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自由詩意識과 感傷克服의 苦惱 : 金億의 詩硏究(Ⅰ) A study of Kim Eok's poetical works (1)
梁汪容 부산대학교 사범대학 1977 교사교육연구 Vol.4 No.1
The following is the summary of the writer's comprehensive survey of Kim Eok's poetical works and art of poems from 1918 to 1925. The writer intends to study them before Kim Eok became a ballad poet. This is why the writer limits the period from 1918 to 1925. The following is his conclusion. First. The important matter in Kim Eok's earlier poetical works is his consciousness of free verse and he keeps to it to the period of 1925 in various aspects. Second. Other poets before Kim Eok wrote Sinchesi(new style poems) and expressed racial consciousness through nature, while Kim Eok expressed personal emotion in the course of cognizing nature. But he indulged in sentiment and tried to escape from it in vain. Third. He was not so much a ballad poet who was tradition-oriented as the first poet in Korea who tried to write modern poetry. Therefore he should be registered in the history of Korean poetry as a poet who was future-oriented or Western-oriented.
黃錫禹의 詩史的 位置와 詩의 特性 : 그의 시와 시론을 중심으로
梁汪容 부산대학교 사범대학 1976 교사교육연구 Vol.3 No.1
The following is the summary of the writer's comprehensive survey on Hwang Seok-U's poetical works and art. 1. The poet adheres to the technique of sensual description through this poetical works; he begins to make use of it from the period of Taeseomunvesinbo (News o Western Literature), and keeps to it to the periods of Pyeheo (The Ruins, the organic magazine of his poetry circle) and Jayunsong (Psalm of Nature, his anthology). Nevertheless he can hardly be said to be successful with it, because he gradually passes into common-sense-like, nursery-song-like recognition of it, and tends towards excessive use of simile. 2. His poetic tone is extremely temperate and ordered. This is because he is not so much a poet of emotion as a poet of technique. He is a rare poet in 1920's in that he, unlike many other poets, never fell in sentimental tone. 3. He was in advance of the contemporary poetry world of Korea in the theory of poetry. He was a kind of avant-grade who was western-oriented and future-orineted, as was revealed in his argument on Sinchyesi (new poetical style). Such terms as pictorial element, imagism, etc. used in his poetics are transformed into sensual descriptions in his poems. This poetic taste of his, however, was under the influence of western literary movement of imagist poetry via Japanese poetic circles at that time, therefore his background will be made clearer when further comparative study of Japanese and Korean literature is achieved. Sensualistic avant-grade as he is, sensual quality of his poems is partly indebted to the features of Korean language and tradition of Korean people. 4. He was the first poet in Korea who tried to write poems which least reflected the poet's real life. He never wrote poems which revealed his thought, activities, and misfortunes in real life. In this respect he is connected with those present-day poets who tend to write the same kind of poems. 5. He was ahead of Yukdang or Chunwon in the respects of poetics and attitude toward nature. This is not to say that he was the forerunner of the new poetry of 1920's. There was Kim Eok before him and Ju Yo-Hwan following him, but these two poets took their course to the folk song poets, while Whang remaining avant-garde who believed in western free verse. This is why there are those who are ready to regard him as one of the most important poets of 1920's. 6. He began to write poems in earnest just after the 1919 Independence Movement, and continued to write until late 1920's. He was one of those poets whose talent and importance in the history of poetry were underestimated because of their personality and private affairs.
鄭芝溶 詩의 硏究 : 發表樣相과 話者를 중심으로 Centering on the Aspects of Expression and Narrator
梁汪容 부산대학교 사범대학 1987 교사교육연구 Vol.14 No.-
As a result of examining the aspects of expression and narrator of the poems of Jung Ji Yong, I come to a conclusion as follows. 1. The Period of his creative writing is divided into four : 1) the period of abroad in Kyoto : 1926-1928 2) the period of 'Poetic Literature' and 'Catholic Young Men' : 1930-1935 3) the Period of recommended artist of 'Sentences' : 1936-1943 4) the violent movement period after liberation : 1945-1950 2. His Poems have been settled in the poetical works after 27 poems had experienced the change of titles and 22 poems had been newly revised among his whole 126 ones. Through this process, the formal aspects of his poems and various elements of stratra have been changed severely and the emotion become controlled. Accordingly, he shows his transfigurative attitude in abundance through the experience of his creative wright. 3. As an examination of the narrator's situation in his poems, it is hard to regard him as a professional physical poet who has been know until now in general. The characteristics of his works as 1) the period of his studying abroad in Kyoto : the coexistence of word-cross and individual poems, 2) the period of 'Poetic Literature' and 'Catholic Young Men' : the coexistence of individual poems and physical ones, 3) the period of a recommended artist of 'Sentences' : Coexistence of both but with increase of physical poems. Attitude of Jung Ji Yong is rather human than anti-human