RISS 학술연구정보서비스

검색
다국어 입력

http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.

변환된 중국어를 복사하여 사용하시면 됩니다.

예시)
  • 中文 을 입력하시려면 zhongwen을 입력하시고 space를누르시면됩니다.
  • 北京 을 입력하시려면 beijing을 입력하시고 space를 누르시면 됩니다.
닫기
    인기검색어 순위 펼치기

    RISS 인기검색어

      검색결과 좁혀 보기

      선택해제
      • 좁혀본 항목 보기순서

        • 원문유무
        • 원문제공처
        • 등재정보
        • 학술지명
          펼치기
        • 주제분류
        • 발행연도
          펼치기
        • 작성언어

      오늘 본 자료

      • 오늘 본 자료가 없습니다.
      더보기
      • 무료
      • 기관 내 무료
      • 유료
      • KCI등재

        Falling Man as a 9/11 Counter-narrative: Non-disaster Narrative, Möbius Time Loop and Multi-perspectivity

        조충환 한국외국어대학교 영미연구소 2023 영미연구 Vol.58 No.-

        The American official discourse about the September 11 attacks has focused on how the collective trauma of Americans can be overcome without self-reflection. “Official narratives” use patriotism as the solution to collective trauma. The relationship between previous U.S. historical events and the September 11 attacks has not been examined in depth by the mainstream media, despite terrorism on U.S. soil not being unprecedented. Meanwhile, counter-narratives in literature and films have wrestled with self-pity, but have not been able to overcome completely the official narrative ornamented by patriotism and sentimentalism. However, counter-narratives have challenged the notion of the September 11 attacks as an isolated and unprecedented historical event. Instead, they posit that these attacks should be understood within the broader historical trajectory of the relationship between the United States and the rest of the world. In addition, the voices of “the others” have been heard and embedded within the context. Through these representations, the impact of the September 11 attacks can be reevaluated and reinterpreted beyond collective trauma and victimhood. Falling Man suggests a counter-narrative by challenging the stereotypical chronology of narrating a story and shedding light on “the others’” voices using a multi-perspective approach. DeLillo attempts to avoid the trap of the disaster genre and pursues an alternative way of describing the unique characteristics of 9/11 with its circular structure or Möbius time loop. The novel also includes the narratives of survivors, survivors’ families, a former terrorist, and hijackers while wrestling with the issue of how to represent the September 11 attacks, even though the attempt is limited to allow a relatively small portion of the hijackers.

      • KCI등재

        코로나 시대의 한국 관찰 예능: 사회적 거리두기, 정서적/감각적 거리 좁히기

        조충환 명지대학교(서울캠퍼스) 인문과학연구소 2021 인문과학연구논총 Vol.42 No.3

        Since the Covid-19 outbreak, Korean Reality TV shows have tried to compensate for viewers’ emotional isolation caused by the social distancing measures imposed by the South Korean government. They chose isolated locations to film – places like a small island – to prevent the spread of Covid-19 during production while also carefully reenacting social activities in public places, which remind audiences of the pre-Covid19 era. Emphasized sensory elements such as ASMR, ambient sound, and the sound of eating have been used to facilitate viewers’ personal connection with the characters in the shows. In terms of theme, Mukbang (eating show), Cookbang (cooking show), and collaborations with YouTube creators have played more significant roles in Korean Reality shows since the Covid-19 outbreak on network TV by providing pseudo-intimacy. Viewers have resonated with these Reality TV shows through “compensation watching” to release their stress and console themselves from their isolation in the age of the pandemic. 코로나 시대의 한국 TV의 관찰 예능은 코로나로 인한 사회적 거리두기로 인해 발생한 시청자들의 고립감을 보상할 수 있는 정서적/감각적 거리 좁히기를시도하며 개인적 친밀감을 강화해나가는 형식들을 발견해나갔다. 먼저 코로나로 인한 제작 공간의 제약을 고립된 공간에서의 촬영을 통해 해결하고, 사회적거리두기로 인해 일상생활에서 구현되지 못하는 공간을 프로그램 내에서 재현했다. 또한 앰비언스 사운드와 식사하는 소리 등을 통해 감각적인 친밀감을 형성하는 연출 기법과 식사라는 사적인 영역으로 초대하는 먹방이라는 소재 그리고 유튜버와의 협업 등을 통해 코로나 시대에 최적화된 관찰 예능을 시도하였고, 시청자들은 이들 프로그램에 대한 ‘보상 시청’을 통해 ‘유사 친밀감’을 경험하면서 코로나로 인한 현실의 피로감과 고립감을 해소해 나갔다.

      • KCI등재

        도시 물환경에 대응하는 통합적 워터프론트 공간계획

        조충환,이금진 한국문화공간건축학회 2023 한국문화공간건축학회논문집 Vol.0 No.83

        The purpose of this study is to propose a waterfront spatial direction that bridges urban and architectural domains, fostering water-friendly environments for utilization in daily life, and presenting a spatial planning poised to mitigate urban The purpose of this study is to propose a waterfront spatial direction that bridges urban and architectural domains, fostering water-friendly environments for utilization in daily life, and presenting a spatial planning poised to mitigate urban flooding. Recent extreme climatic phenomena have severely damaged urban areas from numerous water-related disasters. While there are ongoing efforts across urban planning, civil engineering, and architectural design to navigate these challenges, there remains a noticeable gap in cross-disciplinary research remains. This study aims to fill this gap, focusing on the urban water environment. As a methodological approach within this research, an investigation is conducted into the integrated spatial characteristics that correspond to diverse urban water environments. The cases of Vancouver, Canada; Berlin, Germany; and Rotterdam, Netherlands were selected to examine the spatial characteristics that respond to diverse urban water environments. These cases highlight the value of making citizen-friendly waterfront spaces, particularly through public, water-friendly areas. In terms of the analysis, the artificial urban environment resulting from urbanization is identified as the primary concern, leading to the distortion of the natural water flow. Thus, an integrated spatial planning for urban water environments is presented in response. Central to this planning direction is the concept of leveraging subterranean spaces and pedestrian pathways, reflecting water's physical characteristics in the urban environment. Additionally, the proposition of a water storage plaza serves as a preventive solution to urban flooding. In conclusion, this study anticipates the gradual realization of spatial planning direction that can prevent the increasing urban flooding and promote the activation of urban water spaces.

      • KCI등재후보

        스포츠 상해의 형법상 정당화 근거

        조충환 한국스포츠엔터테인먼트법학회 2009 스포츠와 법 Vol.12 No.3

        This paper has attempted to investigate the scope of sports injury and the grounds for the justification of the injury in criminal law. For this, the sports events with a high risk of injury have been categorized by type, and their individual ground for the justification of sports injury has been examined. As a result, the following results have been obtained: First, in case of sports events that are aimed to injure the opponent, it is reasonable to apply 'victim's consent theory' to minor injury which took place while the rules were oserved or slightly violated and 'actions during on-duty time' or 'actions that do not violate other social morals' to heavy injury or death. However, the heavy wound or death caused by major violation of rules could be treated as ordinary crime. Second, in case of sports events with a high risk of injury, it is reasonable to apply 'victim's consent theory' to minor injury which took place while the rules were observed or slightly violated and 'risk acceptance theory' to heavy injury or death. However, the heavy wound or death caused by major violation of rules could be treated as ordinary crime as well. Third, in case of parallel sports with a mild risk of injury such as cycling, they should be treated like the sports events with a risk of injury mentioned above. In case of non-fighting individual sports events with a low risk of injury such as the shot put, it seems reasonable to apply 'social reasonability theory. 본 논문에서는 스포츠 활동 중 상해 결과라는 결과불법에 대하여 어디까지 그 상해를 형법상 허용할 것이며, 만약 허용된다면 허용하는 형법상의 정당성의 근거가 무엇인가를 연구하였다. 이를 위해서 상해의 위험성이 큰 스포츠를 유형별로 분류하고, 그 각각에 대하여 정당화 근거를 검토하였다. 그 결과 첫째, 상해를 목적으로 하는 스포츠의 경우, 경기규칙 내에서 또는 경미한 규칙위반으로 인한 상해는 ‘피해자 승낙이론’이 타당하며, 사망이나 중상해의 경우는 ‘업무로 인한 행위’나 ‘기타 사회상규에 위배되지 아니한 행위’ 등의 이론을 적용하는 것이 타당하다. 그러나 경기규칙의 중대한 위반으로 인한 사망이나 중상해 등은 형법의 일반 범죄행위와 동일하게 취급하면 될 것이다. 둘째, 상해의 위험성을 수반하는 스포츠의 경우, 규칙 내에서 또는 경미한 규칙위반으로 인한 상해는 피해자가 예상할 수 있기 때문에 ‘피해자 승낙이론’이 타당하며, 사망이나 중상해의 경우에는 ‘위험인수이론’이 가장 타당하다고 본다. 그러나 중대한 규칙위반으로 인한 상해나 사망의 경우는 일반적인 형법상 범죄로 해결하면 될 것이다. 셋째, 병렬적 스포츠의 경우, 자전거 경기 등과 같이 어느 정도 상해에 대한 위험성을 예상할 수 있는 경우에는 앞에서 언급한 상해의 위험을 수반하는 스포츠의 경우와 동일하게 처리하면 될 것이며, 투포환 등의 비격투형 개인종목의 경우에는 경기 내용에 위험성이 적기 때문에 ‘사회적 상당성’이론으로 판단하면 될 것이다.

      • KCI등재

        Islamophobia and (Mis)profiling: American Muslims as a Non-model Minority in Post-9/11 Novels

        조충환 한국현대영어영문학회 2024 현대영어영문학 Vol.68 No.2

        This article examines the portrayal of American Muslims in post-9/11 novels, highlighting narratives of mis-profiling and Islamophobia. Since the 9/11 attacks, the perception of American Muslims has been profoundly influenced by fear, leading to their depiction as non-model minorities within a backdrop of heightened security and suspicion. This study explores how these literaty works reflect the societal challenges faced by American Muslims in terms of meritocracy and model minority frame. The novels selected for this study provide a spectrum of responses to the post-9/11 socio-political landscape, portraying American Muslims navigating through a milieu of discrimination and cultural isolation. John Updike’s Terrorist delves into the alienation and radicalization of a young Muslim man, while Mohsin Hamid’s The Reluctant Fundamentalist offers a narrative o f identity crisis and disillusionment with the American dream of an ivy league graduated elite from Pakistan. Laila Halaby’s Once in a Promised Land illustrates the personal and communal impacts of xenophobic paranoia on a Jordanian Muslim couple striving for the American dream. By critically analyzing these narratives, this article argues that post-9/11 literature has not only mirrored the escalation of Islamophobia but has also contributed to the nuanced dialogue about race, identity, and the American dream by emphasizing the need for a more inclusive and empathetic understanding of American Muslim experiences in the contemporary United States.

      • KCI등재

        도시 물환경을 고려한 해양생태 R&D 연구문화단지 계획방향 연구

        조충환,이금진 한국문화공간건축학회 2024 한국문화공간건축학회논문집 Vol.0 No.86

        The purpose of this study is to examine water environment planning methods using urban space and propose a program and spatial strategy linked to water environment technology to present a design plan that can respond to the urban environment. It began with the intention of presenting a spatial plan that can effectively utilize water through a strategy that links space and technology, taking into account the characteristics of the urban environment. The design strategy for the marine ecology R&D research-culture complex in connection with spatial technology that can respond to the urban water environment is 1) Regional revitalization through R&D activation, 2) Connection between cultural programs and the R&D research-culture complex, and 3) Composition of urban space considering the ecological environment. A layout plan to spatially promote communication and a road plan that takes into account the pedestrian environment are presented, and a plan centered on an aerial pedestrian path using biotope technology that can respond to the urban water environment and a multi-purpose underground space with a rainwater retention function.

      • KCI등재

        9・11 소설의 도전과 한계 소설의 매체성과 서사의 다원성

        조충환 영미문학연구회 2019 안과 밖 Vol.0 No.47

        Novelists who narrate 9/11 have often struggled with two different issues. The first is a common dilemma of writing about real events. The writer must keep in mind their moral responsibility to portray the disaster, which resulted in the sacrifice of innocent lives, in such a way that does not re-traumatize those who survived and respects those who are deceased. The second is 9/11’s unique characteristics as a visual event which was broadcast live all over the world. Novelists need to overcome the visual spectacle of the event while trying to adopt visual elements and while temporality highlighting everyday life at the same time. To begin, novelists adopted experimental methods and alternative narrative strategies to portray Americans’ trauma from 9/11. Extremely Loud & Incredibly Close takes advantage of visual elements such as pictures, editing style and numbers. Windows on the World describes the victims who were trapped in the World Trade Center in chapters which each represent a minute. Falling Man narrates the survivor’s story in the form of twisted timeline like the Mobius strip. In addition to that, the novels such as A Disorder Peculiar to the Country, The Writing on the Wall and Self Storage portray individuals who didn’t experience 9/11 directly but have been affected by the aftermath of 9/11 with a detailed description about their everyday life. However, these novels were criticized because they mainly reflected the perspective of white Americans. Conversely, novels such as The Reluctant Fundamentalist, Home Boy, Netherland and Once in a Promised Land all narrate 9/11 from the point of view of non-white American immigrants and shows how 9/11 has affected minority immigrants’ everyday lives. Another example is The Submission which portrays diverse and complicated responses to 9/11 by describing various characters from different races, classes and genders. All of these novels shed light on the aftermath of 9/11 through the eyes of immigrants. As fifteen years have passed since 9/11, the tragedy has changed from a contemporary event to a historical one. American young adult fiction has provided interpretations of 9/11 for its target audience that doesn’t recall 9/11 as a personal experience, either because they were not yet born or too young to remember their own experience.

      • KCI등재

        11’09”01 September 11: Re-framing and De-centralizing the 9/11 Narrative

        조충환 한국아메리카학회 2024 美國學論集 Vol.56 No.1

        The omnibus film 11’09”01: September 11 represents a seminal critique of the dominant American-centric interpretation of the September 11 attacks, challenging the narrative of a singular, unprecedented event as portrayed by mainstream American media. This study examines the film's exploration of alternative narratives, utilizing diverse forms and themes to present a pluralistic view of the attacks, thereby avoiding the pitfalls of U.S. centeredness. By doing so, it highlights how American patriotism has constrained the range of interpretations since 2001, suppressing alternative voices and perspectives. 11’09”01 offers audiences the opportunity to view the September 11 attacks within a broader historical and geopolitical context, recognizing them as part of a continuum of conflicts and tragedies. Through its unique omnibus format, the film ensures equal representation of the voices of “others,” expanding the narrative scope both chronologically and spatially to include global relations. As the first filmic counter-response to the mainstream discourse on September 11, crafted by eleven directors from across the globe, 11’09”01 opens up new avenues for understanding the attacks, emphasizing the importance of de-centralizing American narratives in global historical events.

      • KCI등재

        사라진 인물, 지워진 인종: 소설 『지상에서 영원으로』와 영화화 각색을 중심으로

        조충환 영미문학연구회 2024 영미문학연구 Vol.46 No.-

        This paper reexamines James Jones’ From Here to Eternity beyond its traditional classification as the first part of a “military novel trilogy.” Rather than interpreting the novel primarily as a war novel, this study positions it as a detailed portrayal of military life, reflecting broader American societal dynamics, particularly racial issues. The analysis highlights the stark contrast in representation between the novel and its film adaptation. In the novel, racial issues are depicted through realist techniques, while the film omits or alters these themes, reducing it to a middle-class melodrama that obscures the contradictions of 1950s American society. The novel presents minority identities as complex elements that contribute to both conflict and cohesion within the military organization, revealing underlying flaws. Conversely, the film adaptation excludes the racial issues involving Jews, Native Americans, and African Americans, as well as interactions with locals, instead promoting narratives aligned with the Cold War and white middle-class values. Consequently, the film's narrative is constrained, emphasizing a sanitized depiction of 1950s American society that centers on white middle-class melodrama.

      • KCI등재SCOPUS

      연관 검색어 추천

      이 검색어로 많이 본 자료

      활용도 높은 자료

      해외이동버튼