무용수들의 섭식절제, 섭식장애와 자아존중감과의 관계

신혜숙 ( Hea Sook Sin ) 대한무용학회 2008 대한무용학회논문집 Vol.56 No.-

On the assumption that, in the contemporary society that emphasizes external body type, dancers` restrained eating and eating disorder would have an effect on their self-esteem, the present study surveyed 225 university dancers in order to analyze their psychological state caused by restrained eating and eating disorder and to provide basic data for health management. From the results of this study were drawn conclusions as follows. First, significant correlation was observed between dancers` restrained eating and eating disorder, and between their eating disorder and negative self-esteem. Second, dancers` restrained eating was found to be a variable explaining 16.6% of their eating disorder. Third, dancers` restrained eating was found not to have a significant effect on their self-esteem. Fourth, the sub-factors of dancers` eating disorder self-abasement and anorexia nervosa were found to be variables explaining 44.8% of the dancers` negative self-esteem. Dancers` restrained eating and eating disorder, which are inevitable for maintaining their body type, were affecting their self-esteem negatively in a vicious cycle. As dancers` negative self-esteem may develop into emotional problems such as lack of confidence in front of audience and others and stage anxiety, there should be scientific guidelines for dancers` body type management and eating habits.

생활무용 참여여성의 자아 존중감과 심리적 안녕감 및 사회적 지지

신혜숙 ( Hea Sook Sin ) 한국스포츠심리학회 2007 한국스포츠심리학회지 Vol.18 No.3

생활무용 참여에 따른 중년여성의 사회적 지지와 참여만족과의 관계

신혜숙 ( Hea Sook Sin ) 대한무용학회 2007 대한무용학회논문집 Vol.51 No.-

The present study surveyed 464 middle aged women who were participating in life dances in order to analyze differences in social support and participation satisfaction according to the state of participation and the relation between social support and participation satisfaction and ultimately to obtain basic materials for expanding middle aged women`s opportunities for and accessibility to life dances. Conclusions drawn from this study are as follows. First, in the results of ANCOVA on social support according to the state of participation using personal characteristics as covariants, social support was significantly high when the place was a sports center and when the monthly fee was over 50,000 won, but did not show any significant difference according to the quality of facility. Second, in the results of ANCOVA on participation satisfaction according to the state of participation using personal characteristics as covariants, satisfaction was significantly high when the place was a women`s center or a sports center, when the quality of facility was satisfactory and when the monthly fee was 10,000~30,000 won. Third, in the results of multiple regression analysis on participation satisfaction using the sub factors of social support - evaluative support, self-esteem support and belonging support - as intervening variables, social support explained 40.2% of participation satisfaction. In their old age, people`s happiness can be found in satisfying their desires for social relation and the value of their existence. In this sense, life dance is highly valuable leisure culture mentally, physically and socially. Particularly as a leisure activity creating aesthetic value of art through bodily motions, it is recommendable to women in middle or old age in order to strengthen their confidence through the practice of aesthetic expression and to enhance their sense of well being and social support.

재즈댄스 참여여성의 참여만족에 따른 사회적 지지와 자기 존중감과의 관계

신혜숙(Hea Sook Sin),오수일(Su Il Oh) 한국사회체육학회 2009 한국사회체육학회지 Vol.0 No.37

This study surveyed and analyzed the relation between social support and self-esteem according to satisfaction with jazz dance participation in 300 jazz dance participant women, and drew conclusions as follows. First, jazz dance participation satisfaction was in a significant correlation with social support, and among the factors of participation satisfaction, emotional stability had a higher effect than physical competence on membership among the factors of social support. On the contrary, physical competence had a higher effect than emotional stability on confidence among the factors of social support. And jazz dance participation satisfaction was in a significant correlation with self-esteem. Among the factors of jazz dance participation satisfaction, emotional stability had a significant effect on self-esteem but physical competence did not. Second, social support and self-esteem according to jazz dance participation showed a significant correlation with each other, and social support worked as a variable with a significant effect on self-esteem.

무용수의 상해에 따른 스트레스와 무용수행

신혜숙 ( Hea Sook Sin ),김석란 ( Sulk Lan Kim ) 대한무용학회 2006 대한무용학회논문집 Vol.49 No.-

In order to analyze the relationship between stress and dancing performance according to dancers` injuries, this study has carried out a survey with university students majoring in traditional Korean dance (91), ballet (91), and modern dance (95) as its subjects. The results of this study are as follows. First, as for experience of injuries by major, the most frequent situation where an injury occurs is the private practice, and class and performance follow it. As for main factors of injuries, the personal factor is the most frequent in traditional Korean dance, the technical factor and the personal factor in ballet, and the technical factor in modern dance. Second, as for frequently injured body parts by major, traditional Korean dance has the neck, the coccyx, the patella, the nervous sense paralysis, cramps in muscles, and bruised muscles as the most frequent injuries. Blisters, ripped off toenails, and Achilles` tendon damages are the most frequent injuries in Ballet, and thighbone damages and abrasions in modern dance. Third, the more experience with injuries a dancer, the higher stress has. Fourth, due to stress by dance injuries, dancers feel weary most frequently, and weakened will and a sense of burdening next most frequently. Through this study, we can realize that stress most greatly builds up when a dancer is injured, which causes to feel weary in dance performance. Thus, a dancer should always limber up before practicing in order not to be injured, and it is important for dancer to try to put himself at ease in order not to be stressed. Much research should be done on obviation of dancers` injuries.

무용수들의 체형지각에 따른 자아 존중감

신혜숙(Hea Sook Sin) 한국무용과학회 2008 한국무용과학회지 Vol.16 No.-

본 연구는 예술적 표현에 대한 해석과 이해를 신체적 움직임에 많은 비중을 두고 있는 무용 특성상 무용수의 체형과 자신감은 우선적 과제이므로 무용수들의 체형 지각과 자아존중감은 어떠한 관계가 있는가를 조사하여 무용수들의 체형지각에 의한 심리적 현황과 체형관리의 기초 자료로 제공하고자 대학 무용수 225명을 대상으로 조사 분석한 결과 다음과 같은 결론을 얻었다. 첫째, 무용 전공별 체형지각에서 하위요인인 신체적 지각은 현대무용이 한국무용과 발레보다 높게 나타났으나 유의한 차이는 보이지 않았다. 둘째, 무용 전공별 체형지각의 하위변인인 사회적 지각에서는 한국무용이 발레와 현대무용보다 유의하게 높게 나타났다. 셋째, 전공별 자아존중감은 한국무용이 발레와 현대무용보다 유의하게 높게 나타났다. 넷째, 무용수들의 체형지각 하위변인인 신체적 지각 및 사회적 지각과 자아 존중감과의 회귀분석 결과 사회적 지각은 자아존중감에 7%의 유의한 영향을 미치는 변인으로 나타났다. 무용수의 불만족한 신체적 지각과 낮은 사회적 지각에 의한 낮은 자아존중감은 관객과 타인 앞에서의 자신감 결여, 무대불안 등의 정서적 문제로 발전 될 우려가 있으므로 전공의 특성을 고려한 과학적인 체형 관리지도가 요구된다. The objective of the present study was to examine the relation between dancers' body shape perception and their self-esteem and to provide basic materials for managing dancers' psychological state and body shape. For this purpose, we surveyed 225 dancers and drew conclusions as follows. First, as to body shape perception by major, physical perception, one of the sub-factors of body shape perception, was higher in those majoring in contemporary dance than in those majoring in Korean dance or ballet, but the difference was not significant. Second, another sub-factor social perception was significantly higher in those majoring in Korean dance or ballet than in those majoring in contemporary dance. Third, as to self-esteem by major, self-esteem was significantly higher in those majoring in Korean dance than in those majoring in ballet or contemporary dance. Fourth, when regression analysis was made on the relation between the sub-factors (physical perception and social perception) of dancers' body shape perception and their self-esteem, social perception was found to be a significant variable explaining 7% of the variation of self-esteem.

에어로빅스 참여 환경요인에 따른 몰입경험과 참여만족

신혜숙(Hea Sook Sin) 한국여가레크리에이션학회 2008 한국여가레크리에이션학회지 Vol.32 No.3

This study surveyed and analyzed flow experience and participation satisfaction according to factors related to participation environment in 264 female aerobics participants, and drew conclusions as follows. First, as to flow experience according to participation environment, flow experience was significantly higher in participants at sports centers according to participation place, those who replied Very satisfactory to the question on satisfaction with education, and those who were paying a fee of 30,000~50,000 won. but no difference was observed according to satisfaction with facilities. Second, as to participation satisfaction according to participation environment, participation satisfaction was significantly higher those who replied Generally satisfactory to the question on satisfaction with education and those who were paying a fee of 30,000~50,000 won but no difference was observed according to participation place and satisfaction with facilities. Third, in the relation among flow experience, and participation satisfaction in aerobics, flow experience was found to have a significant effect.

생활무용 참여형태에 따른 자아 존중감과 지속적 참여의사와의 관계

신혜숙(Hea Sook Sin) 한국여가레크리에이션학회 2008 한국여가레크리에이션학회지 Vol.32 No.2

The objective of the present study was to obtain basic materials for expanding opportunities for and accessibility to dance for people in various classes, and for this purpose, we surveyed 772 women participating in Korean dance, dance sports, aerobics, jazz dance, etc. on their self-esteem and intention for continuous participation according to life dance participation pattern, analyzed collected data, and drew conclusions as follows. First, with the diversification of leisure activities, people`s participation in life dance is increasing and there are many private institutions public welfare centers that offer such programs. In addition, life dance participants` self-esteem was found to be very high. Self-esteem was high in those who participated in Korean dance at a sports center 4~5 times a week according to participation pattern, those who replied `Generally satisfied` according to satisfaction with the contents of education, those who replied `Satisfactory` according to facility level, and those who replied `50,000 won or higher` according to tuition fee. Second, life dance participants had the intention to participate in life dance continuously, and their self-esteem affected their intention for continuous participation.

에어로빅스 참여환경에 따른 사회적 지지, 자아 존중감과 지속적 참여의사와의 관계

신혜숙(Hea Sook Sin),오수일(Su Ill Oh) 한국사회체육학회 2007 한국사회체육학회지 Vol.0 No.31

The present study surveyed and analyzed social support, self-esteem and intention of continuous participation in women in their 20s~30s participating in aerobics according to the environmental factors of aerobics participation, and drew conclusions as follows. First, with regard to social support according to environmental factors of participation, social support was significantly high in those who replied that the contents of education were "very satisfactory" and those who replied that the facility level was "sufficient." Social support did not show a significant difference according to fee level. Second, with regard to self-esteem according to environmental factors of participation, self-esteem was significantly high in those who replied that the contents of education were "very satisfactory" and those who replied that the facility level was "sufficient." Self-esteem did not show a significant difference according to fee level. Third, social support was found to have a significant effect (42.9%) on self-esteem. Fourth, in the relation among social support, self-esteem, and intention of continuous participation in aerobics, self-esteem was found to have a significant effect. Aerobics is a leisure sport and dance for young people, having physically and mentally positive effects on their social and cultural life. In particular, many young women are participating in aerobics activities at sports centers. Thus, it is necessary to induce their continuous participation through improving the environment of participation to meet the participants`desires for education and aesthetic expression.

무용수들의 관객인지에 따른 상태불안

신혜숙 ( Hea Sook Sin ),손주희 ( Joo Hee Sin ) 대한무용학회 2008 대한무용학회논문집 Vol.56 No.-

The objective of the present study was to survey dancers` awareness of audience, and their state anxiety according to the awareness, and by doing so, to obtain data for improving the communication and the effect of dancers` performances. For this study, we surveyed and analyzed state anxiety according to audience awareness in 255 dancers including 108 students majoring in Korean dance, 72 in ballet, and 75 in contemporary dance, and drew conclusions as follows. First, as to audience awareness and state anxiety according to personal characteristics, audience awareness according to major was higher in students majoring in ballet but the difference was not significant. On the other hand, state anxiety was significantly higher in students majoring in contemporary dance, followed by Korean dance and ballet. According to school year, audience awareness was highest in sophomores but the difference was not significant. State anxiety was highest in sophomores, followed by freshmen, seniors, juniors and graduate students, and the difference was significant. According to the frequency of performances, audience awareness was significantly higher in students performing once a month, followed by once in every six months, once a week, and once a year. On the other hand, state anxiety was high in students performing once a week, but the difference was not significant. Second, in the results of correlation and multiple regression analysis on audience awareness and state anxiety, audience awareness showed a significant correlation with state anxiety. As to state anxiety according to the sub-factors of audience awareness, the "dancer-centered" factor of audience awareness had a significant effect on strain and overstrain of state anxiety, and the "conversation with audience" factor of audience awareness had a significant effect on arousal and strain of state anxiety. As presented above, dancers` audience awareness worked regardless of major and school year, but was very passive without flow and interaction with audience, and dancer-centered performance had an effect on dancers` state anxiety. Therefore, it is necessary to provide dance students with opportunities to attune themselves and interact with audience at least once a month even at a small theater so that they resolve anxiety about the stage and develop flow and confidence in performance. Furthermore, it is required to survey dance performers` perception on audience in order to get information for enhancing the quality of dance performances, developing art performances recognizing audience`s potential, and providing important socio-cultural materials.