시뮬레이션을 이용한 비행장능력 평가모형에 관한 연구

오승학,이상진 한국국방경영분석학회 2000 한국국방경영분석학회지 Vol.26 No.1

This paper deals with an estimation method of the airfield capacity for the airlift operation. In the US Air Force, airfield capacities has been estimated using MOG(Maximum -On-the-Ground) concept, which is known to having several weaknesses. Recently, RAND suggests a personal-computer- based model called the Airfield Capacity Estimator(ACE), which is a more advanced and realistic technique compared to the MOG. This paper attempts to modify the ACE appropriate to the Korean airlift operation. While ACE is developed on the basis of strategic mobilization, Korean airlift operation is done on the tactical basis. A designed mdel is tested with simulation technique.

선(線)의 심미적 기원 고찰 -숭배의 대상에서 예술의 도구로

지승학 ( Seung Hak Chi ) 한국기호학회 2015 기호학연구 Vol.44 No.-

본고는 ``선``(線)이 가진 의미의 기원을 추적하는 노력의 일환으로서 선의 조형적 가치를 선사이미지에서부터 자연의 원리를 함축하는 것으로 상정하여 분석하고자 한다. 따라서 선에 대한 질문을 위해 선사이미지를 언급해야하는 이유는 타당성을 지닐수 있게 된다. 동굴벽화에서 발견할 수 있는 선은 자연을 대상으로 삼았기 때문이다. 그 자연 속에 동물은 그래서 중요한 의미를 갖는다. 선이 자연과 밀접한 관련을 맺는 다는 가설은 동물에 대한 묘사에서 찾을 수 있다. 특히 그들이 동물을 그릴 수 있다는 것은 동물을 관찰했다는 의미이기도 하다. 동물과 자연에 대한 관찰은 하나의 패턴을 읽어낼 수 있게 하였다. 그들은 변화무쌍한 자연 속에서 일정한 규칙을 발견하게 된것이다. 이를 가브리엘 타르드의 논의를 통해 규명하자면 ``유사와 반복``의 발견이라 할 수 있다. 유사와 반복이 자연이 가진 질서로 인식되면서 이를 가장 명료하게 인식 할 수 있게 도와준 것이 바로 선이다. 선의 담론이 포괄적일 수 있는 이유는 바로 여기에서 비롯된다. 특히 이러한 이해를 통해서 우리가 알게 되는 것은 유사와 반복이 선으로 표현되었을 때 자연이 지식의 대상이 되어 갔다는 사실이다. 지식의 대상이 된 자연은 곧 기술적 표현으로 승화되기에 이른다. 이것은 하나의 규칙과 질서에 대한 인식이 어떻게 심미적 가치를 갖게 되는지를 보여주는 과정이며 이를 증명하는 것이 바로 선인 것이다. 선에 대한 담론의 한 부분은 기원에 대한 다양한 물음으로 구성된다. This paper, as part of efforts to track the meaning of origin with "line", is to be analyzed on the figurative value with the principles of the nature. Questions about the line are also a question of origin. A line which can be found in cave paintings targeted the nature. Therefore, animal in its nature has an important meaning. Hypothesis that lines connect the nature can be found in the description for animals. In particular, the ability that they can draw the animals is the meaning that they have observed animals. The observation of Animal and nature was set to be able to read one pattern. But they are supposed to discover certain rules in nature. As the discussion of this Gabriel Tarde, it is a discovery of "similarity and repetition" in the nature. The thing which helped most clearly to be able to recognize the nature is just lines. The reason that the line discourse can be comprehensive is the very point. Through these understanding, what we will be known is that the nature becomes the subject of knowledge as long as ``similarity and repetition`` is represented by the line. Nature to be the subject of knowledge immediately is to be artistic expression. This is an indication of whether it has one of the rules and how the aesthetic value recognition for the order. The discourse of the line is composed of various questions of origin. ``The line`` reminds us of the importance of the question about origin.

2P-77 : 지지체의 투과저항이 코팅층의 두께 및 복합막의 분리 성능에 미치는 영향

최승학,신효진,김정훈,하종욱,박인준,이수복,노재성,강득주 한국공업화학회 2003 한국공업화학회 연구논문 초록집 Vol.2003 No.-

Some Epistemological Remarks on Contemporary Films: Focusing on 'Visual Pleasure'

지승학 고려대학교 응용문화연구소 2018 에피스테메 Vol.0 No.19

In this article, first of all, what I want to insight is what is 'visual pleasure'. Visual pleasure, as a term of psychoanalysis, is one of the strategies that work primarily in Hollywood movies. Therefore, I think that this concept can be divided into the first pleasure to make a visual image object and second, the pleasure to discover the perfect image of oneself. The first visual pleasure is also known as Scopophilia. Scopophilia refers to the act of looking in sexuality. The key is that it is a type of looking without revealing itself. The second visual pleasure is narcissism. As you well know, it is the pleasure of discovering your idealized ego. It is a panopticon that Scopophilia works at the national level. It can be seen that Scopophilia is ultimately an important operating principle of 'Surveillance'. Narcissism is a pleasure to discover the idealized self. In particular, this is related to the attitude of spectators viewing national antagonistic sports games. Therefore, conceptualizing these two things can be called 'Objectfication of others' and 'Idealization of oneself'. From this article, I'm willing to compare the visual pleasure of 3 Korea Directors films with the early Hollywood Films. The Objectification of others always structures 'the looking subject' and 'the visible object'. In the patriarchal society, the subject is structured as a man, the visible object is a woman, and this structure is transformed into a very strong power-structure. At this time, the image of the visible object becomes an element of Spectacle.

에너지/환경 : PVDF/플라즈마 막접촉기를 이용한 이산화탄소와 흡수에 관한 연구

최승학 ( Seung Hak Choi ),오세중 ( Sae Joong Oh ),( Tong Zhai Gao ) 한국화학공학회 2005 Korean Chemical Engineering Research(HWAHAK KONGHA Vol.43 No.1

The Representation of Linearity on Industrialization in Modern Films: Some Remarks on Ozu Yasujiro’s Films in 1940s

지승학 고려대학교 응용문화연구소 2015 에피스테메 Vol.0 No.13

This article has a thema of the rigid line on the film of Ozu Yaszirowho has been re-evaluated by capturing the message aboutIndustrialization for Japan with film aesthetics. To Ozu, Film is extremely the space of Geometric line for filmaesthetics. Therefore, these facts prove that Yasujirō Ozu has wanted tobuild the value of the 'order'. The order signifies the hierarchy throughsymmetry and proportion. When he fixed the camera, these things can doenough to paly a role which makes us obey the rules. These facts exquisitely caused huge synergies by correspondence withpostwar Japan. In his films, to imply vertical and horizontal lines waseligible for injecting 'worthy of order' or 'worthy of repeating'. Also, the views like the steel frame structures and a factory chimneyand Japanese style house show not just a landscape but the ideology ofrigid industrialization. In my opinion, his films not only representeveryday but also suggest to obey the rules as structure of Industrialarchitecture.

Film as Musculature in East Asia: A Case of China

지승학 고려대학교 응용문화연구소 2012 에피스테메 Vol.0 No.8

This paper will aim to criticize the East Asia film in China and Japan. Specially, I’m willing to reveal the social ideology by analyzing the film in 1900’s~1980’s. It is important that we know how social ideology utilize the body in film. Thus this paper will investigate the East Asia film through the body’s locomotion as musculature which implied collective unconsciousness. The body in film has played a role in emotional and substitution agency. Especially, Chinese films are more reflecting social ideology than Japanese films. In this way, we can perceive the body as a means which can propagate people in Chinese films and Japanese films.

소비이미지로써의 현대 건축물 : 벤야민의 Absolute signs와 Absolulte marks의 개념 중심으로

지승학 고려대학교 응용문화연구소 2009 에피스테메 Vol.- No.3

본 논문은 벤야민의 미학 체계를 구성하는 사유의 한 부분으로써 ‘절대 기호’와 ‘절대 마크’라는 개념을 차용한다. 이 두 개념은 유대교 사상에서 비롯된 신과 인간의 소통의 관계를 인간 사회에서 나타내는 ‘기호’와 구분하기 위해 언급되는데, 이 표식의 관계성은 인간과 인간 간에 이루어지는 소통으로써의 맥락에 비하여, 보다 강력한 일 방향 적 성격을 나타낸다. 그러나 역설적으로 이러한 일방향성은 권력 관계 로써의 강압이 아니라, 오히려 자발적 성격이 강력함을 내포한다. ‘절 대기호’는 평면적 특성으로써 절대적인 메시지를 내포하고 ‘절대마크’ 는 공간적 특성을 지닌 채 절대적 메시지를 내포한다. 이 둘은 상호 보완적이며, 이들의 특성은 그 성격상 하나의 담론을 사회 내에 침투 시키는데 뛰어난 능력을 발휘한다. 본고는 이러한 절대기호와 절대 마 크의 개념을 현대 사회의 도시 경관을 이루는 ‘빌딩’ 그리고 그로 인 한 ‘주변 경관’에 적용하여 고찰하고자 한다. This article borrowed the concept of “Absolute sings” and “Absolute Marks” which are written in “Painting and Graphics” of Walter Benjamin. These signify not only relationship between God and human which stemmed from Judaism but also represent more strength one-sided communication than communication of human society. Paradoxically, however, it is not a dominant-subordinate relationship but an active obedience relationship. Absolute signs connote the absolute messages on “the plane”. Absolute marks connote the absolute messages in “the space”. All of these are the complementary image to raising the doctrine of a capitalistic society. This article is willing to treat and consider the architectures of contemporary society as the images and spectacles of “The Modern consumption doctrine “ through “Fetishism” which Marx mentioned and “the sign and mark” which Walter Benjamin wrote.

악정형 장치를 이용한 구순구개열 환자의 상악골 전방견인

백승학 대한구순구개열학회 2008 대한구순구개열학회지 Vol.11 No.1

Cleft lip and palate patients often develop maxillary retrusion due to the combined effects of the congenital deformity and the scar tissue after surgical repairs. Maxillary protraction in the cleft patients using orthopedic appliances (i.e. face mask) or distraction osteogenesis during early childhood helps to achieve more balanced skeletal harmony and favorable occlusion for future growth to occur. Kinds, indication, protocol for use of the traditional orthopedic appliances will be discussed. Also the facemask with miniplate system recently developed will be introduced.

가로환경요소로서 주유소 간판의 효율적 운영 및 친환경적 발전방안에 관한 연구

최승학(Choi, Seung-Hak),류윤진(Ryu, Yoon-Jin),엄민경(Eum, Min-Kyung),김도년(Kim, Do-Nyun) 대한건축학회 2010 대한건축학회 학술발표대회 논문집 - 계획계/구조계 Vol.30 No.1(계획계)