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박상현,김무림,김영렬,김도익,김준식,서동빈,서진호 한국로봇학회 2018 한국재료학회지 Vol.28 No.11
In this paper, a design for a vehicle body of an armored robot for complex disasters is described. The proposed design considers various requirements in complex disaster situations. Fire, explosion, and poisonous gas may occur simultaneously under those sites. Therefore, the armored robot needs a vehicle body that can protect people from falling objects, high temperature, and poisonous gas. In addition, it should provide intuitive control devices and realistic surrounding views to help the operator respond to emergent situations. To fulfill these requirements of the vehicle body, firstly, the frame was designed to withstand the impact of falling objects. Secondly, the positive pressure device and the cooling device were applied. Thirdly, a panoramic view was implemented that enables real-time observation of surroundings through a number of image sensors. Finally, the cockpit in the vehicle body was designed focused on the manipulability of the armored robot in disaster sites.
현대 불교 건축에 나타난 공(空) 사상의 공간화 특성과 의미
김종진 ( Kim Jongjin ),권미경 ( Kwon Migyoung ),서동빈 ( Seo Dongbin ) 한국공간디자인학회 2021 한국공간디자인학회논문집 Vol.16 No.1
(Background and Purpose) Buddhist architecture can be said to be a comprehensive composition of the Buddha's ideas and Buddhist worldviews embodied in space. The Buddhist temple, as a space for Buddhist monks and worshipers, has been spatialized in different ways depending on region and time, but the style has been repeated in relatively rigid tradition. However, Buddhist temples, which have been built in recent years, are varied with the architect's unique interpretation in a more free and creative way, requiring an architectural analysis. Therefore, this paper discusses the spatialization of contemporary Buddhist temple, focusing on the Śūnyatā (空, emptiness), which is the core of Mahayana Buddhism, among the Buddhist ideology, and aims to analyze how the Śūnyatā was spatialized in contemporary Buddhist architecture. (Method and Results) As the methodological framework of the study, the concepts of ‘visual-perceptual experience’ through sequence and ‘light and spatial phenomena’ were used to analyze the spatialization of Śūnyatā. To this end, we first examined the concept of Śūnyatā and then analyzed the spatialization of Śūnyatā implemented in traditional Buddhist temples. It was confirmed that visual-perceptual experience through sequences and light can be experienced in traditional Buddhist architecture. We then examined the architectural design trends of contemporary Buddhist architecture. Contemporary Buddhist architecture projects conducted after the 1990s in Far East Asia, including Korea, Taiwan, and Japan, were subject to analysis. As a result, contemporary Buddhist architecture was found to be free in terms of architectural form and spatial composition. The programs operated by the temple were diversified, and the multi-purpose spaces were discovered. In addition, as Korea, Taiwan, and Japan are regions of Mahayana Buddhism, it was confirmed that the idea of Śūnyatā is being spatialized in various spaces through the effects of empty space, sequence, and light. Furthermore, a more detailed analysis of the spatialization of Śūnyatā was conducted. Overseas examples included Water Temple and White Temple in Japan, and Water-Moon Monastery in Taiwan, while domestic examples included Manhae Temple in Manhae Village, Traditional Buddhist Cultural Center(Korean Culture Training Institute), and Jetavana Seon(Zen) Center. The case analysis showed that the liberal interpretation and the religious characteristics of Buddhism were combined into interdependent relationships. It was also found that the architect’s own unique style was applied to their contemporary Buddhist architectural works. (Conclusions) Based on the fact that Buddhism's Śūnyatā is essentially captured and internalized through 'experience' rather than through language or shape, it is meaningful to reveal the design principles and practices that allow us to experience the Śūnyatā beyond the shape.