Comparison of chemotherapy and concurrent chemoradiotherapy as adjuvant treatment in cervical cancer patient with intermediate and high risk factors: A matched case-control study(초)

김재준 ( Jae Joon Kim ),( Jeong Yeol Park ),( Dae Yeon Kim ),( Jong Hyeok Kim ),( Yong Man Kim ),( Joo Hyun Nam ),( Young Tak Kim ) 대한산부인과학회 2009 대한산부인과학회 학술대회 Vol.95 No.-

시적 발화의 토대로서 방언과 지명 -셰이머스 히니의 『겨울나기』

김재준 ( Jae Joon Kim ) 21세기영어영문학회 2016 영어영문학21 Vol.29 No.2

This paper analyzes how the dialect of Heaney’s hometown Derry and its landscape establish the roots of his poetic utterance. Although Heaney continued to expand the range of his poetic utterance and take new models for it, many of Heaney``s early poems are enlivened by a language as it is really used by people in his local region. Heaney himself has an active interest in the phonetic and linguistic study of Ulster dialects and the sound of the place-names. He has the consistent belief that the local words and speech rhythms of the place-names are closely related to the features of the landscape. The dialects and place-names in his early poems are not yet the subject of the poems. They are important because they give him a moment of sinking into the most primitive and forgotten of the common community, so they are fundamental to his attempts to find images and symbols adequate to his predicament. The vision which they have given Heaney while he grows up into a poet includes not only the natural features but the signs of human history within it.

어둠의 공명으로서의 시-세이머스 히니의 『산사나무 랜턴』

김재준 ( Jae Joon Kim ) 21세기영어영문학회 2014 영어영문학21 Vol.27 No.3

Motivated by Mikhail Bakhin``s proposition that every utterance is heteroglot and Wolfgang Iser``s theory on reader``s involvement in texts, this paper tries to identify how the poetic discourses in Heaney``s The Hay Lantern are organized. Using a few poems of the above collection, this paper shows that in contrast to the earlier poems such as “digging”, in which all poetic elements are controlled to support a single poetic theme or discourse, the poems of The Hay Lantern loosen the various heterogeneous images, allowing the reader to freely interpret the voices present in the poem. Through the process of reading, the reader becomes aware of the gaps present in the poem, and is more eager to find out what the images and voices have to say. In order to enjoy the poem, the reader has to orchestrate it and needs to become a new creator of the poem, by participating in the poetic game and exploration. It is also important to verify how the discursive poetic elements illuminate the poet``s artistic consciousness. Within the poem a discursive bridge exists between the speaker, reader and other voices present in the text. This bridge encourages the reader to experience the poet``s cultural and artistic origins, and allows the reader to explore the various sources of one’s poetic gifts.

세이머스 히니의 「겨울나기」에서 언어와 정치

김재준 ( Jae Joon Kim ) 21세기영어영문학회 2000 영어영문학21 Vol.16 No.-

시적 담론의 탈 중심화-셰이머스 히니의 『현장답사』

김재준 ( Jae Joon Kim ) 21세기영어영문학회 2011 영어영문학21 Vol.24 No.1

Seamus Heaney`s Field Work, as the title implies, is excavatory. "Vowels ploughed into other: opened ground", the first line of the first sonnet of "Glanmore Sonnets", Which seems to be intentionally placed in the center of this collection, is suggestive of Heaney`s changed poetic consciousness in the many poems of Field Work, which was published after the announcement of his independence as a artist from the troubles of the Northern Ireland. His poetic consciousness removed from the narrow range of the poetic land and ploughed into new, various, other, opened ground. The dominant and important change of heaney`s poetic self in Field Work is from the mythologized and monologic of North to the social and dialogic. The poetic discourse created by the conversational and opened poetic self of Field Work is not stayed by the speaker`s utterance but various voices enter into dialogue with the speaker and become viable participants in the text. Although Haney creates the texts, he attempts to wield no authority in them. Heaney`s speaker is distinguished from ones in other collections before Field Work by his autonomy to evade, or confront, address, explore, and recollect the many other autonomous voices in the text. The discourses fluctuate because the speaker who is always in conversation with himself or others often makes discursive shifts which reveal his artistic consciousness. The on-going drama of diverse voices including silences operating in the poems of Field Work make the end of the poems unbalanced, indeterminate, and opened.

Biodegradation of Jet Fuel by Mixed Microbial Consortium

Jae Joon Kim(김재준),Hyun Shik Yun(윤현식) 한국생물공학회 2004 한국생물공학회 학술대회 Vol.2004 No.4

시와 풍경의 해독 -Seamus Heaney의 『어둠으로 들어가는 문』

김재준 ( Jae Joon Kim ) 21세기영어영문학회 1999 영어영문학21 Vol.15 No.-

The Idea of poetry as a point of entry into the buried life of feeling, or as a point of exit for it, is prevalent through Door into the Dark. In a comment on Death of a Naturalist Heaney told that poetry`s origin lay in energies that came from his personal remembering. But in Door into the Dark the energies of his poetry`s origin are found equally in language and landscape of the community he belongs to. This means that the scope of the poetry of the second book comes to be deeper and wider than the first book`s. In Door into the Dark Heaney to probe past the autobiographical and into the ancestra1, into the possibility that the sources of psychic and/or spiritual truth lie buried in language and landscape of his community. The strata of memory buried in language and landscape require Heaney to face an actual dread of ``losing`` himself to the primal or instinctual. When Heaney tried to forge the ``uncreated conscience`` of his race in his poetry, he found out that he should step into the dark to erase his strongly established self from his poetry. This means that he can expand and transcend himself only by losing himself. Losing-himself will help him get multiple viewpoints to make his poetry less partisan and more powerful. He asserts that he ``will uncode all landscapes`` just when he is able to see ``things founded clean on their own shapes and learn to lose himself while we are in the dark center of the landscape. The word ``uncode`` suggests the land`s secret, buried history that awaits one who can uncode. Heaney shows that there is an analogy between the secret, hidden activity of the poet and the secret, and hidden activity of the blacksmith and the thatcher. They all are kind of musicians in the sense that they are able to leave the audience surprised by creating the useful, meaningful, ordered things from nothing or the dead things. So Heaney`s uncoding is not only uncovering something buried in landscape but also creating the new meaning of the place. Uncoding all landscapes, Heaney shows how life and death in the human and natural world are inevitably and mysteriously intertwined. He finds thingness in human life and human quality in the things. He finds the beginning and ending of his life in the landscape, and he finds there is just one cycle between both worlds.

동적창과 Dijkstra 알고리즘을 이용한 항법 알고리즘에서 경로 설정

김재준(Jae Joon Kim),지규인(Gui-In Jee) 한국정보통신학회 2021 한국정보통신학회 종합학술대회 논문집 Vol.25 No.2

본 연구는 산업현장에서 사용되는 이동로봇이 익숙하지 못한 환경에서 목적지에 도착할 수 있는 항법 알고리즘을 개발하고자 한다. 이를 위해 동적창 접근(DWA)과 Dijkstra 경로설정 알고리즘을 결합하여 항법 알고리즘을 제안한다. 이를 성능 비교하기 위해 로컬 동적창 접근(LDWA), 글로벌 동적창 접근(GDWA), 고속 탐색 랜덤 트리 (RRT) 알고리즘을 비교 분석한다. LDWA과 GDWA을 적용한 Dijkstra 알고리즘을 활용한 항법 알고리즘을 구현하여 제한된 정보를 이용하여 이동로봇이 목적지에 도달할 수 있도록 한다. 이 알고리즘들의 목적지에 도착할 때까지 걸리는 시간, 장애물 회피와 계산복잡도에 대한 비교 분석한다. 위 알고리즘의 한계를 극복하기 위한 새로운 항법 알고리즘을 제안하고 제시된 최적화된 항법 알고리즘의 산업현장에서의 활용 방안을 모색한다. In this paper, we develop a new navigation algorithm for industrial mobile robots to arrive at the destination in unknown environment. To achieve this, we suggest a navigation algorithm that combines Dynamic Window Approach (DWA) and Dijkstra path planning algorithm. We compare Local Dynamic Window Approach (LDWA), Global Dynamic Window Approach(GDWA), Rapidly-exploring Random Tree (RRT) Algorithm. The navigation algorithm using Dijkstra algorithm combined with LDWA and GDWA makes mobile robots to reach the destination, and obstacles faced during the path planning process of LDWA and GDWA. Then, we compare on time taken to arrive at the destination, obstacle avoidance and computation complexity of each algorithm. To overcome the limitation, we seek ways to use the optimized navigation algorithm for industrial use.

바이오 분야에서의 전기적 임피던스 분석법의 활용

김재준 ( Jae Joon Kim ) 한국공업화학회 2023 공업화학전망 Vol.26 No.3

흔히 인바디라는 상호명으로 잘 알려져 있는 전기적 임피던스 분석법은 전극 간 생체조직에 대한 정보와 생체조직과 외부 전극의 계면 특성을 전기적으로 알려주는 강력한 측정방법이다. 이 방법은 다른 광학적, 생물학적, 화학적 방법들과 비교해 보았을 때 단시간 동안 조직의 손상 없이 측정이 가능하며, 전극 한 쌍과 바이오 임피던스 분석장치로만 이루어진 간단한 측정 시스템이라는 장점들을 가지므로 매우 넓은 활용폭을 가진다. 특히 최근 많은 연구가 진행되고 있는 전기적인 생체신호 획득과 조직 분석, 그리고 전기자극을 위해서는 생체조직과 전극 사이의 전기적 인터페이스 평가가 필수적으로 이루어지고 있다. 더욱 효과적인 신호 획득 및 인가를 위해 다양한 전도성 소재 및 생체적합 구조 개발에 있어 가장 중요한 지표 중 하나로서 활용되고 있으며, 전극 사이의 생체조직에 대해서 측정하는 경우 생체조직의 건강상태 및 구성성분에 대한 정보를 주는 중요한 물리값으로 활용되고 있다. 이는 사람은 물론 식물이나 동물, 미생물, 심지어 식품을 포함하는 다양한 바이오시스템에 폭넓게 적용되고 있는 기술로서 많은 중요성과 향후 발전 가능성을 가진다. 또한 바이오 및 환경센서에서도 외부 자극을 보다 민감하게 계측할 수 있게 해주는 측정 지표로서 센서로서의 넓은 활용폭을 가진다. 본 특집에서는 전기적 임피던스에 대한 물리적 설명을 시작으로 전극-생체 사이의 계면과 전극 간 생체조직에 대한 분석법, 그리고 전기적 임피던스를 기반으로 한 바이오 및 환경센서의 최근 연구동향을 살펴보았다.

농피증의 병원균 분포와 감수성에 관한 연구

김재준(Jae Joon Kim),이경수(Kyung Soo Lee),김재홍(Jae Hong Kim),노병인(Byung In Ro),장진요(Chin Yo Chang) 대한피부과학회 1984 대한피부과학회지 Vol.22 No.1

Bacteriological study, including antibiotic sensitivity tests, of 145 patients with pyodermas such as impetigo, superficial folliculltis, deep folliculitis, ecthyma, paronychia, cellulitis and secondary skin infections, was carried out during the period from June, 1981 to September, 1982 at the Department of Dermatology, Han II hospital. (countinued..)