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      • KCI등재

        부랴트족 요호르와 야쿠트족 오수오하이 원무(圓舞) 연구

        김태옥 ( Kim Taeok ) (사)아시아문화학술원 2018 인문사회 21 Vol.9 No.1

        본 논문에서는 부랴트족과 야쿠트족의 원무 요호르(Eхор)와 오수오하이(Осуохай) 두 춤의 연희 방식과 주요 의미소를 분석하고 원무가 해당 민족들에게 의미하는 바를 연구하였다. 두 종족에게 요호르와 오수오하이는 태양 숭배 및 풍요 의식과 연관된 제의 형태의 원무(圓舞)로 개인과 자연과의 관계, 개인과 부족과의 관계, 부족과 신과의 관계, 그리고 우주와 세계의 일부로서 인간개인의 위치를 확인하는 기회의 장을 제공하고 있었다. 춤과 문화의 상관관계라는 측면에서 요호르와 오수오하이에서 출발한 원무 연구를 향후 우리의 강강술래, 탑돌이 등과의 비교 연구로 확장시킬 필요성도 있다. 원시사회 벽화에서 발견되는 이미지에서 출발하여 세계 전지역에 걸쳐 유사한 형태로 구현되는 이와 같은 원무 연구는 개별 국가와 민족을 초월한 인류 보편적인 문화적 원형에 대한 접근으로 이어질 수 있을 것이다. In this paper we have examined two traditional singing round dances, Yohor(Eхор) and Osuokhay(Осуохай) of Buryat and Yakurt tribes, which are represented siberian and far-eastern federal districts, we also have focused on meaning of the round dances for the tribes through performance study and element analysis. Yohor of Buryat and Osuokhay of Yakurt, deeply involved with sun worship and prosperity ritual, provide an opportunity to identify the location of an individual as part of the universe and the world among relations between individuals and nature, between individuals and tribes, between tribes and gods. In terms of the relationship between dance and culture, there is a need to expand the study of round dances that started in Yohor and Osuohai to comparative studies with our Tapdori (Circling the Pagoda) and our round dance, Ganggangsullae in the future. Furthermore, the study of dance, which is embodied in a similar form starting from the mural images of primitive society and spreading throughout the world, can lead to an approach to humanuniversal cultural prototypes that transcend individual countries and peoples.

      • KCI등재
      • KCI등재

        오바슈빌리 감독의 「옥수수 섬」에 나타난 시공간적 배경과 등장인물들의 의미 연구

        김태옥 ( Taeok Kim ) 사단법인 아시아문화학술원 2021 인문사회 21 Vol.12 No.2

        본 논문은 게오르게 오바슈빌리 감독의 「옥수수 섬」 연구를 통해 감독이 궁극적으로 관객들에게 보여주고자 했던 이 영화의 정체성을 구체적으로 고찰하는데 그 목적이 있다. 이를 위해 기존의 선행 연구를 살펴보고, 영화 속 시공간과 등장인물들이 갖는 의미를 살펴보았다. 연구 결과 이 작품은 감독의 이전, 이후 작품들과 달리 압하지야와의 전쟁, 분쟁, 갈등과 관련된 소재와 테마들을 영화 속에 직접적인 형태로 노출하고 있지 않으면서도 이국적이면서 동양적인 영상미학과 미장센, 고도의 시적 은유 등을 동원하여 분쟁의 아픔과 감독의 영화 제작 스타일을 분명하게 제시하고 있었다. 본 논문에서 고찰한 오바슈빌리 감독의 작품 성향과 제작 기법에 대한 연구는 초보적인 수준에 머물러 있는 감독의 영화적 정체성 이해에 대한 앞으로의 추가적인 연구는 물론 조지아와 압하지야와 관련된 기존의 지역학적 연구에 대한 인문학적 차원의 접근으로 이어지는 가교로 작용될 것이다. The purpose of this study is to examine in detail the identity of this film that the director ultimately wanted to show to the audience through the study of Corn Island by director George Ovashvili. For this purpose, the previous studies were reviewed, and the meaning of time and space, the characters in the movie were also examined. Unlike the director’s previous and subsequent works, the Corn Island does not directly expose the subjects and themes related to the Abkhaz-Georgian conflict. However, using exotic and visual aesthetics, mise-en-scene and highly poetic metaphors, the director clearly presents the pain of the war and conflict and his own film making style. This study on Ovashvili’s directorial style and his filmmaking techniques will not only contribute to further research on the director’s film identity, which remains at a rudimentary level and will also serve as a bridge leading to humanistic approach to existing regional studies related to Georgia and Abkhazia.

      • KCI등재

        해수에서 분리한 Photobacterium sp. Strain HA-2가 보유하는요소분해효소 유전자의 유전적 특징

        김태옥 ( Taeok Kim ),박권삼 ( Kwonsam Park ) 한국수산과학회(구 한국수산학회) 2015 한국수산과학회지 Vol.48 No.5

        In this study, we cloned and sequenced the 15,204-bp DNA region containing the gene cluster for urease production from the chromosome of the environmental Photobacterium sp. strain HA-2. We identified 15 open reading frames (ORFs) and the G+C content was 40.3%. The urease gene cluster of Photobacterium sp. strain HA-2 consisted of seven genes, namely, ureDABCEF and ureG. There were five ORFs of urease genes in the opposite direction, which were homologous to the nickel transport operons (nik) of Vibrio parahaemolyticus and Escherichia coli. The genetic organization and sequences of the urease genes of Photobacterium sp. strain HA-2 resembled those found in Vibrio fischeri and V. parahaemolyticus.

      • KCI등재후보

        투바 영웅담에 나타난 서사구조와 갈등양상: <하인디린마이 바가이-오올>을 중심으로

        김태옥(Kim TaeOk) 충북대학교 러시아 알타이지역 연구소 2016 러시아학 Vol.- No.13

        А Tuvan heroic tale called mɵgelig tool indicate to tale about men with great strength. The heroic tales, in which ordinary appeared Hajyndyrynmaj, Han-Hjuljuk, Tevene-Mjoge, Boktug-Kirish, Bora-Shjelej, Hunan-Kara as main protagonists, have been passed by storytellers called ‘Toolchu’ in the form of prose poem with specific rhythms and repetitions. Tuvan heroic tales, that hero with supernatural powers wins/refeats enemies in base of his witchcraft and magic, reflect their daily life, spirit and worldview as appeared in other momadic tribes s story. <Hajyndyrynmaj Bagaj-ool> consisted of total 3470 lines wrote by poetry style with certain rhymes differently from the other Tuvan magic and animal tales. In this article, centering on <Hajyndyrynmaj Bagaj-ool>, we would analyze the narrative structure and conflict aspects in Tuvan heroic tale. We also analyze how the main character Hajyndyrynmaj, who has a strong power but, at the same time, has human’s defects, overcomes the trials and tribulations against to anti-hero with his helpers. Through such adventures we will trace how spread out of the biography of the Tuvan hero in the text. Comparing to oral epic literature handed down in Mongolia, Altai & Buryatia Republics, Tuvan heroic tales was less studied and remained empty space for researches until now. To study Tuvan heroic tales by a microscopic analysis will serve as a stepping-stone for a future macroscopic approach of the regions. Themes and subjects of Tuvan heroic tales have considerable similarities with epic tales of nearby Altai & Buryatia & Khakassia Republics, and Mongolia. The typically mythical characters who appear in Tuvan heroic tales, struggles of protagonist with tyrant khan, marriage with golden bride(zolotaja dangyna) in the process of solving the challenges of the future father-in-law and khan are often encountered things in the epic heroes like as <Geser> and <Janggar> of Altai region. In the spatial side conflict aspects of this work are 1)conflict between hero Hajyndyrynmaj and Bulutaj khan in the ground, 2)conflict with Saryg khan living in the 9th heavens and Baa Baga khan in the 99th in order to fulfill the tasks of Bulutaj khan, namely conflicts of characters who live in the other worlds: Ground and Heaven. It may be understood that the two khans are creatures like God who can control the worlds and natures by their will.In that case, we can regard it as the confrontations between gods in the Heaven and man in the Ground. The basic reasons of conflicts between Hajyndyrynmaj and Bulutaj khan in the ground lies in the political intention - maintain authority and catch authority of khan who can t or don t conform. Comparing to settled society with the nomadic society, centralization is relatively weak and government systems are relatively distributed. Therefore to maintain the political power in chiefdom of decentralized nomadic society is very unstable because configuration of chiefdom is flexible, non-persistent and a one off. The repression, violent domination, and absence of successor who will follow khan, these things naturally move tribe s attention from the Bulutaj khan to Hajyndyrynmaj. Such literary settings that Hajyndyrynmaj who has outstanding appearance and passed all process of rite of passage get throne are surely essential needs to maintain social order in the nomadic society.

      • KCI등재후보

        가연성물질 저장설비의 사고시 사업장외에 미치는 영향평가

        이동훈(Donghoon Lee),박교식(Kyoshik Park),김태옥(Taeok Kim),신동민(Dongmin Shin),신서윤(Seoyun Shin) 한국위험물학회 2015 한국위험물학회지 Vol.3 No.1

        Since the HF release in 2012 in Korea, it became one of the most significant to evaluate consequence tothe vicinity of industry facilities handling hazardous materials. BTX plant is selected to assess off-site risk to check whether the facility satisfies the Chemical Control Law by Korea Government. Accident scenarios were listed using process safety information. The scenarios having effect to the off-site were selected and assessed further according to guideline provided by Korea government. Worst case and alternative scenarios including other interested scenarios were evaluated using ALOHA. Each evaluated scenario was assessed further considering countermeasures. The results showed that the facility handling chloric acid is safe enough and needed no further protections at the moment.

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