교합장치가 발음시 하악위 및 하악의 비틀림 회전운동에 미치는 영향

김문규,한경수,김종영,양근영,Kim, Moon-Gyu,Han, Kyung-Soo,Kim, Jong-Young,Yang, Keun-Young 대한안면통증구강내과학회 2001 Journal of Oral Medicine and Pain Vol.26 No.1

This study was performed to investigate the effects of occlusal appliance on the mandibular position and the mandibular rotational torque movement during speech. For this study, 20 patients with temporomandibular disorders(TMDs) and 20 normal subjects without any signs and symptoms in the masticatory system were selected as the patient group and as the normal group, respectively. Biopak $system^{(R)}$(Bioresearch Inc., Milwaukee, USA) and a sentence of 'Sue is missing her house' were used for recording and for observing of speech pattern. There were five mandibular positions observed in this study, that is, mandibular rest position, 'ssi', 'her', 'ha', and 's' speech position. In each position, slant and A-P distance in sagittal plane, vertical distance and lateral distance in frontal plane were measured. Amount of the mandibular rotational torque movement were measured at 'her', 'ha' speech position and for all through speech movement. Centric relation splint(CRS) was placed in both groups, but anterior or posterior bite plane were placed in normal subjects only. Data collected were processed and analysed by SPSS windows program. The results of this study were as follows : 1. Mandibular positions in both groups were not different before adaptation, with CRS, and after removal, but total amount of the mandibular rotational torque movement was greater in patients. 2. Mandible was slightly placed anteriorly with CRS at 'her' and 'ha' speech position in patients, but was placed anteriorly at all the five positions in normal subjects. 3. Difference with type of occlusal appliance in normal subjects were noted only for vertical distance at 'ssi' and 'ha' speech position, and the distance with CRS were more than that with posterior bite plane. 4. Mandibular rotational torque movement at 'her' and 'ha' speech position was greater in patients, but the difference was disappeared after appliance removal. And the torque movement was greater at 'ha' speech position than that at 'her' speech position in frontal plane. It could be concluded that the adaptation of occlusal appliance showed a tendency to locate the mandible anteriorly during speech in both groups, but did not affect total mandibular rotational torque movement which was greater in patients.

시멘트 복합체에 혼입된 탄소나노튜브의 분산방법에 따른 압축강도 발현 특성 연구 동향

김문규(Kim, Moon-Kyu),김규용(Kim, Gyu-Yong),편수정(Pyeon, Su-Jeong),최병철(Choi, Byung-Cheol),이예찬(Lee, Yae-Chan),남정수(Nam, Jeong-Soo) 대한건축학회 2023 대한건축학회 학술발표대회 논문집 Vol.43 No.1

MWCNT로 코팅된 강섬유를 혼입한 시멘트복합체의 강도 특성

김문규 ( Kim Moon-kyu ),김규용 ( Kim Gyu-yong ),편수정 ( Pyeon Su-jeong ),유하민 ( Eu Ha-min ),이예찬 ( Lee Yae-chan ),남정수 ( Nam Jeong-soo ) 한국건축시공학회 2024 한국건축시공학회 학술발표대회 논문집 Vol.24 No.1

타이먼의 소외, 그 이중적 전망 : 『아테네의 타이먼』

김문규(Moon Gyu Kim) 한국셰익스피어학회 2005 셰익스피어 비평 Vol.41 No.1

Shakespeare introduces Timon, the last feudal aristocrat, into the world of capital society and illustrates the process of alienation by money significantly. The aristocracy are traditionally spend-thrift. This is certainly true of Timon, one of the last Shakespeare's big spenders. His generosity to his friends is in essence an act of aggressive generosity which reduces everyone else to the inferior and passive position of recipient. Even it turns out to be literally self-destructive, as he sinks deeper into debt. Timon gives as a friend, and expects to borrow as a friend, but instead he is being treated like any debtor bound not by the ties of friendship but by the conditions of a legal contract. In a word, living in the hour of capitalist emergence, Timon is not aware of aquisition and dispossession as a timely theme. He is so out of touch with the world that his tragic invective against mankind fails to carry out any weight and seems merely rhetorical. But it is also Timon who in the lowest depths of his disillusion and misanthropy expresses money's power to pervert everything into its opposite. He ironically calls money 'sweet,' 'young,' 'fresh,' 'loved,' and 'delicate' and gloats over his ability to make the common whore of mankind act according to her nature. From this contradiction of characterization and discourse, we can infer Shakespeare's double vision of the essence of money. However, Timon cannot see clearly to the last that he is the victim of these perversions of money even while profiting from or exulting in them. That is why Timon's bleak and desolate alienation suggests strikingly that money is "the alienated ability of mankind."

『사랑의 헛수고』: 궁정 풍 사랑의 유행과 남성 주체의 자기 소외

김문규(Moon-Gyu Kim) 신영어영문학회 2007 신영어영문학 Vol.37 No.-

Love's Labour's Lost is the only comedy of Shakespeare which adopts 'love' as its title. But it does not follow the convention of romantic comedy which sets the ideological closure of final marriage for romantic love. It is because Shakespeare's concern with love in this comedy is the self-alienation of male courtly lovers and their fictions of masculine selfhood. Associating courtly lovers' labor with errors rather than with the remedies, the play represents, love, especially courtly love, as the symptoms of Imaginary Order. As is the play doubtful about the efficacy of romantic love, so the new form of marriage-the defer and the delay of it-alters the dramatic form. In addition, final songs which remind us that marriage is a beginning as well as an end, strengthen a critical view against courtly love as a fashion.

분산방법에 따른 CNT를 혼입한 섬유보강 시멘트복합체의 유동성 평가

김문규 ( Kim Moon-kyu ),김규용 ( Kim Gyu-yong ),편수정 ( Pyeon Su-jeong ),최병철 ( Choi Byung-cheol ),박준영 ( Park Jun-young ),남정수 ( Nam Jeong-soo ) 한국건축시공학회 2023 한국건축시공학회 학술발표대회 논문집 Vol.23 No.1

In this study, the table flow of fiber reinforced cement composites mixed with CNTs dispersed differently according to the dispersion method was evaluated. The mixture was composed of plain mixture according to the presence or absence of ultrasonic dispersion and PCE-based dispersants A and B of 0.5% and 1.0%, respectively, CNT was mixed with 0.03% of cement weight and fiber was mixed with 1.5% of total volume. As a result of the experiment, NC-A0.5 showed a fluidity similar to that of P without CNT. The fluidity of NC-A0.5 and P-N showed a similar tendency, which is considered to be due to the distribution of evenly dispersed CNT particles without agglomeration between cement particles due to the dispersant. NC-B0.5 showed a similar level of firmness to P-U, but after hitting 250 mm, B Agent seems to have a significant effect on liquidity improvement.Both NC-A1.0 and NC-B1.0 seem to have increased flow due to excessive dispersion.

셰익스피어의 『십이야』의 말볼리오

김문규(Kim, Moon-Gyu) 신영어영문학회 2015 신영어영문학 Vol.61 No.-

This paper analyses Malvolio’s character in Twelfth Night as the prototype of the hypocritical bureaucrat who is satirized as the eunuch. Malvolio is a servant in an anachronistic country, but he is called a contemporary puritan. And his story is about an aspiring servant who wants to marry the lady of the house. Thus, his story can be read as mirroring contemporary social mobility. Malvolio as a puritan bureaucrat has become a target for the community to direct its displeasure over certain forms of class aspirations. By the members of community Malvolio is induced to expose his own fantasy in which his social and sexual desire for the lady of the house is profusely satisfied. Then, the entire course of his bafflement follows and he is ridiculed, feminized and sexually degraded, which means he has seen made an eunuch. However, the play finally suggests that Malvolio remains the bureaucrat as ever and that it is time for the community to face the puritan bureaucrat again.

『리처드 3세』(Richard III)에 나타난 악의 비전

김문규(Moon-Gyu Kim) 한국셰익스피어학회 2015 셰익스피어 비평 Vol.51 No.4

This paper is designed to study the vision of evil in Richard III. The play dramatizes the final demonic phase of civil war, depicting the desperate way the old world ends. In the demonic phase of history, Richard appears as a remainder of radical negativity of old world, which still haunts the present world. In the process of usurping the crown, he repeats and accumulates internecine feud inexorably. The incessant murders he has committed seem to be the very form in which old order survives and haunts the present. Thus, the play suggests the vision of evil as being stuck for all eternity with an abyss and unable to disappear, unable to come to an end, and doomed to eternal repetition. The play also suggests that this vision of evil is no more than that of nothingness and ineffectiveness. At the end, when Richard is defeated by Richmond who represents officially good and divine justice, this vicious cycle of evil is closed. And the play can reach its proper ideological resolution for Tudor myth. But Shakespeare’s stance seems to be divided between sanguine view of Tudor myth and cynical view of it.

『끝이 좋으면 다 좋다』: 여성주체성의 모순, 그리고 결혼의 문제

김문규(Moon-Gyu Kim) 신영어영문학회 2008 신영어영문학 Vol.41 No.-

In the play Helena challenges the conventional concept of virginity in male-dominated society by losing it to her own liking. To win her love and marriage, she manipulates the bed-trick with which she can coerce her lawful husband having sex with her against his will. So, the bed-trick is not the consummation of marriage, but rather an act of prostitution in which Helena serves her husband’s unlawful and immoral lust for purely physical union. But her fundamental desire impelling the bed-trick is to become the object of his desire, namely, to fit herself to his fantasies. Thus, her marriage founded on the contradiction of female subjectivity seems to preclude a satisfactory resolution for her sexual desire, and also suggests that marriage is only one solution, at best temporary, for a recurring human problem caused by sexual instinct.

『헨리 8세』(Henry VIII)와 종교 개혁

김문규(Moon-gyu Kim) 한국셰익스피어학회 2017 셰익스피어 비평 Vol.53 No.3

This paper aims at studying how Shakespeare, as a secular humanist unmoved by religious controversy, viewed and depicted religious reformation through Henry VIII. Shakespeare suggests that English religious reformation happened in the wake of the currents of secularization of religion and of English nationalism. But Shakespeare also suggests that it is almost impossible for England to be transformed from a medieval catholic nation into a modern protestant nation through religious reformation. In this context, the play represents various aspects of transitional confusion and turbulence. To the historical figures involved in the events of religious reformation, something has happened which has altered their lives and nation, but the full meaning of these events is denied. For example, Wolsey, who represents a secularized clergyman, is swept away by the current of the English nationalism which results in the advent of the absolute monarch. And in the end he regrets not to die as ‘a blessed martyr’. But the idea of blessed martyr proves to be false for the secularized clergyman under the sway of the charismatic will of absolute monarch. Henry’s drama, mainly focusing on his case of conscience, also displays the confusion and turbulence of historical transition. His case of conscience does not stage Protestant subjective conscience, but rather dramatizes a pervasive uneasiness about the national Reformation. Above all, the episode in which Henry swears ‘a blessed mother’ in defence of the Protestant Archbishop critically witnesses the turbulence and the confusion of historical transition. At the end of the play, Cranmer, a Protestant Archbishop, under the blessing to the baby princess, prophesies the advent of great era of Elizabeth which will end current turbulence and confusion of the Reformation. Further, his mythologization of Elizabeth as ‘the maiden phoenix’ implies that in future English people will pray to ‘god’s blessed queen’ for help rather to ‘god’s blessed mother’. Thus, His prophecy endorses a providential view of history which celebrates the perfection of monarchy.