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임은혁(Eun Hyuk Yim) 한국복식학회 2013 服飾 Vol.63 No.3
In order to examine the influence of Anti-form in contemporary fashion focusing on ``signs of time``, which illustrates the zeitgeist effects art and fashion, this study investigates both Anti-form movement in art of 1960s and 1970s and the fashion designs since 1970s when the signs of the influence of Anti-form in fashion began to appear. This was done by conducting literary survey as well as case analysis. Anti-form values the process and signs of time in that it visualizes the time and the process of making artworks. The emphasis on signs of time in Anti-form is observed in postmodernism fashion. Visualization of manufacturing process, visualization of signs of wearing, and continuation of wearing experience are all influences of the Anti-form in fashion. Visualization of manufacturing process exposes the techniques and the materials involved in garment construction such as linings, inside-out seams, interlinings, and unraveled hems, as well as the use of muslin, which is used in making garment prototypes. Signs of wearing is articulated in wrinkles caused by wearing, sings of alteration, reappeared designs of the past collections, reuse of vintage fabrics or garments, and the fabrics which assumes aged appearance. Continuous experience of a wearer is indicated in that the garment shape is not predetermined but changes continuously by the wearer`s body shape and movement, which generates new and relative silhouettes continuously.
30-40대 남성들의 패션 라이프스타일 요인이 외모관리행동에 미치는 영향
이순화ㆍ임은혁ㆍ전호경(Soon Hwa LeeㆍEun Hyuk YimㆍHo Kyung Chun) 한국인체미용예술학회 2016 한국인체미용예술학회지 Vol.17 No.1
The purpose of this study was to analyze the effects of fashion life style factors on appearance management behavior and to show how self-monitoring influences appearance management behaviors. Subjects for the study were men aged in their thirties and forties living in Seoul and Gyeonggi province. For the purpose of the study, the survey was conducted using convenience samples. A total number of 370 questionnaires were used for data analysis. For statistical analysis, factor analysis and multiple regression analysis were performed. The results of this study indicated that a fashion lifestyle was composed of four factors-fashion/appearance-oriented factor, ostentation-oriented factor, rational consumption- oriented factor, and dignity-oriented factor. The dependent variable of the study was appearance management behavior. Appearance management behavior consisted of interest in skin care and interest in fashion. A statistical analysis of multiple regression revealed that a fashion life style significantly influenced interest in skin care and interest in fashion. When subjects were categorized into two groups by self-monitoring, both respondents with high and low self-monitoring showed that fashion/appearance oriented factors significantly influenced interest in skin care. Fashion/appearance oriented factor influenced interest in skin care more for the subjects with high self-monitoring than for those with low self-monitoring. In contrast, fashion/appearance oriented factors had greater influence on interest in fashion for those subjects with low self-monitoring than those with high self-monitoring.
임은혁(Eun Hyuk Yim) 한국복식학회 2005 服飾 Vol.55 No.1
Throughout the history of fashion and fashion collections, fashion design has been influenced by fine arts. Philosophy and concept of fine arts has been inspiration on the development of fashion design which brings on the close interrelation between fine arts and modern fashion. In` order to analyze the affect of fine arts such as Pop art on fashion this study inquires into new perspective that considers different social contexts on the premise that acknowledges the essential difference between the genre of fine arts and design. This study researches the influence of Pop art which has been inspiration on fashion designers since the birth in the I960s and often appears in recent fashion trends. In view of the results achieved in this study, Pop art-inspired fashion does not concern the aesthetic contemplation of everyday life in western society anonymously as in Pop art but deals with pop art as new ideas in a way that adopts images randomly from designer`s convenience which is equivalent to the conception of pastiche. In addition, it was inferred that Peter Pan syndrome exert influence as a mental process and Kidult trend operate on Pop art-inspired fashion as a social phenomenon. On the basis of the theoretical background, the formative features in Pop art-inspired fashion from Spring/Summer 2000 to Spring/Summer 2004 collection has been analyzed. The results fall on the following four categories; those are the use of Pop color which resembles the Hard-edge technique in Pop art, direct appropriation of Pop art such as Andy Warhol and Roy Lichitenstein`s works on clothes and accessories, adaptation of Pop art`s subject using brand names of mass products or icons in mass culture as design motives, and application of representation method in Pop art such as Andy Warhol`s silk screen techniques or Tom Wesselman`s composition of pictures.
복식과 회화에 표현되는 몸의 재현 프란시스 베이컨의 -작품과 레이 카와쿠보의 컬렉션을 중심으로-
임은혁 ( Eun Hyuk Yim ) 한국패션비즈니스학회 2013 패션 비즈니스 Vol.17 No.4
In examining the relationship between fashion and art which are intimately interrelated, the body is a suitable subject in that it is the common object of representation. This study investigates and compares the images of the body in Francis Bacon`s paintings from 1940s to 1970s and the formative aspect and aesthetic value of the abstract body images in Rei Kawakubo`s designs since 1980s. The figures in Bacon`s paintings are confusingly and atypically deformed as well as distorted, which are the combinations of the anatomies without references, not so much represented objects as experienced sense. Kawakubo`s designs attempt to deform the body, moreover, she transforms the body; represent abstract forms without association with any other figures that exist, emphasizing sculptural or architectural shapes of garment. She suggests extensive visual language of dress by challenging the norms of beauty. The body in Bacon and Kawakubo`s works is dispersive as well as complex in that the body images are deconstructed, fragmented, and exaggerated. Respectively, they articulate the perception of the body in postmodernism era by destroying the myth of subject; furthermore establish the aesthetics that transcend conventional ideals by reevaluating as well as refusing the standards of beauty.