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송미령(MiRyung Song),장욱(Wook Chang) 한국지역개발학회 2001 韓國地域開發學會誌 Vol.13 No.3
이 글의 목적은 친환경 농촌마을 도입의 필요와 한계를 살펴보는 것이다. 이를 위해 친환경농촌마을 도입의 이유를 이론적으로 검토하고, 우리나라 일반 농촌마을의 특성을 사회경제적, 물리적, 생태적 측면에 초점을 맞추어 검토하였으며, 친환경 농촌마을 도입을 위한 다양한 시도와 노력들을 소개하였다. 특히 친환경 농촌마을을 정책적으로 도입하는데 준거의 틀로 삼아야 할 행동과 설계 원리로서 생태적 효과성 및 생태적 효율성의 개념을 제시하였다.
청(淸) 가경제(嘉慶帝)의 친정(親政) 시작과 인사(人事)
송미령 ( Song¸ Mi-ryung ) 이화여자대학교 이화사학연구소 2020 梨花史學硏究 Vol.0 No.61
This article studied the guidelines for the Jiaqing emperor's state affairs, the maintenance of the central administrative system, and the characteristics of recruitment of human resources in 1799. After the Qianlong Emperor died in early January 1799, the Jiaqing Emperor took control of the government. At first, the Jiaqing emperor declared the Xianyu reform after excluding Heshen from politics. Before the Jiaqing Emperor declared the reform, he had already begun to tidy up the system in which the Grand Council and the Imperially Rescripted Palace Memorials were connected. Also the Jiaqing emperor tried to manage the state administration with the Prince Cheng. The emperor appointed the Prince Cheng as the Grand Councilor and gave him the authority to supervise the Board of Revenue. Although the Jiaqing Emperor removed the privilege of the Grand Council and the Grand Councilors, the danger of becoming another Hesen has always existed. For this reason, the Jiaqing emperor reduced the scope of work that the Prince Cheng was in charge of. Finally, the emperor dismissed him from the Grand Council. Since then, princes could no longer hold major posts in the central administrative organization in the Jiaqing Period. The Jiaqing emperor emphasized that he would handle all the work by himself from the beginning of January 1799. This was to create an administrative system centered on the emperor. The emperor valued the balance between the various government organizations.
의지(懿旨)와 유지(諭旨), 19세기 전반 청조(淸朝) 황위(皇位) 계승(繼承)방식의 변용(變容)
宋美玲 ( Song¸ Mi-ryung ) 명청사학회 2021 명청사연구 Vol.- No.56
The purpose of this article is to analyze the succession process of the throne in the first half of the 19th century and to identify differences in the secretly deciding the heir to the emperor prepared by the emperor Yongzheng, and examine its meaning. In particular, I paid attention to the edict of an empress and another imperial edict. First, when the Emperor Daoguang ascended to the throne, he faced a chaotic situation, because he could not find the secret documents left by his father. The document was written by the emperor Jiaqing in the name of his successor. Due to the absence of documents, it was difficult to find justification for the emperor Daoguang to ascend the throne. For this reason, the Empress provided the justification by writing her edict. This is different from the original form made by the emperor Yongzheng. In the process, the empress's original political influence was revealed. Next, what I noticed in the process of Emperor Xianfeng's ascension was an edict that said his father would confer a title on his younger brother, Yi xin. This was different in both form and content from the original form of the secretly deciding the heir to the emperor. I hypothesized that the emperor Daoguang had prepared alternatives considering his son's age, political experience and capabilities. In the first half of the 19th century, the process of succession to the emperor in the Qing Dynasty was different and transformed into a style created by the emperor Yongzheng. The reason was that these changes were necessary in order to lead the enthronement of the next emperor and to maintain stable politics.
20세기 전반기 회화의 한국적 요소를 응용한 의상디자인 연구 : 캐쥬얼 웨어를 중심으로
전현경,송미령 복식문화학회 2001 服飾文化硏究 Vol.9 No.3
Various art trends of the 20th century that contributed to the creation and development of abstract art had showed the transition from the convention of mere representation of the object to the formative sensitivity emphasizing self-expression. Noticing that such trends had influenced the fashion industry to move toward a free and individualized style, this study attempts to express the formative way from the existing art to wear. especially, based on early 27th century paintings, 5 casual wears were made which applied korean materials and silhouettes that are functional, simple and show traditional korea beauty. The purpose of this study is to search for a solution to expand the world market by producing dresses utilizing our own tradition that can be distinguished in the global market and that derive inspiration from the formative of the sensitivity of the paintings during the first half of the 20th century. It also aims to let national economy as a high-added industry. The result of this study are as follows: First, the expression method and element of various styles of art such as Fauvism, Expressionism and Cubism, during the period of transition to abstract art clearly presented the direction toward the artistic liberation and made possible a new formative artistic expression of dress in the early years of the 20th century. Their ideas inspired the dress designers of the time with a reformative and creative sense of fashion and have greatly contributed to the development of a new era of uniqueness and individuality. Second, the color and the simplicity of form of the early 20th century paintings are suitable for utilizing a motive of functional dresses and express unique and concise modern beauty Third, it was confirmed that utilizing our tradition in contemporary dress can be a significant method of creation in which the uniqueness and creativity of Korean dress can be expressed, distinguishing it on the global scene, as well as inspire the originality and pride of our culture. Fourth, a possibility has been discovered. It is the functionality and uniqueness of aesthetic expression techniques of the contemporary arts that can contribute to the fashion of tomorrow, by searching a modern fashion which was affected by the past and also by taking a look at the trend of modern fashion as the same field as casual wear. Key words: early 20th century art, casual wear, korean materials and silhouettes.