문화와 신앙 / 특별기고 / 찬송의 한국적 표현의 전망

구두회 기독교대한성결교회 활천사 1970 활천 Vol.352 No.-

韓國的 藝術歌曲의 創作을 위한 論理硏究와 試圖作品 分析 : 自作品 『머들령』을 中心으로 centering on my own work "Meodul-Ryung"

具斗會 淑明女子大學校 1980 論文集 Vol.20 No.-

There would be no one, I believe, who havn't tried to compose on the standpoint of Korean Nationalism. The significance of the world "on the standpoint of Korean nationalism" is a composition of well selected materials from particular old folkores, histoy, nature secones or common experiences we are facing in daily life, so that all can realize it's Korean emotional feeling when listen to the piece. In course of writing Korean Music, we are blocked up by a wall of difficult problems. First, the problum of scales and modes. As we belong to the the realm of Orient, have to use Pentatone scales. With a pentatone scale we are forming five sunbubs(旋法-or modes). The five sunbubs are; Goong-sunbub (宮旋法-i.e. Do mode), Sang-sunbub(商旋法-i.e. Re mode), Gak-sunbub(角旋法-i.e. Mi mode), Chi-sunbub (徵旋法-i.e. Sol mode), and Woo-sunbub (羽旋法-i.e. La mode). Among these five modes, Sol mode is called as Gemyun-Jo (界面調) while the La mode is called as Pyung-Jo(平調), and these two modes are solely used in Korean National Music, especially the usage of Do mode is practically avoided for the reason of producing Chinese feelong. Second melody lines. As we all know, in western music, there are 12 halftones in an octave, among them the 7 tones are being used in Diatonic Scales and the 12 tones are all being used in Chromatic Scales. On the contrary, in orient, only 5 tones out of the 12 halves are used. Furthermore, with such limited tones in Korean Music can not escape from simple and monotonous melody. Therefore, it's very important and necessary to solve such existing problums. Needless to say, we need hard experiments. Third, the employment of harmonic chords. In the Diatonic Scales of Western Music, seven triade are being used, but only Tonic triad (Ⅰ) and submediant triad (Ⅵ) are used in orient pentatone scale. Therefore, the other harmonies of Western Music never can be used in Korean Music, i.e. the third note of Supertonic and Dominant triads and the fifth note of Mediant triad are never appear in Korean Music, so the reason of lacking harmonic elements that no triads can be established. In course of writing my own composition "Meodul-Ryung" and other works. Firstly, I did not limited to Gemyun-jo and Pyung-Jo and freely used 5 modes which had been constructed as pentatone scales as well as major and minor scales in Western music both Authentic and Plagal modes in Western Church Music. Secondly, even though it is very much easy to change the musical tastes by flexible tendency of modes, but I utilized the method of Church Modes of middle age by which Oriental, especially so called Korean feeling have been produced. Thirdly, In harmonic problums, I evaded from the limitation of modes in some degree; numbers of usable harmonies have been increased and used the cadences which resulted no awkwardness. In my opinion, it is a quite successful result in my work. I employed technique of chorale harmonization as possible as I can with the Church Modes. Thus, I belive, many Korean Composers would not agree or satisfy on such method I experimented, still it will give tremendous problums of writing to whom studied and dealt with mainly Western Music. Settlement of theory on Korean Music Writing can not be established in short period. Rome had not been constructed in a day.

20세기 음악의 전망

具斗會 숙명여자대학교 음악대학 학생위원회 1970 淑音 Vol.4 No.-

오늘날 우리의 정신과 정서를 좀먹는 저속하고 퇴폐적인 소위 대중음악이 판을 치고 있어서 뜻있는 자들의 가슴을 아프게 해 주고 있다. 여기에는 독버섯과 같은 저질의 대중가요를 지어내는 사람들만을 나쁘다고 비난할 것이 아니라 정통 음악을 연구한다는 작곡자들의 책임이 있다는 것을 알아야 겠다. 그 이유는 정통음악을 연구하는 작곡자들이 진실로 일반 국민들이 즐겨 부를 수 있는 좋은 노래들을 작곡해 낼 생각은 하지 않고 이러한 것은 유치해서 초보자나 초학자들이 맡을 일이라고 관심조차 두지도 않으며 엉뚱하게 일반들이 도무지 이해하지도 못하는 현대음악이다. 전위음악이다 하는 것들에만 정신이 팔리어 자기도취에 잠기다보니까 이런 예기치 않았던 맹랑한 결과가 나타나게 된 것이다. 그러니 정통음악을 연구하는 작곡가들은 정신을 차리고 일반국민들이 즐겨부를 수 있는 노래를 짓는일에 힘쓰고 게으름을 피우지 말아야 하겠다. 그러나 여기에는 이러한 정책을 맡고 있는 위정자의 넓은 이해와 적극적인 뒷바침이 뒤따라야만 된다. 그런고로 음악을 공부한 음악도이면 그 전공이 작곡이 아니고 기악이나 성악이라도 힘만 쓰면 쉽고 부르기 좋은 노래들을 얼마든지 지어낼 수 있는 법이다. 그러니 이러한 쉬운일부터 손을대며 활동의 범위를 넓혀가면 우리의 사회가 바로 정화될 것이다. 그러기에 나는 여러분에게 진심으로 이런일을 권한다.

Short-term and Medium-term Outcomes of Low Midline and Low Transverse Incisions in Laparoscopic Rectal Cancer Surgery

구두회,김현승,신진용 대한대장항문학회 2020 Annals of Coloproctolgy Vol.36 No.5

Purpose: Limited data exist on the use of low midline and transverse incisions for specimen extraction or stoma sites in laparoscopic rectal cancer surgery (LRCS). We compared the short-term and medium-term outcomes of these incisions and assessed whether wound complications in specimen extraction sites (SES) are increased by specimen extraction through the stoma site (SESS) in LRCS.Methods: From March 2010 to December 2017, 189 patients who underwent LRCS and specimen extraction through low abdominal incisions were divided into 2 groups: midline (n = 102) and transverse (n = 87), and perioperative outcomes were compared.Results: The midline group showed a higher frequency of temporary stoma formation (P = 0.001) and splenic flexure mobilization (P < 0.001) than the transverse group. The overall incisional hernia and wound infection rates in the SES were 21.6% and 25.5%, respectively, in the midline group and 26.4% and 17.2%, respectively, in the transverse group (P = 0.494 and P = 0.232, respectively). In patients who underwent SESS, the incisional hernia and wound infection rates of SES after stoma closure were 39.1% and 43.5%, respectively, in the midline group, and 35.5% and 22.6%, respectively, in the transverse group (P = 0.840 and P = 0.035, respectively).Conclusion: In terms of incisional hernia and wound infection at the SES, a low midline incision may be used as a low transverse incision in patients without temporary stoma in LRCS. However, considering the high wound complication rates after stoma closure in patients with SESS in this study, SESS should be performed with caution in LRCS.

실버세대 스포츠클럽 참여자의 라이프스타일과 서비스 품질, 고객만족 및 고객충성도의 관계

구두회 한국호텔리조트학회 2019 호텔리조트연구 Vol.18 No.4

The purpose of this study is to analyze the value of tourism resources in Gyeyangsan, Marine Tourism City Incheon, which has grown through the rapid urbanization process as a modern city based on coastal port. For this purpose, this study has theoretically examined the previous studies related to Gyeyangsan. In particular, various research paperThis will contribute to the establishment of the extension strategy of Incheon Tourism and the recognition of tourists. In addition, it is expected that maximizing the value of tourism resources in Gyeyangsan will be linked to Incheon Tourism as sustainable tourism. In this way, Incheon citizens should be aware of and complement each other to ensure that maximizing the value of tourist resources in Gyeyangsan can be a complementary means of revitalizing local economy. It is hoped that Incheon will build a well-deserved tourport with three triples including seaport, airport, tourist contents teleport, and move it to the center of the world.s, periodicals, government documents and newspaper articles published in and out of the country were reviewed and presented. Based on this, we proposed three development directions that can maximize the value of tourism resources. The contents include the development of experiential educational tourism products linking local cultural assets, the development of sports tourism products using national archery and trekking, and the expansion strategy for expanding thinking of valued values. As a sub-concept of Incheon Tourism, based on the above research results, we aimed at the development of Incheon Tourism based on maximizing the value of tourism resources.

Tanglewood Symposium에 대하여

具斗會 淑明女子大學校 音樂大學 學生委員會 1968 淑音 Vol.2 No.-

[음악] 회중가 속의 찬송가

구두회 새가정사 1999 새가정 Vol.- No.-

교회음악에 대한 각성

구두회 한신대학교 한신신학연구소 1961 신학연구 Vol.7 No.-

기쁜 날

구두회 새가정사 1983 새가정 Vol.- No.-

다 경배하자 주님께 - 개 : 89 새 : 134 합 : 109

구두회 새가정사 1981 새가정 Vol.- No.-