Korean-American 작가들의 작품 경향 : 1990년대의 1.5세대를 중심으로

류선모 새한영어영문학회 2002 새한영어영문학회 학술발표회 논문집 Vol.2002 No.5

한국계 미국 문학 어디까지 왔나

류선모 경기대학교인문과학연구소영어영문학회 2004 경기영문학 Vol.8 No.-

한국계 미국인들의 '미국의 꿈'과 정체성 : 1.5 세대 작가들의 소설을 중심으로 Mainly focusing on the Interviews

류선모 한국현대영미소설학회 1997 현대영미소설 Vol.4 No.2

This article aims to examine and analyze Korean American Writer's novels; especially to find out their common themes, 'American Dream' and Korean Identity through interviews with 1.5 Generation Writers among Korean American Writers. There are some common literary characteristic figures as following: firstly, they write autobiographical novel in an aspect of social realism. They write about their own immigrant experience with their parents' experience. So their novels are different from the first generation Korean American Writers. Secondly, they write to show Korean culture, Korean history, Korean legend, Korean folklore, Korean customs to American readers. Thirdly, they are applied to three step structure; they start from Korea with their own 'American Dream' in the mind and they go through the third country to America. For example; "Korea-Japan-America" pattern in Home was the Land of Morning Calm (1995), "Korea-China-America" pattern in Still Life with Rice (1996), and "Korea-Viet Nam-America" pattern in The Photograph (1995) and so on. Fourthly, their theme, 'American Dream', returns to Koreanness or Korean identity in the end of the novel. Fifthly, they express especially Korean cultural idioms, tradition customs. For example; cheong, han, mudang, sangnom, paikil, Chungshindae, gong-gi, kisaeng, chogori, kama, makolli, pok-chori, chige, anbang, ondol, and so on. According to these characteristics, the purpose of this article is to understand 'American Dream' in Korean American literature. I am trying to show a new tendency through 1.5 Generation Writer's five novels: Home was the Land of Morning Calm (1995), Still Life with Rice (1996), The Photograph (1995), Memories of My Ghost Brother (1996), and Native Speaker (1995).

서평 : 나 자신의 노래

류선모 미국소설학회 2010 미국소설 Vol.17 No.3

한국계 미국인 2세들의 자아 정체성 탐구 - 1990년대를 중심으로 -

류선모 경기대학교 인문학연구소 2000 시민인문학 Vol.8 No.-

한국계 미국인들의 작품에 나타난 '미국의 꿈' : Mainly focus on the Interviews with Writers 작가들과의 인터뷰를 중심으로

류선모 京畿大學校 人文科學硏究所 1997 시민인문학 Vol.5 No.-

Abstract This article aims to examine and to analysis Korean American Writer's novels; especially to find out their common themes, 'American Dream' through interviews with 1. 5 Generation Writers among Korean American Writers. In my opinion it is very important in Korean immigration history that 1990's is, we can call it, "Korean American Renaissance". There are some common literary characteristic figures as following: firstly, they write autobiographical novel in an aspect of social realism. They write about their own immigrant experience with their parent's experience. So their novels are different from the first generation Korean American Writers. Secondly, they write to show Korean culture, Korean history, Korean legend, Korean folklore, Korean customs to Korean American and American readers. Thirdly, they are applied to three step structure; they start from Korean with their own 'American Dream' in the mind and they go through the third country to America. For example; "Korea--Japan--America" pattern in Home was the Land of Morning Calm (1995), "Korea--China--America" pattern in Still Life with Rice (1996), and "Korea--Viet Nam--America" pattern in The Photograph (1995) and so on. Fourthly, their theme, 'American Dream', returns to Koreanness or Korean identity in the end of the novel. Fifthly, they express especially on Korean cultural idioms, tradition customs. For example; cheong, han, mudang, sangnom, paikil, Chungshindae, gong-gi, kisaeng, chogori, kama, makolli, pok-chori, chige, anbang, ondol, and so on. According to these characters this article is the purpose to understand 'American Dream' in Korean American literature. I am trying to show new tendency through 1.5 Generation Writer's five novels: Home was the Land of Morning Calm (1995), Still Life with Rice (1996), The Photograph (1995), Memories of My Ghost Brother (1996), and Native Speaker (1995). In Conclusion, 1.5 Generation Korean American Writers are trying to pursue to self-identity, at the same time to assimilate with American main stream culture. In their writing we will see that they focus on the themes of self-identity and the difficulty, if not impossibility, of assimilation. However, without a kind of social assimilation, Americans treat you like an outsider. America is an immigrant country. Without that kind of heritage and identity and identification, they can not be a whole person. They can not actually be someone who has a sense of family and be a valuable member of society. Therefore it is important to have both self-identity and social assimilation, and then they can accomplish their own original 'American Dream'. This article aims to examine and to analysis Korean American Writer's novels; especially to find out their common themes, 'American Dream' through interviews with 1. 5 Generation Writers among Korean American Writers. In my opinion it is very important in Korean immigration history that 1990's is, we can call it, "Korean American Renaissance". There are some common literary characteristic figures as following: firstly, they write autobiographical novel in an aspect of social realism. They write about their own immigrant experience with their parent's experience. So their novels are different from the first generation Korean American Writers. Secondly, they write to show Korean culture, Korean history, Korean legend, Korean folklore, Korean customs to Korean American and American readers. Thirdly, they are applied to three step structure; they start from Korea with their own 'American Dream' in the mind and they go through the third country to America. For example; "Korea--Japan--America" pattern in Home was the Land of Morning Calm (1995), "Korea--China--America" pattern in Still Life with Rice (1996), and "Korea--Viet Nam--America" pattern in The Photograph (1995) and so ort . Fourthly, their theme, 'American Dream', returns to Koreanness or Korean identity in the end of the novel. Fifthly, they express especially on Korean cultural idioms, tradition customs. For example; cheong, han, mudang, sangnom, paikil, Chungshindae, gong-gi, kisaeng, chogori, kama, makolli, pok-chori, chige, anbang, ondol, and so on. According to these characters this article is the purpose to understand 'American Dream' in Korean American literature. I am trying to show new tendency through 1.5 Generation Writer's five novels: Home was the Land of Morning Calm (1995), Still Life with Rice (1996), The Photograph (1995), Memories of My Ghost Brother (1996), and Native Speaker (1995). In Conclusion, 1.5 Generation Korean American Writers are trying to pursue to self-identity, at the same time to assimilate with American main stream culture. In their writing we will see that they focus on the themes of self-identity and the difficulty, if not impossibility, of assimilation. However, without a kind of social assimilation, Americans treat you like an outsider. America is an immigrant country. Without that kind of heritage and identity and identification, they can not be a whole person. They can not actually be someone who has a sense of family and be a valuable member of society. Therefore it is important to have both self-identity and social assimilation, and then they can accomplish their own original 'American Dream'.

한국계 미국인 작가에 관한 연구 : 정체성 추구를 중심으로

류선모 경기대학교인문대학 1997 시민인문학 Vol.4 No.-

近代英國小說의 成立 -그 時代的 배경을 중심으로

류선모,유선모 경기대학교연구교류처 1981 論文集 Vol.9 No.-

Chicano 작가들의 문학적 경향

류선모 檀國大學校英美文化硏究所 1996 英美文化 Vol.5 No.-

Chicano문학은 미국의 다른 소수 민족 문학 특히 원주민계 미국인(Native American)문학처럼 멕시칸들은 그들이 살던 땅을 빼앗기고 미국 백인 사회로부터는 소수 민족에 대한 차별대우, 소외감, 서러움 등을 주고 구전이나 시를 통하여 노래하고 있는 것이 그 특징이라고 하겠다.

1980년대 한국계 미국인 작가들의 주제 연구

류선모 경기대학교 2000 論文集 Vol.44 No.1

This article aims to examine and analyze the Korean-American writers' works in the 1980's, especially to find out their common themes; 'Korean tradition', 'Korean patriotism', and 'Koreanness'. There were two groups among Korean American writers in the 1980's. The first group consisted of Korean-American novelists and the second group consisted of Korean-American poets. The study attempts to examine the 'Korean tradition' in Clay Walls (1986) by Ronyoung Kim and the Korean patriotism in Dictee (1982) by Theresa Hak Kyung Cha and in Man Sei! (1986) by Peter Hyun, and to examine 'Korean identity' through the Korean War in 1950 in Guilt Payment (1983) by Ty Pak. From the second group, the poets' group, the study attempts to examine 'Alienation' out of immigration society in America in Chungmi (1982) by Chung Mi Kim and 'Koreanness' in Picture Bride (1983) by Cathy Song and 'Korean identity' in Under Flag (1991) by Myung Mi Kim. In conclusion, the achievement of the Korean American writers in the 1980's, who mainly were of the first generation, was to help the blooming of what we call the "Korean American Renaissance Period" of the 1990's. It is widely recognized that they introduced Korean tradition, Korean history, and Korean patriotism to American readers, and that they encouraged other Korean-American writers and affected the Korean-American writings in the 1990's.