핸드볼슛의 성공요인에 관한 분석

全允秀 대구효성가톨릭대학교 1992 연구논문집 Vol.45 No.1

For the effective management in a handball game, the success rate was analyzed based on the kinds of shot, shooting place, and the post from the goal where the shot was made in this study. The games of five boys and girls' high school teams that had attended the 8th National High School Handball Match, nine boys' high school teams, and eight girls' high school teams that had attended the 72th National Athletic Contest were observed and analyzed for this study. And results are as follows: 1, The kinds of shot used most frequently were jump shot, diving shot, 7m draw shot, standing shot, and sky shot and the order of the success rate depending on the kinds of shot was sky shot(100.0%), 7m draw shot(78.0%), diving shot(66.7%), jump shot(52.7%), and standing shot(33.3%) in male players, and 7m draw shot(77.8%), diving shot(75.6%), jump shot(65.3%), standing shot(54.5%), and sky shot(0.0%) in female players. 2. In the comparison of bounded shot and unbounded one, the number of the trial was more in unbounded shot, whereas the success rate was a little higher in bounded shot(male:61.4%, female:72.6%). 3. The order of the number of the trial depending on shooting post was center shot, right inner shot, left inner shot, left side shot, and right side shot and that of success rate in shooting was left side shot(71.8%), center shot(62.8%), left inner shot(60.4%), right side shot(56.8%), right inner shot(55.8%), in male players, and right side shot(75.8%), right inner shot(74.2%), center shot(73.4%), left inner shot(68.1%), and left side shot(63.4%) in female players. 4. the most successful goal-in area was the left, right, upper, and lower corners of the goal where the hands and feet of the goal keeper couldn't reach and that was the place where the success rate appeared high.

유도선수의 체급별 득점빈도 비교 분석

전윤수,김도형 한국스포츠리서치 2004 한국 스포츠 리서치 Vol.15 No.5

This study has been performed by analysing the scoring frequency of technical styles of male and female Judo players between weight groups compared to the scoring frequency of technical styles of male and female Judo players in each weight group participated in the 29th Chairman Cup National Judo Tournament (251 men players and 146 women players: Total: 397). The results was analyzed using the SPSS/win statistic program. 1. Analysis result of scoring frequency in each weight group: First, man -60kg weight players scored in an order of Hyokwa, Yuhyo, Jeolban and Hanpan and woman -48kg weight players scored in an order of Hyokwa, Hanpan, Yuhyo, and Jeolban. Second, man -66kg weight players scored in an order of Hyokwa, Yuhyo, Hanpan and Jeolban and woman -52kg weight players scored in an order of Yuhyo, Hyokwa, Hanpan, and Jeolban. Third, man -73kg weight players scored in an order of Hyokwa, Hanpan, Jeolban and Yuhyo and woman -57kg weight players scored in an order of Hyokwa, Hanpan, Yuhyo, and Jeolban. Fourth, man -81kg weight players scored in an order of Hyokwa, Hanpan, Jeolban and Yuhyo and woman -63kg weight players scored in an order of Hanpan, Hyokwa, Jeolban and Yuhyo. Fifth, man -90kg weight players scored in an order of Hyokwa, Yuhyo, Hanpan and Jeolban and woman -70kg weight players scored in an order of Hyokwa, Jeolban, Hanpan, and Yuhyo. Sixth, man -100kg weight players scored in an order of Yuhyo, Hyokwa, Jeolban and Hanpan and woman -78kg weight players scored in an order of Yuhy, Jolban, Hyokwa, and Hanpan. Seventh, man +100kg weight players scored in an order of Hyokwa, Hanpan, Yuhyo, and Jeolban and woman +78kg weight players scored in an order of

중학교 탁구선수의 경기내용에 대한 분석

전윤수 한국스포츠리서치 2006 한국 스포츠 리서치 Vol.17 No.1

장편 극영화 <미인도>의 팩션 장르 구현 전략

전윤수 문학과영상학회 2010 문학과영상 Vol.11 No.3

The Portrait of a Beauty presents a story of Shin Yun-bok, who was considered the best painter of a genre painting in the late Joseon Dynasty but mysteriously disappeared in history, leaving only a few lines in Geunyeokseohwajing. Shin Yun-bok expressed his emotion most frankly about women’s sex and sexuality, and tried to liberate them in his genre paintings, and further argued that women’s sexuality was primordially free and natural. His painterly flair and creative mind in the strictly Confucian society is stimulating and inspiring for contemporary creative artists such as filmmakers. Particularly significant during the process of writing the script of The Portrait of a Beauty is the growing concern for the boundaries between fact and fiction and consequent understanding that fiction gives a new interpretation to the historical characters and their paintings. The creative artists, as well as the audience, become productive and interpretive consumers and are drawn to the sense of reality the faction genre delivers regardless of its fictionality. The Portrait of a Beauty combines fact and fiction in a distinctive way: historical fact is made into fiction whereas fiction is represented as historical fact. Its object is not a mere representation of the historical characters; it purposively reconstructs the possible stories of Shin Yun-bok and her master Kim Hong-do to create a history for film, instead of a film for history. Faction is a genre of info-tainment where the sources of information and entertainment reside together. When combined with the creative artists’ imagination, Shin Yun-bok’s genre paintings serve both as an archive of factual information and the object of public entertainment. The Portrait of a Beauty makes some important attempts to realize the paintings into a faction genre: the establishment of conflictual relationships among characters and the application of Hyewon-jeonshincheop, a historical document Shin Yun-bok left, to fiction. In realizing the faction genre, the paintings by Danwon (Kim Hong-do) and Hyewon (Shin Yun-bok) greatly enhance the credibility of the story as well as state-of-art auditory and visual technologies available in the film industry. The balance between historical consciousness and a new fictional vision towards history is important for the creative writers in creating a faction genre and for the audience in appreciating it. The creative writers and the audience are the important subjects that make the faction genre viable and flourish with diverse formats and sub-genres. The Portrait of a Beauty presents a story of Shin Yun-bok, who was considered the best painter of a genre painting in the late Joseon Dynasty but mysteriously disappeared in history, leaving only a few lines in Geunyeokseohwajing. Shin Yun-bok expressed his emotion most frankly about women’s sex and sexuality, and tried to liberate them in his genre paintings, and further argued that women’s sexuality was primordially free and natural. His painterly flair and creative mind in the strictly Confucian society is stimulating and inspiring for contemporary creative artists such as filmmakers. Particularly significant during the process of writing the script of The Portrait of a Beauty is the growing concern for the boundaries between fact and fiction and consequent understanding that fiction gives a new interpretation to the historical characters and their paintings. The creative artists, as well as the audience, become productive and interpretive consumers and are drawn to the sense of reality the faction genre delivers regardless of its fictionality. The Portrait of a Beauty combines fact and fiction in a distinctive way: historical fact is made into fiction whereas fiction is represented as historical fact. Its object is not a mere representation of the historical characters; it purposively reconstructs the possible stories of Shin Yun-bok and her master Kim Hong-do to create a history for film, instead of a film for history. Faction is a genre of info-tainment where the sources of information and entertainment reside together. When combined with the creative artists’ imagination, Shin Yun-bok’s genre paintings serve both as an archive of factual information and the object of public entertainment. The Portrait of a Beauty makes some important attempts to realize the paintings into a faction genre: the establishment of conflictual relationships among characters and the application of Hyewon-jeonshincheop, a historical document Shin Yun-bok left, to fiction. In realizing the faction genre, the paintings by Danwon (Kim Hong-do) and Hyewon (Shin Yun-bok) greatly enhance the credibility of the story as well as state-of-art auditory and visual technologies available in the film industry. The balance between historical consciousness and a new fictional vision towards history is important for the creative writers in creating a faction genre and for the audience in appreciating it. The creative writers and the audience are the important subjects that make the faction genre viable and flourish with diverse formats and sub-genres.

노인의 스포츠 참여 여부에 따른 장애요인 분석

전윤수,성미미 한국체육과학회 2003 한국체육과학회지 Vol.12 No.1

This study is designed to make an analysis of old people taking part in sports and factors hindering their participation. With this in mind, the researcher worked with a total of 164 old people(90 subjects taking part in sports; 74 subjects not participating in sports) attending senior citizens' colleges with the help of a personality test, and arrived at the following conclusions. 1. Although there was a statistically significant difference in educational level( x²=24.38, p<.001) according to the participation of the old people in sports, there was no significant difference in age, living standards, health status, and cohabitation status. 2. Senior citizens who didn't take part in sports felts individual hindrances more seriously than their counterparts, and there was a statistically significant difference(t=-2.69, p<.01). 3. The former felt more economic hindrances the latter, and there was a statistically significant difference(t=-2.65, p<.01). 4. The former felt more social hindrances than the latter, and there was a significant difference(t=-6.49, p<.001) according to participation in sports. The study shows that there was a high correlation between the old subjects who didn't take part in sports and social hindrances.

아마추어리즘과 프로페셔날리즘의 상생에 대한 방안

전윤수 한국체육과학회 2004 한국체육과학회지 Vol.13 No.1

주부의 볼링 참여와 건강부적응 증상 및 생활만족도의 관계

전윤수,이원익 한국체육과학회 2004 한국체육과학회지 Vol.13 No.1

The purpose of this study was to test relationship between the work satisfaction and stress to clarify management strategy of sport team to enforce team performance. Questionnaires containing 35 statements are administered to a total of 245 coaches of the school of physical education, Korea. Factor analysis, cronbach's Alpha, multiple regression by enter method, paired sample t-test and one-way MANOVA is used to estimate relationship between each variables by SPSS/PC+ V 11.0.These results were as follows ;1) The work satisfaction factors exist six factors representing dimensions of team coach's work satisfaction.2) When the work satisfaction factor scores are compared for difference by sex, mean scores differ significantly for a pay satisfaction and work boredom.3) When the work stress scores of environment differences are compared by sex, mean scores differ significantly for the degree of work improvement.4) When multiple regression analysis is used to test the influence relationship between work satisfaction and stress, the combined effects of the variables were examined in the regression analysis. Of two factors of work stress, an indication of higher office and the degree of work improvement had negative influence on the work satisfaction.

전자세금계산서데이터를 활용한 가치사슬 구축 알고리즘

전윤수,홍정식 대한산업공학회 2017 대한산업공학회 추계학술대회논문집 Vol.2017 No.11

스포츠센터의 서비스품질, 고객만족, 관계마케팅, 소비행동의 인과관계 구조에 관한연구

전윤수,석종태 한국스포츠리서치 2006 한국 스포츠 리서치 Vol.17 No.4

餘暇活動에 관한 調査 硏究 : 女大生을 中心으로

全允秀 대구효성가톨릭대학교 사회과학연구소 1983 女性問題硏究 Vol.12 No.-