학회 2002 韓服文化 Vol.5 No.1

Shroud means garment for dead korean people have believed in the intention of after death, so they have conducted funeral ceremonies very cordially.<br/> Mover over, since garments for the dead manifested the social status, rich. poor. and sex, they have prepared and put Shroud on the dead in the most etiquette.<br/> Shroud is differentionted between men and women and it is very complicated to wear. In Chosun dynasty, only goverment offcers hlgkly or educated man could wear Sim-I(深衣), and wives of man of high social standing could wear Won-sam( 圓衫) or Dang-i(唐衣). Historically. the higher the social position of a person, the higher the Quality of shroud that was worn.<br/> N3 time passed. people started to simplify the shroud. The number of items on a shroud have been decreased, and current trends show a decrease in arrangements and varieties of shrouds due to the changing mindset of the Korean people. However. Do-Po(道褓). Durumagl, Jeogori, Sokjuksam. and Sokbaji are still worn for mens shrouds, and Myuckmok, Goadu. Onang. Aks. Bege, Dairyumgum. Soryumgum, Chungum, and Jiyo are worn for both mens and womens shrouds.<br/> The research into the current practices of shrouding shows that the basic formation of the shroud has not changed much from yesterdays shrouds. Therefore, valuable research should be continued on the desirable shroud for use within the Korean tradition and culture.<br/>

우리나라 현행 한의사 진료가운에 대한 조사연구

서옥경(Ok Kyung Suh) 한국복식학회 2002 服飾 Vol.52 No.3

This study was carried out to survey the contentment of the oriental medical doctors to the present gown which they wear. The objects were the oriental medical doctors who work for the university hospitals and the private clinics. The subjects were mainly the evaluation of the relation to the image of oriental hospital and the gown, the evaluation of the present their gowns and the evaluation on the improvement of their gowns. The collected data were analysed by he frequency, cross-table χ^2 using SPSS program. The results showed that the oriental medical doctors who work for the university hospital evaluated the difference of the image more important than those who work for the private clinics. Also the former was more than the latter on the necessity of the difference in the gowns between the western and oriental medical doctors. The oriental doctors regarded the tradition a great importance in the improvement of their gown. More than 80% of them wanted to separate their gown for the spring-summer from that for the autumn-winter.

소용량 Vancomycin 주사액 조제방법의 차이에 의한 정확성 비교: 단일희석방법과 이중희석방법

신혜영,서옥경,이숙향,신현택,Shin, Hea Young,Suh, Ok Kyung,Lee, Suk Hyang,Shin, Hyun Taek 한국임상약학회 1997 한국임상약학회지 Vol.7 No.2

This study was to find a more accurate method fur measuring small vancomycin dosages which are commonly used in neonates by comparing single and double dilution method. For single dilution method, 500 mg of vancomycin powder was accurately measured and reconstituted with 5 ml of distilled water to make a concentration of 100 mg/ml. Volumes of 0.05, 0.1, 0.15, 0.2, 0.3, 0.4, and 0.5 ml, which equal the target dosages of 5, 10, 15, 20, 30, 40, and 50 mg, were measured using syringes made by Shina and each sample was further diluted with 2 ml of $5\%$ dextrose. The solution of 100 mg/ml concentration was further diluted with $5\%$ dextrose to make a concentration of 20 mg/ml. Volumes of 0.25, 0.5, 0.75, 1.0, 1.5, 2.0, and 2.5 ml, which correspond to 5, 10, 15, 20, 30, 40, and 50 mg, were sampled by the same Shina's syringe as in single dilution method and then each sample was further diluted to make a total volume of 10 ml. Each sample was analyzed by HPLC. The measured dosages of each sample in both single and double dilution methods were lower than the target dosages; however, e values in double dilution method were higher than those in single dilution method for seven target dosages. Percent target dosages in single dilution method were 65 to $90\%$, while in double dilution method 91 to $94\%$. Statistically significant difference between two groups was shown in 5, 10, 15, 20, and 40 mg dosages (p<0.05). In conclusion, when preparing small vancomycin dosages lower an 20 mg $(volume{\leq}0.2\;ml)$, using Shina's syringes, the double dilution method has a closer value to the target dosage than single dilution method.

3차병원에서의 TPN 사용의 적정성 점토

민경아,손기호,서옥경,최경업,Min, Kyoung A,Sohn, Ki Ho,Suh, Ok Kyung,Choi, Kyung Eob 한국임상약학회 1998 한국임상약학회지 Vol.8 No.1

A retrospective study was conducted to evaluate the appropriateness of total parenteral nutrition (TPN) for 200 hospitalized adult patients in Samsung Medical Center from January 1st in 1995 to June 31st in 1997. Standard criteria were modified and determined from those stated by AJHP (American Journal of Health System Pharmacy) and ASPEN (American Society of Parenteral and Enteral Nutrition). The justification for indications was appropriate in $35\%,\;44\%,\;and\;32\%$ of the patient's in 1995, 1996, and 1997, respectively, without significant improvement over the last two and half years. Before and during the administration of TPN, several monitoring indicators were well documented, and monitoring frequencies were increased over two and half years period. However, the majority of the monitoring indicators were not found in the standard criteria range of $90\%$. The monitoring indicators for electrolyte balance, $PO_4$ and Mg, were not measured appropriately and resulted in the complications which could have been prevented. The indicator for lipid tolerance, triglyceride and the indicator for hemorrhagic incidence, prothrombin time (PT), were not well documented in comparison with other indicators. The indicators for the improvement in nutritional status, albumin and total protein, were appropriate in $90\%$ of the patients. Determination of TPN formula was based on the laboratory data and chart reviews, and it was appropriate in $98\%$. But the administration of lipid and vitamin K for the prevention of essential fatty acid deficiency and hemorrhage, respectively, was not carried out appropriately when the administration of TPN was prolonged, lasting more than 7 days. When a patient returned to oral or enteral feeding, TPN was terminated. However, increase in albumin level or weight was rarely observed. In conclusion, healthcare professionals should all work as a team and active participation to provide optimized nutrition support for partners.

Total Parenteral Nutrition and Nutritional Use Evaluation in Pediatric Hematopoietic Stem Cell Transplantation

장승연 ( Seung Yeon Jang ),최경업 ( Kyung Up Choi ),서옥경 ( Ok Kyung Suh ),신완균 ( Wan Gyoon Shin ),이명덕 ( Myung Duk Lee ) 한국정맥경장영양학회 2002 한국정맥경장영양학회 학술대회집 Vol.2002 No.-