A Study on Export Promotion Strategy of K-Beauty Korean Wave Products: Focused on Cosmetic

Jeon,Dong-Han,Lee,Pyoung-Soo,Seo,Yong-Won 한국유통과학회 2019 KODISA ICBE (International Conference on Business Vol.2019 No.-

This study aims to inquire into strategies for promoting export by investigating the real Korean Wave products of K-Beauty through approaching closer to the formation process of Korean Wave and Korean Wave products. In the first place, this study chose classification method of Korean Wave products from K-Beauty products by examining and reviewing general situations and various factors of Korean Wave. After this process, this study inquired into the strategies for promoting export of K-Beauty products. In the last place, the implications of the study were clarified. The items which benefited most from Korean Wave by the recent Korean Wave fever correspond to cosmetics, accessories, women s wear, cellular phones, confectionery, beverages and cigarettes. In addition to K-Beauty, it will be required to expand the area in a more diversified way toward K-Food, K-Health and K-Town, aiming at sustainable development of Korean Wave.

전지의 연결방법에 대한 초등학생의 인식 연구

전현주,유병길 부산교육대학교 과학교육연구소 2004 科學敎育硏究 Vol.29 No.-

This study explored how elementary school students think batteries and bulbs' parallel and series connection. For the purpose, 824 elementary school students were randomly selected from the 4th grade to 6th grade each three class, and we have devised and applied a questionnaire consisting of multiple choice questions and the selecting reasons. The results can be summarized as follows. Firstly, the mean values was no less than 60, so students' understanding was insufficient in all the grades. The 5th graders understood best batteries' parallel and series connection because they learned the related contents. Also, most students thought parallel connection more difficult than series. Secondly, gender difference in the mean values was not statistically significant an the range of batteries' series connection. However, in the case of the 5th graders, boy students' mean value was statistically significantly higher than girl graders in batteries' parallel connection. In the case of the 6th graders, girl students' mean value was statistically significantly higher than boy students' in batteries' series connection. Thirdly, it was manifest that when students discriminated parallel and series in the presented circuits, according to a part of the circuit, i.e., batteries' or bulbs' arrangement, or connected wires' state, they decided whether the circuit is parallel or series. With regard to the present results, teaching the unit related with electric circuit, teachers need to device students' learning sequence about parallel and series connection. Also, current and voltage have to be differentiated from the 4th grade in order to provide students with a view of the phenomenon of current flow that includes the idea of a flow of something in a circuit and the idea of a driving "force" of that flow but that also allows to distinguish these issues.

우울 증상을 수반한 만성 정신분열병 입원환자에서의 Paroxetine 효과 : 이중맹검 위약대조 연구

한평주,백영석,오상우,전현태,김지영 대한신경정신의학회 2000 신경정신의학 Vol.39 No.4

연구목적: 우울 증상이 있는 만성 정신분열병 환자를 대상으로 항정신병약물과 항우울제인 paroxetine 20mg을 병합 투여하여 우울 증상, 양성 증상, 음성 증상 및 일반적인 정신병리의 호전 여부를 밝히고자 하였다. 방법: DSM-IV 기준상 정신분열병으로 진단된 입원환자 중 우울 증상이 있는 49명을 대상으로 parox-etine과 위약을 이중맹검을 대조한 전향적 임상 연구로서 Hamilton Rating Scale for Depression (HRSD), Brief Psychiatric Rating Scale(BPRS), Positive and Negative Syndrome Scale (PANSS), Extrapyramidal Symptom Rating Scale(ESRS), UKU side effect rating scale(UKU), Clinical Global Impression(CGI)을 기저선과 1주, 2주, 4주, 6주의 시점에서 다섯 번 반복 측정하여 비교 검토하였다. 결과: 36명의 환자가 6주간의 실험을 마쳤다. Paroxetine군과 위약군을 비교해볼 때 HRSD 총점은 양군에서 의미있게 감소되어(p<.01) 우울 증상이 호전되었으나, 두 군간에 통계적으로 의미있는 차이는 없었다. 시간경과에 따라 항우울 효과는 paroxetine 군에서는 2주, 위약군에서는 4주 후부터 관찰되었다. 그리고 paroxetine군과 위약군 모두 PANSS 총점(p<.01)과 CGI 점수(p<.05)가 감소되어 전반적인 정신병리의 감소와 전체적인 임상적 호전을 보였으나, 두 군에서 양성 증상, 음성 증상, 일반적인 정신병리 그리고 약물 부작용은 유의미한 차이가 없었다. Paroxetine군에서 반응군고 비반응군으로 나누어 비교했을 때, 반응군이 비반응군보다 HRSD의 총점(p<.01)과 우울한 기분, 자살, 정신적 불안, 죄채감의 세부 항목에서 유의한 호전을 보였고(p</01),일과 활동, 초기 불면증, 건강염려증의 세부 항목이 호전되어(p<.05) 현저한 우울 증상의 호전을 보였다. 또한 반응군이 비반응군보다 BPRS 총점(p</01)과 PANSS의 일반적인 정신병리 점수(p<.05)가 낮게 나와, 일반 정신병리의 호전을 보였다. 결론: Paroxetine군과 위약군 모두에서 우울 증상의 감소가 있었지만, paroxetine군에서 항우울 효과가 빠르게 나타났다. 두 군간에 양성 증상, 음성 증상, 일반적인 정신병리와 부작용에 대한 차이는 없었다. Paroxetine군에서 반응군은 비반응군보다 우을 증상과 일반적인 정신병리에서 유의한 호전을 보였다. 즉 우울한 기분, 자살, 정신적 불안, 죄책감, 일과 활동, 초기 불면증, 건강염려증이 심한 정신분열병 환자에게 우울 증상을 회복시키는데 paroxetine 20mg의 병용 투여가 효과가 있었다. Objectives: This double-blind placebo-controlled study was conducted to demonstrate the improvement of depressive, positive and negative symptoms, and general psychopatholgy in depressed chronic schizophrenic inpatients with adjunctive paroxetine 20mg therapy in the morning. Methods: Forty nine chronic schizophrenic inpatients with depressive symptoms were randomly received adjunctive paroxetine of placebo for 6 week study period. Therapeutic effect and side dffects were evaluated by means of the Hamiltom Rating Scale for Depression(HRSD),The Brief Psychiatric Rating Scale(BPRS), the Positive and Negative Syndrome Scale(PANSS), the Extrapyramidal Symptom Rating Scale(ESRS), the UKU side effect rating scale(UKU), and the Clinical Global Impression(CGI) at baseline, first, second, forth, and sixth week of treatment in a controlled double-blind design. Results: 18 patients completed six weeks of paroxetine therapy, and 18 patients placebo therapy. 1) Comparison between paroxetine and placebo groups: (1) HRSD total scores in both groups were significantly decreased(p<.01) but there was no statistically significant difference between 2 groups. This study showed that significant effect in paroxetine group appeared at 2nd week of treatment(p<.01), while in placebo group at 4th week of treatment(p<.01). (2) PANSS, BPRS< CGI, ESRS, and UKU : In both groups, PANSS total scores and CGI scores were significantly decreased respectively(p<.01, p<.05) and thus indicated th im-provement of global psychopathology and entire effects. There were no significant differences between 2 groups in positive, negative symptoms, general psychopathology, and drug side effects. 2) Comparison between responding and nonresponding groups in paroxetine adjunctive therapy : (1) Compared with nonresponding group, responding group had significant decrease in HRSD total score(p<.01), in HRSD subitems such as depressed mood, suicide, psychic anxiety, and feelings of guilt(p<.01), and in other subitems such as work and activity, early insomnia, and hypochondriasis(p<.05). (2) Compared with nonresponding group, responding group had significantly decrease in BPRS total score(p<.01) and in general subscale of PANSS(p<.05). Conclusion: The results suggest that both paroxetine and placebo groups were improved in depressive symptoms, but paroxetine group had more rapid improvement than placebo group. There were no significant differences in positive symptoms, negative symptoms, general psychopathology, and drug side effects between two groups. Compared with nonresponding group in paroxetine adjunctive therapy, responding group had significant improvement in depressive symptoms and general psychopathology.

Review on Historical Assessment and Perception of Dziga Vertov

Jeon, Pyoung-Kuk The Korea Contents Association 2008 International Journal of Contents Vol.4 No.4

In 1920s, Soviet silent films enjoyed unprecedentedly great prosperity throughout world film history. Particularly, Dziga Vertov could develop 'montage' in collaboration with Sergei Eisenstein and thereby could work as the engines behind development and leap of Soviet films toward 'new concepts' of 'new films' worldwide. However, Vertov's original reputations - the best film theorist and avant-gardist as well as great cineaste in his contemporary age - have been misunderstood or underestimated, so that he has been still misestimated or distorted as radical formalist and documentary propagandist. In regard to these points, this study aims to take Gilles Deleuze's modal esthetic approaches to further considering and historically re-highlighting D. Vertov's film theories that are based on the principle of 'film-reality' and the concept of 'Life As It Is' according to 'kino-eye' method and 'interval' theory as a part of futurism and constructivism breaking down any attribute of traditional narrative films.

Review on Historical Assessment and Perception of Dziga Vertov

Pyoung-Kuk Jeon 한국콘텐츠학회 2008 International Journal of Contents Vol.4 No.4

매체 다원화 시대 다큐멘터리 장르의 경계에 관한 연구

전평국(Jeon Pyoung Kuk) 한국영화학회 2008 영화연구 Vol.0 No.37

The purpose of this study is to re-examine whether the term called 'documentary' is the target of scrap or not, and whether the mode called documentary is too old to have significance, amid the situation of dilemma in complicated and broad spectrum like modern times. The discussion is developed in a level of raising several problems that are possessed by the main concepts, which have historically dominated a discourse in documentary, and by the epistemology on documentary. The status, identity, and orientation in documentary are considered by inspecting the reality, which is the primary question, the mode and experiment of expressing this, and the division of boundary with fiction. It is now problematic clearly for the term called documentary to be used as a concept of including all the works such as variety and hybridity. Due to expansion in media such as digital technology and internet, numerous works, which cannot be measured on the basis of the norm or criterion for the existing traditional documentary, are creating and delivering reality in new dimension with the attempt in diverse modes and techniques. For instance, there are phenomena of emphasizing subjectivity rather than objectivity, the presence rather than revival, the emotional and private reality rather than social and public reality, and the simulacra rather than the subject of having the physical and indexical relationship with the actuality. These characteristics are attached more importance to the audiences' reaction and receptiveness rather than essential aspect in the work. In that sense, the documentary can be said to be the mode of reaction rather than one genre, method, and style. It is because this characteristic itself is one premise and value, too, in order for the documentary film to exist. In consequence, the documentary, as one category, is necessary and functions as important mechanism that expands and develops sphere and recognition on film.

디지털 테크놀로지와 영화 표현기법의 변화

전평국(Pyoung-Kuk Jeon),김형두(Hyeung-Doo Kim) 한국콘텐츠학회 2009 한국콘텐츠학회논문지 Vol.9 No.1

2000년대 이후 영화에서 보편적으로 사용되기 시작한 디지털 테크놀로지는 영화제작과 표현기법에 있어 큰 변화를 일으키고 있다. 영화제작시스템의 축이 촬영중심의 프로덕션 제작과정에서 디지털 기기를 이용한 편집중심의 포스트프로덕션으로 이동되면서 기존의 프리 프로덕션->프로덕션->포스트 프로덕션으로 이뤄진 제작시스템의 경로와 경계가 불분명해지고 있다. 미학과 기술적인 측면에서의 이러한 변화는 영화작가에게는 창조성과 독창성을 더욱 확장시키고, 관객들에게는 전통적인 영화에서는 느낄 수 없었던 현실감과 생동감을 보다 크게 느끼게 함으로써 영화를 한 차원 끌어올리고 있다. 하지만 이런 ‘환영적인 스펙터클’은 관객들에게 영화의 서사와 아우라(aura)를 온전하게 보지 못하게 하는 특징도 함께 보여주는 단점도 지니고 있다. There has been a change in the production of the movie and techniques of the expression in the digital technology which has been used universally since 2000. As the focus of the production system of the movie has moved from the production procedure centering around filming to the procedure centering around editing used by the digital tools. The flows and boundaries of the production system which is consist of pre-production, production and post-production are getting indistinct. In the point of view of aesthetics and technology, this kind of change expands the creativity and originality for the screenwriters and provides the reality and vitality which haven't been found in previous films for the audience. It also elevates the quality of the movie. However, this ‘illusionary spectacle' has a vulnerable point that shows the aura and details of the movie soundly for the audience.

소비에트 무성영화의 지가 베르토프 영화이론

전평국(Pyoung-Kuk Jeon),김노익(Noh-Ik Kim) 한국콘텐츠학회 2010 한국콘텐츠학회논문지 Vol.10 No.8

1920년대 소비에트 무성영화는 세계영화사에 있어 문화·예술적 측면에서 찬란한 번영을 일으켰다. 그중에서도 지가 베르토프(Dziga Vertov)는 세르게이 에이젠슈테인(Sergei M. Eisenstein)과 함께 당대 소비에트 영화의 핵심적 역할을 행사한 최고의 영화이론가이자 실천가였다. 하지만 베르토프의 영화이론은 오늘날까지도 에이젠슈테인에 비해 상대적으로 잘못 인식되거나 전수된 점이 많았다. 그러나 들뢰즈는 베르토프의 영화에 나타난 쇼트 자체가 어떤 의미나 충격을 전달할 수 있으며, 다큐멘터리가 지녀야할 ‘진실’에 초점을 맞춰 쇼트 자체에서도 의미를 이뤄낼 수 있다고 역설했다. 그의 영화이론은 미래주의와 구성주의에 바탕을 두어 ‘영화-눈’이라는 방법과 ‘간격’이라는 이론을 통한 ‘영화-진실’이라는 원리 그리고 ‘생활 있는 그대로’의 개념으로 요약·정리된다. 따라서 본 연구는 베르토프 영화이론의 핵심인 키노아이와 간격이론 등을 중심으로 에이젠슈테인의 몽타주론과 비교하면서 들뢰즈의 이미지론을 적용하며 심도 있게 분석·조망하고자 한다. 나아가 선행연구의 미비로 인한 베르토프의 영화사적 업적을 논의하기에는 역부족일 수도 있으나, 그의 다큐멘터리 영화 표현양식에 있어 혁신적인 방법과 그의 이론을 심층적으로 연구할 것이다. The Soviet Silent Films in the 1920s, produced a brilliant prosperity in the history of world films in the cultural and artistic aspects. Among them, Dziga Vertov was a film theorists and a practitioner along with Sergei M. Einstein played a pivotal role in the contemporary soviet films at the time. But the film theories of Vetro is incorrectly recognized or specialized compared to the theories of Eisenstein. But Deleuze has stated that the short in the movie of Vertov is able to deliver a meaning and an impact and he has emphasized that a short can be significant by itself by focusing on the ‘truth' which a documentary must have. His film theories are based on futurism and constructivism and use the ‘kino-eye’ method and ‘Interval' theory to summarize and organize his movies into ‘movie-truth’ principal and ‘life as itself’ concept. Deleuze the purpose of this research is to analyze with the Vertov core of film theory and every theory of kino eye as the foundation and by comparing the Montage Theory of Sergei Eisenstein and applying Deleuze's Image Theory. Furthermore, it can be insufficient to discuss the film commercial achievements of Vertov as a result of inadequacy of previous research but it will further study his innovative methods and depth of his theories in his representation form in the documentary films.

영화의 역사화 범주 가능성에 관한 연구

전평국(Jeon Pyoung Kuk) 한국영화학회 2008 영화연구 Vol.0 No.35

The work of historicization largely comprises the historical narration and the history education. In light of the aspect, history is a crisis. First of all, as the historical narration is the basic problem about the definition dubbed 'what history means', it is related to historical identity. A problem is raised about the scientific historical view, which was defined as 'conversation between the present and the past' based on reality in its previous 'historical fact' due to influence of post-modernism. And, the new historical epistemology is based that is called the component in discourse order, which is formed by the historical narration, simply as text, without being existed the historical fact. Either 'the past fact' or 'historical material' itself is what the current historian cannot actually approach, thereby being unable to see as 'the past reality', and is the result called one 'story', which was decorated with historical imagination. The paradigm conversion is attempted with assertion of being but 'fiction' not 'actuality' while recognizing the so-called historical concept as Linguistic Turn. This is 'anti-history' declaration that rings the knell of history, by regarding even the historical science as the sphere of fiction, not a fact, like literature or art. In the meantime, the evolutionary and progressive historical view is dissected centering on the nation and race, which was pursued by huge discourse in the existing modernism. And, the historical view of pluralism is pointed, which newly arranges history, by finding out discontinuously several starting points, which are made by accidental elements and devious events, for instance, diversely small stories, which are concealed and hidden by huge narration like the life in an individual and the masses, namely, 'history of oblivion' as 'history of memory.' In other words, the masses' counter-memory is reconstituted by excavating history as life, which had been excluded by the history as science. Thus, it aims to seek for the possibility of new history and to widen horizon of historical perception, by creating the so-called 'micro-history' and 'history from below.' Next, a problem of history education results from the perception that only the text history is the true history, with facing the post-alphabet and image era. In the current history-education system that is performed with school education centering on textbook, students or the masses obtain information from internet, film, and TV, not from a book, and communicate with the past. Many masses are already enjoying films or TV historical dramas as one history, naturally acquire historical knowledge inside it, and are renewing historical perception. Furthermore, the film shows specifically several aspects, to which the post-modem historical view had pointed, with diverse elements such as story, video image, color, clothing, art, music, and effect, which hadn't been possessed by the book. Thus, it is becoming the big motive in delivering newly lots of historical facts to audiences and in excavating potential history with historical imagination. One good example is Colorful Holiday, which was greatly successful film in box-office by having been released in the latter half of last year, with the matter of Gwangju on the 18th of May. Ultimately, in order to escape from this crisis, the new conversion of understanding about history is needed. As its one method, the positive attitude and perception are requested, which utilized the image media such as films, TV historical dramas, etc. escaping from 'national history' education centering on the current textbook of having the objective as infusing the national identity and the national ideology. This is the open thinking and the open discourse that elevate the historical thought and the historical imagination, beyond delivering historical knowledge.

Perceptual assessment of quality of urban soundscapes with combined noise sources and water sounds.

Jeon, Jin Yong,Lee, Pyoung Jik,You, Jin,Kang, Jian American Institute of Physics for the Acoustical S 2010 Journal of the Acoustical Society of America Vol.127 No.3

<P>In this study, urban soundscapes containing combined noise sources were evaluated through field surveys and laboratory experiments. The effect of water sounds on masking urban noises was then examined in order to enhance the soundscape perception. Field surveys in 16 urban spaces were conducted through soundwalking to evaluate the annoyance of combined noise sources. Synthesis curves were derived for the relationships between noise levels and the percentage of highly annoyed (%HA) and the percentage of annoyed (%A) for the combined noise sources. Qualitative analysis was also made using semantic scales for evaluating the quality of the soundscape, and it was shown that the perception of acoustic comfort and loudness was strongly related to the annoyance. A laboratory auditory experiment was then conducted in order to quantify the total annoyance caused by road traffic noise and four types of construction noise. It was shown that the annoyance ratings were related to the types of construction noise in combination with road traffic noise and the level of the road traffic noise. Finally, water sounds were determined to be the best sounds to use for enhancing the urban soundscape. The level of the water sounds should be similar to or not less than 3 dB below the level of the urban noises.</P>