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금동철 아세아연합신학대학교 2003 ACTS 神學과 宣敎 Vol.7 No.-
이러한 논의를 통해 우리는 박목월 시에서 기독교적 세계관이 얼마나 중요한 자리를 차지하고 있는지를 확인할 수 있다. 그렇다면 그의 초기 시에 대한 과도한 의미 부여는 상당한 문제를 지닌 것임을 알 수 있다. 전통적으로 현대 시사 연구에서 박목월의 시세계에 대한 언급이 주로 초기 자연 시에 집중됨으로써 그의 시가 기독교적 세계관과는 큰 관련성이 없는 것으로 비춰져온 것이 사실이다. 그러나 본고를 통해 이러한 초기 시에 조차 기독교적 세계관이 은연중에 깔려 있을 뿐만 아니라, 그 시기의 시들보다 훨씬 많은 부분을 차지하는 중기와 후기시가 분명하게 기독교적 세계관을 바탕에 깔고 있음을 확인할 수 있었다. 이것은 박목월의 시세계를 올바로 평가하기 위해서는 기독교적 관점이 제대로 확립되어야 함을 보여주는 것이며, 결국 환상적 자연을 창조한 초기시보다 기독교적 세계관을 보다 선명하게 드러내고 있는 중기와 후기시를 더욱 중요한 것으로 바라보아야 함을 의미한다고 하겠다.
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금동철 우리말글학회 2001 우리말 글 Vol.21 No.-
The purpose of this paper is to analyze the 'loneliness' of Kim Hyunseung's poetry in terms of the rhetoric. The concept of His 'loneliness' is dealt with not only the indivisual or religional meaning but also the nature of lyric. Metaphor is founded on the aesthetics of identity. The lyric is based on the rhetoric of metaphor because it is based on the identity between the Self and the world. The 'loneliness' in his poetry is related with the era of his skepticism of God in 1960s. The loss of God results the loss of the lyrical origin. The world losses the vital energy when the lyrical origin is lost. The image of fruits in his 1960s'poetry is generally concerned with death or hardness, This is the result of the loss of his lyrical origin, the God. In 1970s he recovers the faith in the pain of the sickness. The recovery of faith results the recovery of the lyrical origin. And so, in that era the things in his poetry recover the vital energy and the identity with the Self. Conclusionally he recovers the metaphoric world view through the recovery of the lyrical identity between the Self and the world.
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금동철 우리말글학회 2002 우리말 글 Vol.24 No.-
The purpose of this study is to analize worldview of 1930''s modernist poetry especialy that of Jeong Jiyong, Kim Kirim, Kim Kwanggyun. In the poetry of Jeong Jiyong, there are mimetic mages that has a spiritual 'meaning' that is christanity. It tells us the image is handled in the point of metaphor. In the poetry of Kim Kirim, there are confusional use of metaphoric images and metonymic image. It is the results of his indistinctive understanding of moderism. Hens in the late of 1930s his poetry turn to the metaphoric worldview. In the poetry of Kim Kwanggyun, he pursuits the metaphoric identity between the self and the world. In conclusion, it is clear that the 1930's modernist poetry have the metaphoric worldview.(Seoul National University)
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금동철 우리말글학회 2003 우리말 글 Vol.29 No.-
The meaning of space in the modern poetry can be treated many ways. But this paper wants to explain the meaning of space in the point of semiotics. In Kim-Chunsu's non-meaning poetry, Oh-kyuwon's poetry of crude image, Chae-hogy's postermodern poetry, or the poetry of drawing to cyber space, there are no symbolic meaning or metaphoric meaning in the space of that poetry. It is the deconstruction of symbolic meaning and the deconstruction of lyric poetry. On the contrary, in the lyric poetry, that is Searim's, O-saeyoung's, or Cho-Changwhan's poetry, they are pursuit to the lyric standpoint. In those poetry, the symbolic meaning of space is recovered. The concept of the meaning of space in the deconstructive poetry and postmodern poetry denies the world of meaning beyond the world of signs. But the concept of the meaning of space in the lyric poetry contains many symbolic meanings.(Asian United Theological Unversity)
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금동철 한국시학회 2000 한국시학연구 Vol.- No.3
The purpose of this paper is to analyze the lyric origin of Park Mokweal's poetry in the way of analyzing the 'mother' image. In his poetry the mother image is very important one because it is the key of the pursuit of lyric origin. The mother image is the important part of the hometown image. that is the dominant factor of his poetry. It is important that the mother image corresponds with the sense of return to the hometown. The nostalgia in the middle period of his poetry is mainly formed with the mother image. And the sense of return to hometown in his late periods has the same meaning of the sense of return to eternal maternity. It is important that the collection of poems named 〈mother〉 is published in the late period that he shows the return to the hometown. The publishing time of this collection shows that the return to the maternity is located beneath the sense of return to the hometown. In his poetry the point to the mother image is the point to the vertical relationship. In the mother poetry he assumed a childhood attitude to his mother. It shows that he set importance on the vertical relationship rather than the horizontal relationship. We can find this point to the vertical relationship in his other poetry. Thus we can find out that his eyes are always opened to the upward. And the mother image works on him the pathway to God. The point to the vertical relationship offers the keys that we can pursuit the lyric origin in his poetry. From his point to this vertical relationship we can understand that he perceives the world in the vision of God. Thus the idea of God is the lyric origin in his poetry.
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금동철 우리말글학회 2004 우리말 글 Vol.32 No.-
On this paper, I persuit Park Mok-wol's christian perception of the nature In his poetry, the pursuit of the traits of the image of nature can indicates the view of the world of Park Mok-wol The image of nature in his middle age poetry has two aspects the one is the dark cold images and the other is the bright hopeful images The dark cold images are connected with the poet's painful real living On the other hand the bright hopeful images are connected with the grace of God In his latter term, the bright hopeful images are connected with transcendence This is the trait of Park Mok-wol's christian view of the world
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금동철 아세아연합신학대학교 신학연구소 2013 ACTS 神學과 宣敎 Vol.13 No.-
In the poetry of Park Dujin, the image of Jesus Christ was described many times. In his early works(from the late 1930s to 1940s), he showed an intense desire for a restored paradise and the coming of Jesus Christ. In his middle works(1950-1960), the poetic I assumed a critical attitude toward the koeran society of those days. The images of Jesus Christ in his poetry at that time were mainly the images of crucified and suffering. At these poetry, he described these images emotionally not theologically. In his late poetry(since the 1970s), there was a ontological attitude to the self, the life and the God. At these poetry, the images of Jesus Christ were the image of ontological origin of himself and maturing his life. Thus we can aware that the images of Jesus Christ appears in his whole works, and this means that he concerned to Jesus Christ all the time of his life and the analysis of these images leads us to understand the distinctive feature of his poetry.
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