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복식과 회화에 표현되는 몸의 재현 프란시스 베이컨의 -작품과 레이 카와쿠보의 컬렉션을 중심으로-
임은혁 ( Eun Hyuk Yim ) 한국패션비즈니스학회 2013 패션 비즈니스 Vol.17 No.4
In examining the relationship between fashion and art which are intimately interrelated, the body is a suitable subject in that it is the common object of representation. This study investigates and compares the images of the body in Francis Bacon`s paintings from 1940s to 1970s and the formative aspect and aesthetic value of the abstract body images in Rei Kawakubo`s designs since 1980s. The figures in Bacon`s paintings are confusingly and atypically deformed as well as distorted, which are the combinations of the anatomies without references, not so much represented objects as experienced sense. Kawakubo`s designs attempt to deform the body, moreover, she transforms the body; represent abstract forms without association with any other figures that exist, emphasizing sculptural or architectural shapes of garment. She suggests extensive visual language of dress by challenging the norms of beauty. The body in Bacon and Kawakubo`s works is dispersive as well as complex in that the body images are deconstructed, fragmented, and exaggerated. Respectively, they articulate the perception of the body in postmodernism era by destroying the myth of subject; furthermore establish the aesthetics that transcend conventional ideals by reevaluating as well as refusing the standards of beauty.
30-40대 남성들의 패션 라이프스타일 요인이 외모관리행동에 미치는 영향
이순화ㆍ임은혁ㆍ전호경(Soon Hwa LeeㆍEun Hyuk YimㆍHo Kyung Chun) 한국인체미용예술학회 2016 한국인체미용예술학회지 Vol.17 No.1
The purpose of this study was to analyze the effects of fashion life style factors on appearance management behavior and to show how self-monitoring influences appearance management behaviors. Subjects for the study were men aged in their thirties and forties living in Seoul and Gyeonggi province. For the purpose of the study, the survey was conducted using convenience samples. A total number of 370 questionnaires were used for data analysis. For statistical analysis, factor analysis and multiple regression analysis were performed. The results of this study indicated that a fashion lifestyle was composed of four factors-fashion/appearance-oriented factor, ostentation-oriented factor, rational consumption- oriented factor, and dignity-oriented factor. The dependent variable of the study was appearance management behavior. Appearance management behavior consisted of interest in skin care and interest in fashion. A statistical analysis of multiple regression revealed that a fashion life style significantly influenced interest in skin care and interest in fashion. When subjects were categorized into two groups by self-monitoring, both respondents with high and low self-monitoring showed that fashion/appearance oriented factors significantly influenced interest in skin care. Fashion/appearance oriented factor influenced interest in skin care more for the subjects with high self-monitoring than for those with low self-monitoring. In contrast, fashion/appearance oriented factors had greater influence on interest in fashion for those subjects with low self-monitoring than those with high self-monitoring.
일본 아방가르드 패션에 표현된 서구 전통복식의 혼성모방
임은혁 ( Eun Hyuk Yim ) 복식문화학회 2011 服飾文化硏究 Vol.19 No.5
As a type of intimate architecture, fashion has always mediated the dialogue between clothes and the body, or fashion and figure. This study seeks to inquire the current aesthetic consciousness of the body and dress in Japanese avant-garde fashion and intends to research the features and meanings in the pastiche of Western sartorial convention in Japanese avant-garde fashion in order to examine the changing aesthetic attitude in postmodern fashion. The study investigates subjects of the fashion collections of the turn of the twenty-first century, when pastiche strategies frequently appeared in Japanese avant-garde fashion, through the methodology of literature research and case analysis. The results of the study are as follows: by developing the strategy of pastiche, Japanese avant-garde fashion exposes the defectiveness of the Western idea of the idealized and standardized body for mass productions, thus freeing design from its traditional confinement to the human body. Drawing on the re-conceptualization of the sartorial convention of Western tradition, Japanese avant-garde fashion designers tend to experiment with extreme exaggeration in form, refusing to subscribe to the traditional Western values built on the balance and symmetry of the body. Through the combination of the past and the present as well as the inner-wear as outerwear strategy, the historical pastiche challenges convention and symbolism, which results in the discord between signifiant and signifie of clothing.