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20세기 초, `중국` 개념의 시각적 정향에 대한 고찰 ― 《도화일보(圖畵日報)》(1909~1910)의 `대륙지경물(大陸之景物)`란을 중심으로
민정기 한국중국어문학회 2013 中國文學 Vol.75 No.-
Geographical knowledge not only preceded but it also motivated, regulated, and dominated all other modern knowledge China had to acquire during it`s struggle to transform itself into a youthful modern nation. `Daluzhi jingwu`(大陸之景物; Scenery of the World) section of the Tuhuaribao(圖畵日報, 1909~1910) might well be seen as visual practice related to `geographical imagination` of the times. Pictures of world`s renowned places `Daluzhi jingwu` section presents are most likely reproductions of photographic images produced in the West, which will also apply to most of those that show Chinese places and landscapes. Images of spots in Shanghai or places worth noticing nearby the modern city seem to have been produced based on original sketches since the media was Shanghai based, but nevertheless the mode of representation was oriented towards modern-western photographic representation. Thus the mode of visual representation adopted by the `Daluzhi jingwu` section in itself suggests inevitable presence of the Western point of view. Visual images of places of the world that `Daluzhi jingwu` section presented, compared to those of former late Qing pictorials, were more accurate, or photographic in representing forms, and as a result emphasized the differences in places and spaces. `Daluzhi jingwu` in general divides the world into two contradicting spaces, one which is oriented by modern functions and values, another which is of exotic landscape. It is not difficult to discover here the Orientalist`s gaze that had been consolidated passing the 19<sup>th</sup> century, golden age of European colonialism, or deep rooted dichotomy of modern-western geography. A sense of sharp comparison between the West and China, always accompanied the ardor for strong and wealthy Chinese nation, both of which evidently were inherent in the process of choosing the places to be shown in `Daluzhi jingwu`. Although traces of traditional mode of visual representation still apparent when showing Chinese scenery could be interpreted as instances of resistance, internalization of the dominant gaze of the West is obvious in the case of `Daluzhi jingwu`.
'시계혁명'과 신식 창가 : '군가'의 발견과 '시'에 대한 부정 Discovering of Martial Songs and Denial of Shi Poetry
閔正基 中國語文硏究會 2003 中國語文論叢 Vol.24 No.-
Liang Qichao during his exile in Japan used every possible media to advocate reform of Qing China. In the process he asserted the need for new poetry as well as new fiction and new drama He presented Huang Zunxian's poems such as Farewell in modern days今別離' as meeting his standard of the 'Revolution of the World of Poetry(詩界革命)'- the harmony of new ideals(新意境) and traditional aesthetics(舊風格). He also praised Huang's lengthy narative poems as widening the scope of Chines poetry. But establishing a sound model for new poetry was not as easy as advocating new fiction, as leaving behind traditional poetic values that lasted through millenium was difficult. When Liang met with the new vocal music movement that was led by some Chinese students studying in Japan, he quickly aquires the new vocal music and it's lyrics into his arguement on new poetry. At the same time he discovers Huang's relatively crude 'Martial song(軍歌)' and praises it as the high tide of 'Revolution of the World of Poetry'. The praise of martial songs and new vocal music which mainly express patriotic nationalism as the future of Chinese poetry, as rhetorical as it is, shows the important factor which fuled the thinking of modern Chinese literature-hope for a rich and strong Chinese nation. Liang's stress on new vocal music in part led to the deconstruction of years old idea of what poems should be like. But on the other hand it narrowed the scope of the future of new poetry, depriving it of the power to aethetically and critically examine the modern conditions of Chinese life.
지식과 도상 ― 『新民叢報』 ‘圖畵’란의 인물초상에 대한 검토
민정기 한국중국현대문학학회 2011 中國現代文學 Vol.0 No.56
In this essay I have discussed the place of visual representations in the modern knowledge system of China which was being formed in early 20th century. I have argued that Xinmin Congbao(新民叢報), the journal that dominated the Tokyo-Shanghai network of reform movement and played critical role in dissemination of ‘new’, ‘western’ knowledge and thinking in the first few years of the 20th century, also held the key to the door leading to the visual realm of the West. Portraits of political leaders of Western nations and of renowned thinkers and scientists of modern era not only set new standards of visual representation by showing new dimensions of how a person could be ‘portrayed’, it also helped the reception process of foreign concepts and ideas by relating it to and giving it concrete visual forms. The ‘Great faces’ which were to be looked upon were quickly replaced. Long tradition of portraying the Confucius ideals were soon to be forgotten. As the visual ‘enlightenment’ gave light to alien faces and new ideals, familiar images became remote and strange. Just as it was simply impossible even to remember how things were thought before the great Tsunami of Modern concepts and ideas swept through.
그림으로 '읽는' 근대 중국의 사회와 문화-[点石???]연구를 위한 서설
민정기 한국중국현대문학학회 2004 中國現代文學 Vol.0 No.28
'Reading' Modern Chinese Society and Culture through Pictorials―An Introduction to the Study of Dianshizhai huabao(點石齋畵報; The Illustrated Lithographer)
프리스트레스트 콘크리트 슬래브의 내화성능 예측에 대한 해석적 연구
민정기,박민재,주영규,Min, Jeong-Ki,Park, Min Jae,Ju, Young K. 한국공간구조학회 2017 한국공간구조학회지 Vol.17 No.1
In fire design for floors, the three criteria of stability, integrity and insulation are required for the specified fire resistance duration. Among these, stability is not easy to confirm. For solid prestressed concrete slabs of uniform thickness, Eurocode 2 provides tabulated data and specifies an axis distance to the centroid of strands to achieve particular fire resistance ratings, but it is not clear if this data can be used for a wide range of different prestressed slab profiles. In order to verify the current code-fire ratings for precast prestressed slabs, both simple and advanced calculation methods are investigated. This paper examines the use of calculation methods, accounting for the real behaviour of unprotected simply supported prestressed concrete slabs exposed to the standard ISO 834 fire. The calculated fire resistance of each prestressed concrete slab is compared with tabulated data in Eurocode part 1.2, with detailed discussion.