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      • KCI등재후보

        마가복음 우선설 비판

        오광만(Oh, Kwang-Man) 개혁신학회 2010 개혁논총 Vol.14 No.-

        This paper has a goal to rethink on and to criticize to the Marcan Priority, hereby this author wants to claim that Marcan Priority doesn't have any scientific basis of its theory. Firstly, in relations of sources of Synoptic Gospels, Synoptic Gospels were composed by seven sources, while Marcan Priority presupposes two sources, which can not explain where the other five sources came from. In addition to this, scholars who adopts Marcan Priority tend to mistreat Luke 1:1-4. Secondly, the theory that on the basis of agreements of vocabularies used in Synoptic Gospels Mark was written first has little foundations. The ratio or statistics of using common vocabularies is relatively small in Synoptic Gospels. Thirdly, agreement in the order of arrangement of units does not support Marcan Priority, either. There is no scientific basis that Matthew and Luke followed the order of Gospel of Mark. Rather, the reverse case is to be found. Fourthly, that Gospel of Mark is shorter than the other two Gospels is totally unfounded. The length of each Gospel is depended on theological perspectives of its author not on its priority. Fifthly, the theory that style and/or vividness of the Gospel of Mark can not be foundation of priority, in that style and/or vividness comes from literary tendency of each author of Synoptic Gospels which was ruled by oral tradition. Sixthly, the belief that Matthew and Luke changed the content of Gospel of Mark, especially in Christology, is ill founded. Lastly, editorial characteristics of the three Gospels are resulted in by the interests of the authors not by the priority of writings.

      • KCI등재후보

        인간과 음악 : 번민과 그 번민의 극복

        오광만 ( Oh Kwang Man ) 한국기독교철학회 2018 기독교철학 Vol.26 No.-

        음악은 인류의 역사와 함께 시작되었다. 인간은 기쁨과 슬픔, 번민과 갈등을 음악으로 표현했다. 사람은 “하나님의 형상”으로 창조되었는데, “하나님의 형상”은 지성이나, 감정, 또는 인간의 도덕적 속성 중 어느 하나에 속하는 것이 아니라, 총체로서 인간 존재에 해당한다. 인간은 생각뿐만 아니라 감정을 표현하는 존재이며, 그것은 인간의 모든 속성의 중심인 마음에서 비롯된다. 또한 인간의 마음의 표출은 하나님의 마음과 연결되기도 한다. 그러므로 인간의 마음의 바른 표출은 하나님과 관련되어야 하며, 그 마음의 여러 갈등과 번민은 하나님 안에서만 그 해결을 찾을 수 있다. 성경의 시편 저자는 한 인간으로서 겪는 번민과 슬픔을 음악으로 표현했고, 하나님 안에서 찾으려 한 대표적인 사람이다. 그러나 많은 음악가들은 한 인간으로서 살면서 실제로 갈등하고, 그 갈등한 것을 음악으로 표현하였다. 그들은 음악 그 자체를 위해 작곡하고 연주하기도 했지만, 그들이 만든 음악에는 그 당시 그들이 처한 마음의 상태가 반영되었다. 시편 저자들과 달리 많은 음악가들은 자신의 고민거리로 인해 갈등하면서도 그것을 그 해결의 결정자를 찾지 못해서, 또는 그가 찾은 해결과 자신의 삶이 어우러지지 못한 것을 고민한다. 이런 것이 거의 대부분 그의 음악에 반영되었으니, 우리는 음악 자체에 대한 이해와 아울러 음악가 자신에 대해 공감을 많이하면 할수록 그들의 작품을 더 많이 이해할 수 있을 것이다. 나는 이 글에서 음악가 두 사람(차이코프스키와 말러)을 예로 들어 설명하면서, 음악은 단순한 예술의 차원을 넘어 인간의 총체적인 갈등의 산물이며, 사람들은 음악에 표현된 감정과 한 인간으로서 예술가들의 감정과 교감함으로써 진정 그들의 작품에 공감할 수 있다는 것을 말하고 싶다. 이 사실에 공감대를 끌어내기 위해 나는 현대에 많은 사람들의 사랑을 받고 있는 차이코프스키의 생애와 그의 교향곡 4번, 그리고 말러의 생애와 그의 교향곡 2번(“부활”)을 검토함으로써, 인간으로서 두 사람의 고뇌와 그들의 갈등에 공감하며 우리의 정서함양의 문제를 함께 생각해보려 한다. Music began with the history of human beings. From the beginning they expressed their lament, sorrow, anxiety, and anguish with music. Human beings were created in “the image of God.” which is pertained to not one of intelligent, emotion, or moral attributes, but human being itself as a whole. In a sense, human beings as an image of God are to be related to God as their prototype. Heart is the center of human beings, from which emotional expression as well as intelligent and moral character comes out. Thus right expression of our heart ought to be related to God, and the resolution of anguish can be found in God. The author of the Book of Psalms, as a human being, used to express his anguish and sorrow with music, and tried to find his solution in God. But, unlike the author of Psalms, many musicians, as human beings, had been struggling and agonizing over not only because of not finding the solution of their anguish but because of not-harmonizing between the solution and their real life. Since all of their struggling had been reflected in their works, the more we sympathize them together with their works themselves, the more we can appreciate them as well as their works. Music is more than the dimension of art. It is the results of total struggles of human beings as well. We can sympathize the musicians and their works by communing with them. In this paper I, by examining two Romantic composers, P. I. Tchaikovsky and G. Mahler, and their respective works, Tchaikovsky’s Symphony No. 4 and Mahler’s Symphony No. 2, will sympathize their anguishes and struggles and try to think the matter of appreciation of their artistic works.

      • KCI등재후보

        칼빈의 제네바 시편찬송가

        오광만(Oh, Kwang-Man) 개혁신학회 2009 개혁논총 Vol.11 No.-

        Calvin's Genevan Psalter was the fruit of one of the spirits of Reformation, namely sola scriptura, in which Calvin emphasized the right attitude and spirit of worship. He said, by having changed visible worship of Roman Catholic church to audible one, that singing psalms in public worship was to exalt our hearts, to offer hymns and prayers and to give thanks to God. Calvin thought psalms had to be translated into people's language in order that everyone could learn and sing hymns easily. We can find several Calvin's spirits of public hymns in Genevan Psalter. Firstly, Calvin understood hymns in public worship as prayer. Secondly, Psalms were inspired by the Spirit of God, which is said to be sacred songs, to teach us the right means and attitude to give sacrifices of hymns and therefore to be the best way to sing the glory of God. According to Calvin, Psalms were to sing in unison without accompanying any other musical instruments in order that people might sing spiritually. Calvin emphasized texts of the songs rather than tunes in order to concentrate our minds on the biblical text itself. After Calvin, Genevan Psalter began to be sung widely in everywhere by every reformers. For more than four hundred years Genevan Psalter has been identified with the hymn of the Reformed Church. Calvin reformed church even in the area of singing songs. He even limited to psalms in singing hymns in public worship. He excluded any other songs made by human beings, which were considered to be frivolous and apt to accept heretic elements into the church hymns to ignore the Chritological hymns in the New Testament. And also he understood hymns from the perspective of prayer, so that he could not help excluding the musical elements in singing psalms. Nevertheless, we must praise Calvin, who restored the spirit of worship, which is to focus our hearts on God rather than on human beings. We, members of presbyterian churches, must identify ourselves to be the followers of reformers, especially of John Calvin, by singing psalms in public worship as well as in our daily lives.

      • KCI등재

        An Ambiguity-free Surface Construction from Volume Data

        이의택,오광만,박규호,Lee, Ee-Taek,Oh, Kwang-Man,Park, Kyu Ho Korea Computer Graphics Society 1998 컴퓨터그래픽스학회논문지 Vol.4 No.1

        This paper presents a simple method for relieving the ambiguity problems within the sub-voxel based surface-fitting approach for the surface construction. ECB algorithm is proposed to avoid the ambiguity problem which is the root of the holes within the resulting polygon based approximation. The basic idea of our disambiguation strategy is the use of a set of predefined modeling primitives (we call SMP) which guarantees the topological consistency of resulted surface polygons. 20 SMPs are derived from the extension of the concept of the elementary modeling primitives in the CB algorithm [3], and fit one to five faces of them to the iso-surface crossing a cell with no further processing. A look-up table which has a surface triangle list is pre-calculated using these 20 SMPs. All of surface triangles in the table are from the faces of SMPs and are stored in the form of edge list on which vertices of each surface triangle are located. The resulted polygon based approximation is unique at every threshold value and its validity is guaranteed without considering the complicated problems such as average of density and postprocessing. ECB algorithm could be free from the need for the time consuming post-processing, which eliminates holes by revisiting every boundary cell. Through three experiments of surface construction from volume data, its capability of hole avoidance is showed.

      • KCI등재

        부산시 남부하수처리시설과 인근 하천에서 발생하는 악취물질 확산 특성

        문성만 ( Seong Man Mun ),이형돈 ( Hyung Don Lee ),조상원 ( Sang Won Cho ),강동효 ( Dong Hyo Kang ),박해식 ( Hae Sik Park ),오광중 ( Kwang Joong Oh ) 한국환경과학회 2011 한국환경과학회지 Vol.20 No.8

        The covered stream of cities are considered an odor source. Also, the public do not want a wastewater treatment plant(WWTP) near their properties due to the emission of odor emanating from such sources, although they play an important role in urban development. The purpose of this study is to analyze the pattern distribution of the odorous compounds from the Nambu WWTP and Youngho stream in Busan. odor sampled four times were analyzed by instrumental analysis method and indirect olfactory method. The kinds of offensive odorous compounds examined are acetaldehyde, propion aldehyde, hydrogen sulfide, methyl mercaptan, dimethyl sulfide and ammonia. Also, Concentration of air pollutants has been calculated by ISCST3 models. At the result of this study, The Nambu WWTP releases sulfur compounds. And the major odorous were hydrogen sulfide (1,475 ppb) and acetaldehyde (95 ppb) at Youngho stream. The stink which residents feel will point out the Nambu WWTP mainly if the odor is removed with the improvement of a Youngho stream. Accordingly, we should pay more attention to appropriate components to processes in odor reducing plan at Nambu WWTP.

      • KCI등재
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        Struvite 결정화를 이용한 하수슬러지내의 인 자원 회수에 관한 연구

        최원준(Won Joon Choi),박규만(Kyu Man Park),윤배근(Bae Geun Yoon),김민철(Min Chul Kim),오광중(Kwang Joong Oh) 大韓環境工學會 2009 대한환경공학회지 Vol.31 No.7

        본 연구는 struvite 형성 방법을 이용하여 하수슬러지 내에 함유되어 있는 인을 효율적으로 회수하는 것을 목적으로 하였다. 산의 종류에 따른 인 용출 실험결과, HCl에 비하여 H₂SO₄가 2.65배 높은 효율을 나타내었으며, Mg 원과 온도에 따른 struvite 생성물의 침전율은 25℃에서 MgCl₂·6H₂O를 Mg 원으로 사용한 경우에 97.4%로 가장 높게 나타났다. 또한, 인 회수 과정에서 Fe, Al, Zn 등에 의한 부반응이 일어났으며, 이를 해결하기 위하여 pH 7에서 인 화합물의 침전을 유도하여 부반응 공침전 물질을 다량 제거시킬 수 있었다. Struvite 형성 방법을 통한 최종 인 회수율은 82.99%로 순도 높은 struvite 생성물을 회수할 수 있었다. The objective of this study is to efficiently recover phosphorus contained in sewage sludge by a struvite-forming method. The performances were evaluated under various operating conditions(elution with the kind of acid, Mg-compound and temperature) in order to reach the optimum conditions of struvite-forming. As a result, as an elution solution, the elution efficiency of H₂SO₄ was 2.65 times higher than that of HCl. Also, the precipitation efficiency of struvite was the highest (97.4%) in case of using MgCl₂·6H₂O as Mg-compounds at 25. However, the side reaction by Fe, Al and Zn appeared in process of phosphorus recovery. To solve some problems caused by side reacton, large quantities of co-precipitation materials produced by side reaction were removed by precipitating phosphorus compounds in pH 7. Consequently, the recovery efficiency of phosphorus by a struvite-forming method was 82.99%, and purity of the recovered struvite product was high.

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