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柳奇玉 全北大學校 大學院 國語文學硏究會 1984 國語文學硏究 Vol.- No.20
The purpose of this thesis is to examine the transcendental consciousness of the Taoism and elucidate it's meaning in the ancient novel. In the ancient novel, many supernatural persons appear and the supernatural time and space develop naturally. They have their background in the Taoism. But it seems that literary study necessiates the fundamental and complicate approach rather than such simple illumination, because it can't be denyed that literature, at any point of view, is the production of an age. In the view of fundamental factor from which Taoism originate, I can argue that, when the thought for Sinsun (神仙) is in vogue, such supernatural being and power believed by people as religious element. When Taoistic elements were used in the literature, people of that age does not regard it as irrational and fictional element but rational and non-fictional element. Therefore, in the literature, it must be translated into reasonable facts in itself. Main ideas in my thesis are as follows: First, it is the distinct fact that the process of a hero birth, the development of events and the final act are ordered by the heaven. To put it concretely, hero's life is ordered by Okhwangsangjea(玉皇上帝). Thus, the thinking and ideas which frequently come out in the ancient novel originate in the Taoism. The Taoistic person gives organistic relation to the story by introducing heavenly order into earthly process of the life. Therefore, we can know the cause-effect and the necessity of it's accident according to him. In the most ancient novel, there are mainly the Taoistic view of birth and death in the purpose of disregarding the peril of human's life. Second, for the most part, the desirable time and space that appear in the ancient novel is recognized as fairly land and such a world was mainly fairly land-oriented. For the Taoism in itself is realistic and is concerned whth the pursuit of realistic profit. Another reason is that fairy land is recognized as eternal world where there is no death. Third, in the ancient novel, the typical romantic element is due to the supernatural world of Taoism. The Taoistic person, transcendental being surmounts the limit of a reality through supernatural spirit. Such trancendence of the life and death acquired by the longevity and immortality causes the absence of tragedy.
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류기옥(You Gi-ok) 한국언어문학회 2004 한국언어문학 Vol.52 No.-
In this thesis, I tried to consider Characteristics and instructive meanings of Confucian arts of life reflected in ink stone Epitaphs. Target work made prominent meaningful lessons related to human arts of life by menas of making shapes and attributes of ink stone fabled. Taking up the main subject, I studied common themes and chief subject matters by classifying them and found they had tried to teach us Confucian arts of life and virtues of moral training ultimately. Also they standardized characteristics of ink stone and made them a criterion for being on the alert for and reflecting on their lives and disciplining themselves. During the course, I confirmed our forefathers' aesthetic attitude in ethics and useful values of moral sense in the literature. In conclusion, I could find out the lesson they sought after Confucian intellectual's virtuous items - self-discipline, moral training, fidelity, etc. I think this thesis is significant because there has been no preceding study. I'm going to extend my study into covering overall 'munbangsau' (the four precious things of the study) in addition to ink stone.
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柳奇玉 ( Yu Gi-ok ) 온지학회 2019 溫知論叢 Vol.0 No.58
<鼠鼯傳>은 작품 제목 아래 ‘著作者前進仕徐達增鎭安’이라고 유일하게 작자가 명기된 한문본 鼠流訟事型寓話小說이다. 창작시기는 18세기 말 이후 19세기 중엽으로 추정된다. 본고는 <鼠鼯傳> 관련 기왕의 논문 발표 이후 추가로 확인된 徐達曾(1773~?)의 사돈인 朴應壽의 후손에 의해 전해 온 累世行錄에 의거 작가론적인 논지를 보완하고, 특히 작품의 원문과 역문 및 주석을 처음으로 학계에 소개하기 위해 작성되었다. 이를 위해 전반적인 작품의 評釋을 위한 작업을 진행하였다. 따라서 추가 확인된 자료와 기왕의 연구 결과를 활용하여 작가론을 보완하고, <鼠鼯傳>의 譯文및 상세한 註釋을 첨부하여 작품의 구체적인 면모를 학계에 처음 소개하는 데 그 의의를 찾고자 하였다. 이 작품은 부패하고 무능한 관원과 양반 토호들의 횡포를 비판하고 부정부패로 만연된 향촌사회의 계층갈등과 모순을 사실적으로 재구하여, 이상적인 통치체제와 유능하고 덕망 있는 구원자적 牧民官을 기대하는 鄕班으로서 이상적인 지도자의 관념세계의 일단을 표방한 것으로 보인다. 작가와 관련된 언행록을 참고할 때, 어려서부터 곧을 直자를 자신의 신조로 삼아 올곧은 신념으로 평생 불의를 용납하지 않고 올곧게 처신하려 했던 작가 의식이 작품 속에 잘 반영되고 있다고 여겨진다. 장차 관심 있는 연구자의 범위를 확대하고 미진한 작업을 보완할 기회가 확대되기를 기대한다. Seoohjeon is the lawsuit-typed fable novel written in Chinese between rodents, which is the only one that shows the author’s name in the form of “author: jeonjinsa Seo Dal-jeung jinan” under the title of the work. It’s creation time is presumed any time between the later 18th century and the mid-19th century. The purpose of study is to complement the point of the study of writer on the basis of Nusehaengrok which was handed down by the descendants of Park Eung-su, son-in-law’s father of Seo Dal-jeung(1773~?), which was found after the presentation of the past thesis concerned with Seoohjeon, and especially to introduce for the first time the original text, translation and annotation into the academic world. and so the research of overall critical notes of the work was conducted.. I tried to find a significance in complementing the study of writer on the basis of the later-found data and former research results, and to introduce for the first time into the academic world the specified aspects of the work by attaching the translation and detailed annotation of Seoohjeon. This work is seemed to show the expectation of ideal government system and the aspects of an ideal world of the ideal leaders as the local elites by criticizing corrupted, incompetent government officials, and arrogation of gentry and wealthy local farmers, and by realistically reconstructing class conflicts and contradictions of the rural community society widespread by corruption and graft. In consulting a chronicle of sayings and doings concerned with its author, it seems that the author’s consciousness is reflected well in the work, who has had uprightness as a principle and not accepted injustice lifelong since his childhood. I hope that I’ll have an opportunity to extend the range of study of interested researchers and to make up for the incomplete study.
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