Ito 저색소증

이근수,장홍준,서연림,안규중,김종민,이종주 ( Geun Soo Lee,Hong Zoon Jang,Yeon Lim Suh,Kyu Joong Ahn,Jong Min Kim,Chong Ju Lee ) 대한피부과학회 1990 대한피부과학회지 Vol.28 No.5

A Case of Hypomelanosis of lto Geun Soo Lee, M.D., Hong Zoon Jang, M.D., Yeon Lim Suh*, M.D., Kyu Joong Ahn, M.Dl., Jong Min Kim, M.D., Chong Ju Lee, M.D. Departments of Dermatology and Pathology*, Clooege of Medicine, Hallym University Seoul, Korea We report a case of hypomelansis of Ito developed in a 6-year-old male patient. He had numberous bizarre, hypopigmented streaky macules on the left side of the chest, and upper arm. The histopathologi findings demonstrated that hypopigmented areas contained slightly decreased basal pigmentation with decreased content of intracellualr melanin in keratinocytes and melanocytes and revealed neither inflammatory changes nor dropping of melanin granule into the dermis. The electron microscopic finding showed decreased number of melanosomes, incomplete melaniztion, and cytoplasmic vacuoles in keratinocytes and melanocytes. Extra-cutaneous alterations were not found.

John Done과 形而上詩

徐壽轍 釜山大學校 師範大學 1978 교사교육연구 Vol.5 No.1

This study attempts to examine the characteristics of metaphysical poetry in Donne's poems with reference to his career and the social background in the late 16th cenury and the early 17th century in Englad. Sir Herbert Grierson commented on Metaphysical Poetry distinctively. According to his comment on it, the eccential quality is as follows. Metaphysical poetry is a poetry which has been inspired by a philosophical, conception of the universe and the role assigned to the human spirit in the great drama of exsistance. The poems were written because a defi-nite interpretation of the riddle, that is to say, the atoms of Epicurus rushing through infinite empty space, the theology of the schoolmen as elaborated in the catechetical dis-quisitions of St. Thomas, Spinoza's vision of life sub specie aeternitatis, beyond good and evil, laid hold on the mind and the imagination of a great poet, unified and illuminated his comprehension of life, intensified and heightened his personal consciousness of joy and sorrow, of hope and fear, by broadening their significance, revealing to him in the history of his own soul a brief abstract of the drama of human destiny. All comparisons in Donne's poems show likeness in things unlike. So the comparisons become conceits when we are concede likeness while being strongly conscious of unlikeness. His conceits are more intellectual, less verbal character of wit than the conceits of the Elizabethans. That is why one can say that Donne possessed a mechanism of sensibility which could devour any kind of experience in his time. Donne was the great master of English poetry in the 17th century. It was with Donne that began a new era in the hist-ory of English love lyric. Donne's poems are often the expression of the finer psychology, the learned imagery, the argumentative and subtle evolution of lyrics, and above all the peculiar blend of passion and thought. His passionate thinking is always apt to become metaphysical, pro-bing and investigatiing the experience from which it takes its rise. These are the chara-cteristics in the poetry of Donne.

T.S.Eliot의 詩와 韓龍雲의 詩에 나타난 禪사상

徐壽轍 동아대학교 인문과학대학 영어영문학과 1989 동아영어영문학 Vol.5 No.-

韓國古代 漢文學의 律·散文體 變遷 (1)

徐首生 慶北大學校 1971 論文集 Vol.15 No.-

T. S. Eliot's Four Quartets : 그 主題와 構成 및 表現

徐壽撤 釜山大學校 師範大學 1975 교사교육연구 Vol.2 No.1

This paper is to examinethe the themes, the structure and the poetic method of Four Quartets, taking a consideration with three original problems in poetry: on an order in ordinary reality, on the muse, and onlife and death. Four Quartets is a personal and social study of the significance of man within the context of time. Various aspects of both time and significance being described and examined by him, Eliot's poetry is concerned with a search fortrue meaning or meaningless hidden under the exterior aspect of things. Particulary the search for the reality of the human situation made him a religious poet since "Ash-Wednesday." The Christianity of Eliot's poetry is a purgatorial Christianity as Dante's, Eliot, like Dante his great master, helped to revivify English Christian poetry and' to show that philosophic and religious statement can be used as the subject matters of Four Quartets. So the major themes are of the Creator immanent in the Creation, the Redeemer incarnate as a man suffering for the sin of men in his healing Passion, the Virgin as Intercessor, and the Holy Spirit descending in Pentecostal flame, challenging men with the fire of justice, the fire of purification and the lament fire of union in Paradise of rose garden. The structure of Four Quartets is of a four-in-one. The division of the physical universe in Four Quartets is made into the four elements of air, water and fire. And the elements,are used symbolically to express the elements in the nature of man which make him the microcosm out of the macrocosm. His powers of abstraction are air, the chemical composition of his body is earth, the lifestream in his blood is water, and his spirit is fire. Each poem emphasizes one element in particular. Each poem too creates one of four different ways of looking at time: time as memory; time as cyclical pattern; time as flux; time as the revelation of the meaning of human history. The title of each poem is the name of a place. The four seasons are related to four periods in the life of man comparing it with the movements of sonata in music. The poetic expression is of the objective correlatives. The method of symbolism, work-ing by implication and meed: the method of myth, which is closely allied to symbolism and the method of parallel and contrast, which works by the simultaneous evocation and juxtaposition of situations. If one tried to improve one's faith by writing a pcem about God, the result would be a bad poem and a lack of spiritual progress. But Eliot has written consistently about religious experience. And so for him it is more real, more charged with significance than any other level of reality, and therefore forms the strongest and best material for Four Quartets.

PID제어에 의한 單相 昇·降壓 整流器의 입력전류 특성에 관한 연구

徐基永,李壽欽,柳在葉,文相弼,李來一 경남대학교 신소재연구소 1999 論文集 Vol.11 No.-

Distortion Minimized of Input Current for Single-Phase Buck-Boost Rectifier is studied in the paper. To sinusoidal waveform the input current with a near-unity power factor over a wide variety of operating conditions, the output capacitor is operated with voltage reversibility for the supply by arranging the auxiliary diode and power switching device. Then the output voltage is superposed on the input voltage during on time duration of power switching devices in order to minimize the input current distortion caused by the small input voltage when changing the polarity. The tested setup, using two insulated-gate bipolar transistors(IGBT) and a microcomputer, is implemented and IGBT are switched with 20[kHz]. which is out of the audible band. Moreover a rigorous state-space analysis is introduced to predict the operation of the rectifier. The experimental and simulated results confirm that the input current can be sinusoidal waveform with a near-unity power factor and a satisfactory output voltage regulation can be achieved.

언어의 보편자질과 문법 기술

서정수 세종대학교 1971 세종대학 논문집 Vol.5 No.-

This paper purports to discuss the concept and nature of “linguistic universals”and their relationship to the grammatical description of language. The term “linguistic universals”refers to the essential properties of any human language. These properties are assumed to be based on the innate linguistic structure of the human organism. The assumption of a universal (innate) linguistic structure is required on many grounds. First, it accounts for the remarkable ability of first language-learning. Every normal child acquires an extremely intricate and abstract grammar with great speed, under conditions that are far from ideal. By about the age of six, the child has mastered the essentials of his native language. That is, he internalies some finite system of rules necessary for creating and comprehending sentences that are completly novel to his experience. Phrased this way, it becomes explicit that language learning must be based on a rich innate system. Second, the assumption of genetically determined linguis ticstructure accounts for many fundamental similarities manifested by all languages. Of course, languages are different in many ways. But in the deep structures of natural languages exist many common factors underlying the superficial differences which each particular language reveals. Third, the assumption of innate structure of human organism accounts for the fact that only human beings learn to talk. According to many experiments language can be developed in the human child because of a special, inborn linguistic capacity. On the above three grounds and others, if the assumption of linguistic universals is correct, then all languages in the world must be structurally very similar to one another. As far as the same genetically transmitted structureral frame work underlies all languages, language can be different only with respect to the peripheral features of structure that are adjusted in the course of native language acquisition. The linguistic universals, that is, the same basic organized scheme which all languages share, underlies the linguistic competence of human beings. This competence is an internalized system of rules that determines sound-meaning connections for indefinitely many sentences. In other words an internalized grammar of language is specified(or defined) by the universal innate properties. This internalized grammar must be described for linguistic and other purposes. Linguists have tried to describe the real organization of the internalized grammar and constructed various kinds of models (or hyphothesis) concerning the actual internalized system of rules. This used to be called a grammar, such as traditional, structual or generative grammar. A grammatical medel (or theory) can be constructed in many ways. But the adequacy of grammatical description must be evaluated on the grounds of the achievement of its goal. A model grammar is descriptively justified to the extent that it correctly describes its object-the competence of the native speaker, and it is more highly justified, i.e. with explanatory adequacy, to the extent that it incorporates an account of linguistic universals which underlie the competence. Therefore, the most adequate grammatical description must be organized with in the context of the properties of linguistic universals. The form and organization of rules and the kinds of elements which a grammar can contain, and possible interrelations among these are all to be determined by the universal innate frame work. For the present we cannot come at all close to constructing an adequate hypothesis about such an innate scheme. But some fruits are seen in the research of generative grammar. As a model of such a grammar transformational generative grammar has recently been proposed. Since this theory was developed by N.Chomsky and his followers, it has proposed certain formal universals regarding the kinds of rules that can appear, the kinds of structures on which may operate, and the ordering conditions under which these rules may apply. This model has been changed, and is being revised and developed in its various aspects, but at the presesent it seems to be a most powerful candidate for the goal of linguistic description. This is the reason why a skelaton of the transformational-generative grammar is exemplified here in this paper as a gramm atical model which aims for accounting linguistic universals.

Henry James의 The Art of Fiction에 關한 考察 : The Wings of the Deve를 中心으로

徐壽轍 釜山工業大學校 1969 論文集 Vol.9 No.-

T.S. Eliot의 詩劇에 關한 考察 : The family reunion을 中心으로

徐壽徹 釜山大學校 師範大學 1980 교사교육연구 Vol.7 No.2

This paper attempts to present the art of Eliot's poetic play, with special reference to the texture of The Family Reunion and the world of consciousness in this play emphasized by his poetic spirit. This play presents Eliot's experience of "Ash Wednesday": the discovery inexperience of a meaning which re-integrates the whole personality, and changes the direction of the will. This experience is at the centre of the play. We can find the greatest poetry in the scenes between Harry and Mary, and Harry and Agatha, which are both highly dramatic and highly poetic. The story of the play is a modern story, which translates the myth of Orestes pursued by the Furies into terms of everyday life. The tragicomic event has its root in the incongruities of family life: The irony of family conclaves over the younger generation: the malice that salts family conversation: and the personal dislike that can co-exist with a strong sense of the family bond. And the interaction of the three dramas… the true drama of 'sin and expiation': Amy's projected drama of a future not built upon the past: and the chorus's attempted drama of detection… is handled with remarkable skill. In "A Dialogue on Dramatic Poetry", Eliot says that "the human soul, in intense emotion, strives to express itself in verse… The tendency, at any rate, of prose drama is to emphasize the ephemeral and superficial: if we want to get at the permanent and universal we tent to express ourselves in verse". This play depicts two different worlds. The 'normal' world of the play is subdillided into different orders of reality according to the potentialities of characters moving within it. The people in the play whose vision is circumscribed by purely natural law are shallow, almost flat, lacking complexity. They see only events, but they can not interpret motives except by the selfish standards of profit and loss. The strongest character of them is Amy, mother of Harry, the hero of the play. The spiritual world of this play has only one representative, Harry's aunt Agatha, sister of Amy, Agatha is like an inhabitant of the world of vital spirituality and is a gardian or Harry. Harry, the selfstyled wife-murderer, does not submit to the authority of Amy and her world. He exists rather 'between sleep and waking', and he is too sensitive and acute, yet spiritually too childish without Agatha's gardian. The reality of Harry seems that to suffer or endure is to live: to live is inevitably to act. He thinks that right actionr reuires humility, the refinement of will under oppression. So the departure of Harry from Wishwood expresses his discovery that his obligation is to God. And his departure, in a sense, suggests that he is one of those who are called to 'leave all and follow

T.S. Eliot의 詩에 나타난 時間과 無時間性(Ⅱ)

서수철 釜山大學校 師範大學 1984 교사교육연구 Vol.9 No.1

This study attempts to examine and clarify the images and the meanings of 'time and the timeless' in the poetry of T.S. Eliot, from Prufrock and Other Observations to "The Hollow Men". Time itself has no meaning. When human life, however, is reflected upon time, time has meaning for human beings. Man finds himself in a world of changing and becoming, man has striven to formulate for himself some conception of existence different from the mere time-process of events. Just as he finds that the history of his own personality involves a constant succession of events, but yet manifests a certain unity, so he shapes his reflections upon the mirror of time and contrasts the changing with the unchanging, the temporal with the eternal. T.S. Eli6t was a poet of the historical sense of the timeless and the temporal together. He expressed his conception of time as a fragmentary union in his early poems of Prufrock and Other Observations (1917). The poet showed us in the poems what universe of changing and becoming in human life had been. It is the world of 'a thousand sordid images', through which the poet described the quality of the twentieth century's civilization reflected in his consciousness. The evening is not a placid, peaceful city sunset. It fills the poet's imagination with the thoughts of disease and helplessness; of the ether which was not the breath of spirit, but the deadener of consciousness. The time for the poet is the burntout ends of smoky days, with eternal repetition without any direction or order. He says, The morning comes to consciousness Of faint stale smell of beer…… With the other masquerades That time resumes…… In other words, time for his consciousness was a hell covered with inimical clouds of yellow fog and smoke. In this atmosphere, he measured his life with a coffee spoon. He could not speak a word to the women who were such practical without any idea of eternity, as thinking only 'Birth, and copulation, and death, that's all'. In a word his experience of time was boring and meaningless in his early poems. Eliot expressed a unified sense of time in The Waste Land for the first time. By his historical sense he has unified the time of Fisher King from Jessie L. Weston's book on The - Grail legend; From Ritual to Romance, the time of Greek myths of Adonis, Attis, Osiris from Sir James Frazer's Golden Bough, the time of Hinduism and Buddhism as well as Christianism, the time of Dante and Ovid and Shakespeare. Above all, Eliot has united all the rest with Tiresias' consciousness of Greek myth. According to Stephen Spender's Remembering Eliot, he was seriously considered to become a Buddhist when he was writing TAe Waste Land. So a Buddhist is as immanent as Christian in The Waste Land. The influence of Buddhism on Eliot has been so great that emptiness is overflowing in his early poems, The Waste Land and "The Hollow Men". As D. T. Sujuki says Buddhist philosophy is the philosophy of 'Emptiness', it is the philosophy of self-identity. So Eliot seems to have applied this philosophy to his poetry. Throughout his early poems he suggests the emptiness of human behavior, and shows us that human beings will find the meaning of time and life when they have the consciousness of the timeless with time.