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신덕용 한국동서비교문학학회 2024 동서 비교문학저널 Vol.0 No.68
This paper examines the complex interplay between individual existential crises and the overarching structures of modern societies, employing Giorgio Agamben’s theoretical frameworks of ‘Bare Life’ and ‘State of Exception.’ By conducting a detailed analysis of two pivotal literary texts—Sylvia Plath’s The Bell Jar and Choi Inhun’s The Square, this paper reveals how societal constructs can precipitate profound personal crises that may culminate in suicidal ideation or attempts. In The Bell Jar, Esther Greenwood’s narrative serves as a poignant illustration of Agamben’s ‘Bare Life.’ Her descent into mental illness and her ensuing struggle with social isolation progressively strip her of her social and political identity, rendering her existence valueless within her community. This dehumanization drives Esther towards an egoistic suicide, highlighting the devastating impact of societal neglect and the failure of social structures to integrate and support individual mental health needs. Conversely, Lee Myungjun from The Square represents a life caught in the ‘State of Exception.’ Positioned between the diametrically opposed ideologies of North and South Korea during a time of intense ideological conflict, Lee finds himself alienated from any societal support structures. His journey is emblematic of an individual lost in a socio-political limbo where traditional structures are either absent or contradictory, leading to a state of anomie. This lack of clear societal direction and personal disillusionment with the prevailing ideological frameworks propels him towards a tragic contemplation of suicide. This paper argues that both characters’ journeys underscore the critical impacts of societal exclusion and ideological conflicts on individual agency and dignity, suggesting a dire need for a reassessment of how modern societies address and integrate individual differences within their socio-political frameworks.
신덕용 한국현대영어영문학회 2024 현대영어영문학 Vol.68 No.1
Shin, Deogyong, “The Study on Hopelessness Depicted in The Bell Jar.” Modern Studies in English Language & Literature 68.1 (2024): 125-43. This paper is to examine ‘hopelessness’ in Sylvia Plath's The Bell Jar offering a detailed analysis of the negative life events contributing to protagonist Esther Greenwood's profound despair. Negative life events which Esther had experienced occurred in circumstance beyond her control and affected her mental health in a negative way, ultimately leading to her suicidal ideation and suicide attempts. Focusing on three themes, ‘failed relationship with male characters; unfulfilled aspiration and gender role; and hopelessness and suicide attempt,’ the paper employs a thematic analysis approach, trying to provide a holistic understanding of Esther’s hopelessness in her mental state. Three themes are interconnected and intensify Esther’s hopelessness and multidimensional portrayal of despair. The implications highlight the study's contribution to literature, enriching our understanding of Plath's exploration of psychological and societal factors in Esther's emotional journey. (Dongguk University)
신덕용 한국지도학회 2008 한국지도학회지 Vol.8 No.1
중국이 역사지도를 제작한 것은 유구한 역사를 가지고 있다.북송AC.1094년에 석각으로 제작된 우적도에서부터 력대지리지장도 (AC.1099년), 장안지도(AC.1342년), 명조말기 금고여지도(AC.1648년)로 이어졌으며 청대에 이르러 행정구역연혁을 위주로 한역사지도가 제작되었다.이 시기 청대 학자들은 여지고증 결과를 끊임없이 흡수,확장하며 그 깊이를 더해갔으며 지도 편폭이 증가하고 내용을 수정 확장해갔다.특히 청대 중기 건륭 가경연간(AC.1736-1820년)은 중국에서 전대의 역사지리를 연구한 황금시기로더 깊고 자세한 역사지도를 제작하기 위한 기초를 다져놓았다.이렇게 청대에 여지연혁도(AC.1804년), 력대지리지운편금석(AC.1937년), 력대여지연혁험요도(AC.1879년), 수경주도(AC.1905년), 력대여지도(AC.1911년) 등의 역사지도가 제작되어으며 이중 수경주도와 력대여지도는 청대 건가시기의 순 학술성 역사지리고증학과 도광 함풍 이후 경세치용의 여지지학, 이 두 갈래의 학술풍조가 어우러져 만들어낸 위대한 결과물이다. China has long history in making historical map. It had continued from Ojeokdo in North Song(AC.1094) to Yeokdaejilijijangdo, Janganjido, Kumgoyeojido late in period Myung, finally Cheong started to make history map which is year of administrative district - centered. Scholars of Cheong had made outcome of Yeojigojung motified and extended constantly, mapʼs extent was more large and contents added detail. Especially, the middle of Cheong, Geonryoong Gagyeongyeongan(AC.1736-1820)is gold period when former agesʼ historical geography was studied. That made basis for making more details historical geo-map. Like this, the period of Cheong, many historical geo-map; Yeojiyeonhyeokdo(AC.1804), Yeokdaejirijioonpyeonkumseok(AC.1937), Yeokdaeyeojiyeonhyeokheomyodo(AC.1879), Sookyeongjoodo(AC.1905), eokdaeyeojido (AC.1911) were made. Sookyeongjoodo and Yeokdaeyeojido are great results history-geography-methodology; pure academically and Yeojijihak of Kyeongsechiyong got join together and made.
『미국의 아들』, 『원어민』에 등장하는 ‘비오스와 조에’: 존재론적(Bios), 기능적(Zoe) 존재
신덕용 한국동서비교문학학회 2019 동서 비교문학저널 Vol.0 No.50
The purpose of this paper is to analyze Richard Wright’s Native Son and Chang-rae Lee’s Native Speaker from the perspective of Giorgio Agamben’s political philosophy. These two novels have been commonly known as Bildungsroman in which the main characters experience racial conflict and find their identities through mental or emotional transformation obtained in their relationships with the surrounding society. Through their work, Richard Wright has revealed the tragic problems of racial discrimination caused by White community and explored the hardships which African-Americans had suffered in many ways, exposing the negative consequences of the discrimination to the public. If two previous novels by black writers concentrated on shedding light on the negative effects and destructive aspects caused by racial prejudice, such as the impossibility of identity building and of identity searching, during the time when racism was more overt and systematic, Chang-rae Lee’s novel has excluded many elements of racial discrimination based on skin color throughout the story. The precedent studies on these works, as above, have focused on the problems of identity experienced by people of color and immigrants: the ‘absence’ of humanity, the ‘exclusion’ from society, and the challenge of finding identity shown by the cultural ‘hybridity’.