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趙昌奎 (Jo, Chang-gyu) 대동한문학회 2009 大東漢文學 Vol.30 No.-
中國 宋代 濂洛詩派의 漢詩는 조선조 성리학자들에게 지대한 영향을 끼쳤다. 염락풍 한시의 창시자로 알려진 邵康節의 ｢首尾吟｣과 그의 詩論인 觀物論은 首尾吟體와 觀物詩라는 독특한 장르화 현상을 낳았으며, 朱子의 ｢齋居感興｣ 20首와 「雲谷雜詩」12首 등도 感興詩와 登山詩라는 새로운 시의 유풍을 형성하게 하였다. 이러한 영향 아래에서 새로운 조선적 濂洛風詩의 한 유형이 탄생하게 되는데, 바로 林居時이다. 임거시는 염락풍의 意象을 채용하여 자연의 시공간 즉, 四時運行과 林居의 空間을 心性論의 측면에서 형상화하였다. 또한 林居의 삶을 통한 觀心과 存養의 修養法을 자연의 사물로 換喩하여 上達天理를 지향하는 작시자의 정신세계를 문학적으로 형상화함으로써 시적 성취가 탁월한 염락풍 한시의 한국적 전형을 확립하였다. 이에 본 논문은 林居詩의 독법을 제시하여 唐詩風의 자연시나 산수시와는 구별되는 염락풍 한시의 특징을 조명해 보았다. Chinese poem of Yeomraksipa[濂洛詩派;Group of poets who is new confucianist who lived in Yeomrak locality] is Exercised big influence on scholars of the Choson Dynasty. Guanmulsi[觀物詩;Chinese poem that express gotten philosophical substance observing things] and sumieum[首眉吟;Form of Chinese poem that first phrase and end phrase are same] of Choson Dynasty received effect of Sogangjeol[邵康節;It is China poet's name]'s sumieum[首眉吟] and Guanmulron[觀物論;Theory that get philosophical that realize observing things]. Jaegeugamheug[齋居感興;Title of Chinese poem that Juja creates] and Ungokjapsi[雲谷雜詩;Title of Chinese poem that Juja creates] of Juja[朱子] influenced in appearance at gamheugsi[感興詩;appears to lyric of deep emotion] and duengsansi[登山詩;Chinese poem that express philosophical emotion which feel going up a mountain]. As korean Yeomrakpung[濂洛風;Atmosphere of Chinese poem that Yeomrak local new confucianists create] Chinese poem was gotten born receiving these effect, it is Imgeosi[林居詩;Chinese poem that express philosophical inner space that feel living in forest]. Because Imgeosi applies mental image of Yeomrakpung Chinese poem, Imgeosi was created. Imgeosi expressed change of season and surrounding environment that feel poet living in forest philosophically. Imgeosi is work that express philosophical inner space of poet literary.
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활자본 고소설 〈林巨丁傳〉의 창작 방법과 洪命憙 〈林巨正〉과의 관계
곽정식(Kwak Jung-sik) 한국어문학회 2011 語文學 Vol.0 No.111
The purpose of this study is to research the creative writing method of 〈Limgeujungjun〉 in classical novel with printed book and it's connection with 〈Limgeukjung〉 of Hong Myong-hee. The historical facts of Limgeujung as an existent person had been written in 『Myongjongsillok』and『Kijaejabki』ㆍ『Sunghosasul』ㆍ『youlchotongki』 etc as the unauthorized history records. In general the records of 『Myongjongsillok』play the role of the central axis in an epoch-making development of the affairs, besides the character description and the dramatic incidents mainly rely upon unofficial history in 〈Limgeujungjun〉. And on the other hand 〈Limgeujungjun〉 accepted 〈Hanssiboungnok〉 positively and consequently accepted 〈Suhoji〉 indirectly by 〈Hanssiboungnok〉. 〈Limgeukjung〉 had been serialized in a daily newspaper『Chosunilbo』 from 1928.11.21 to 1939.7.4 and 1940.10 appeared one installment in a monthly magazine『Chokwang』. Therefore Hong Myong-hee died leaving the work 〈Limgeukjung〉 unfinished through often interruption and resumption. And 〈Limgeujungjun〉 in classical novel published on 1931 by Taehwaseokwan. Accordingly we can estimate the effect-relationship between 〈Limgeujungjun〉 and 〈Limgeukjung〉 from an several points of view as follows : 1. Hong Myong-hee had changed the title of the work from 〈Limgeujungjun〉 to 〈Limgeukjung〉 in the process of serialization. 2. The configuration of a character in 〈Limgeujungjun〉 as a classical novel is achieved by same materials and contents with 〈Limgeukjung〉 of Hong Myong-hee. therefore it described Lim Geu-jung as an existent person in the affirmative regardless of the unauthorized history. 3. 〈Limgeukjung〉 「hwajeukpyun」obtained of fictitious success by excellent description and composition in spite of acception the unauthorized history like 〈Limgeujungjun〉. 4. Hong Myong-hee had originally aimed at being koren atmosphere, nevertheless「Uihyuongjaepyun」and「hwajeukpyun」accepted 〈Suhochi〉 positively, so accordingly above-mentioned two pieces are different in nature from 「Bongdanpyun」ㆍ「pijangpyun」ㆍ「yangbanpyun」which are the first half of the work.
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